but still he tells her to TRY and stay alive for him

things I love about Steve Trevor
  • He makes sure he actually thanks Diana for pulling him out of the water
  • The only time he ever expresses doubt to Diana about any of her beliefs is when he’s trying to convince her not to jeopardize the mission by killing Ludendorff, and even then it’s a hypothetical (“what if”)
    • He also does after she kills Ludendorff but that’s after her belief is shattered so I don’t really count it
  • He is so duty-bound I love him so much no wonder he and Diana got along so well
  • He just. Wants the people around him to be happy? The scene after they rescue Veld always kills me, and two parts in particular: 
    • When Charlie starts playing piano and singing and Steve says “I haven’t heard him sing in years…” and his face is all soft and you can see the shadow of a smile tugging at his lips but you can also see all the sadness in his eyes from those years of him not singing
    • And when he’s dancing with Diana and it starts to snow and she looks up and is so confused and delighted and he’s like “it’s snow… go on, touch it” and she does (also she has to let go of his hand to do it and he still encourages her to? such a small thing but oh man my heart) and he looks at her with such heart eyes
    • Honestly Chris Pine played him so well, so much complex emotion depicted even when he’s not speaking, like jfc well done
  • I love the boat scene, partly because it’s just fucking hilarious but mostly because their conversation is so respectful. She tells him she was sculpted from clay and brought to life by the breath of Zeus and his reaction is just to raise his eyebrows and say “Well, that’s neat.” 
    • I know that could read as sarcastic but it doesn’t to me at all. It’s funny, sure, but he isn’t making fun of her. It’s genuine and kind, even when what she’s saying is fairly unbelievable.
    • Just the entire way they speak in this scene… He never adopts that Mansplaining Tone™ that is so common, even when he’s actually explaining things. He talks because he wants to share information. It’s a cultural exchange, and I loved it.
  • After Veld, when they’re sitting and watching the villagers dance, he just quietly says, “You did this.” and she’s the one who smiles at him and says, “We did this.” He has so much respect for her and it kills me inside because it’s not “We did this” originally (which could be him pointing out that they’re a good team, him saying they have things in common, or a thousand other things), it’s just “You did this,” because he just wants her happy. He wants her to recognize how goddamn impressive she is. There is no agenda to what he said and it fucks me up
  • The entire scene with the kiss. Like, I’m gay as hell, usually I hate this kind of thing because it feels so unnecessary, but this was so well done I’m genuinely glad it was included
    • When he escorts her up to a room he then starts to leave. Even with all of that tension he doesn’t want to assume that she wants anything to happen. 
    • So he has his hand on the door and he starts to back out of the room and he hesitates just long enough for her to turn around and meet his gaze. And even then he’s reading that as a sign that she wants him in the room so he steps forward and closes the door behind her and then looks up again to confirm that’s what she wanted. And even after that, he crosses over to her so slowly and lets her be the one to actually initiate the kiss. 
    • He gives her a thousand and one chances to change her mind, to give him a small indication that she’s uncomfortable or doesn’t want it to happen, and it’s only once she lets all of those chances pass that they kiss. 
    • Consent-based relationships, man. Fuck me up.
  • Speaking of consent… the scene after Diana returns to Veld and sees the gas has killed everyone fucks me up
    • Steve’s followed her there and is clearly freaked the fuck out because she’s just gone and he physically can’t go in to try to find her because of the gas
    • So when she comes out he’s so visibly relieved and he goes forward and puts his hands around her face, clearly wanting to kiss her, and she shoves him away and says “stay away from me.” and he does.
    • He lets her be furious and devastated and overwhelmed because he knows what it’s like to feel powerless and I think he is genuinely sorry he contributed to her feeling this much pain. He lets her say she’s angry, he lets her blame him, he lets her grieve and doesn’t stop her when she leaves him there.
    • Not only does he not stop her, he sees the smoke from Chief’s fire and yells to her to follow it because he had followed Ludendorff. Their argument from the ballroom still isn’t resolved - she wants to just kill him and be done with it, Steve wants that to wait so they can focus on stopping the gas - but he recognizes that this is her choice and even after she’s basically just blamed an entire village’s deaths on him (and on herself) he tries to help her carry it out.
  • So after Diana’s killed Ludendorff and the war is still going on and Steve runs up to find her, he’s so visibly relieved that she’s alive and (like after Veld) goes to kiss her but backs away without her doing anything because he realizes the “stay away from me” thing has never been explicitly lifted. She might still want nothing to do with him and he respects that.
    • He does touch her a couple times after this but it’s always brief, I think it continues only because she didn’t react negatively the first time, and like they’re in the middle of a fucking war and I think Steve’s about 900% convinced that they’re all going to die so I’m gonna cut him a little slack here.
  • They have that “argument” again, where Diana says “this should have stopped, I killed him, why is this still going on” and instead of saying I told you so Steve just tries to get her to move on and help him save other people.
    • When he says “maybe it’s us! maybe we’re to blame!” (meaning not Ares) and she says that (obviously) she isn’t to blame, he doesn’t hesitate, he just says “but maybe I am.” He’s willing to put that on himself. Also, the qualifier through this scene - but maybe it’s us - is so important to me, because he’s still not saying “you’re wrong.” it’s a maybe.
    • When she refuses to go with him he’s clearly frustrated (again I’m giving him a pass here because he’s frustrated because he knows he won’t be able to save as many people without her) but he still doesn’t try to force her to go with him. He doesn’t guilt-trip her, doesn’t yell at her for not helping. He just gives that desperate shrug and says “I have to go. I’m sorry, I have to go.”
    • And when Charlie and Sam and Chief show up and ask where Diana is, all he says is “we’re on our own.” Not “she wouldn’t fucking help us” - which frankly is probably what I would have said in this situation - just that statement and nothing more.
  • In their final scene, when she’s hurt and dazed and temporarily hard of hearing, he breaks his “no touching” rule, but he breaks it because he’s helping her stand up and then because, well… even if she doesn’t, he knows he’s never going to see her again. 
    • It’s also super important to me that he doesn’t try to kiss her in this scene, because god knows he must have wanted to. He sees that she is in no shape to consent to anything like that and he doesn’t even come close to pushing it.
    • I’m not even gonna get into the “I can save today” part because I’m still too emotionally fraught
    • He says is “I wish we had more time.” before he tells her he loves her and literally runs to his death. That’s it. Nothing that could possibly make her feel guilty, nothing that could have seemed like he regretted anything. Not “I wish we hadn’t gone to the front.” Just “I wish we had more time.”
    • And he then, metaphorically and literally, gives her more time. Because he knows his clock has run out, but that doesn’t mean hers has to… So he runs and saves today and gives her his watch. Gives her time.
  • Anyway I’m seventeen thousand levels of fucked up from this movie, please feel free to add because Steve is amazing and a genuinely good, complex, respectful male character like this should be celebrated

I’ve been seeing a man in my backyard for the past two nights

Story by reddit user Opinionson

To start I need to give some background:

I am a male who lives in relatively nice neighborhood

It’s your average small town run of the mill suburbs area with not a lot of people.

I am a college kid who’s home on break while my parents have gone away which doesn’t help at all.

I have a two story house

I do not have gun nor do I have any real weapons other than kitchen knives

I am not on any medication and I have no record of schizophrenia or any other mental illnesses

I barely have any relationships with my neighbors most of whom are elderly and the rest I have minimal contact with

I do not have any people in my neighborhood (that I know of) who have reasons to attack or harm me

Now, let’s get into what has been happening. About two nights ago I woke up very late in the night and I went to the bathroom to go take a shit. Now, my second story bathroom has a window that can see the entirety of my backyard. Directly behind it is a cul de sac which you can see directly into. There is a group of trees and pile of rocks and mulch that divides it. Usually I can see everything in my backroom without turning on my because lights from my neighbor’s house dimly lights the room.

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The Reason I Don’t Do Cold Readings Anymore…

by reddit user Skarjo

I don’t do ‘Cold Readings’ anymore. I don’t tell fortunes. I don’t read tea leaves.

And I do not do contact ‘the other side’.

Look, don’t judge me alright? It was an easy gig. I mean, the first time I did it, it was a joke. I did it just to impress a girl. You’ve been there right? It was something I’d read about online and I thought I’d give it a go.

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PROPOSALS

▹ pairing: Jeongguk x reader
▹ words: 18,102 I’m so sorry 
▹ genre: smut, fluff, light angst, friends to lovers

You and Jeongguk propose at restaurants to get free food, but somewhere along the way you start to fall for him.


You never thought Jeongguk would actually take you up on the whole fake proposals thing. When you had suggested the idea to him, he’d just laughed and said “yeah”, then continued playing Fallout 4. You hadn’t actually meant it; the idea was one of those you vaguely imagine it happening, but not really, which is why when he brought it up weeks later suggesting you try it out, you thought he was kidding. 

He wasn’t, and this is how you end up in one of the city’s nicer restaurants on a fake date with your best friend. 

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Roommates (M)

Originally posted by bwipsul

╳ Pairing: Jimin x Reader 

╳ Genre: (one shot) smut and kinda fluff & angst ??

╳ Summary: Being roommates with your best friend can be fun until one day you look at him differently. 

(this is something that I found that I had written months ago and just decided to post it!!)


The day you looked at your best friend as more than a friend, you knew you were screwed. It happened out of nowhere. You just woke up one morning and looked at him differently. You were never going to tell anyone, you weren’t stupid. That would just lead to Jimin being freaked out and nothing being the same. Risking your friendship with Jimin was not worth the little crush you had on him.

Deciding that you couldn’t fall back asleep, you got up to start the morning. Walking into the kitchen to get some breakfast, you didn’t notice your best friend standing there.

“Holy shit! Jimin, you scared me!” You yelled, clutching your chest.

“What’s gotten you so jumpy?” Jimin asks, laughing while opening the refrigerator

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Six Years and Seven Days

This is pretending that Bellamy could hear Clarke talking all those years, she just can’t hear him responding, and that the ship at the end is them coming back to Earth. 

So…pain. 


Day Three

“Bellamy…are you up there? Are you alive? Is anyone alive?”

Static.

“I only woke up yesterday. At least, I think it was yesterday. I barely made it into the bunker in time, but I made it. And the computer says it’s been three days since the radiation hit, and I was so hungry I thought I might die. Please tell me you didn’t die.”

Silence.

“Bellamy, my mom was right. In a way. My face is disgusting, covered in boils. You’d be laughing at me…probably. Because she was right but so were you. I’m not dead Bellamy. I hope you aren’t either.”

His fingers slammed on the respond button, pushing it down to the point of it feeling like it would crack from the pressure.

“I’m not dead, Clarke. I’m not dead.”

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13 Reasons Why

Thoughts on 13 Reasons Why characters and a rating of how much I dislike them from 1 being “my baby!!!!” to 10 being “FUCK THEM THEY CAN ROT” 

Hannah Baker: Didn’t deserve everything she went through especially rape. She pushed some people away though and sometimes she was kind of idk how to word it but I didn’t like stuff about her at times. Either way she deserved so much better than what she got. Deserved to be happy with Clay. 2/10.

Clay Jensen: Will fight anyone for Hannah. He was so shy around her and didn’t know what to do whenever he was with her, he’s so precious. Sometimes there were some things he did that didn’t sit right with me but he definitely deserved a happy ending with Hannah Baker; they deserved to be happy and in love and ugh. Also… took like 4823707592 years to listen to the tapes? 2/10.

Tony Padilla: Gay POC which I love because we need more of them. I love him he was so patient with Clay and all he ever did was try and protect Hannah’s wishes. Glad he shared the tapes with Hannah’s parents because they deserved to know why she killed herself instead of being left in the dust wondering why. I was always so happy when he came on screen. CLAY LISTEN TO THE GODDAMN TAPES. 1/10.

Jeff Atkins: My pure cinnamon roll, didn’t deserve to die because of a stupid girl who couldn’t own up to her mistakes. I hate how nobody including his parents and except Clay never knew he wasn’t drunk that night he died. Just wanted Clay and Hannah together. Your fave is problematic: uses “unique” 7 times in an essay. -5435973495797/10. I love him forever, hes so great. Never did anything bad.

Justin Foley: Didn’t deserve the home life he had BUT i really hated him for what he did to Hannah and the fact that he’s a rape enabler and a rape apologist like he literally let his best friend rape his unconscious girlfriend, covered up for him, and lied to her about it and then when she found out, he STILL was justifying what he and Bryce did by telling her that he didn’t tell anyone because Bryce does all this shit for him. KNEW that whatever happened at that party was fucking Jessica up but didn’t come forward until the very end. Claims he cared for her but you don’t do that shit to someone you claim you care about. Fuck him for that. 8/10.

Jessica Davis: She was so cool and nice in the beginning but then I hated how she got mad at Hannah and slapped her for the list instead of Alex, like really??? You think she asked to be on that list?? PLEASE. But after all that, she was still nice towards her and was never ill-mannered when it came to Hannah. Also, can we talk about how she didn’t deserve to be raped??? Justin Foley DEFINITELY didn’t deserve her. YOU GO GIRL. TELL HIM YOU NEVER WANT TO SEE HIM AGAIN. 5/10.

Alex Standall: He made some poor decisions making that list for a stupid reason and then letting Hannah pay the price. I somewhat like him though. I think he was a redeemable character and had a conscience (although it was too late, rip Hannah Baker) and felt that he needed to own up to it and tell the truth, was ready for whatever penalty he was gonna get. Was the only one (for a while) who thought what the others were trying to do was stupid. He definitely deserved better too, he didn’t deserve to shoot himself (or in other theories, didn’t deserve to be shot by Tyler). Please be okay…please be alive, baby. 4/10. 

Courtney Crimsen: GIRL, BYE. I hate and will always hate her character so much. Her and Bryce should just rot. She was a rape apologist and only cared about herself. Like girl I get that coming out is hard, I haven’t even done it, but to fuck up Hannah’s life like that? Are you serious? Justified Bryce’s actions to hide her truth. And she fucked up Jessica’s life too, in my opinion. She tried so hard to convince herself (and others) that Hannah was lying, Bryce isn’t a rapist, and that Jessica was never raped just so she can stay in the fucking closet. Like there’s nothing wrong with being gay. And she has two gay dads for fucks sake. 10/10 would always hate her again. 

Zach Dempsey: I think he genuinely liked Hannah but after all the shit Hannah had been through and the fact that his friends were his friends, I definitely see Hannah’s side of why she shot him down. I think he, himself, was lonely too but in different way; just because someone’s popular doesn’t mean they’re not lonely. Didn’t get compliments so he stole Hanah’s when she needed it most (I hate how he did that ugh like WHY…did you really need it?). Redeemable character, though. Also…HE KEPT HANNAH’S NOTE IN HIS WALLET!!! 5/10.

Tyler Down: Fuck him. A fucking creep. Like, he stalked people and took pictures of them when they were unaware (especially Hannah) and when she confronted him, HE FUCKING SENT THE PICTURE TO EVERYONE. Claims he “loved” Hannah but really?? FUCK HIM. Why did he even have so much guns? I’m pretty sure he’s planning a school shooting…fucking psychopath…”I can take care of myself” BOY BYE. And if he did shoot Alex, FUCK HIM EVEN MORE. 9/10.

Ryan Shaver: Didn’t respect Hannah’s wishes. Only cared about himself and poetry. Didn’t even care that Hannah didn’t want her shit to get out. I only liked him whenever he said Bryce is a rapist and that Courtney should just shut the fuck up and stop justifying Bryce’s actions. 8/10.

Marcus Cole: He cared more about himself and his reputation more than anyone. Thought he was the shit. Sexually assaulted Hannah then called her easy for refusing. 9/10.

Sheri: I liked her and she was genuinely nice but she crashed the stop sign and left a drunken Hannah at the scene and fled. Caused Jeff to die and I hate her for it. Though she reported it because she knew it was the right thing to do, it was already waaay too late. 6/10 because of Jeff.

Bryce: Rapist. Douchebag. Scum of the earth. He didn’t even think what he did was wrong. He raped two fucking girls and didn’t even feel remorse. He just thought every girl wanted him and that was that. I hate him so much, he can die. 102804802020x100000/10.

Mr. Porter: Could have tried better to stop Hannah from killing herself. She was set on suicide until she had doubts and needed just one person to help her and the one person she came to didn’t care enough to chase after her when she left his room that day. Worst. Guidance Counselor. Ever. 8/10.

La Dolce Vita.

Genre: Smut. And some fluff too. 

Summary: When your best friend decides to screw you over with the werewolf boy you absolutely hate during your heat~ 

Pairing: Reader [Werewolf AU!] x Jeon fucking Jungkook [Werewolf AU!]

Word Count: 6.9k-ish

Dedicated to my sweet strawberry jelly, @nomoreghostie-anon, Happy Birthday, sunshine!! I hope you like this trash writing of mine ahahah :) 

Also tagging @writeiolite who read this like a billion months ago and loved it, your encouragement always makes me beyond happy!!

Originally posted by theking-or-thekid

“Unnie,” you whined, tugging on the end of Jiyoon’s dress, “Don’t go!”

Your heat was supposed to start in a few days and initially you had planned to chain yourself in your room and let her take care of you through it. However her unexpected business trip ruined all your plans. She sighed, turning around to look at you in a mix of understanding and seriousness as she sat you by the edge of the bed.

“Look, ___ I don’t have a choice. If I don’t attend this meeting, they’ll fire me.” She groaned, rubbing the sides of your arm, “But it’ll be okay, you’ve been through this before.”

“Yeah, but I had a boyfriend to help me out then,” you whined, looking at her with pleading eyes. “This is the first time I’ll have to go through it alone.”

“Well, you don’t have to if you don’t want to,” your eyebrows quirked up at her words and you looked at her in curiosity, urging her to go on. “Look, there are other werewolves in my boyfriend’s pack, you know they can help you.”

You groaned in annoyance, knowing full well about Hoseok’s pack and the members, not forgetting to mention their weird habits, but there was no way you were going to let any of them get close to you, especially not Jungkook. Not when you were in heat.

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Imagine

Here’s my meta about the last clip of episode 5.

  • Our intro shot of the karaoke bar introduces our players. I’m especially interested in how we see Mari and Sara twice each (and sharing one shot).
  • May I just say: I am glad my son Eskild is alive and Extra.
  • We have Chris talking to Sara (we don’t see Sara’s face but it’s her jumper) 👀
  • In general we have a big focus on couples (including Evak) and russebussen people. Showing, again, this season’s themes (love and identities/belongings).
  • We have some Chris and Eva talking about wiring money, which seems like foreshadowing to the russebuss contract and payment.
  • Even is about to sing and no one ships Evak more than Magnus.
  • @newlevelofdesperate​ wrote a great meta about Even singing “Imagine” by John Lennon. I agree with most of it.
    I’ll just add that the song is ironic, just like “I’m Not In Love” in s3e5. “Imagine all the people living life in peace.” Sana is feeling the song at the moment. She feels that everything came together, finally. But it’s not true. She wished she could create world peace (if you gave her the power to do so she would, she really would). But she can’t. Some things are beyond her reach and she still hasn’t managed to reconcile her two identities (Norwegian & Muslim).
    Also, I think the song is as much an Even song as a Sana one. Once again.
  • We barely see Mikael walk in, and Elias and the gang look around. Yousef seems to be looking in the crowd for Sana. 
  • No shot of the squad until we get a shot of Even seeing them. Then Magnus and Jonas turn to see where Even is looking (not Isak or Mahdi) and we get another shot of balloon squad: no Mikael. Adam and Mutta seem unconcerned. Elias though sees Even and is not smiling (but he’s not looking mad either).
    He grabs Yousef who was smiling towards Sana and…the smile falters.

[this is getting long so I’m adding a “read more”]

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“Growing Up a Winchester”  Sam/Dean x Sister Reader

Word Count: 3,867

Sam and Dean Winchester x Sister Reader, some Castiel x Reader

Summary: While on a long road trip to a hunt, you reminisce about your memories growing up with your brothers, from the best ones, to the worst, to the most awkward.

Warnings: Mentions of death, language, angst, light smut between Cas and the reader

Flashbacks are in italics.

Originally posted by whoeveryoulovethemost

                                                            -

You’re sitting in the backseat of the impala, looking out the window at the scenery. Dean, of course, is driving, and Sam is sitting on the passenger side, sleeping. You have a hard time sleeping in the car, so on long car trips like this, you have a hard time. Thankfully, Dean is usually always awake as well, and serves as your entertainment.

Growing up as the youngest Winchester sibling was not always fun and games, especially being a teenage girl. As much as your brothers love you, they know absolutely nothing about teenage girls. You more often than not felt like you were raising yourself, but you wouldn’t have it any other way. Your brothers are your rock, and you would never leave them.

You can barely remember the first time you’d met Dean. Your dad, John, had gotten your mother pregnant and throughout the first four years of your life, he was very in and out of your life. He’d only show up at your house once a year, normally on your birthday. He’d call on holidays, but you were too young to hold a conversation. A little after your fourth birthday, your mother had passed away from cancer. You had nothing and no one else, and your dad John came to your rescue.

“Hey, kiddo.” John had told you, picking you up from the hospital. He looked tired, the bags underneath his eyes more prominent than you had ever seen them.

“Hi.” You say quietly. You didn’t really know what was going on. All you knew was that your mommy was in a better place and you were going to live with your dad. You remember being nervous, because to you, your dad was like a stranger. You knew nothing about him.

“Do you have your stuff? You’re comin’ to stay with me and your brother, Dean. Dean’s excited to meet you, you know.”

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fall

or…lena doesn’t stop believing in the one person who believed in her

(or…the terrible thing i wrote to get rid of writer’s block and it’s long and sad but has a happy ending)

Supergirl dies on a Wednesday.

Sometimes, when she’s alone in her office in the wee hours of the morning, still in yesterday’s clothing and unsure when she’d last eaten, she thinks about that, the utter normalcy of losing National City’s hero on a Wednesday. Somehow, the death on such a boring day of the week provides a sort of stark contrast that Lena has trouble wrapping her head around. After all, surely the hero and pride of National City would fall in a blaze of glory on a Friday night, a Sunday afternoon, even a Monday morning during rush hour.

But a Wednesday? Some time between mid-morning and noon? When nothing was happening except for the drudge of the week, the tireless churning of society?

She doesn’t understand it—has tried to come to terms with it with very little success. In her weakest moments, when she’s staring down the end of a bottle of whiskey or wine (before Jess or Maggie or even James Olsen pry the bottle from her fingertips and help her get home), she thinks the very banality of Supergirl’s death is evidence of its unnecessary nature, its needless, pointless, meaningless, asinine

Supergirl dies on a Wednesday.

By Friday, the President herself comes to National City to mourn the fallen hero. She talks about the few short conversations she’s had with Supergirl, how everyone should be inspired and follow Supergirl’s wonderful example. A true hero, an exemplary citizen.

(Lena doesn’t go to the ceremony. She and Alex spend that afternoon in Kara’s apartment, sitting on Kara’s couch, Alex stoically staring at the television screen with silent tears running down her cheeks and Lena gripping her hand so tightly she thinks she’ll break fingers.  

After that, Lena doesn’t see much of Alex at all.)

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Medicine (Bucky Barnes x Reader)

I’m so sorry for any stupid errors, its 2am and my brain is mush but I can’t sleep so I sHALL WRITE

-Jazz

Request; You are Bucky’s personal medicine, the only one that can calm him down. And HYDRA used you to keep him line. And she is small and fragile but when Bucky is taken to the Stark Tower he wants her so the team has to go get her from the HYRDA base. And she doesn’t talk much and gets scared and only trust Bucky and he is protective over her

Other characters featured; sam, steve, nat 

KEY

Y/N - Your name

Y/L/N - Your Last Name

Warnings; talks about torture, language 

Word count; 1449

Originally posted by rohgers


‘He won’t snap out of it, Rogers,’ Natasha explained, a sigh evident in her voice. ‘Usually he comes around after a day, but it’s been nearly a week and-’

‘- You need to give him time.’ Steve interrupted, staring at his best friend behind the glass.

 An ex-HYDRA agent had triggered his Winter Soldier mode on a recent mission and after much destruction and pain, they’d managed to get him into a Hulk-proof glass room. He kept coming in and out of the phase over the course of the week, sometimes Bucky and other times the Winter Soldier.

‘I wasn’t finished.’ The ginger assassin continued. ‘I was reading his files - Looking at what they used to calm him back at HYDRA.’

‘Don’t even go there. He can’t handle anymore drugs.’

‘It’s not a drug, Steve.’ Sam was now stood beside them, Bucky’s file in his hands. ‘It’s a person. Y/N Y/L/N.’

Their converation was abruptly stopped by a smashing of a metal fist against the glass - Bucky was stood in front of them, breathing heavily. He looked angry, but there was a glint of nostalgia in his eyes.

‘What did you just say?’ He spat.

‘Y/N,’ Steve said slowly. ‘You know them?’

‘Y/N,’ Bucky stepped away, muttering to himself. ‘For the first time in six days, he was calm, his words wild as he stared furiously at the floor.

‘There we go,’ Natasha grinned to herself. ‘We need Y/N.’

Bucky’s eyes snapped back up to hers at the mention of the name again.

‘We need Y/N.’ Steve nodded, repeating her words back to her. ‘But is she still there? Is she even still alive-’

‘Don’t you dare say that!’ Bucky yelled, smacking the glass again. ‘Stop talking about me like I’m not even here!’ He stopped, breathing heavily. ‘Of course she’s alive. She has to be.’

‘I’ll try, Buck. I promise.’

He grabbed Natasha and Sam by the elbows, yanking them into the office opposite to the holding room and out of earshot from Bucky. Sam was still reading the file while Natasha was peering over his shoulder.

‘She used to be good at calming him down,’ She explained. ‘HYDRA tried to separate them, they were too dependent on each other. After that, they got angry and both attempted to assassinate their guards until within each other’s presence again.’

‘That’s wild,’ Sam commented.

‘And it’s just what we need.’ Steve replied.

‘Are you suggesting we break into a HYDRA base?’ Natasha’s green eyes thinned, her ginger falling over her shoulder as she cocked her head to the side. ‘But which one?’

‘SHIELD traced the last base to somewhere on the outskirts of the city last week,’ He responded. ‘Their planning the raid to destroy, but if we can get in and out quickly and quietly without them noticing, Fury will be none the wiser.’

‘You are insane, Rogers.’ Sam huffed. ‘But I’m in.’

‘Me too.’ Natasha replied.


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How to Keep Your Readers EMOTIONALLY Involved

Why is it that sometimes a book or movie can make you THIS emotionally invested  … 

And sometimes it’s more like this? 

My stories used to inspire a reaction similar to Hermione’s in my readers. And in me.  At some points I’d be reading my work, and a little honest voice buried somewhere in my head would say “I wouldn’t care if this character was hit by a bus right now.” Then I’d heap some denial atop the voice, silence her unwanted mutterings, and go back to trying to enjoy my story. Problem was, my readers appeared to have this little honest voice as well. And if she told them “Cartoon bus. Hitting this character. Wouldn’t that be funny?” they had a tendency to listen to her.

What was the problem? My scenes didn’t connect to my reader’s emotions. They didn’t change those emotions throughout the scene. They started out sad and they ended just as sad or even more so. And what came after that? Well, another scene that began with the main character feeling horrible, which ended with him just as downtrodden as before. Or worse: The scene began positive and just got better. The next one would start out absolutely giddy and ended effervescent. And this kept going until the characters were almost singing with joy. (Okay, maybe I’m being slightly snarky about my past self.) But after that, I’d follow it up with a long sequence of sadsadsad scenes. 

So what happened? My readers had only two emotions while enduring this: frustration and impatience. 

The scenes weren’t keeping my readers emotionally engaged. The scenes weren’t changing emotionally. And that is what needs to happen: The emotional charge of the scene has to change. Switch between negative and positive. The flow of the reader’s emotions has to be taken into account, and consciously adjusted. It’s that simple. 

How can this be accomplished? 

1) Determine what’s at stake in the scene. To the characters, something important is being threatened, something emotional or primal. Love? Safety? Friendship? Justice? Make sure the scene means something for the characters. (If it’s not emotionally significant to them, connected to the A Story, B Story, or Character Arc, it’s not a scene and the reader won’t care.) And since the readers are emotionally connected to the characters, the readers care about what’s at stake, and are conscious of what it means. 

2) Beats. The exchanges of action and reaction between characters and forces of opposition in pursuit of the goal … these carry that emotion, these are how emotions shift within the scene, gradually taking it from one to another. 

3) Emotional Charge. If the scene starts with what’s at stake in positive way, then it’ll switch to negative by the end. If if starts negative, the scene will change to positive. 

Anyway! How does this work?  

To illustrate it, because I’m having a lot of fun reading the screenplay, here are five scenes from Zootopia. 

Let’s start with the scene right after this happens: Manchas has gone savage, and Judy and Nick are running for it.

Scene 1 

What’s at stake? Life

Opening Charge: Negative (They’re being chased by a jaguar who is about ten times bigger than either of them, and who seems quite keen to tear them apart. To the characters, this scene opens with a 95% likelihood of imminent brutal death. To the audience, this scene opens with two characters we’ve come to care about in this dangerous situation.)

Closing Charge: Positive (They manage to call backup. Judy manages to handcuff Manchas. Nick stays to help Judy, rather than hop on the gondola to safety. They fall but manage to survive. They fall again, but are caught by a vine just before impact. Bogo and the rest arrive, and Judy is full of confidence about her discovery in the Otterton case, and eager to show them. Everything in this scene ended in Judy and Nick’s favor.)

How has what’s at stake changed? They lived.

Scene 2

What’s at stake? Judy’s lifelong dream, the goal she’s worked towards since she was a child. 

Opening Charge: Negative (Judy tells Bogo that this is way bigger than a missing mammal case – Otterton and Manchas went savage. He scoffs at her. In response, Judy confidently sweeps back the leaves to reveal the wild jaguar … and he’s gone. With her proof nowhere in sight, what she’s told Bogo sounds insane and ridiculous. Which provokes him into demanding her badge.) 

Closing Charge: Positive (Nick stops Bogo from taking Judy’s badge. Nick also bluntly tells him that he’s been an unfair little jerk to Judy, they have time to solve the case, and they have much more important things to be doing than standing around dealing with these idiots. He even calls her “Officer Hopps” instead of Carrots. They’re back on the case.) 

How has what’s at stake changed? She still has a chance to achieve that lifelong goal. And Nick was the one to buy her more time. 

Scene 3
What’s at stake? Truth

Opening Charge: Positive (Judy, and the audience, are feeling thankful and closer to Nick.)

Closing Charge: Negative (But even though we are in a good place, Nick looks far away … he starts thinking back … and we can sense that this memory lane doesn’t end anywhere pleasant.)

How has what’s at stake changed? He’s about to share something significant.

Scene 4
What’s at stake? Innocence

Opening Charge: Positive (We see little Nick! Looking happy and excited. All he wanted to do was join the Junior Ranger Scouts, and his mother scraped together money to buy him a uniform. She’s even adjusting his tie for him, lovingly.)

Closing Charge: Negative (Nick, who had been so happy at the beginning of this scene, is now hiding from the evil kids,  struggling to pull the muzzle off, panicked, crying like his heart’s broken.) 

How has what’s at stake changed? Traumatized

Scene 5
What’s at stake? Closeness

Opening Charge: Negative (Well that was a horrifying story. And now Nick is avoiding eye contact, while revealing the takeaways he got from that childhood episode, which have shaped his decisions from then on. Suddenly Judy, and the audience, understand Nick a lot more. We empathize and sympathize with him.)

Closing Charge: Positive (The traffic cameras would have caught whatever happened to Manchas! And Judy has a friend that can help them access those cameras. They’re back on the case.) 

How has what’s at stake changed? Nick dodges out of further vulnerability BUT they’re back on the case – this time, together. 

So!

As you can see, the emotional charges of these scenes fluctuate smoothly, from a scene’s opening to its closing, from one scene to the next. In every moment, in every beat, we’re feeling something. And when the scene turns, we (and the characters) are feeling the opposite of what we were at the beginning of the scene. Our curiosity and minds are linked to the story by the question “What’s going to happen next?”; our emotions are connected to the story by the conduits Judy and Nick, these two characters we care about, as every emotional change pushes us closer towards the answer to the question “What’s going to happen to these two? Is everything going to end up alright for them?" 

Now, let’s see what happens when you stop paying attention to the emotional changes of your scenes. 

Scene 1: Manchas is gone. Bogo is berating Judy. Nick stands there and watches. Judy ends up handing over her badge. The real cops leave, and Judy stays behind, figuring she might as well try and complete the case anyway. All Nick wants is that carrot pen, so he tags along.

Scene 2: Judy has nothing to feel thankful about, and certainly doesn’t feel closer to Nick. He’s thinking back on his childhood, but doesn’t share anything with Judy… 

Scene 3: Instead of the flashback opening on a happy Nick, it opens on him getting beaten up by the evil children, and ends on him weeping with the muzzle strapped to his face. 

Scene 4: We snap back to the present. Judy staring, beyond tears at this point. Nick looking traumatized and bitter. He remembers he needs the pen. He thinks about the reward money if they had found all those missing mammals. He has the traffic camera revelation! He drags a dejected Judy into his scheme, which she doesn’t care about, but why the heck not? 

In this horrible alternate universe version of Zootopia, this sequence of scenes is negative from beginning to end. And what would have happened to the audience if the scenes had played out in this depressing way? 

They would have emotionally checked out.

The connection between emotions and story would have snapped.

We would have forced our emotions to abandon the story, and watched the rest of the movie feeling betrayed and cheated. 

Because in the end, all we care about are these characters. All we care about is story, and character is story. It’s no coincidence that removing the emotional changes of the scenes equated to removing Judy and Nick’s relationship in the scenes; that relationship, that B Story, or Love Story, function (oddly enough) as the heart of the movie: it keeps the story alive, it keeps us connected and invested in the narrative, it keeps the scenes emotionally turning. Before Nick showed up, and we had two characters to care about, what kept us emotionally involved in the story was our relationship with Judy, this plucky bunny that we really wanted to see succeed. Establishing that connection is a subject for another post, but in regards to scenes, this manipulation of the audience’s emotions is how you keep that connection going strong.

I just said to manipulate someone’s emotions. How villainous.

Lies and Family Ties

Dean X Reader; Mary tells Dean that the reader cheated on him to stop him finding out about her (Mary) stealing from Ramiel.

Originally posted by soluscheese

Knocking on the door of the bunker, you shift on your heels outside of the place you used to call home. Palms sweaty, heart racing and you’re sure that you can smell the nervousness radiating from you.

The door opens, your now ex-boyfriend looking anything but jolly to see you on his doorstep. “Sorry, I already gave all my change to the homeless guy down the street.”

“I’m just here to get the rest of my stuff, then you’ll be clear of me for good.” Standing up straight, arms crossed against your chest, you hold your head up high, refusing to feel belittled by the man who tossed you away so easily.

He runs his tongue across his bottom lip arrogantly, a sarcastic smile on his face as he pulls open the door, inviting you inside begrudgingly. “Make it quick. Don’t take anything you didn’t pay for.”

“I wouldn’t dream of it.” you spit, striding past him angrily, the ache in your soul becoming even more prominent from being this close to Dean, yet knowing he’s no longer yours.

You pass Sam and Castiel in the kitchen, ignoring their judgemental gazes as you head to Dean’s room, to a bed that used to hold two bodies, not one.

Pushing all the memories within these walls away, you grab your suitcase from under the bed, flipping back the lid and throwing your belongings inside. You wanted to be out of this place as swiftly as you could be, your presence clearly unwanted.

“I’m surprised you had the nerve to show up here.” You look back over your shoulder, Mary leaning smugly against the door frame, your attention moving back to your suitcase. She was the reason you were packing in the first place, the lies she told Dean being the very statements to sever the ribbons of your relationship.

“Yeah? I’m surprised you’ve got the nerve to still be here.” you hiss, a bubble of laughter leaving her lips as she pushes you closer and closer to the edge, anger bubbling inside you. “Aren’t you afraid your web of lies will unravel?”

“Don’t be silly, sweetheart, my webs are perfectly crafted. My son will always believe his dear mommy over some worthless bitch.” Now it’s your turn to laugh, not a slither of humour in your tone. You skim your fingers over the white frame on the beside, the besotted couple grinning at the camera.

If someone had told you then, that just months down the line Mary would be alive and kicking, and she would be the very thing to rip your lover from your arms, you would’ve laughed in their face.

“You know what,” you spin around, your glare harsh enough to wound as you stare at the poisonous bitch in front of you. “I hope your boys never find out who you really are. It’d break them to know their mother almost killed their best friend.”

“Not only are you working for the British, but you disturbed the Prince of Hell, stole from him and then stood in silence as Castiel’s life drained from his eyes.”

Her expression turns colder as you taunt her, her lip quivering in anger, not being able to take the truth you’re dealing out. She makes her way towards you, fists clenching, as you speak aloud all the damage that she’s done. “Shut your mouth.”

You shake your head, standing up against her, refusing to cower under her wrath. “If you were my mom, I’d be wishing you’d have stayed on the ceiling.”

Smack! Your head sharply twists to the side as her hand makes contact with your cheek, smugness running through your veins with the knowledge that your words have hit home. “If you ever tell anybody about me stealing from Ramiel, I’ll cut your heart out.”

“She doesn’t need to tell me anything.” Mary jumps at the sound of the voice, your fingers rubbing your cheek, trying to soothe the sting. Dean enters the room, coming to stand by your side, his mother lost for words.

“Sweetheart, let me explain…” She trails off, the level of vexation in Dean’s eyes enough to shut her up. Her eyes move to you as you watch the scene unfold. “You little bitch-”

Dean pushes her back as she lunges for you, his broad figure standing protectively in front of your own, your heart clenching, hoping that maybe there is something left to salvage.

“I want you out of here, now. Don’t bother coming back.” Dean warns, the ice chill in his voice something you’d been faced with a few minutes before. Mary weighs up her options, before backing out of the room resentfully, a vengeful twinkle in her eyes.

Once she’s gone, you turn back to the task at hand, shoving your final few things into your suitcase, ignoring Dean’s burning stare on your back. You move around in silence, him not being brave enough to break it, and you wanting to hear an apology before anything else.

“Why didn’t you tell me?” You freeze at the question, Dean’s voice timid as it should be. Throwing the shirt in your grasp onto the bed, you turn to face the older brother, not being able to believe his arrogance.

“Oh, I’m sorry, I don’t remember you giving me a chance to say anything when you believed your mom’s bullshit lies over me.” He looks down at the floor as you scold him, your eyes beginning to glaze over with due to frustration.

“I’m sorry-” you cut him off with a scoff, his emerald eyes as glassy as your own as he lifts them upwards to meet you. You want nothing more than to wrap your arms around him, tell him that everything is forgiven and you can go back to how it used to be.

“You weren’t sorry when you kicked me out in the pouring rain and called me a dirty whore.” The dam breaks, you cursing yourself as you turn your back on Dean, your fingers roughly swiping away the fallen tears.

You zip up your suitcase, thankful you’ll be alone in a few minutes and able to sob to your hearts content without prying eyes. “What are you doing? Don’t go.”

“What does it look like I’m doing, Dean?” you sniffle, grasping the handle of the case and holding the heavy object to your side. “I want you to be happy, and if that means me leaving, then so be it.”

You shove past the older Winchester, your chin quivering as you somehow hold in your cries. You let out a shaky breath as a hand grabs your arm, Dean’s warm touch stopping you in your tracks.

“Stay. All I want is for you to stay.” he pleads, his throat thick with emotion. You turn your head, his glassy eyes meeting your own, a desperate look on his face.

After what feels like hours of silence, you make your decision. “Five minutes. Let’s see how well you do.”

A/N - Thanks for all the support on my last Dean imagine, it was incredibleeeeeeee!!! Feel free to request :) now, gif before the imagine, or after??? Let me know! X

anonymous asked:

If you had control on ending snk, how would you end the story?

Well. I want Annie to get a fucking redeemption arc. Please god. Let her join the Eldians and be on the same team as Armin and Eren. 

But in general, like, a conclusion to the entire plot? 

The Marleyans and Eldians come to some kind of agreement where they stay on opposite sides of the world where they can live away from each other long enough to get over their generations of bitterness. 

They can’t settle their differences, fine, but I don’t want to see one side or the other get totally eliminated.

I want them to take a damn time out and try to share the damn world, and realistically, it would take a looong time to get over it. 

Christa lives a long and happy life as a queen and fucking, Isayama, give her a wife or so help me god….

Connie and Sasha are alive and well. They get married and work for the government, maybe in agriculture or management of food storage. 

Levi and Hanji are alive and they get married. They go on adventures together, even when they’re old. Hanji never loses that scientist’s spark and Levi would never leave his last remaining friend  and partner alone. 

Jean…well. I see him being some kind of politician or head in the military. But the military’s not fighting anymore, so he’s really in charge of helping people settle outside of the walls and adjust to the “Real” world. 

I see him getting married, but I don’t know if I see him getting married to Mikasa. He’s the jealous type. 

Mikasa, well.

I’d like to see her branch away from Eren and perhaps use her strength for other things. 

Since in this ending, the fighting is over, she’s now allowed to pursue other interests. 

She’s never cared about exploring, not as much as Eren and Armin. 

I see her…settling down somewhere, keeping to herself, maybe taking care of horses and animals on a farm. 

I don’t see her…chasing Eren and Armin.

Like I know she wants to “be by Eren’s side” but I feel like that’s only because it’s a dangerous world and she feels she needs to protect him. 

I feel like she would trust Eren’s safety with Armin.

Which brings me to my next and final dream snk ending.

Eren and Armin, if they can’t have a cure, go out on a last adventure together.

They know Eren will die.

Armin knows he’ll follow shortly after. 

But Armin wants to show Eren everything before he does.

They travel as far as they can in the time they have left, mapping lands and admiring the view and camping on all kinds of terrain.

They settle down when the time is near and Armin prepares for the end. 

And when Eren does die, he buries him out there, I imagine on a cliff overlooking the sea.

And Armin is alone now, but he’s still got a job to do. 

He writes the entire story, everything that had happened up until that point. 

He leaves it at Eren’s grave for someone to find.

He goes back home to Mikasa, tells her the news. They mourn together and Armin has to tell Mikasa that he doesn’t want her to be alone, to find other friends and family once he’s gone. 

Maybe Mikasa and Jean reconnect here, I don’t know.

I could see that, actually. Mikasa and Jean, old friends, reminiscing about the past and realizing that they’ve been through a lot together and they have more in common than they ever thought. 

Anyway.

When Armin dies, Mikasa has him cremated. 

She goes out, maybe with Jean, maybe with the entire surviving 104th squad, with Levi and Hange with them. 

They bring his ashes out to Eren’s grave and scatter them over the cliff and all of them pay their last respects. 

I don’t know if the book Armin wrote is still intact after years of weathering. 

But what remains of it is still there, near Eren’s grave, and Armin’s too. 

it’s the story of a boy who wanted to see the ocean. 

and the story of the friend who took his hand and lead him there. 

Needs Of Approval

Pairing: Kol x Reader (Ft. Klaus & Elijah)

Warnings: A lot of gifs used (; And this is a bit long, so get cozy and enjoy!

Word Count: 2731

PART TWO 


Klaus was a good friend to your parents for years and years. When they died, you were just 12 years old. There was no one else to look after you, so Klaus took you in like the child he never had.

It has been 9 years that he’s been taking care of you and those 9 years hasn’t been easy. You were constantly moving from place to place, unable to call any place your home. Until finally, Klaus settled into a small town called ‘Mystic Falls’. Klaus did run into a few problems here and there with the Salvatore brothers, but he always kept you out of it. The last thing he wants is to see you hurt. He wouldn’t be able to live with himself.

Soon, he had a mansion built for you and his family to live in. You finally got to meet Rebekah and Elijah, who were nothing but kind to you, but you were wondering when you would ever meet Finn and Kol. Eventually, Rebekah ended up getting daggered again which did upset you because she was like a sister to you.

You never understood why Klaus had a thing for daggering his siblings. The last time you brought up that subject, he said that it’s complicated and to not ask again. And so you obeyed.

Right now, Klaus & Elijah are having dinner with the Salvatore brothers about this whole ‘Elena’ situation with Klaus’s hybrids. Of course, since Klaus wants to keep you out of his mess, he advised you to stay in your room and not get involved, no matter what kind of ruckus you hear.

You’re currently in your room, sitting comfortably under the covers on your bed reading a book. The walls weren’t so thick because you can hear mumbles of all of the men exchanging words. It made you feel better knowing that no one is fighting and no one is getting hurt.

Minutes go by and you could’ve sworn you heard Rebekah’s voice. You closed your book, setting it on the bed and slowly got out of bed, walking towards your door while you tried listening in more. And that’s when you also noticed some unfamiliar male voices and Klaus yelling in pain.

You know that Klaus doesn’t want you involved but you couldn’t help but rush to him in aid. You care for him so much that you’re even willing to let him feed on you a little if he really needed it. He took care of you and you saw it as your obligation to return the favor.

Reaching the bottom of the stairs, his screams stop and you hear Elijah calmly say, “this is family business.”

Entering the dining room where everyone is, the first thing you see is Klaus leaning over the table, waiting for the pain to pass.

“Family business? What family business?! What’s going on?!” You shouted.

Everyone turns around to look at you. You noticed that Stefan and Damon were gone and you see two men. They looked familiar but you couldn’t quite put your finger on it.

“Y/N please. Just go back to your room.” Klaus begged.

“No seriously, what are you guys doing to Nik. And who the hell are you two?” You scoffed at the two men.

Before they could get a word in, Elijah spoke. “My dear Y/N. This is Kol and Finn.” Elijah pointed at each one individually as he named them.

Your jaw dropped. You couldn’t believe it. I mean, what an awkward first way to meet them.

“Who might this be?” Finn asked.

“Yeah who the bloody hell are you? Nik’s girl?” Kol added, putting his hands on his hips. You glared at Kol’s remark, you never thought of Klaus in a romantic way. You always saw him as your guardian, your protector.

Elijah walked over to you. “It’s quite a long story. I assure you, I’ll explain it all to you later.” He put one hand on your back and the other leading to the stairs. “Come.”

Elijah took his time to tell you everything that was going on while Klaus and the rest of the siblings handled their issues. Eventually you understood that this family is flat out dysfunctional, but you wouldn’t have it any other way. You all even came to find out that their mother, Esther was alive as well. How odd.


Over this short amount of time, you didn’t exactly see Kol as a brother like you do, Elijah. You weirdly found him attractive, actually. You didn’t know if it was his looks or his wittiness, even though he is the wreck less Mikaelson sibling. Not knowing if he felt the same or not, you just kept it to yourself. 

Today is the Mikaelson Ball. Klaus was kind enough to lend you his credit card to buy yourself the proper attire for tonight. Rebekah even went with you to shop and even helped herself to her brother’s credit card as well.

Finally, after trying on over 10 dresses, you’ve found the perfect one. It was a backless sequin mermaid floor length dress. The best part is that it hugged your body perfectly.

And of course, since Klaus loves spoiling you, he also hired someone to style your hair and work on your makeup in your bedroom. You were just enjoying being pampered.

You were finished getting ready before any of the guests arrived, so you walked downstairs anyways to await their arrival. Walking downstairs, sliding your fingers on the railing, you saw the hired butlers getting champagne glasses filled. You even saw Kol helping himself to a glass. You tried your best to make sure you didn’t step on your dress as you were taking each step, by holding it up a few inches. With three steps left until you’ve reached the flat ground, there was Kol with his hand reaching out to you.  

At first, Kol only saw you as a mere roommate. But once he saw how stunning you looked in this very moment, it changed his entire perspective of you. He thought to himself how absolutely stunning you looked. His lips parted and he couldn’t take his eyes off of you. Now he felt like he just had to have you, even if he had to go through his brother Niklaus.

“I assumed you were in need of some assistance, Y/N.” Kol said to you.

You chuckled, grabbing onto his hand once you got closer. “Yeah I was struggling for a minute.” You let go of his hand once you reached the floor.

“So who might your escort be tonight?” Kol asked, then took a sip of his champagne, keeping his eyes on you, awaiting your answer.

“No one actually. Because no matter who it is, he’ll never be good enough for Klaus.”

“To hell with that bloody wanker.”

“Kol stop-” You shook your head, stifling a laugh.

“I’m only joking.” Kol put his hands up in defense. “See here, darling, I happen to not have a date as well. So do you mind?” He smiled at you.

“What?” You were shocked. Quickly, you snapped yourself out of it. “I mean, really?” Kol Mikaelson wants you as his date for the ball? This can’t be happening. You must be dreaming.

“You best hurry before I change my mind, Y/N.” He joked.

“Yes. Yes, I’ll be your…um…date?” You didn’t know to question it or word it as a statement because you just couldn’t believe it.

Kol grabbed your right hand, saying, “Marvelous.” Then he slowly planted a kiss on the back of your hand. Your cheeks blushed red as you heard footsteps approach down the hall.

It was Niklaus that was here to ruin the moment. Oh no. “What is this?” He asked, not looking too happy at all.

You just froze, surprisingly being able to get a word out. “Klaus, we-”

“Y/N is letting me escort her to the ball. Perhaps you don’t mind.” Kol smirked, confidently walking towards the original hybrid.

Klaus had his hands behind his back, clenching his jaw, then revealed his crooked smile. He didn’t want to cause a scene today. “Hm… I thought you would at least choose a man that is more suitable for you.” He looked at you, then put one arm out straight to point at Kol.

Kol just glared at his older brother.

“Well according to you, no man is suitable for me. And technically, you could’ve taken Kol’s place, you know. But you’re too infatuated with that bitch, Caroline.” You spat. You’ve never liked Caroline for Klaus. She was always so rude to him, yet he was head over heels for her. 

“Y/N, do not start with me.” Klaus growled. You know that your remark about Caroline would bother him and you didn’t care because he was being a hypocrite.

“Don’t judge me on my date and I won’t judge you on yours.” You crossed your arms in front of your chest, wearing a straight face.

Klaus fell silent. He narrowed his eyes at you, then gave Kol the death stare and stormed to another room in the house to let off some steam.

“Well then, this night is off to a fantastic start.” Kol joked, in an attempt to ease the tension.

“I mean, am I right or am I right?”

Kol nodded his head in agreement, then grabbed a glass of champagne for you to cheers with him.

Finally the guests started arriving. Every few minutes, more and more arrived. And almost all of them were wowed by how ginormous the mansion is and the choice of decor for the occasion. 

You stayed by Kol’s side while the both of you playfully voiced your opinions to each other about each guest that walked in. One of the things you do enjoy about Kol is that he doesn’t take everything seriously. He’s someone you can have fun with.

“Kol! Look Look!” You tapped him on the arm with your hand to look forward to get his attention because he got carried away on his smart phone. He was still getting the hang of using that device.

“Oooo who is it now?” He asked excitedly, putting his phone in his pocket.

“That’s that slut Elena and her Salvatore brothers. Klaus has told me all about her.” You said disgustingly.

“I bet they have threesomes. How fun.” Kol said, raising his brows up. 

You gagged, almost choking on your champagne.

“You alright there, darling?” Kol laughed, patting you on the back.

“Thank you. Thank you for that comment. I almost just died because of you.”

(Later…)

After sharing laughs and even more champagne, you decided to excuse yourself to the ladies room. “I’ll be back, Kol.”

“No matter.” Kol replied.

“Do you mind?” You asked, handing him your champagne glass to hold onto until you come back. He responded with a nod, then you went on your way.

Coming back from the loo, you didn’t see Kol in his original spot, you figured he’d be back, so you just hung around waiting for him to return. You observed all of the guests having a great time and even spotted Klaus with Caroline. He was just so mesmerized by her. Gross.

What you didn’t notice is that every now and then throughout the night, Klaus would look around to check up on you, making sure you’re not getting into any trouble with Kol. He despised that the one person you happened to allow to escort you is Kol. He knows the ins and outs of his little brother and doesn’t think his intentions for you are good.

“I see your escort is not by your side.” You hear from behind you, so you turn around to see that it’s Elijah, the oh so noble steed.

“Oh yeah. He’s probably grabbing a bite, if you know what I mean.” Blood from a human’s neck is exactly what you meant.

“Certainly. And might I add, I’ve noticed that the two of you have become quite friendly this evening.”

“I mean, if you say so Elijah.” You shrugged your shoulders at Elijah’s opinion. You wondered why it concerns him because Elijah is the least judgmental out of all of his brothers. Maybe he’s just making small talk? Who knows.

“Well, I-” Before Elijah could get a sentence out, Kol pops up and disrupts.

“Ah there you are, Y/N. Am I interrupting?” Kol said half-aloud with that accent of his that you just die for. Instead of finishing his sentence, Elijah just ended up excusing himself.

Not a moment too soon, you see Elijah making himself known at the top of stairs. “If anyone could gather, please.”

You and Kol were the first ones at the stairs. Elijah waited until the rest of his siblings followed. 

As you were minding your business watching everyone gather, out of nowhere Kol decides to snake his arm around your waist. It made your heart skip a beat and you surely hoped Kol didn’t hear it. You didn’t want him to know that he makes you nervous. 

As Klaus was excusing himself from being by Caroline’s side, he did see Kol getting too touchy for his own comfort. It did infuriate him, making him tempted to snap Kol’s neck right there on the spot. But, Klaus, and all the rest of his siblings, know how important this ball if to their mother, Esther. So, Klaus chose to let this one go.

You turned your head while your eyes were scanning around the room and the moment you saw Klaus, you quickly moved Kol’s arm away from your waist.

Once Klaus and Rebekah finally made their way to join the three of you at the top of the stairs, Elijah made his speech inviting all of the guests to join in on The Waltz. 

The guests followed to the ballroom, but you just stood in your spot, being left alone at the stairs. “Shit.” You said to yourself.

(Meanwhile…)

“You best mind your manners when it comes to Y/N. Do you comprehend?” Klaus growled at Kol as they were walking down the stairs.

“Don’t worry Nik, she’s safe with me.” Kol smiled and gave a wink.

Klaus wasn’t amused with his brother whatsoever, so he shot him a glare and stormed off to find Caroline.

Kol looked left and right after finally noticing that you’re nowhere near him. He looked behind him at the stairs and saw that you have a lost look on his face, so he rushed over to you.

“What’s the matter?” Kol asked, concerned that it was something serious.

“Um. This is embarrassing, but I don’t know how to Waltz or whatever. Nobody ever taught me.”

“Not to fret, darling. It’s easy. Just follow my lead.” Kol assured you, then picked up your hand, leaving a kiss on your knuckles. Of course, you blushed bright red at his gesture.


The night ended amazingly. When the night was coming to an end, you and all of The Mikaelsons stood around to thank every guest for coming. 

After all of the guests were finally gone, Klaus disappeared to his room to do god knows what. That’s when Kol decided to take advantage of the opportunity. You were about to leave to walk to your room, but Kol stopped you by lightly grabbing your wrist.

“Yes?” You were puzzled.

“I don’t mean to be a too much of a bother, but how about we pretend?” Kol flashed a grin.

“Pretend? Pretend what?” You chuckled at his suggestion. The word ‘pretend’ just brings you back to your childhood when you would use your wild imagination to ‘play pretend’.

“Seeing as we live under the same roof, allow me to walk you…to your bedroom.”

“This is really corny but okay.” As cheesy as you think this is, you can’t blame Kol because he was out of the loop for a hundred years. But, this gesture of his did make you feel some type of way.

Reaching your bedroom, the two of you were face to face under your door frame. “Have a lovely evening, Miss Y/L/N.” Instead of Kol kissing the back of your hand per usual, he left a gentle kiss on your forehead, then left elsewhere in the mansion.

This night ended up being better than you’ve ever anticipated. 

You Understand, Right?

Characters: Dean Winchester x Sister!Reader / Friend!Reader, Sam Winchester x Sister!Reader / Friend!Reader, Bobby, John

Length: 1663+ words

TW: Suicide. Depression. Abandonment. Dean being a jerk. 

A/N: Another word vomit that I did when I couldn’t sleep last week. I just had the idea in my head for the whole night, and I knew if I didn’t write it down, I wouldn’t be able to remember it the next morning. So, here it is! Feedback is encouraged!

MASTERLIST


The thing about the Winchester family was that they collect family like one would collect dolls. They have a lot of family around the State, any of them willing to do anything for the brothers. They always had a saying. 

Family doesn’t end in blood.

Except it does. They can say it as many times as they want, but there isn’t anything they wouldn’t do for the family. Their blood family. 

You were 4 when you were collected by John, and shipped off to Bobby’s. You were basically raised alongside the brothers from then on. Sam being a year older than you, and his brother, Dean, being 5 years older than you.

You were 5 when Dean ran out of breakfast. Bobby, and John were gone on a hunt, leaving 10 year-old Dean in charge. There was half a single granola bar left, and he looked uneasily between you and Sam, both of you had complained about being hungry. He gave you a strange look, and even though you were 5, you knew what it meant. Afterall, John gave you the same look when he told you why you can’t come home to your parents. It was also the same look that Bobby gave you when you asked about your parents. The look of guilt. You turned away, not being able to handle the fact that his decision had already been made when he was 4, and the responsibility of Sam’s livelihood was thrusted into his hands.

“Not hungry,” you mumbled, despite your roaring stomach. Sam’s eyes lit up with glee as he snatched the snack from his brother’s hand, and you can see Dean’s face visibly relax.

“Sammy’s my responsibility. You understand, right?” Dean asked, a hopeful smile on his face.

You gave him a nod, hopping off the chair, and went back to your bed, hoping you can sleep away the hunger. 

Keep reading

mirandatam  asked:

Hm... something about Rey and the ghost of Shmi Skywalker?

Rey is 273 days on Jakku when the woman with the dark eyes and the faint lines around her eyes bends down, and helps her wash the dust and debris from a hyperspace drive port. (Two and a half portions, never let it be said that Rey doesn’t know her worth.) “There,” the woman says, and when she smiles the lines around her eyes carve even deeper. When Rey drags the brush over the drive port, no sand kicks up. “Shiny and new. Go on, now—you can’t let him run out of portions.”

“’m Rey,” Rey says, breathless, clutching the port to her chest.

“Go!” the woman says, and Rey runs. She gets in line just in time to get the last three portions from Unkar. But when tries to find the woman after—

The sand is empty of sentients, and no one seems to know the human woman with dark hair, darker eyes, not even when Rey wanders among the camps and asks for her. Rey is only 273 days, and hungry, and so she eats there, squatted down in the sand outside someone’s tent—scarfing down half-mixed portions because she’s dizzy with starving, and she can’t wait. If the dark-haired woman wanted some, she should have been easier to find.

Rey sleeps that night full—or, at least, what she thinks is full—and dreams of a wattle-and-daub hut, and a woman with dark hair, dark eyes, laughing. The woman’s son sits with sun-bleached hair, his mouth is skewed as he works on a droid to help his mother with the customers that come. Rey helps too, and when he smiles at her, it feels like coming-home.

They are so happy, and Rey wakes crying, even though that is water she cannot afford to lose.

.

“No, not that one,” the woman says, and Rey drops the part like it burns her hand to touch. She whirls around, and there is the woman with the dark eyes, dark hair. She’s smiling, a little bemusedly, at Rey, at the specific part Rey was trying to extract from the mess of decay and rust.

“What’s wrong with it?” Rey demands. She is six hundred and seven days now, and she thought—

“Navigation systems are fiddly,” the woman says, stepping towards her, and then she is there, close enough for Rey to touch, to—“Biologic growth damages them first, interferes with the electro-magnetic signaling. This has—” she grunts, and the part comes away in her hand. “This has overgrown. It’s not worth installing again, it’ll just send the ship off-course trying to follow all those awful fractals.”

“What good does that do me?” Rey asks, thinking of all the portion she’s lost, if this stranger is right. She’d just wanted—

But the stranger smiles, and her eyes crinkle at the corners. “Come on,” she says, lowering herself to sit on the durasteel floor of the mighty star destroyer. “I’ll show you a trick my unscrupulous master showed me, on how to make it look as though tech has never been damaged.”

Rey spends the whole afternoon with her chin hooked over the woman’s soft shoulder, watching as she shows Rey how to reroute, undo, lay down new electric pathways. She smells like something sharp, the way Rey has always imagined ozone would smell if Rey had ever found the courage to leave the atmosphere. Her eyes are older than her face, that much Rey knows for sure.

“There you go,” the woman finally says, pressing the piece into Rey’s hand. “Good as new. Plutt won’t even be able to tell the difference, so you shouldn’t accept less than five and a quarter portions—”

“What about you?” Rey asks. The woman is warm, and alive, and human, and Rey finds herself hoping she’s her mother. Just to have something, someone. And especially her, with her crinkled eyes, the way she rests a hand against Rey’s cheek like—

“Oh, I’m fine,” the woman says, and Rey’s heart falters. “You will be full, on five and a quarter portions. That’s enough.”

Rey eats alone, eats until she is sick on constituted bread and meat, and she lies in her own bed biting down on her fist to keep herself from crying.

.

Sometimes, Rey looks out of the corner of her eye, and there she is, the woman with the dark hair and the dark eyes. “Hello, Mother,” Rey begins greeting her at some point, muttered in between breaths as she extracts another part, as she wakes from her midday nap in the shadowy berth of a star destroyer, as she forces herself to stay longer, work harder.

Sometimes, she hears someone murmur, hello, daughter, but she’s not sure. She’s not.

.

Poor affection-starved Rey, longing for a family, any family, even a ghost. Even the vague shape, even a shadow. Even the hint of a mother, whispering in her ear, droids have always been harbingers of good news, of better things ahead. Strangers may be angels. You are more. Run, go. I will follow you there.

Rey  isn’t sure, really, but in the barracks of D’Qar, Rey tosses and turns, until a cool hand comes to rest on her forehead, her neck. Shhh, a voice that is not quite the Force but might be something similar, whispers. It strokes its cool knuckles over the rabbit-pulse of her jugular. Shh, rest. You have a war to fight in the morning.

Shh.

 Shhhhhhh.

.

Luke has holos of his family—Padmé Amidala and Anakin Skywalker, Uncle Owen and Aunt Beru Whitesun-Lars. But it’s the holo of their their step-mother, Shmi, that stops Rey in her tracks, stops her breathing at all. Anakin’s mother, Luke says, but Rey is holding onto he lightsaber too tightly to hear.

I know her, she says, and Luke goes still, blinks. 

Oh?

She used to—sing me lullabies, Rey says, because that’s all she can remember just now, the dark-haired-dark-eyed woman—Shmi Skywalker, chosen to be Mother of the Living Force, blessed, holy—humming in Rey’s darkened AT-AT. Shmi singing in Huttese; warm and calloused hands, a rough voice singing of how much she loved, would protect—

Luke catches Rey before she hits her knees, gathers her up to his chest. Shh, Luke murmurs, stroking her hair as Rey sobs. Shhh, it’s all right. Everything will—it’ll turn out right. It’ll be—it’ll be right.

Rey feels a cool touch at her forehead (impossible, Luke’s hands are hot at her waist, and—) and she sobs again, feeling hollow, feeling like she’s come home, somehow, impossibly. It is a war, she shouldn’t feel….

Shh, Luke and his grandmother whisper together, cradling Rey against the bulwark of light they represent. Shh.

Monsta X as the Mafia + How He Met You

|||Thanks @goeffmercantile for the idea!! I hope you will enjoy this if you read it 😃|||


Shownu/Son Hyunwoo:

Originally posted by jonginsbias


  • The leader and founder of the gang.
  • Often not taken seriously in the industry because of his age but these people seem to disappear not long after they make those statements. 
  • He takes care of the whole business and every mission has to go through him first. 
  • While rarely going out on them himself he’s still a very good shot and an excellent hand to hand combatant.
  • His daily activities include scouting new members and making deals with the other gangs.

That’s how he met you. You were the daughter of one the leaders he came to make a deal with and immediately caught his attention. You had that aura of confidence and respect around you. When he saw you standing besides your father he stood up and said.

“I want to make the deal with her and see if she has what it takes.”

You accepted the challenge and the rest is history.


Wonho/Shin Hoseok:

Originally posted by kihqun

  • He would be the one to take care of gathering information. He actually has too many ways to do that. From sweet talking to torturing.
  • Looks really strong and confident and even come out as cocky on the outside but in reality is really soft, especially to people he cares about.
  • His soft side doesn’t interfere with his work though as once he has to get something he will do it with any means possible, no mercy.

He met you when the gang kidnapped you to gather info. After a few questions though it turns out they got the wrong person, the gang lets him decide what to do with you since he’s also the one who takes care of the bodies. He gives you 2 options. Either stay with him or die. He can’t let you go because you already saw all of their faces. So you decide to stay and as crazy as it may sound it was one of the best decision in your life.


Yoo Kihyun:

Originally posted by jooheonbebe

  • Right hand man of the boss and actually the most reliable member as the others (including the leader) tend to get in trouble a lot and he has to be the one to get them out.
  • Incredibly smart and cunning that’s why his specialty is scamming. Not only ordinary people fall for his charms but also the other gangs. That’s how he gets around town and was recruited in the first place.
  • Although not easily annoyed he does lose his patience sometimes and you better don’t even be near him when he does. 

He actually knew you from high school and promised not as much to you as to himself that one day he will definitely find you again and make you his. And so he did, a few years later, after making a title in the mafia world he waited for you outside your house. When you saw him, you couldn’t believe your eyes, it was him, he was alive.

“Sorry for making you wait this long.” he said with a smile but you didn’t care anymore as you jumped in his arms.


I.M/Lim Changkyun:

Originally posted by wonhobe

  • One of the top assassins in the gang.
  • When he and Jooheon get together expect no survivors.
  • He’s more skilled with guns and is actually quite proud of his collection.
  • Keep tracks of how many people he kills and tends to brag about the clean shots he made.
  • While not on a job, he looks pretty casual and you would never be able to tell that he is part of the mafia. Also kind awkward when he needs to talk about other topics besides guns and violence.

He met you in a coffee shop right outside his home. He used to spend his mornings there just thinking about ways to complete the mission when he also started noticing you. You also came there almost every morning (he was quite disappointed when you didn’t) and sat at the table by the window. He was mesmerized by you and after a few months finally decided to gather his courage and talk to you.


Chae Hyungwon:

Originally posted by jonginsbias

  • The first person you should come to if you need anything concerning weapons. 
  • Even though his job is to smuggle them to and out of the country to make more money for the gang, he also has a very extensive knowledge about them.
  • He can even advise you which weapon is the best one for certain kills.
  • Doesn’t like fighting himself and actually prefers not to have a weapon on him at all times.
  • But when push comes to shove he has an unexpectedly good accuracy and take cares of the things fast.

You came to buy some weapons from the store he had set up and that’s how he met you. To his surprise you knew everything about the stuff you wanted and couldn’t help but smirk as not often does he meet someone as knowledgeable in his field as you. When he got you the guns you wanted he just casually asked.

“Want to go try these bad boys out with me someday? I won’t be doing any shooting though but I can see you more than know how to use them.”


Lee Minhyuk:

Originally posted by wonhontology

  • Behind his cheerful exterior there is a fearless drug dealer.
  • He likes to keep it simple and be on good terms with his clients but everyone knows that you will be dead on the spot if you try anything suspicious. 
  • He’s so good with his words that he even made some connections with the higher ups in the city from police officers to judges.
  • Because of that and his skills, making drug deals has never been easier.
  • Other gangs often ask him for advice in exchange for money.
  • He gladly agrees but never tells them his secrets.

He met you at the start of his career when after a deal gone bad he was left all beaten up in an alley. You were coming home from your night shift when you noticed him. You immediately came up to him and asked if he was okay, even though he was barely conscious he just laughed and said that he thought you were an angel as he never saw anything prettier than you. You wanted to take him to a hospital but he begged you not to call anyone and so you dragged him to your apartment and nursed him back to health.


Lee Jooheon:

Originally posted by trainingpanda

  • The other one the most feared assassins in the gang.
  • Unlike Changkyun he specializes more in close range or hand to hand combat.
  • His favourite weapon of choice is knuckle duster knife. 
  • Tends to get to know and earn his victims trust before he kills them.
  • Starts acting all weird and does a lot of aegyo when drunk.
  • Is actually really friendly if you’re not his enemy that’s why he has a bunch of friends and companions outside the mafia industry.    
  • Likes making detailed plans of the missions and often helps Shownu and Kihyun with that.

You were actually going to be his next victim. He was hired to kill you by another gang for unknown reasons, not that he asked, he was only here to get the job done and then take the money. He didn’t expect you to be this cheerful and an excellent discussion partner though. This never happened before but he was starting to doubt if he should kill you. When you agreed to him taking you home and were pushed in the alley behind the club you didn’t even flinch or beg when he pressed the knife to your throat.

“Why are you not scared?” he asked.

“Why should I? I did a lot of awful things in my life, so maybe it’s my time to go.” you replied.

That’s when he knew for sure he couldn’t kill you. After he released you out of his grasp he asked.

“Which gang were you from?”

“Why don’t we get back in the club and I will tell you my story?”


A/N: I hope you enjoyed!! Anyhow, I would love to write more kpop reactions, scenarios and stuff like that. I keep up with a lot of groups, both male and female, so if you have any ideas feel free to request!!  😃