but otherwise it skips even more

Disclaimer: I have never taken a non-science college class. Meaning, I have no idea how to take notes for humanities or social sciences. Not saying this method won’t work for that, just that I can’t guarantee it will. Also, this method is not about achieving pretty notes, only structured practical notes.

What you’ll need:

  • Notebook. I use a notebook. Most people I know use a notebook. Why should YOU use a notebook?
    • You won’t get as many handouts (if any) as in highschool.
    • Professors won’t ask to see hw in your notebook. For all they care, your notes could be a comic about the class. As long as you pass, you do you.
    • You don’t have as many classes in a day so even if you carry around notebooks, your bag won’t be all that heavy.
    • You can divide it into three sections: class notes, seminar notes/work and lab work. All in one for your studying comfort.
    • Professors WILL reference that formula from 3 classes ago and when you have no idea wtf they’re talking about, you can just flip a few pages.
    • Seriously, no one in your class wants to hear you snap loose leaf paper out of your ring binder.
    • And let’s be honest, your notes are going to get jumbled up any other way.
    • If you’re taking a continuation class and you’ll need to revise from these notes, it’s much easier to pull out a notebook than to look through the thousands of notes from all your classes and try to figure out which are the ones you need and what is the correct order.
  • Two pens, three tops. Blue for general notes, black for sections and the other color for subsections or underlining. Go for black for general note taking if you want to (I do it too sometimes) but blue strains your eyes less.

In class:

  • Structuring notes: not every structure works for every subject and professor so you should figure out a method for each one. That said, I usually start out with a basic structure and then tweak it along the way to better suit my needs:
    1. The name of the unit should be your ‘big title’. ‘ORGANELLES’
    2. Every ‘big topic’ (very easy to identify – usually the professor will make it really clear that you’re moving on to a different topic or it’ll be on the slides) inside the unit is assigned a number. ‘3. Mitochondria’
    3. Every ’big aspect’ of that topic is a subtopic. ‘3.4. Structure’.
    4. If there are even more sub subtopics, continue with the numeration system. Otherwise proceed to use bullet points for any enumerations. If there are enumerations inside these enumerations (wow enumerception), change your symbol for each level. Instead of bullet points you can use dashes, squares, spirals, Xs…
    5. The exception for this is when the enumeration corresponds to steps in a process. In that case, I number each step and circle the number.
    6. For each level you descend, indent your text. It’ll be easier to not get lost. Skip this if you’re working with a small notebook and you’re afraid of running out of pages.
    7. Sticky notes are your best friend. Does some random piece of info the professor just decided was important enough to be mentioned not fit into your very methodic structure? No problem, add a sticky note. Cute + calls attention to it, so you won’t forget.

Keep reading

anonymous asked:

I think my thing with age gap is that, if the two people had a close relationship when one of them was a kid and the other one wasn't....I struggle with that. Just the idea of Kakshi watching her slowly grow into a woman and then one day realizing he is attracted to her after a certain point, I cannot. I'm convinced a part of him would always see her as a child to him. If it's AU where they meet as adults I don't mind though. Their hair color compliments somehow...

You know, it’s totally ok that it squicks you! It’s completely alright if you want to say “I only like KakaSaku in AUs where they meet as adults” (or in AUs where they’re the same age).

Personally, I actually like the appeal of “whoa I thought our relationship was X but now suddenly I want it to be Y” in ships, that’s a major theme in my OTPs across many fandoms. For one thing, that’s built-in drama. Person A wants the relationship to change, but Person B isn’t sure, and then Person B suddenly realizes it but Person A has gone away, Person B you must chase Person A down! EXCITEMENT. Also: external opposition? Taboo?? I MUST HIDE MY FEELINGS AND PINE SECRETLY FOR LO, MY LOVE CAN NEVER BE??? 😍😍😍

Specifically with Kakashi and Sakura, a big reason why I ship them is that while genin Sakura certainly does intend to respect and obey him and view him as an authority figure (because she’s a Good Girl), right from the get-go she doesn’t really. Inner Sakura (her true feelings) laughs at Naruto’s prank, and she’s appalled at his lateness and trolling. The entire time she’s a genin, I’m convinced that Kakashi never truly registered her potential. The most frequently cited example of this, because it really is appalling, is when Sakura mastered tree walking the first try–#1, Kakashi merely uses her accomplishment to ridicule and shame the boys, turning them against Sakura (teamwork, Kakashi??? hello???); #2, her “reward” is to sit on the bridge with Tazuna while Kakashi trains the boys without her. Nice. And during the time skip, it’s fairly obvious that Kakashi and Sakura didn’t interact–otherwise Kakashi wouldn’t have been so completely gobsmacked at her unleashing the Fifth’s strength. He wasn’t merely surprised, he was stunned.

The inference that he thought Sakura completely incapable of learning Tsunade’s techniques so fast is inescapable. He knew she was training with Tsunade, so Sakura using Tsunade’s technique shouldn’t have shocked him so much, right? Yet it did. Because he completely discounted Sakura’s ability.

That’s slow to change as well. Even though Sakura’s fight against Sasori was far more successful than Kakashi and Naruto’s against Itachi and Deidara, even though Sakura is spending every moment of her free time researching and begs him in the hospital to help find a way to improve, does Kakashi bother to come up with a training regimen for Sakura? Nope. He and Yamato train Naruto alone, and they get Asuma involved as well.

Now, to a huge extent, to me, this is just a symptom of what should have been an overarching problem in the series: short-term thinking. It is completely natural that short-term thinking would be ubiquitous in a society undergoing constant warfare and violence. But short-term thinking causes problems, and when those problems are attacked with more short-term thinking, things can turn to shit so fucking quickly. Each of Kakashi’s decisions to prioritize Naruto and Sasuke so exclusively make sense through a short-term focus. His decision to teach Sasuke the chidori to fight Gaara makes sense through a short-term focus. It’s only when you step back and look at the pattern that you realize how fucked up these decisions are.

So when does Kakashi start to realize how wrong he’s been? In my opinion, it all comes home to him during the Five Kage Conference and his fight with Sasuke–a fight that prominently features the chidori that Kakashi is responsible for choosing to teach Sasuke. Kakashi says right out in this arc that he was a bad teacher. He is correct.

It’s the Fourth War when I see him really changing his view towards Sakura, and realizing just how much this wonderful, amazing, strong kunoichi isn’t the Sakura he thought he knew. But there’s a snag. She’s still all hung up on the guy  who literally everybody treated as more important than her safety from day one! Oops!

Originally posted by mittdwmrl


And we haven’t even gotten into all the things that Sakura doesn’t know about Kakashi! So yeah the stage is set for amazing things, potentially, but this is Naruto so we don’t get nice things. But who cares, really? I mean, fuck, I ship all the canon ships except SS, so just take it from me: you do not want your Naruto ship to be canon. My God! You want Kishimoto writing your OTP?! You want Studio Pierrot writing it?!?! I ship NaruHina and I’ll never be the same. Don’t do that to them. Keep them in fandom, where they’re safe from the shitstorm that is the rest of post-699 Naruto.

*coughs* I seem to have run off the rails, anon, sorry about that. Onto your last point.

I am convinced that a not insignficant portion of Sakura’s shippability is her colour scheme. You wouldn’t think pink hair and green eyes would blend so well, but for some reason it really does? She just looks good with everyone!

I, for better or worse, completely understand Sapphire’s reasoning here.

You’re hurt, or upset, or angry, and all you’d like to do is skip all the messy making up and icky feelings, forgive and forget, and get back to the status quo. You know what the outcome will likely be, so why suffer and trudge through all the muck on the way there? It’s wasted effort, isn’t it?

But you have to allow yourself to feel and process your emotions. It’s okay to be angry, it’s okay to feel hurt, it’s okay to be upset. Expediting the process doesn’t allow you to come to terms with whatever unpleasant experience you’ve had, and half of healing is dealing with the flurry of emotions that come along with that. Otherwise, you end up even more emotionally conflicted than before.

Personally, this is how I tend to handle things, knowing that it’s the wrong solution. I want to skip the journey and get straight to brass tacks; dealing with anger and hurt doesn’t feel all too nice, and so I’d just rather not, thanks. I’m quick to forgive - outwardly, at least. Therein lies the problem, though - while you’ve already granted forgiveness superficially, you’re still holding a grudge that will only manifest later down the road. Or if you’re the perpetrator in the scenario and try to hastily apologize, you come off as uncaring and unapologetic. 

Myth: "Jin doesn’t have many lines because his voice doesn’t suit the song.“

Implication 1: Jin’s voice doesn’t suit powerful songs.

Response: Sometimes. When Jin tries to sound powerful, he tends to make his voice extremely nasal. The problem with this is, rather than coming off as powerful, his voice comes off as unpleasant and grating, and this could cause damage to his voice as well. (Examples: “No More Dream”, “Boy in Luv”, “War Of Hormone”)

However, when he sings using his normal voice, he actually does pretty well, since he does a great job of conveying emotion with his singing voice. (Examples: “N.O”, “Danger”)

Implication 2: Jin doesn’t have a wide vocal range.

Response: False. Jin can sing low notes with a lot of stability (Example: “Rise of Bangtan” and “Spinebreaker”, where a lot of his lines could be mistaken for Taehyung’s because his deeper voice sounds so different), and he can sing very high notes pleasantly (Example: “Blanket Kick”). His trouble is with singing the notes in between (F#4-Bb4), especially in succession. He’s getting better at those notes, but he still sounds fairly strained. (Examples: “Tomorrow”, “Let Me Know”)

Implication 3: Jin only suits ballad songs.

Response: False. While it’s nice to know that Jin’s voice carries a sentimental quality in ballads and sad songs, Jin’s voice isn’t only limited to ballads. Jin can also sound bright and cheerful (Examples: “24/7=Heaven”, “A Supplementary Story: You Never Walk Alone”) or soft and sweet (Examples: “For You”, “Good Day”).

Implication 4: Jin’s voice isn’t stable enough.

Response: False. Jin has arguably become the second most stable vocalist in BTS, after Jungkook. Taehyung’s still unstable because he’s either growling or singing out of his comfortable range. Jimin is also unstable, likely because he has to push his voice too much to reach notes that are at the edge of his comfortable range.

Implication 5: Jin is the only vocalist who doesn’t suit BTS songs.

Response: False. Jungkook, Jimin and Taehyung all have mellow voices. Nobody in BTS is a powerhouse vocalist. Powerful BTS songs are produced to suit the overall image of BTS, which is shaped by choreography, lyrics, and raps, on top of vocals.

  • Jungkook and Jimin sound the most “powerful” because BTS songs are in keys that are comfortable for their range. However, if you listen to their covers (especially Jungkook’s), it’s very obvious that they prefer to sing ballads or melancholic songs, because their voices and singing styles are more compatible with those types of songs. (Examples: “Lost Stars”, “Paper Hearts”, “We Don’t Talk Anymore”)
  • Jimin in particular sounds powerful with his high notes, but it’s primarily because he places a lot of strain on his vocal chords, so he’s forcing his notes out. This sounds impactful in the moment, but could cause vocal chord injuries, which is why he’s been skipping a lot of his adlibs lately for his live performances.
  • Taehyung only sounds powerful when he’s growling, and this is damaging to his vocal chords. Otherwise, he’s very often singing notes that are higher than his comfortable range. He’s a baritone, so he sings very rich low notes. (Examples: “Someone Like You”, “Hug Me”) His higher notes, however, are breathy and lack support. Overall, his technique makes his voice most suited to either ballads or jazz/R&B influenced songs.

To top this off, here’s a (not comprehensive) list of songs where Jin should have probably deserved more lines, even after taking all of the points above into consideration:

  • “Miss Right” (his voice suits the entire song, yet he was the only member with <10 seconds of lines)
  • “Look Here” (the whole song is in his range, yet he only got to repeat “look here” many times, and people don’t recognize his shared line with Taehyung)
  • “Blanket Kick” (again, his voice suits the entire song)
  • “Ma City” (basically any of the lower lines during the chorus would have fit his voice)
  • “Whalien 52″ (he could have sung the pre-chorus)
  • “Good Day” (his voice suits the whole chorus)
  • “Blood, Sweat & Tears” (Jin’s falsetto/high notes would have been beautiful)
  • “Am I Wrong” (both Taehyung and Jin got ripped off for this one)
  • “Not Today” (the “no-not today” parts are all within Jin’s comfortable range, but he got 4 seconds of the song)

TL;DR “Jin doesn’t get many lines because his voice doesn’t suit BTS songs” is a huge oversimplification. Some implications embedded within this statement are fair, and some aren’t.

NDRV3 Boys Helping Out Their Very Stressed S/O

For some reason, this was rather hard for me to write which is why it also is out this late, but after much research and a bit of imagination, I finally finished this. I hope you enjoy.

-Mod Saihara

Korekiyo Shinguuji

  • Feeling stressed is a normal reaction if you’re human. While it may not be a positive feeling, he understands that people will feel stressed once in a while. In fact, Korekiyo finds the entire experience enlightening, thinking how it’s a sign that we are alive and human. However, despite his short admiration of the stress, he will help ease your stress.
  • He takes traditional methods of easing stress, adding his own twist to it from what he has learned from anthropology. From going to walks with you to even using an ancient Japanese method of meditation to help calm you down so you will be able to focus better. At one point he even used pressure points to help initiate calmness.
  • Korekiyo also provides you with drinks, mostly from his own creation, taking what he knows about foods that help with stress to make his own concoctions. While he does mean well, his creations do not necessarily taste great all of the time (like his spinach and salmon oil smoothie). However, there are often times when he does make delicious drinks such as his avocado and blueberry smoothie.
  • But overall he understands that in order to completely finish off your stress, you would have to finish with whatever you were working with and encourages you to do so. While he does force you to take breaks, he is careful to help you get rid of any distractions which may interrupt your progress. He confiscates anything unrelated to your work and only will give it back when you finish.
  • Korekiyo had learned that kissing was a way to curb stress was to kiss with your significant other, and he will give you an occasional kiss while you work. However, when you do finally finish with your work, he will give you the love and attention you deserve, showering you with kisses not only to show his love for you but also to rid the last of your stress.


  • He doesn’t exactly understand what it is like to be stressed. While he knows what the word means and has a general idea of how you are feeling when you are stressed, he can’t empathize with how you’re feeling and may accidentally set you off once or twice at the beginning. However, as he begins to understand he does try and help you.
  • Search engines are his best friend as he tries to find ways to help deal with your stress or relax. Kiibo does heavy research on how to deal with stress, to the point where he is active all night and is barely able to reach his charger cable before his system shuts down from lack of electricity. He wants to be helpful and is willing to make small sacrifices. In the end, he believes it’s worth it if you are able to relax
  • He begins to suggest short activities in order to help you cope with your stress, including yoga or short exercise to even teaching you several breathing exercises to help calm you down. Even if you are busy, he forces you to take a break despite any protests you will throw. While Kiibo knows that you have a lot on your plate, it’s not healthy to work without a break.
  • Even when you are working, he’s going to mother you by forcing you to take care of your basic needs. Often he brings teas and healthy snacks so your hunger and thirst will be curbed away as you work.  Kiibo’s going to monitor your diet so you get not only enough nutrition but also adjust your diet so it will be full of essential nutrients to allow your brain to help cope with your stress better. He also encourages naps to keep you awake, but no longer than twenty. Even if you beg for another minute he’s going to wake you up.
  • All Kiibo wants is for you to be healthy and stress-free. Even if he needs to sacrifice some of his happiness for your sake he’ll do it. He wants to be the best boyfriend he can in this situation, giving all the support you will need. He knows that it will pay off eventually as he sees the smile on your face once you are free of the stress that has plagued you.

Kaito Momota

  • Eh? Stress? You’re not going to allow a little bit of stress bring down your day are you, at least that’s what he asks you when he learns about how stressed you are. He does understand how difficult it may be to handle it, however, he’s going to aid you through this. He’s not going to let a little stress get the better of you.
  • Kaito’s methods of helping you cope with your stress are unorthodox. Rather than using breathing methods or taking breaks, he instead gives you encouraging messages. He hides them in your belongs so that way when you are working, you might accidentally stumble upon one of his inspiring messages to help you.
  • He’s also not the greatest person in terms of food, so he’s not sure what type of food he should feed you. Instead, Kaito just makes sure you don’t skip a meal, making you food with whatever he can find or simply ordering take out to feed the two of you.
  • Brief breaks are allowed, but otherwise, Kaito’s going to be timing how long your brakes are. The longer you take on a break, the higher the chance of procrastination rises. He gives you exactly two minutes for a break, no more and definitely not less. You need to use the break to actually relax, not more work and to become even more stressed than you currently are.
  • When you’re finally relieved of your stress, he’s going to have a mini celebration dedicated to you most of the time being a date just between the two of you. Kaito believes you deserve treats like these. You should have a reward for being able to complete your work despite how stressed you are and there will be no room for debate about whether you deserve this reward or not.

Kokichi Ouma

  • Kokichi is not the best person to ask for help when dealing with stress. He claims he knows multiple ways of dealing with stress including moral support and snacks to help keep you healthy and not malnutrition. He also mentions he is a master of his stress due to his position as the supreme leader of an evil organization due to how much responsibility he has.
  • In reality, his idea of helping often is just sticking by your side and telling you that you can do it for pretty much the entire time you’re working. One may think that Kokichi would get tired of doing this after about an hour, but he’s surprisingly persistent as he hovers over your shoulder for the next few hours.
  • The only time he ever leaves is to either get you snacks or to use the restroom. His snacks aren’t particularly healthy either, primarily Panta as the drink of choice along with some cookies and chocolate.
  • But surprisingly despite your initial impression on his methods of motivating you, it’s surprisingly effective. His moral support motivates you when you feel hopeless and gives you enough drive to finish your work so that way you would have time to relax.
  • He also adds incentives in order to help motivate you. If you finish before a certain time he would offer you kisses and small actions like these. Despite Kokichi’s unconventional approach to helping you with your stress, eventually, it all works out in the end.

Rantaro Amami

  • Rantaro can understand. Who hasn’t been stressed in their lives? While he doesn’t find himself dealing with stress often, he does know several methods of how to deal with them due to a few tricks he picked up from people.
  • Like the others, he gives you tips such as breathing exercises and a quick yoga you can try out during your breaks. However, he also has a few of his own original which may or may not is relaxing to you such as watching a few short videos or having a short conversation with you before going back to work.
  • While you’re working he always checks in on you to see if you need anything. Even when you don’t he also helps you with your physical health just so it can be as tolerable as possible. Rantaro reminds you to sit up if you’re slouched and even gives you small massages.
  • Rantaro will remind you not to procrastinate else it would be even harder to complete your work. He wants you to become less stressed, not add up to your workload to make you even more stressed than before. If he catches you doing so, often he will walk by and remind you or even physically confiscate the item if he has to.
  • He does every single action out of love. He doesn’t like seeing you stressed and wants you to be happy again. Once he is able to see that smile return to your beautiful face, he’ll gift you with a shower of kisses. Anything for his S/O.

Shuichi Saihara

  • Shuichi’s going to understand what you’re going through. His career path also brings a lot of stress to him, and he knows well the effects of stress when it isn’t treated. He prioritizes your well-being over his, helping you relieve your stress before he does the same for himself.
  • When stressed, you will need lots of rest and nutrition. Often times, he comes up to you and presents to you a plate of healthy foods so you will be able to eat while you work. When you’re tired, he requests you to get some rest. If you refuse, instead he brings you a cup of coffee or tea to help you get through the night so long as you agree to sleep in the next day.
  • He really digs in his heels about giving you time to rest. Shuichi knows that stress can lead to delusions and anxiety if it isn’t relieved, especially when he experienced the symptoms first hand himself. At first, he suggests this to you gently but if you ignore him, he’s going to be confiscating your work so you can get rest.
  • If you aren’t able to sleep, he gives you warm milk or tea to help you ease into sleep, making sure your room is dark and free from any distractions. Shuichi does time how many hours you should sleep, allowing a few extra hours if you aren’t able to go to sleep straight away. But even if you ask for five more minutes when you should wake up, he doesn’t allow it either.
  • Throughout the entire time you’re stressed, he’s going to pretty much mother you. He knows and understands stress very well and he will help you through so you will avoid any mistake you will make throughout the way.

Gonta Gokuhara

  • What is stress? Gonta like Kiibo hasn’t dealt with stress before, although in this case, it’s simply because he never found the need to be stressed. As he had lived most of his life in the wild, carefree and happy, he’ll have trouble helping you at first.
  • First, he tries to help you by bringing you some bug friends to your table. As you are flipping a page in your book, you suddenly see a fuzzy little caterpillar crawl by your book, along with your boyfriend right next to you telling you about this species. He does this for a short period of time before allowing you to go back to your work. Expect him to come back soon though with another bug friend.
  • If you need anything, he’s going to help you. Gonta wants to be of help to his S/O, he wants to see them be in a state of non-stress. Gonta wants his S/O to be able to go on their adventures in the forest to look at bugs together again rather than staying indoors, face in a bunch of papers.
  • He even resorts to his friends’ advice when he asks them what are a few ways to deal with stress. He will try them all out including Korekiyo’s suggestion of meditation, Kiibo’s breathing exercises, Kaito and Kokichi’s suggestion of hovering over your shoulder and telling you inspiring messages, Rantaro’s mini massages and Shuichi’s suggestion of plenty of rest. While some don’t work for you, surprisingly others do.
  • Gonta’s relieved by the time you finally finish your work. You both know that one day you’ll be in the same state of mind again, however, Gonta now has a better grasp on the idea of stress. He’s going to take in consideration some methods that work along with some more pretty bug shows he can show you during your breaks. After all, bugs help everyone calm down!

Ryoma Hoshi

  • Feeling a little stressed out? Ryoma understands that daily life can often contribute to stress, no matter what type of situation you may currently be in. He’s always there to help you though, especially when he has lots of knowledge himself.
  • While like the others, he’ll be encouraging breaks and ask you to eat nutritious foods, he also will stand next to you, acting like a butler of some sorts. Sometimes he even tries to help you with the work you have the best he can. While he might not know all the answers, he does want to help you reach them
  • Sometimes if your emotions get the best of you due to the stress, he’s going to be there for you. Ryoma will stand by your side, calming you down and allow you to rest a bit before allowing you to go back to your work, helping you with it again as if nothing ever happened.
  • Like Kaito and Rantaro, he’s not going to allow you to procrastinate. In your breaks, he would prefer if you did some more restorative recreational activities such as coloring or maybe reading a book, but no texting or calling any friends. That will only distract you, leaving you even more stressed out in the future.
  • In the end, when you are finally not stressed anymore, Ryoma merely tells you that it wasn’t a problem helping you through. He was simply happy to be of use to the one he loved and cared about through this entire ordeal. The two of you would then resume life as if it all had never happened, and if your stress were to return one day, Ryoma knows how to deal with it.

President Snow is a “small, thin man”?

I noticed this and another similar description of him while looking through The Hunger Games and Catching Fire.

In THG, chapter 5: 

The president, a small, thin man with paper-white hair…

And in CF, chapter 1: 

A small, white-haired man who seems vaguely familiar…

Interesting choices on Collins’ part. In THG, when Snow is first mentioned, the reader already knows that Katniss lives in an authoritarian state that controls its populace in part through the cruel spectacle of the Games. So it may come as a surprise that the leader is apparently elderly and unimposing, while one might have expected someone who appears more robust and intimidating. And “paper-white hair” is an interesting term—while it’s used to describe color here, paper is also thin and insubstantial. 

What’s unnerving—possibly even terrifying—about Snow are the additional details we’re familiar with: his “snakelike eyes” and the overpowering smell of blood and roses. There’s probably some dissonance in finding these repellent traits in a small, thin person who might otherwise be unthreatening. Collins makes sure we’re aware of Katniss’ visceral reaction to Snow by noting how her “heart skips a beat” when she finds him in her study at the beginning of Catching Fire. As they talk, Katniss says a “shiver goes through” her and also mentions her “revulsion at this conversation.” (chapters 1-2, emphasis added)

Maybe I’d forgotten the ‘small’ part of Snow because of Donald Sutherland, who was 6′ 4″ (wow) in his prime. No complaints from me about his casting though—he was creepy and effective as Snow. 

you know an anime is good when...

- the animation and art style blow you away during the first few seconds

- the characters personalities already unfold in more than just a stereotype in        the first episode or they don’t even have sterotypical personalities

- you don’t even skip the opening and/or ending

- you get all wiggly and happy when starting the next episode

- and it is finaly again an anime with your preffered genre and setting that doesnt rely on panty shots has a story with motivation and plot twist that can unfold as it progresses and leaves you wanting more everytime + you’ll rewatch it for sure


YOI Future!Verse ABO AU - 4 Koma


Sometimes it’s hard to tell whether the twins get along or not, in fact it’s usually both simultaneously. In which they’re babies, Yasha’s already a fledgling asshole, but Shura still wants to be with him…

(Featuring OC kids Yasha and Shura as infants)

*If the comics are hard to read, tap on the image first to bring it up in the Tumblr viewer, THEN right click view image for the unaltered slightly higher resolution.


IF YOU ARE NEW TO THIS AU: It’s a Yuri!!! on Ice AU, Yuuri-centric with end-game polyamory in an ABO setting, Yuuri gets married to four mates (Victor, Yurio, Phichit, Minami) and they have OC kids.

BASICS and timeline of this AU

INTRO to how ABO works in this AU

A SUPER DETAILED world-building headcanons post on ABO+ in this AU

OTHER POSTS (comics + illustrations) in the Future!Verse ABO section of my YOI Masterpost.


Please keep ship bashing out of the comments/tags. Don’t like, just skip <3 Thank you.


PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. More detailed rules available on my Rules & FAQ Post.

Annotated Album-A-Day List:

Annotated Album-A-Day List:

Alphabetical Order: January - June 2017

So this is every album I listened to from January to the end of June. Every one has a quick opinion of mine. Let me know what you think of my thoughts if you know the albums or decide to check them out!! Happy listening!!


Actress - AZD: A solid electronic album that messes with sound in some very interesting ways. Worth a listen but it hasn’t been pulling me back as much as I would have hoped.

America - America: Really enjoyable classic folk rock that most definitely was influential. They do a great job layering their tracks with percussion and a fleet of guitars. Donkey Jaw is probably my favorite track due to how hard it rocks out (for folk) at a few points. If you like folk, you’ll enjoy this album quite a bit.

Anderson .Paak - Malibu: Sweet Kraken!! This album is fantastic! It’s groovy, smooth, sexy and has some nice hip hop flavor to it. It gets a little long with some more fatty songs, but I can’t stop going back to it.

Angel Olsen - Half Way Home: Honestly, this isn’t my cup of tea. It’s just a bit too twangy for my taste. If you like country a lot, check it out.

Animal Collective - Marriweather Post Pavilion: This album is a wall of sound. There are no empty spaces in any song. If there was empty space at any point they popped in another synth layer, or another vocal track to fill the gap. This is what makes this album unique. It sounds like nothing else from that time where rock bands were going for more stripped down sounds with kitschy melodies played on xylophones while their acoustics shit out the same chords over and over. This showed that Animal Collective wasn’t like the rest of the “indie” rock bands of the day.

The Avalanches - Since I Left You: What an incredible album! This is what electronic albums should use as a baseline and it’s influence has been seen since it released in 2000. This is a sample album, so every sound used on it is taken from something else. While that sounds like it may be a bit derivative or outright copying, it isn’t. They are able to create utterly new and unique sounds and songs that will no doubt blow you away. Also, this album has a near impeccable flow from track to track. A must listen.


BADBADNOTGOOD - BBNG: This is a great jazz album with some hip hop influence. It’s even better if you’re into video games because of their covers of songs off of the Zelda soundtrack. Even if you are not familiar with those though, this album is worth your time. And I’m sick of Giant Steps too.

Beach House - Depression Cherry: If you like dream pop, this is the album for you. It’s spacey, catchy and clean. If you’re looking for variety though, go somewhere else. This is very much an album from a band who has found their sound and is sticking with it.

Blank Banshee - Mega: This is a weird album. It’s some good electronic music, but the songs started to blend together in my mind, and when it was over, I was surprised I had listened to an entire album.

Big L - Lifestylez ov da Poor & Dangerous: You can’t go wrong with Big L! His rhymes were incredible and his lyrics were nasty. It’s not often that you find more accessible horror core.

Big L - The Big Picture: Another solid album, but it has a little weirdness to it considering that it is a posthumous album. Big L will spit a verse then Jay Z will come on and finish up with a respectful rest in peace to the man of the hour. It feels incredibly odd, but weirdly special.

Bob Dylan - Empire Burlesque: Ooffa dooffa! This is a bad album. There is such a palpable lack of effort on this album that kills me when I listen to it. Dylan was just going track by track hitting the highs and lows that he knew would sell. It just feels like a lazy album that doesn’t even remotely stand out as a good one in his career. If you love Bob Dylan I’d say check it out to have more of an appreciation for his good stuff, but otherwise maybe skip this one.

Boogie Down Productions - Criminal Minded: Fucking classic masterpiece. Required listening. ’Nuff said.


Capital STEEZ - AmeriKKKan Korruption: Man, this is such a solid record, it sucks so bad that STEEZ took his own life. His topics and flows feel good and his beats are that nice and comfortable Pro • Era style.

Carly Rae Jepsen - E•MO•TION: This album has no right to be as awesome as it is. I was expecting some pop drivel that I’ve heard since birth just regurgitated for the billionth time because producers know that it will make money, but Jepsen actually knocks it out of the park with an original pop album. My only gripe is the lack of lyrical variety, but it doesn’t drag the album down too much.

Chance the Rapper - 10 Day: Man, it’s crazy to think that a 17 year old Chance was able to put this together. It’s tight, it’s mean and god damn is it solid. With the ethos surrounding it I wasn’t expecting such a great mixtape, but man, does he deliver with it.

Chance the Rapper - Acid Rap: This is the best Chance mixtape in my opinion. With the exception of the extended period of silence in the first half, the album has a great pace peaking with Cocoa Butter Kisses. Chance finds his style here and never has it been as strong!

Chance the Rapper - Coloring Book: Coloring Book is great, don’t get me wrong, especially with songs like No Problem but this album drags. It hits about the halfway point and runs head first into a brick wall with some of the most skippable tracks that Chance has ever made.

Charles Mingus - Mingus Ah Um: I mean… It’s Mingus, obviously it’s amazing.

Childish Gambino - Because the Internet: I wanted to like this album so badly. I love Donald Glover in almost every other avenue, but as a rapper his style isn’t distinct enough, his lyrics can be half baked, and his sense of pacing is sorely lacking. This is another album that’s first half is stacked well, so when the second half comes in all you want to do is take a nap.

Childish Gambino - Awaken, My Love: Now this, this is where I think Glover should be going. This album is better than Because the Internet in every way. From song writing to the production, not to mention the more obvious fit of the new genre he decided to tackle. With the exception of California, every song is pretty solid.

Clarence Clarity - No Now: I literally can’t get enough of this album. It’s so weird and perfect. Clarence Clarity creates pop songs with somewhat familiar sounds and distorts them beyond a sane level. They sound like they were made in space and that’s what makes the album so compelling. Each time I listen I hear a new song in the track listing. Also, Cancer in the Water is such an incredibly powerful track!

Crosby, Stills & Nash - Crosby, Stills & Nash: Coming out in 1969 Crosby, Stills & Nash began their journey to become on of the best folk bands of all time. They basically created modern folk as we know it, so if you enjoy Fleet Foxes or Mumford and Sons then do yourself a favor and check out their stuff. It has an older style but it still has acoustic guitars and beautiful vocals.

Crywank - Tomorrow is Nearly Yesterday and Everyday is Stupid: I found this album incredibly randomly and wasn’t shocked or disappointed with it. It’s fine. It has some catchy tunes and deals with some heavier emotions like existential dread and depression, but unfortunately sometimes it just comes off as a little whiny.


(Quick Danny Brown Note: I’m a huge Danny Brown fan, but he isn’t for everyone because of his unique sound, don’t be discouraged if you don’t like him)

Danny Brown - The Hybrid: If there has ever been an album that has shown potential, it’s The Hybrid. Danny Comes through with a great tape with his signature two styles of songs, the more party based ones, and the serious ones.

Danny Brown - XXX: Man. This album is good. Every song is good. Every. Fucking. One. Danny does this cool thing too where he changes hist style on the fly. The first half of the album is crazy. Danny raps about drugs women and partying while using his unique higher pitched vocals. Then the second half is a much more toned down serious sounding bunch of tracks that deal with more difficult topics. Instant classic.

Danny Brown - Old: Old is another strong album from Danny, but can get a little patchy at the very end. But man, I can’t stop listening to it. Dip stands out as one of the coolest sounding tracks that Danny’s put out.

Danny Brown - Atrocity Exhibition: Jeezers peezers, what a goddamn album!! This is one of Danny’s (I’m assuming there will be more) magnum opuses. This album gets weird. The production on the first track gives us the perfect tone for this record, that coincide with the lyrics that just tell us that something is off. And every other track works towards this idea. Ain’t it Funny feels like this massive cry for help and Really Doe is a perfect track talking about the problems in the rap game. This is another must listen.

Death Cab for Cutie - Transatlanticism: This album is fantastic. I’m not a huge Death Cab fan, partially due to a lack of knowledge of them and partially due to the singers voice, but this album is undeniably good. It his some raw emotions with perfectly crafted music to back it up. I will be coming back to this album again and again.

Death Cab for Cutie - Narrow Stairs: I Will Possess Your Heart is an awesome 8-minute track that feels anxious and perfectly repetitive, but this album drags. The pacing here is an issue. By the end of the album I was ready to bail and finally be done with it. There are some good tracks, but there are too many duds.

(Quick Death Grips Note: I’m also a huge Death Grips fan, they are incredibly aggressive and experimental hip hop, not for everyone but give them a shot, good to use as a gaming soundtrack for the first time you listen to them so your brain can get used to their sound)

Death Grips - Exmilitary: Death Grips sounds so incredibly different from any of their other albums on this mixtape, but that’s what makes it so compelling. Their unique use of sampling mixed with MC Ride’s classic shouting delivery packs a massive punch to your ears and gut. It’s abrasive, but you can’t help but jam along with it.

Death Grips - The Money Store: This album is probably perfect. I wouldn’t cut a single song from its 40-minute runtime that ends much much too short. This album is mandatory listening. It’s abrasive, catchy, disgusting and aggressive. It makes you want to scream out into the night with a big “fuck you!”

Death Grips - No Love Deep Web: Where could Death Grips go after the money store? Darker. This album looses any sense of light which makes it feel like Ride is forcing rocks into your ear canals, but these emotions feel right at home in Death Grips unique sound.

Death Grips - Government Plates: This album starts off incredibly strong, hitting a great stride with Birds. As it goes on it slowly looses its footing, and Ride’s vocals which makes for a slightly lackluster album. Yet, it still keeps me coming back for the first half and the last two tracks.

Death Grips - Fashion Week: There are some great instrumentals here, but I had two problems with it. First, it is hard to call it Death Grips without MC Ride screaming murderous lines into my head, and second the album has very little focus musically. It ends up being a bit long for it’s own good and misses a few great places to end in favor of an incredibly abrupt ending.

Death Grips - The Powers That B: This two parter is interesting. Most critics prefer the second half like I do, but I still enjoyed the first part quite a bit. But man, Jenny Death (disc 2) ends up blasting Ni**as on the Moon out of the water with it’s punk rock influences, something that they would later touch more on in Bottomless Pit.

Death Grips - Interview 2016 EP: This is a strong instrumental album that is a perfect length. It feels less criminal in its exclusion of MC Ride than Fashion Week does, but I could always use more Ride.

Death Grips - Bottomless Pit: Shit, this album is nasty! Like really nasty and makes for such a strong Death Grips album. The beats are disgusting, the samples are depraved and the lyrics shouldn’t even be allowed they’re so gross, and that’s why I love it.

Denzel Curry - Nostalgic 64: It’s amazing that this was Curry’s first mixtape because it sounds like he’s been in the game a long time. He has style and his flow is tight. He knows when to get emotion and delivers a powerful song discussing the  difficult topic of police violence.

Denzel Curry - Imperial: Another solid record with great pacing. Slowly Curry is growing into one of the greats of this generation of rap and I’m happy to be on board now while he’s still on his way up. He’s got some great anger and intensity that I haven’t heard since like Young Pappy.


Earl Sweatshirt - Earl: Earl comes out swinging for the fences, or for peoples faces. This mixtape is short, sweet and vicious. His lyrics range from poetic to downright disgusting. He shows off his skills and a little influence from the Odd Future crowd.

Earl Sweatshirt - Doris: Doris is incredibly solid. Every track is great instrumentally and lyrically. Features from Frank and Tyler propel this album into being a good album, but it’s Earl’s wordplay and unique flow that make it great.

Earl Sweatshirt - I Don’t Like Shit, I Don’t Go Outside: This is such an unpopular opinion, but this is my favorite Earl record (even Siri likes Doris more). Earl is introvert, anxious, anti-social and distrusting, which speaks to me very clearly. Each song is brimming with emotions that hide just beneath this tough guy facade, briefly showing their faces from time to time. Grief and DNA are the two best tracks as they paint such gnarly pictures.

Elucid - Valley of Grace: Wowzers bowzers, this is awesome. This is so awesome. It’s short as hell, but it comes in throws some great tracks and socially conscious lyrics at you then gets out. There is no fat on this, if anything I want more, but this is already the most experimental hip hop album I’ve heard in a while. He messes with industrial sounds, messes with mixing so that he is sometimes overshadowed by the music, messes with samples and messes with you. Listen to this, it’s half an hour so if you somehow don’t like it, it’ll be over soon.

Eric Clapton - Eric Clapton: This is a great album by Clapton that feels very much like a debut record. It’s not as catchy as Slowhand but still manages to entertain you. Worth a listen but I’m not going to be returning to this particular record month after month.

Everything Everything - Get to Heaven: It’s fine. The first few tracks are great, the last track is great. The middle is long and tough to get through, and the extended version just throws on songs that were rightfully cut from the regular studio version.


Father John Misty - Fear Fun: Father John Misty makes a great first album apart from Fleet Foxes that immediately sets him apart from their sound. His humorous and cynical lyrics help to make the album standout as musically it isn’t anything you haven’t heard before.

Father John Misty - I Love You, Honeybear: Man, Father John Misty makes a solid album from front to back here. It’s funny, it’s awkward, its pretty and it’s a little nasty. Father John Misty found a style that mixes modern lyrics that are cynical and jaded with this happy sounding almost 50’s-esque rock that just inherently happy. The music and lyrics kind of oppose each other which makes this amazing disconnect that shows Father John Misty’s discontent with the current state of things. This is a must listen.

Father John Misty - Pure Comedy: This album is black comedy. Make no mistake, it is funny, but it is also depressing. The best way I can describe this album is that it’s like getting punched in the balls then riding a ferris wheel. You know it’s magical and beautiful, but it fucking hurts.

Feist - Let It Die: Mushaboom is so god damn catchy and sweet. There are some amazing songs on here, and then some that are… less amazing. Some can be a bit boring or just kinda iffy. Worth a listen though, it has a nice unique pop sound to it that is nice and soothing.

Fleet Foxes - Sun Giant EP: This EP feels very much in the same universe as Fleet Foxes first studio album which makes sense that they often package them together. It feels like a continuation of a fantastic album.

Fleet Foxes - Fleet Foxes: Talk about a strong album, this is pretty much perfect from the first second to the last. White Winter Hymnal is a great indie rock track that most people should know, but that may be the most underwhelming song on the album, which is saying a ton!

Fleet Foxes - Helplessness Blues: This sophomore record does not suffer from a slump, in fact it’s right on par with their first album. It hits hard and beautifully with some of their most beautiful and odd tracks to date.

(UPDATE) The more I listen to this album the more I love it. And dare I say that it may be a perfect album. Its just so beautiful, so romantic, and just so goddamn perfect.

Fleet Foxes - Crack-Up: Crack-Up is weirdly dark for Fleet Foxes. There are some emotions that they are dealing with here that they haven’t had to deal with before. Isolation and alienation are common themes on this due to Robin Pecknold’s isolation from the band prior to the recording of this record. They also get more experimental. Their quiet moments are dead silent while their crescendos are blaring. I will be coming back to this album throughout life.

Flying Lotus - 1984: I wanted to like this album, but I found it to be a little repetitive and I couldn’t quite tell each song apart. It’s just a bit too focused for me and I was hoping for more of an array.

Flying Lotus - Cosmogramma: This is the one though, the sounds are weird and fresh and feel full of energy. FlyLo pops out a record that will be remembered in the electronic community for years to come.

Frank Ocean - Nostalgia, Ultra: Man, I wanted to like this mixtape a lot. It had great reviews, Frank’s voice and songwriting are usually top notch, but this one just didn’t do it for me. What bothered me was a lack of catchy tunes, too many filler tracks, and some pretty lazy sampling that actually resulted in a (probably unwarranted) lawsuit from the Eagles. This mixtape showed potential, but that was about it.

Frank Ocean - channel Orange: I really like this album. The first time I head it, it blew me away. Frank’s songs are catchy and his emotions run high through his lyrics. It’s a must listen, but what I will say is that after hearing Blonde, I think it has aged weirdly. This album has a loose concept that doesn’t always work and not every song is perfect. His big focus of the album, Pyramids is basically two songs just jammed together with one being honestly kind of obnoxious while the other is incredible. It’s a great album but his next is better.

Frank Ocean - Blonde: Some prefer channel Orange to Blonde, but I’m not sure why, or how for that matter. It is less catchy, there are some weird flaws to the album, but it’s a much better album because of it’s emotional impact and the way in which it all comes together at the end of the album to make one of the strongest R&B albums out there. There are catchy songs like Solo and Nikes, if you don’t mind the pitched vocals, then there are more subtle tracks that have palpable energy like Skyline To, a song about the every accelerating passage of time. You can literally feel the song, the day, week, months slipping away from Frank on this track. It’s amazing. And the ending track gets me so good every time.

Freddie Gibbs - Shadow of a Doubt: This is a great hip hop album that makes you feel cool. It’s drug dealing talk isn’t always glamorous, but Gibbs’ always lets it slide off his back. Also, any track with Dana Williams is bound to be incredible.

Freddie Gibbs - You Only Live 2wice: Short, bitter, redemption. YOL2 is nothing new, but it was a necessary album before we get anything new sounding from Gibbs. He’s been through a lot, and he lets us know in full detail. He’s happy to be home, but he is definietely a changed person.

Freddie Gibbs & Madlib - Piñata: This is probably as close as we are going to get to a followup to Madvillainy, and that is okay because this album is fiyah! The two complement each others styles nicely and are able to push out fantastic beats and rhymes together that outshine most acts out there today. Not even remotely as good as Madvillainy, but it’s a worthy successor.


Ghost Ship Octavius - Ghost Ship Octavius: If you like metal, especially classic metal, you’ll love it. These guys blast out songs with blaring guitars that shoot up scales faster than I knew hands could move. The singer holds these notes that force your index and pinky fingers up while sending your middle and ring fingers up. It’s nothing too new, but it’s great classical metal.

Godspeed You! Black Emperor - Life Your Skinny Fists Like Antennas to Heaven: I don’t want to say much about this album because of what it means to me, but it is a must listen. It’s simply remarkable that humans made something this beautiful. I’m not too proud to say that this one made me cry.

Grizzly Bear - Horn of Plenty: Man, this album is lonely, but beautiful and ends on one of the most emotionally resonant songs you can listen. Check out the comments for the song ‘This Song’ on Youtube, people can’t help but get nostalgic with the track.

Grizzly Bear - Yellow House: Every song is a 3-D space. It sounds almost like the whole thing was recorded in a vast valley where sound was able to travel on its own time to the microphones. Each guitar, trumpet, violin and bass sounds perfectly orchestrated, yet utterly spontaneous. It’s beautiful and near perfect.

Grizzly Bear - Veckatimest: Grizzly Bear went a slightly different route here and made their songs a little less 3-D. Instead they feel tighter. The band feels like they know each note upcoming note from whoever is placed next to them. The songs are a bit catchier too, Two Weeks being a beautiful indie pop rock darling used in plenty of soundtracks over the years.


Harry Styles - Harry Styles: I wasn’t expecting much from this album which made for a nice surprise, it’s not half bad. Problem is that it sounds incredibly dated and it came out a few weeks ago. The songs feel recycled from either some band in the sixties and seventies or Wolfmother, who would do it much better. His vocals are fantastic and clean, but that almost doesn’t work with the nature of the music. It almost sounds like it needs some more grit to it to be able to stand a chance.


Ice Cube - AmeriKKKa’s Most Wanted: A classic. Ice Cube is a wordsmith, his rhymes are deadly and so is his attitude. It’s worth every second it takes to listen to the whole thing.

Ice Cube - Death Certificate: Another strong album that ends on the most brutal diss track I’ve ever heard. No Vaseline was so brutal that Ice Cube and Dre still haven’t talked about it to this day! That’s pretty fucking awesome!

Isaiah Rashad - Cilvia Demo EP: It’s weird, this album starts similar to how Rashad’s next album feels, with much more laid-back tracks you can vibe to. Right towards the end though, Rashad picks up the intensity and drives it a bit. It works for him and the album has a really cool ending to it.

Isaiah Rashad - The Sun’s Tirade: Great if you like music that vibes a bit. It’s not gonna blow your socks off with energy, but it’s a great record that tackles tough emotions and drug abuse. Rashad is someone to watch in the future, if he can pop albums out in time.


J Dilla - Donuts: Beats baby, beats!! Holy god, this is an amazing instrumental album that you can just feel the influence on. J. Dilla was on another playing field and this album shows just that.

(Quick J.Cole Note: I’m not a big J.Cole fan, nor have I ever been at any point, keep that in mind, if you like him keep liking him)

J. Cole - 2014 Forest Hills Drive: J. Cole is sort of an enigma to me, people love him and swear that he is rap royalty on the same level with Kendrick and Kanye, but he clearly isn’t. His production is good, yet lacks a certain dimension that others are able to attain. His lyrics, while slightly conscious, lack focus and self-awareness. And his albums in total feel jumbled and messy. This album is worth a listen, and sure has some catchy tunes, but will not go down in rap history as a classic. Also, Wet Dreamz is the most predictable song I have ever heard.

J. Cole - 4 Your Eyes Only: I enjoyed this album a bit more than 2014 Forest Hills Drive, which seems to be the opposite of most people. It has a more nineties sound, it’s a bit darker, but overall much more focused. With the exception of Neighbors, which comes out of absolutely nowhere, the album feels like a cohesive idea. Again though, this album just isn’t as good as it should be for the sales and praise that it gets.

Joey Bada$$ - 1999: How the hell was Joey 17 when this came out? This album is a solid 90’s throwback album with some great flows and rhymes. It’s not particularly conscious or aware, but as a debut mixtape, there are few that compare to it’s quality.

Joey Bada$$ - B4.Da.$$: I enjoyed this album a lot, but it feels almost like a continuation of 1999 and maybe comes off a bit better if it is listened to directly after 1999. It has a really similar 90’s hip hop sound, similar lyrical style and delivering. Great tracks, but not too different.

Joey Bada$$ - All-AmeriKKKan Badass: This is where Joey really changed things up a bit. Joey put out a fantastic record that will be on year ending lists. With this one he took a slightly more modern sound to his beats. His lyrics, if you can’t tell by the albums title, are much more politically charged. People have complained about the album being a bit jumbled and unfocused, but too me it felt right due to the amount of problems that we face today.

John Coltrane - A Love Supreme: Sweet Jesus!! This is that shit. This is a must listen album for every person alive.

Joni Mitchell - Ladies of the Canyon: Joni Mitchell writes poetry, then songs. This usually works incredibly well, but every once in a while it can make her songs feel like they have too little structure. This happens a few times on this record and it makes it a little hard to follow. When it does work though, which is most of the time, it’s beautiful music.

Joni Mitchell - Blue: Dimbo wimbo, this album is probably perfect. There are few records that are as beautiful as this one. Joni Mitchell takes poetry and turns it into music to incredible, INCREDIBLE results. A Case of You may be the most beautiful breakup song ever written, and the palpable sadness in The Last Time I Saw Richard is sure to get you to choke up a bit. Perfect on nearly all fronts. If you like folk, look no further.

Joni Mitchell - Court and Spark: Another nearly perfect album. More beautiful lyrics, more beautiful singing from Joni. My only problem with the album is it’s final track. The album feels very focused with a particular sound, and right at the very end she throws it out the window for a jazzy cover of Twisted that isn’t necessarily bad, it just doesn’t fit. Other than that, it’s pretty fan-fucking-tastic!!


Ka - The Knight’s Gambit: Listen to this more than once. The first time you listen to it, it will feel kind of one track minded and slow. The production on each song feels a little similar, and so does Ka’s delivery. It’s his lyrics though that make his albums so astounding. Take some time to listen to his poetry in the music.

Ka - Honor Killed the Samurai: This album is similar to The Knight’s Gambit in the fact that it’s dense and requires more than one listen. If you like Ka you will like this album, if you don’t like Ka, it’s pretty similar sonically to his previous record.

Kamasi Washington - The Epic: Wow. This album brings something new to jazz, an genre that basically lives on retreading the past. This album feels fresh and like it could bring about a jazz revolution. It’s a bit of a beast though clocking it at around three hours, so take it slow when listening to it.

Karriem Riggins - Alone Together: Want fucking great beats that you can jam to? Check this one out, it’s easy to miss but should not be.

Kendrick Lamar - Section.80: These songs are all amazing, but have really meh hooks. Every hook just feels like it could have been thought out more and leave me a little disappointed every time. Yet, after every verse I’m thinking, or gasping, or wanting to listen again. This was telegraphing what would soon be some incredible albums.

Kendrick Lamar - Good Kid, m.A.A.d City: This is Kendrick’s first masterpiece. There are no bad songs. Every song is catchy, every song is thought provoking, and every song is rock solid. The track order is thought out and the tone of each song is perfectly crafted. With Kendrick’s focus comes conscious lyrics, or stories that paint pictures, or the hubris of a 16 year old growing up in one of the toughest towns in the world. This album is endlessly replayable.

Kendrick Lamar - To Pimp a Butterfly: This is Kendrick’s magnum opus. Kendrick mixes jazz, hip hop, politically charged anger, the frustrations of fame, and the fear of mortality into a living album that seems to show a new side to it on each listen. It’s depth almost can’t be understood on the first listen through. It’s dense, long and a little obtuse at times. But once the full picture comes together, you’ll notice the album’s perfection. Each song feels like it serves a purpose, each feature is utilized perfectly, and each word was picked with thought and precision. This is a must listen.

Kendrick Lamar - untitled unmastered.: Leave it to Kendrick to have golden b-sides. How is he so good? These incredible tracks were the throw aways from the same recording sessions as To Pimp A Butterfly. They share the same jazzy funky style, but showcase new ideas. Sometimes it makes sense that a song or two wasn’t on TPAB, but never are the songs bad. This collection could’ve been a studio album, but at least he decided to release them in some form rather than cast them out to deluxe editions of albums down the line.

Kendrick Lamar - DAMN.: How do you follow up one of the best albums of maybe the past twenty years? It seems like a weird task, and even Kendrick knew it. This album is a departure from his previous styles. It sounds more modern, more catchy, much darker. From the album cover to the grime laced track Lust, this album reeks of depression. Each song sends us further down this pit that Kendrick was finding himself in. That even goes for the songs that seemingly attempt to throw us off from that. Love, a summer jammy type song, feels off, a trait that I’ve never heard on a Kendrick album. While this isn’t Kendrick’s best album, it has some of his most aggressive and brutal tracks to date.

Killer Mike - R.A.P. Music: This is basically an RTJ album before RTJ. Killer Mike does a majority of the rapping while el-p does the production, and pops in on a few songs. There’s raw anger that the two bring to RTJ albums here and Killer Mike comes through with some astounding bars. This album is a great listen and a great precursor to the stuff they would later do together as RTJ.


Local Natives - Gorilla Manor: The first half of the album sounds like your ex-girlfriend’s “indie rock” playlist that features only recycled sounds from all the other bands that were out there around 2010. The second half feels like it was thought about a bit more thoroughly. The songs flow a bit better, the sounds are at least a little more unique, but for the most part this album feels like a mediocre “indie pop rock” album.

The Long Winters - Putting the Days to Bed: This album I listened to because I had heard of it from one of the many podcasts I listen to (MBMBAM). I am kind of on the fence with this record. When it hits a high, like the track (It’s A) Departure, it nails it, but there is a lot of downtime where songs either leave you wanting more or something different. It’s worth a listen or two but that’s about it.

Lorde - Pure Heroine: This is pop music with some surprising depth. Lorde doesn’t go the same route that most pop artists go talking about their money and fame, or other topics that no one can relate to. In fact, she goes the opposite direction and tells us how bored of that she is. On Team she sings one of the most accurate examinations of pop music, “I’m kinda over getting told to throw my hands up in the air.” Lorde makes an anti-pop pop album that is pretty great.

Lorde - Melodrama: Golly gee, this one’s a gooden!! Lorde makes an angsty album that isn’t obnoxious or really that trite. She feels alienated, she doesn’t like being famous, and she feels like people use her, and she is able to share those ideas with us in 11 awesome songs that are all catchy and serve their purpose well on the album. She even gets a little experimental from time to time, which is where I hope she goes next, in between her radio hit type tracks. Definitely surprised me with how good it really is.


Madvillain - Madvillainy: This is an absolute must listen. Madlib basically defines what good production is on this album. His beats are incredible backdrops for MF Doom to drop some of the smoothest rhymes and bars you’ll hear. I keep coming back to this album over and over again because of Madlib’s production. He absolutely destroys it with weird samples and risks that should never work. Who puts an accordion on a hip hop track? Fucking Madlib does.

Marvin Gaye - What’s Going On?: Smooth, sexy and ahead of its time both sonically and in its subject matter. It’s a classic and required listening simply for how influential it has been the R&B as a genre. We would be nowhere without Marvin Gaye, absolutely nowhere!!

MF Doom - Mm.. Food: This album is so weird. It’s a concept album about food. MF Doom makes a whole album about food, and it is somehow legendary. He’s able to spin this concept about a billion different ways with his weird sample heavy production. Just listen to it, I really don’t know what to say about it other than it’s incredible.

Mick Jenkins - The Water[s]: It’s kinda weird thinking that a concept album about water could be as good as it is. Mick Jenkins has an awesome flow, mixed with beats that literally feel like they’ve been drowned. They have this weird spacey underwater feel that just makes the album come together as a whole. If you like vibes hip hop that is weirdly aggressive (yeah I know that’s a contradiction but that’s kind of an accurate explanation), then you will like The Water[s].

(Quick The Microphones Note: The Microphones and Mount Eerie are both projects from Phil Elverum, he just changed his name after four albums to Mount Eerie)

The Microphones - Don’t Wake Me Up: How was this his first album? How was he 21 when he made it? He, ladies and gentleman, is Phil Elverum. He writes folk with weird noise rock stuff in there and this album is awesome and shows incredible potential. I can’t get enough of him. Listen to his entire discography. You will not be disappointed.

The Microphones - It Was Hot, We Stayed in the Water: This is probably Phil’s first masterpiece. I don’t know anyone who uses sound in the same way. It’s lo-fi and grainy, he messes with the stereo mix, he throws in sounds that are literally unrecognizable. But under that are these incredibly rich folk songs that come straight from the heart. Phil’s lyrics are unique and beautiful. This can even be seen in the beautiful simplicity of the album title. This is another incredible album by Phil.

The Microphones - The Glow Pt. 2: This is probably one of my top five albums of all time. It’s weird experimental folk that has some elements of noise rock and metal et cetera. This album literally has me on the verge of tears a few times each time I listen to it because of Phil’s lyrics, his still fresh, even 16 years after it’s release, use of sound and beautifully flawed vocals.

The Microphones - Mount Eerie: This album picks up exactly where The Glow Pt. 2 leaves off. This album though is a much, much slower burn than The Glow Pt. 2, and can give you a bit more existential anxiety. This album feels massive in ambition and almost otherworldly. There is this odd feeling to all of the tracks that make it feel incredibly important and like you are just for listening to it. It’s just as experimental as The Glow Pt. 2, but in very different ways. This was, if you couldn’t tell by the name of the album, the beginning of Phil’s Mount Eerie style.

Miles Davis - Kind of Blue: This is the gold standard for jazz standards. These are some of the most famous jazz songs that are nowadays repeated at nauseam. On the record though they have some great life to them and are recorded beautifully. If you enjoy jazz this record is a must listen not only because it’s beautiful, but due to it’s historical significance.

Miles Davis - Bitches Brew: Oh baby, yes please!! Experimental jazz has never sounded so goddamn good!! This is such a weird and awesome album that just leaves you wanting more and more, despite it’s long length. This is where a lot of bands took their experimental influences from. Radiohead for example cited this as a major inspiration when they wrote OK Computer. This is such a good one.

(Quick Mount Eerie Note: The Microphones and Mount Eerie are both projects from Phil Elverum, he just changed his name after four albums to Mount Eerie)

Mount Eerie - “No Flashlight” Songs of the Fulfilled Night: Weirdly enough this album has a similarity to The Microphones first album. When listening to this album you can kind of feel that Phil has changed. His sound is much more subdued here than it is on The Microphones Mount Eerie album. it feels less grand in scope, but more personal to Phil. It sounds like he wrote these songs in the woods, by himself, with no flashlight. It’s beautiful and heartbreaking. The perfect start to the Mount Eerie name.

Mount Eerie - Lost Wisdom: This is probably tied with Ocean Roar as my least favorite Mount Eerie album. It isn’t bad so much as it is a little boring for Phil’s discography. It’s incredibly short and doesn’t really explore anything too new for him other than having a female vocalist on every track. I just wanted more and not really in a good way. This album only clocks in at 24 minutes so it feels too short for its own good.

Mount Eerie - Dawn: Aside from his most recent album, this is Phil’s quietest record. It’s easy to miss, but really shouldn’t be. It’s soft and thoughtful, but comes in and out of your life quickly and quietly. You won’y be itching to hear that one catchy track again, but you may come back to it to feel some quiet tracks on a sad night. Absolutely beautiful and understated record from Phil.

Mount Eerie - Wind’s Poem: Wow. This is a killer album, potentially his best, but it’s another one that is a little more difficult to listen to. This album mixes his normal folk style with these screeching metal guitars that thoroughly shake your head when you’re listening. This album feels like a sonic manifestation of anxiety and depression. That’s all I’ll say. Go listen to it.

Mount Eerie - Clear Moon: This album honestly feels like beauty and anxiety or tension at least are just having the most intense showdown. This album has some of Phil’s most beautiful songs that he has ever written on  it, like Through the Trees Pt. 2. You can’t listen to that song without falling under it’s perfect, spacey spell. On the other side though are some of the most chillingly anxious tracks that envelop your body with their dissonance. This is another near perfect album by Phil.

Mount Eerie - Ocean Roar: In theory this album is a sequel to Clear Moon, but its predecessor is a thousand times better. Ocean Roar is just kind of… well boring honestly. It’s very slow, very droney, and very meh. If you love Phil, you’ll at least enjoy it a little bit for what it is, but it just doesn’t stick out like his other immaculate albums do.

Mount Eerie - Sauna: Phil was in a good place in his life here, which makes his next album so goddamn sad. This album is pretty lighthearted, to the point where Phil has a song about books. It’s not his regular death contemplation or the exploration of depression. It feels like he was happy, I wish he could’ve stayed happy…

Mount Eerie - A Crow Looked At Me: This album is a little weird to talk about due to its subject matter. This is one of Phil’s most stripped back albums because the music almost doesn’t matter, even though it is very good. This album is basically Phil venting to us about the recent death of his wife. It isn’t a fun time. There are times during this record where Phil is talking directly to his deceased wife, saying the exact amount of time since he saw her last. It’s incredibly raw emotion and rare truth that Phil spills on this record. Each song is soft and sets the tone for Phil to come in and just break your heart with each song, each idea and each word that comes through on this record. If you can, please support Phil and buy this record, or at least check it out.

M83. - Dead Cities, Red Seas & Lost Ghosts: Hurry Up, We’re Dreaming is big and catchy, each bubblegum, neon dripping hook easily able to fill stadiums. Dead Cities is smaller, more intimate, weirder, more tortured and slept on. It takes more than one listen to hear it’s intricacies and emotions. Sometimes it’s beautiful, like on Unrecorded. Synths fill the air as soft piano-like notes flutter on top of it. Other times it’s nasty and harrowing, the last part of Beauties can die feels utterly hopeless and covered in grime. This is a great electronic album.


NAO - So Good EP: So Good is so good. This EP is pretty awesome, mostly due to the catchy titular track with A.K. Paul. Their chemistry is awesome and this song is sexy as all hell. Definitely worth a listen, and I’ll bet that you’ll come back to So Good when you need an extra dose of sexy in your day.

NAO - For All We Know: Not every track is a winner, but when NAO hits, she has a killer song on her hands. For example, In the Morning is incredible, absolutely incredible. But this album is long, and there is a lot of filler in between the great songs. NAO’s voice though is what pulls this record together into a project that is satisfying despite it’s misses, and she is going to stay on my radar in the future.

Nas - Illmatic: Looking back at it, it’s absolutely insane that I somehow missed this album. This is one of those albums that is pretty goddamn perfect from start to finish. It’s production defined the nineties and it’s lyricism was smart, cynical and sometimes heart breaking. And to top it all off, Nas was only 19 when this album came out. That always makes me feel bad about being 20 and not having one of the most genre defining albums out. Check this one out.

The National - The National: I went into this album with lower expectation due to it’s mixed reviews and I wasn’t really surprised either way. There isn’t anything super new or really too impressive here. It’s some decent rock with a slight country or Americana twang to it. If anything this album showed that they were a band to keep an eye on in the future. Potential, potential, potential.

The National - Sad Songs for Dirty Lovers: This one is a step in the right direction. This album has some great tracks on it. But the best parts of the record come when the band decides to really take a step out of their comfort zone. There are a few tracks where they decided to go slightly punk with it and begin to ramp up the intensity in the instrumentation and Matt really lets loose with some passionate yelling. This album is the direction I wanted the band to go in, more intense, more raw, more brutal.

The National - Alligator: This album is where the band really starts to get some buzz and good reviews, but honestly, I’m not sure why. This is the opposite direction in which I was expecting, and hoping the band would go in. Rather than lean into the more raw and intense, semi-punk driven style, they go back to their softer “indie” rock (I hate that moniker but I’m not sure what else to use) sound with Matt’s regular delivery. Speaking of his delivery, good lord can he please change it up? Literally every song he uses the same exact inflection and tone of voice, which makes them all blend together into this album sized amalgamation that just makes me lose interest around the midway point. He has this weird deep, throatier sounding drawl that gets old fast. Not quite my style.

The National - Boxer: More of the same… I mean, I’ll keep trying, because people say they’re amazing, but they just aren’t doing it for me. And Matt, please, stop with the weird throaty drawl. Please stop.

Neon Indian - Psychic Chasms: How is Neon Indian so cool without even trying? This album has this almost Strokes level of swagger in a drastically different genre. This electronic album is funky, danceable without being fast, and spacey. This is the type of music you listen to by yourself while staring at the ceiling, mesmerized by all the weird sounds and smirking knowing that you are cool for knowing who Neon Indian is. It feels like a album that was slapped together pretty easily from the heart and just nailed everything perfectly, even finding one of the most unique sounds in the electronic genre. This is feel good music that is original.

Neon Indian - VEGA INTL. Night School: Neon Indian’s second album Era Extraña lost the magic that Psychic Chasms brought to the table. It felt self conscious and much too aware of what it was going for. This album feels like a slightly fed up Neon Indian deciding to just make something that they enjoy rather than cater to every audience at once. All I want to do when listening to this album is dance. It’s catchy, it’s sexy and it makes you feel awesome just for listening to it. This album isn’t quite like his previous ones because of it’s more catchy melodies and danceable beats, and I don’t think it’s quite as good as his debut album, but it packs a gnarly punch from its first track to its last.

Neutral Milk Hotel - On Avery Island: Their first record is this amazing mix of folk and noise rock that they would later perfect on their next record, but this record is nothing to sneeze at. It feels much different from their next partially due to the amount in which they utilize noise rock here. There are a few songs where the instrumental would be called, “not music” by those who can’t appreciate the experimentation. Not only did this album show potential, it also takes you on an awesome journey that you will come back to, no doubt.

Neutral Milk Hotel - In the Aeroplane Over the Sea: This album is plagued by memes and obnoxious 4chan users who think they are funny just writing lyrics on repeat at nauseam on threads, but there is actually a reason for it. This is one of those albums that from the moment it starts, you can feel something special about it. It has weird, often surreal or fantastical lyrics mixed with a sort of folk rock with these noise rock accents. There are beautiful melodies and dissonant ones too that each work together to make an utter masterpiece. You’re doing yourself a disservice if you miss this album, it is spectacular.

Nick Murphy (fka Chet Faker) - Missing Link EP: I wanted this to be good, I wanted it so badly, but it’s just not great. Nick is in a weird place right now, he has no idea where to go right now. What do you do after an album that blasts you out of obscurity, that’s style is no longer appealing to you? I have no idea… and Nick doesn’t either. This EP feels so uncomfortable, and not in a good way. Each song feels like a different album, hell, even a different artist. None of them are particularly shocking or catchy, they just kind of roll off your back once they finish. It’s just… disappointing.

Noname - Telefone: Noname is like the quiet girl in high school who, when she does speak up, is by far the most interesting and entertaining person in the room. Her style is similar to the likes of other Chicago artists (or you could call it the Chance style). She uses some hints of gospel as a backdrop for her subtle and soft lyrical style that make you take a minute and think about. She doesn’t show off her beats and vocals though, she opens up and really gives us some incredibly touching stories and emotions. She’ll be around a long time, and she can only go up from here.

Notorious B.I.G. - Life After Death: Biggie is one of those rappers that is just on the boarder of being overrated, then when you listen to his stuff you don’t think he’s popular enough. He just had a way with rhymes and beats. He was able to rap about slinging crack, then immediately after share some deeper emotions and have it all fit into these crazy visions he had for his two records. Just incredible stuff, truly incredible. We lost Biggie much too soon.


Oddisee - The Iceberg: This just barely missed being on my best of 2017 list. This is a great, conscious hip hop album. Oddisee has some interesting insights and is a great storyteller. My favorite song on the project, or at least the one that sticks with me the most is You Grew Up. It takes an interesting look at racism and how that can grow in children if it is fostered, definitely a powerful portrayal.


The Pablo Collective - The Death of Pablo: I usually do not enjoy remix albums. Their lack of creativity usual defines the style, slapping on today’s most obnoxious trends onto previously released songs. But this… this is different. This doesn’t even remotely feel like The Life of Pablo. Following their mission statement, this album is darker, grittier and so much more disgusting. It will drain the life out of you and make you feel utterly hopeless, especially in the middle where there is about a ten minute industrial sounding interlude attempting to simulate the sounds of death. Right as you want to shut it off from just being too much, it comes back around and hits you with this incredible speech from Kanye set to music. This is an incredible project.

Perfume Genius - Put Your Back N 2 It: You ready to cry a little bit with me? Goddamn, Hadreas delivers an incredible album that is stripped back to basically just his own soft shaky vocals and piano chords that are reverbed the fuck out of. He throws in a few background sounds here and there, like heavily distorted vocals or strings, but the take away hear are the lyrics. This is an emotional ride that will break you. He sings about the struggles of being a gay man, domestic abuse, just being sad, and be able to power through that.

Perfume Genius - Too Bright: Hadreas brings the feels again with this soft, at times nasty, sludgy record that mixes his previous style with something a bit more layered. The song Queen is a good example of what this album is. Hadreas uses vocals that could be found on his last record, but with an instrumental that would’ve felt outlandishly out of place due to its thickness and staggering dimensions. With that being said, it’s still able to remain subtle, soft and slow. But if there weren’t emotions flowing through each lyrics veins, it wouldn’t be a Perfume Genius album.

Perfume Genius - No Shape: Man, this album immediately shows that it’s different from Hadreas’ previous records. On the first track, it starts like his other albums, soft and subtle, then it just explodes with a wall of sound and textures. This is Hadreas’ most difficult album to listen to if you are not acquainted with more experimental sounds, but in my opinion, it’s his best record.

Phoenix - Ti Amo: I love Phoenix. Wolfgang Amadeus Phoenix is such an awesome album that just hits high after high until you’re left mashing the repeat button on every track. I listened to Ti Amo on its release date, and I genuinely don’t recall a single lyric or melody. It’s just really boring and uninspired. It feels like they were contractually obligated to pop out another album so they put something together in three months that at least sort of sounds like Phoenix and called it good. I hope they take some time to find themselves and a good direction forward before making another album.

The Postal Service - Give Up: I almost guarantee that you’ve heard a majority if not all of this record before just on radio stations or your friends barbecue mix tape. It’s influential no doubt, it’s sounds are familiar at this point due to how often people have borrowed their sound, but that doesn’t alway mean it’s good. Some songs are fantastic and each catchy note or melody gets burned into your skull, yet other songs can get a little boring. It’s just a bit inconsistent. I wish that they had made more albums together because if they had let their sounds grow a bit I bet they would’ve put out a killer record.


Quelle Chris - Being You is Great, I Wish I Could Be You More Often: This is an awesome hip hop album that skates through humor and existential fear at the same time. Quelle Chris’ delivery stays at a lower, almost monotonous, level that works with his dry humor and battered emotional state. His production also has some Madlib-esque spice to it that is entertaining and experimental. Please check out this record, it is worth your time.

Quasimoto - The Unseen: This is one of those classic hip hop albums that only intense hip hop heads know. I wouldn’t have found it had my good friend not told me to check it out. Quasiomoto is one of Madlib’s alter egos. He works in some great production and lyrics into this must listen album.


Radiohead - Pablo Honey: This album gets a lot of hate from Radiohead fans for being too generic and of the nineties. It’s not terrible, but it’s definitively not Radiohead. Creep is by far the best song on the album but should not be Radiohead’s most popular song. The bad songs on the album though could have been popped out by any band from that time period.

Radiohead - The Bends: This is the first “real” Radiohead album. They really began to find their footing here. This album is filled with two types of songs, way more of the latter than though. The first are songs that feel slightly dated with that nineties alternative rock sound. These are songs like The Bends. The second type are songs that feel right at home in Radiohead’s discography. The songs that feel dated though aren’t bad, they just have a little nineties stank on them. But when this album hits a high, similar to Radiohead’s other albums, it hit’s so hard that you are amazed for the next five minutes because of that one note. High and Dry comes to mind as a song that will blow you away.

Radiohead - Kid A: They say that OK Computer was what solidified Radiohead in history, then Kid A solidified them in the future. This album showed us that Radiohead had legs past the nineties. They came out with this album that is part rock, part electronic and all weird. It was polarizing when it came out, but an undeniable classic now that has influenced the rest of their discography and so many other bands all over the place. Listen to this record. Period.

Radiohead - Amnesiac: Packaged as a sort of sequel to Kid A, Amnesiac is a collection of Kid A b-sides that are surprisingly good. These tracks were so good in fact that they warranted another studio album rather than being scattered and released at weird times throughout the years. The rock tracks here are Radiohead’s classic style that is always able to amaze me, and their electronic tracks give you new sounds to wrap your head around. All in all, a great record.

Radiohead - Hail to the Thief: People have thought of some weird analogies for this record. Pitchfork even went as far as to say that it’s an anti-masterpiece (in a good way somehow?). All you need to know is that this is a great record. It won’t alter your life like some of their previous projects, but it’s got some fantastic stuff on it.

Radiohead - In Rainbows: This is the album that they needed after Hail to the Thief, a great but not spectacular album. They took some extra time with this one and popped out one of their best records. This thing is filled with amazing songs from the almost dancey 15 Steps, to the soft and thoughtful track Nude. This was Radiohead telling us that not only did they still have it, they were better than most even after 15 years since OK Computer.

Radiohead - The King of Limbs: People hate this record. It’s fine. It’s not amazing, but it’s not terrible. It’s just kinda middle of the road. Listen to it if you love Radiohead, if you don’t know Radiohead don’t start with it. That’s it. It’s fine.

Radiohead - A Moon Shaped Pool: Oh man… where to begin. This shows Radiohead’s brilliance. After over 20 years they are somehow still able to pop out one of the best records of the year!! It’s slow and soft, yet it drags you into it’s atmosphere immediately and holds you under what feels like sonic water. The highs are spectacular and the emotional lows can be felt throughout your whole body. This is just another one of Radiohead’s immaculate albums.

Ratt - Out of the Cellar: It’s Ratt. Their fun, they put out some good hair metal, they’re fun live. I don’t think that their music will really go down in history as incredible stuff. It also kinda says something when I was the youngest person at the show. It’s just kind of a dated sound that doesn’t really need to come back because we’ve just moved past it. Again, it will occupy you for about thirty minutes but it’s not something that will change your outlook on life.

Red House Painters - Down Colorful Hill: Eh… Not for me. It’s too slow and dramatically emotional. I’ll try again with them in the future, but I was more waiting for the album to be over than listening for subtle details.

Run the Jewels - RTJ3: This is not my favorite RTJ album, but by no means do I think it’s bad, it’s spectacular. These two have some of the best chemistry in hip hop today. Their political opinions blast through and give this album the most anxious feeling. Even when they step away from political ideology it works well. Their song to their deceased friend is heartbreaking and perfectly accented by Kamasi Washington on the tenor sax.


Sampha - Process: My god. This album is incredible. Sample fuses R&B with electronic music, just sings over the piano, and get’s slightly experimental here. It’s pretty amazing that this is a debut album because it feels like he’s been doing this a while. This album will have you moving, will make you try and hit the notes that Sample belts out, and will tug at your heart a bit. He really blew it out of the park with this album.

(Sandy) Alex G - Rocket: Damn. Incredible fusion of folk, punk, experimental, industrial and everything else. It’s so goddamn good. Poison Root kicks off the album softly and as it progresses it gets intense, then it eases back out. One of the best albums of the year in my opinion and may make it into my year end list. Go listen to this sucka!! (Also, he was opening for Fleet Foxes when I saw them, but I got to the show late and missed him, I’m beyond crushed!!)

Shabazz Palaces - Black Up: I had heard these guys compared to Death Grips a couple of times so I had to check them out. After listening, they are only similar in their use of experimental beats. But man, if they aren’t experimental. These guys do some crazy things from polyrhythms, to throwing out song structure completely. That may sound interesting, or be a deal breaker to you, but either way, you should check these guys out if not to only see what is possible under the hip hop umbrella.

Shapes & Colors - Love / Sex / War EP: Okay, so these guys talked to me on twitter and seemed really nice, so I will try to be gentle. It’s… not great. It feels very generic and done a million times before. It’s just indie rock that maybe would’ve sounded new in 2008, but it feels a little dated upon release. Check it out if you want to support these guys, but I found it difficult to get through it’s short length.

The Shouting Matches - Grownass Man: I wanted this album to be amazing, but it just isn’t. There are some amazing tracks, like the great Gallup, NM, but there are also some boring tracks. It feels like the boys weren’t quite sure what they wanted to do with this album, they just knew they wanted to make a bluesy record. With the few exceptions, most of the album feels a little stale.

Snakadaktal - Sleep in the Water: That reverb be heavy doe!! I wasn’t expecting much from this due to the band’s silly name, but this is a pretty great dream pop album. It feels spacey, yet emotionally potent. Plus the band’s dual vocalists adds another dimension to songs like Too Soon. These guys reminded me of Beach House a bit, but not so much that it felt like either band was stealing from each other.

Soft Cell - Non-Stop Erotic Cabaret: Look, this album is incredibly 80’s. It feels like they were using synths for the first time in the studio they sound so simple. But this album has some killer tracks. First off, the classic Tainted Love is undeniably catchy despite being so 80’s you can basically feel the neon dripping off of each beat. The final track Say Hello, Wave Goodbye also stands out because of its emotional impact coming late in the record. If you can get behind the 80’s clichés and rock with this britpop, you will find something to enjoy here.

Spoon - Hot Thoughts: It’s weird how Spoon is incapable of making bad albums. They just seem to pop out good albums one after another. While this isn’t my favorite of theirs, it still has some great material, including the title track that bounces in your head and gets stuck their for weeks. Britt’s vocal delivery fits so perfectly with their sound it seems like these musicians were born to play together. Another great one from the boys in Spoon!!

Squarepusher - Feed Me Weird Things: I don’t know if there are any other artists that have a similar sound. Squarepusher has made a career out of the most unique mix of jazz and… I don’t even know it’s just incredible. His first album must’ve seemed so weird when it came out. I can’t imagine what people who knew him must’ve said about it. I know this is vague, but I’m not sure what to say about his stuff, just go listen to it.

Squarepusher - Music is Rotted One Note: I feel like I will be listening to this album when I finally go insane. This is like jazz if jazz had schizophrenia. It’s so weird and experimental and anxiety ridden, yet beautiful at the same time. It makes you feel like you’re crazy when you listen to it, but it also takes your breath away at least once every song. It’s not for everyone, but goddamn it’s at least for me.

Squarepusher - Go Plastic: This is Squarepusher going plastic, or at least synthetic. These songs are all electronically produced, which is different from his normal style of physical instrumentation. This is another great album by the always weird always awesome Squarepusher.

Substantial - The Past is Always Present in The Future: This album really surprised me. To be honest, I wasn’t expecting much. I hadn’t heard of Substantial, and his album cover for this thing is… just really bad, like really bad. But good goddamn if it’s not fantastic!! It’e emotional, socially conscious, utilizes Tonedeff very well, and is thoroughly enjoyable. It sounds weird, but I do think that the tracklist should be shuffled around a little bit in order to really make certain songs have more of a payoff, but this is a great hip hop album even without that.

Syd - Fin: I knew Syd a little bit from her days in Odd Future, providing backing vocals for Tyler, Earl and Frank. I hadn’t listened to her stuff from The Internet, so I went into this pretty unaware of how she would sound. Goddamn does she have a voice. This album is enjoyable because of her voice.

SZA - Ctrl: Man, SZA is fun to listen to. She’s got a great voice, can write lyrics well and has some great beats backing her. The one problem I had with the album is just the lack of focus in terms of emotions. I didn’t feel a central idea coursing through it, which isn’t necessary, but I feel would be greatly impacting and powerful for her style. Kung Fu Kenny also has a good feature on this thing.


Temple of the Dog - Temple of the Dog: This album is another one, similar to Mount Eerie’s A Crow Looked at Me, that sends a past loved one off. Rather than being as detailed and soft, this one goes for a different approach. It’s music as opposed to lyrics are what do the trick here. This super group of nineties rockers came together to pop out this one beautiful record. Chris Cornell (RIP), Mother Lovebone and Eddie Vedder all bring their styles together for an incredible and heartbreaking project that will go down as a fantastic nineties moment.

Thundercat - The Golden Age of Apocalypse: This is Thundercat at his absolute best musically. Every song is incredible with some of the most impressive bass playing that I have ever heard. If you like jazz, hip hop, funk, or anything in between, you would be doing yourself a disservice if you missed this incredible record.

Thundercat - Drunk: Thundercat’s lyrics get funnier, his songs get catchier, but his focus gets wider. This album is fantastic, but is a little on the long side and could probably use a few edits here and there of songs that don’t quite stand out among the others. And let’s just get Wiz Khalifa off of this, he just doesn’t do the album any good. Kendrick can stay though, Kendrick can always stay.

Todd Terje - It’s Album Time: This album is so weird and funny and cool and stupid and amazing. It feels like Todd wrote and performs this album with a giant smirk on his face the whole time. I mean for god sake, it’s called It’s Album Time. His tongue is in his cheek and it works so well for this electronic joyride. It’s just fun and weird. I have no idea what else would fit into the same category.

Tonedeff - Polymer: Tonedeff is interesting to me. On paper I should love him. He is a fantastic producer, an artist who tries to go deeper than most, and a great storyteller on top of that. But for some reason I have a hard time getting into his stuff. There always seems to be some aspects of his songs lyrically that I just can’t get over. Sometimes they just feel like he’s trying a little too hard, sometimes he’s just trying to go for the quick emotions. He’s okay, but just not my cup of tea. However, he is great to see live and if you get the chance please do, because he makes his shows incredibly entertaining and interactive.

A Tribe Called Quest - The Low End Theory: Tribe is legendary. If you don’t know them you are depriving yourself of some of the best jazz hip hop ever to be produce. ‘Nuff said!!

A Tribe Called Quest - Midnight Marauders: Another stellar projects from Tribe. Their chemistry is always amazing, their beats are perfectly stylish and practical, and their lyrics always surpass expectations. Legendary group that will go down in history!! Perfection!!

Tycho - Past Is Prologue: This album showed me that Tycho had a little growth throughout his career, but it’s honestly pretty subtle. There are just certain droney sounds he likes using more now than he did then. Still sounds like Tycho.

Tycho - Dive: Don’t get me wrong, I like Tycho, but his music isn’t anything I haven’t heard before. It’s something that you would find on one of those YouTube playlists called, “Chill Music,” or “Chill Wave.” It would have some picture of a sunset or beach and this would be perfect to zone out to with friends while talking about the universe. It’s slow and meant to be in the back of your head.

Tycho - Awake: Tycho’s albums kind of all feel like a continuation of the last one. This is vibe music through and through. If you are looking for something challenging or incredibly interesting, look somewhere else. This one is basically filler music, or entertaining elevator music.

Tycho - Epoch: More of the same. It just sounds like Tycho, which can sometimes just be aggressively average.

Tyler, The Creator - Bastard: When you go back and look at all the old Odd Future stuff, if you’re like me, you’ll get a little nostalgic and watch Oldie with a huge grin. So much of their stuff at the time was great but has aged pretty poorly, or I can just see that it was never very good. But Tyler, Earl and Frank did always have something special. Of the mixtapes that came out in the early Odd Future days, this and Earl are the two best. Bastard is one of those albums that provoked and prodded, but above all, it showed potential. The beats are nasty, the lyrics are nastier and Tyler’s attitude is above all the nastiest. If you can stomach his shit, this is a great one to check out.

Tyler, The Creator - Goblin: This is an awesome concept album that starts so strong then kinda peters out under its own weight. This album is chalk full similar to his next album, and not every song is great. But Tyler brings a certain anger that just makes me want to throw shit out the window in defiance. His nasty lyrics itch that fucked up part of your brain that is often discouraged, but Tyler forces it out of you on songs like Yonkers and Tron Cat. If you enjoy hip hop and can handle song goddamn disgusting lyrics mixed with a cool concept, check this one out.

Tyler, The Creator - Wolf: Wolf is Tyler’s strongest album, despite the fact that it lacks a lot of focus. (UPDATE: Flower Boy is now his strongest with Wolf as his second most) I’ve listened to Wolf probably ten times now and I can recall songs from it, but when I try to think about the overarching themes or ideas, I kind of tend to draw a blank. Yet, the high moments are high, raw and fucked up. Rusty is a great ensemble track that tries to piss you off in classic Tyler style, Awkward is a heartfelt song from Tyler to his dad, and IFHY is an amazing song to an ex who he had a bit of a rough breakup with. Tyler also used his features incredibly well making them important and necessary parts to each song. This is a great album that you should really check out.

Tyler, The Creator - Cherry Bomb: Oh boy… Cherry Bomb is Cherry Bomb. It’s weird, it has some good stuff, but it’s also got Tyler’s worst stuff. It’s such a mixed bag that just doesn’t always work, in fact it doesn’t most of the time. This is one of those ones for die hard Tyler fans, but if you don’t love him it’s not really for you…… I’m sorry, I’m trying to be positive here, but it’s just bad.



Vagabon - Infinite Worlds: Look, I like the genre, but Jesus Christ, can someone please, PLEASE just think of something new?! This album is literally every single idea that I’ve been hearing for years just jammed up in the same album. There are like two songs of note and I don’t remember which ones because I didn’t want to listen to it a second time. This album was just disappointing to me.

Van Morrison - Astral Weeks: This is one of those albums that you would find in your parents or aunt and uncles collection that upon first glance would skip, then when listening to it cry like a fucking baby. I’ve always been a fan of Van Morrison, and Moondance was what I’ve always thought of as his best album, but this one… this one is different no doubt. This one is less catchy, a bit more long winded, but maybe more powerful. Morrison’s almost strained Irish vocals are carried along by the soft guitar and meandering flute player on the title track, setting a perfect tone for the album. If you want a great album that is soft, but will blow your socks off, check this one out.

(Quick Vince Staples Note: I have seen Vince Staples live and that may have caused me to be a little biased, I don’t think it did but just keep that in mind)

Vince Staples - Hell Can Wait EP: This is a great EP. This is what put Vince on the map. This album shows his talent and incredible struggle to get to where he is now. The beats slap and his vocals cut through the mix like knives. Some may find his voice to be whiney or too high pitched, but it works for his style in my opinion. This is a can’t miss, especially if you are interested in seeing where he came from and where he will go.

Vince Staples - Summertime ’06: Badabing!! Wowzers bowzers, radio hits, spacey beach sounds and Kilo Kish. This is Staples at his best. This album’s structure is incredible, starting off strong with Lift Me Up and Norf Norf, then Lemme Know all on the same side?! Unreal shit. This album is awesome!!

Vince Staples - Prima Donna EP: This one gets a little darker. Vince sounds like he’s been trapped in his own head for a little too long and is pleading to get out. His lyrics are anxious and his delivery varies from emotionally distant on War Ready to a little more urgent on Pimp Hand. His beats are ugly, in a good way, they’re lo-fi and glitchy, almost as if he rubbed sand into the soundboard in the studio. Great EP.

Vince Staples - Big Fish Theory: This is where Vince Staples needs to go. This album is a bit more experimental and uses his style in a way that is different from his previous releases. He seems to be experimenting more with beats than lyrics, which makes a few songs have eh lyrics, but overall it works. This album to me, seems like it will be a stepping stone to another album that just pushes everything further and he’ll pop out his magnum opus next, mark my words!!


Warren G - Regulate… G Funk Era: Makes you want to go to the East Side Motel. (It’s a classic that is required listening, so go listen to it… like now.)

Wavves - You’re Welcome: It’s just so aggressively mediocre that I began to resent it after the first ten seconds. There is nothing that sets this album apart from others, there is nothing that makes it very good or very bad. The road they drive down is very much in the middle. Yucko.


X - Los Angeles: Never thought I would hear Ray Manzarek playing punk music, but man, he fits in perfectly. This album is one of those ones that is the perfect amount of time. There is no fat on this album and every song fits in like it should. And again, Manzarek on keys was such a smart choice.

The xx - I See You: It’s pretty good, probably my favorite album of theirs. But it left me just wanting more of Jamie’s solo stuff. On Hold is just a Jamie xx song that the other two members of The xx jump on and deliver their usual meh style on. I liked it for what it was but I’m just sick of The xx sounding the same on every song… and I want more Jamie xx.


YG - Still Brazy: YG gets pretty brazy on this album. His production uses that classic G Funk style with a few updates to keep it fresh. The beats perfectly complement his vocal delivery that changes on tracks on in tracks too like on Don’t Come to L.A. YG also get’s pretty political on this one with tracks like FDT (Fuck Donald Trump), Blacks & Browns and Police Get Away Wit Murder. This is a surprisingly good album that I wasn’t expecting much on.

Young Pappy - 2 Cups Part 2 of Everything: This kid had some talent. Sadly, he is no longer with us, but, man, he knew how to write songs. His style is aggressive, Killa sounds like he’s gonna jump through your headphones and bite your head off. His production is sample heavy and bass heavier. We lost this guy too soon, I would’ve loved to see what he would’ve been able to put out in his later years.

Your Old Droog - Packs: The Jeselnik skits are pretty useless, forgettable and low energy from Jeselnik, but if you skip those this album is pretty amazing. Droog is a great storyteller, his beats are bonkers and utilize sound effects to help push his stories along and he knows how to write some real hot hooks. One of the best hip hop albums of 2017. Also, Danny Brown has a killer, KILLER feature on Grandma Hips that you can not miss!!


You guys are the best!! Thanks for everything!!


SF9 Reaction to their S/O filming with another guy

Inseong: He would entirely trust you, just as long as you don’t fall for the main actor. He would be a bit uneasy at first, not sure if there will be a kiss scene or not, but he will support the movie/show and would watch the behind the scenes to see how close you and the actor were. He’d be relieved to see that there’s no kiss scene, but he knows you’ll come back home into his arms.

“Oh, okay… Have fun alright? Don’t be stressed and good luck~”

Youngbin: Probably like Inseong, but a bit more protective. He’d probably visit the set once or twice to see how you’re doing. He basically trusts you, but at the same time, he doesn’t want you to fall for the main actor. He most likely will completely skip over the cuddly parts in the movie/show, but otherwise, he’s cheering you on.

“I’ll come visit you a few times okay? I love you.”

Jaeyoon: Even worse than Youngbin and Inseong? I mean, of course he trusts you, but really, he’s just worried you’ll fall for the main and leave him. He probably wouldn’t watch the drama. Probably in denial that you’re acting with another guy, honestly. 

“What? Why? Are you okay with this? Ah, I’m sorry… Just don’t forget about me.”

Dawon: Probably not as bad as Jaeyoon but he’d be a bit protective. I mean, of course he’s worried about you getting closer with the main, but he doesn’t want you to completely stress out about your acting. He would cheer you on, calling you every morning to wish you luck. Basically, he wouldn’t really be bothered but if he sees lots of skinship or any kissing in the movie/show then… Yeah.

“Have fun baby I’ll be by your side the whole time!”

Zuho: He probably tells you he’s fine with it, acts like he doesn’t care. But he lowkey hates the idea of it if it means you have to go act with another guy. He probably tries not to show it, but you seem to notice his stress over a call and ask him what’s wrong. And then he finally tells you he doesn’t like it but that he’ll support you either way. And you just tell him how much you love him and that you would never leave him.

“Oh, okay… I guess that’s fine.”

*on the inside though*

Romom Rowoon: Probably trusts you but will go up to the director and ask if he can be casted as the main? But he will be rejected. Although he is a great actor. He’s always on the set, staying by you. But then you point out that he’s not talking to the main actor, and he just says he wants to be by you. But then when there’s a hugging scene he literally calls out ‘cut’ just to stop it and then you realize he’s being a jealous dork. 

“I mean, I’m completely okay with it… As long as I’m the main.”

*probably really upset*

Taeyang: He wouldn’t be too jealous or protective but he’d be okay with it. He trusts you and so long as you give hive him at least a couple of calls while filming or a few texts, he’s okay with you filming with another guy. If there were a kiss scene he’d probably just call you, see how you felt about it. An ultimate sweetheart about it, but would lowkey wish the main actor was him.

“Yeah, I’m fine with it. I already know you’ll always be mine.”

Hwiyoung (aka my boyfriend): Lowkey jealous but doesn’t show it at first. Probably hugs you and wishes you luck but on the day you leave to film he tells you not to flirt which already shows you that he’s jealous but you continue on your way. Most likely watches your show/movie and fanboys about you and your acting and how pretty you look. Completely overlooks the main actor until there are skinship or flirting scenes.

“Don’t flirt with him off set, okay? Okay.”

Chani: Most likely will beg you not to go and does aegyo to convince you. But then he realizes its your job and you really have no choice, so he lets you. He makes it clear that you two are dating and that if sees the main actor hug you or anything off set, he’ll personally come to the set. Probably texts you or calls every morning to remind you that he loves you. FaceTimes you when you’re on your way back home and he asks you if the main actor did anything skinship-wise.

“WhY~? TT Why are you leaving me~?”

Gifs are not mine. Credits go to owners. 


I just wanted to share a technique that has really been helping me cope with being ill recently - reframe things I do for my health as choices. This helps me feel grateful instead of burdened, & also makes me feel like I have more agency in dealing with this stuff. I’m gonna give a few examples below this cut, but I do just want to note this is something to do personally - I absolutely do not condone other people minimizing your feelings this way! 

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denialanderror  asked:

Since you loved Melee's headcanons, here's one. What would the avengers order at a bar?

I did love her headcanon asks. Those were stellar. Alright I think I got everyone in the Avengers movies?

Steve - If you got Captain America to a bar, you should be investigated as a god/goddess of manipulation and persuasion . If you managed it, Steve just goes for the cheapest beer he can because what’s the point? The alcohol burns through him too quickly to have any effect. It’s just as well, though, his need for control outweighs any desire to test those limits.

Tony - Depends on the night. On a good night he drinks a well aged blended scotch, neat. On the bad nights, when the weight of everything he’s lost is too heavy and his PTSD is too ugly and a manic night in his lab won’t shut it out, he drinks vodka soda and he drinks it fast.

Thor - Thor will drink literally anything you put in front of him because he thinks he’s impervious. He has no idea what to order in Midguardian bars so he just waits for someone he knows to order and asks for the same. He’s a giggly mess by the end of the night.

Bruce - Bruce allows himself exactly two beers on any given night. He prefers IPAs and if there aren’t any on the menu he’ll use that as an excuse not to partake.

Natasha - In company Nat changes her order every time. Old habits die hard and her instincts tell her not to form patterns. But in private, with those she trusts, she drinks vodka martinis, straight up.

Clint - Clint is the “this round’s on me!” guy who turns up with shots for everyone every 30minutes. All he drinks are shots interrupted only by iced coffee and pizza. He’s the most likely to die of a heart attack.

Wanda - Wanda likes wine but she has no idea how to pick it. She tends to prefer full reds, and she sips them slowly. Problem is she’s tiny, so more often than not she winds up tipsier than she plans and Wanda gets handsy when she’s drunk.

Sam - Sam’s a beer guy through and through. If he had a say you wouldn’t even be at the bar, you’d be on his deck grilling with a nice crisp wheat beer. He’ll buy the first round of shots at a celebration but otherwise he skips the liquor. He’s never at a bar to get drunk anyway. 😉

Midnight Valentine: Soulmate Soirée

Chapter II: Flavor of Love

Part 1

Alyn Crawford had a plan. Part of that plan involved him trying to be romantic for the first time in his life.

He entered his quarters quite certain that no one had seen him do so. He had arrived back in the palace a good whole day just to ensure that. It was not that he was hiding exactly, only that for now he would rather not deal with any unnecessary questions with the box he was holding in his hands.

It was a hard find, this particular present, and he did not want anyone nosing around about it. Not only was it months in the making, it was also particularly damn hard to make and he did not want it spoiled or gossiped before he was ready to give it.

Alyn had had to come up a whole lot of unnecessary excuses just so no one would be the wiser with his frequent trips out of the castle. He was lucky that with the constant influx of bureaucrats into Wysteria, border patrols never ran out of style. And he had made the most out of that. Then again, even official seals of assignment had never stopped the Princess from asking anyway.

“Border patrols, again?” She had asked him the third time. He had only casually mentioned it during their training and her initial response had been to almost ram a knight with the shield she had in her hands. “You’ve been on them so many times already! Did someone die and Alder is invading again?”

“Nobody died.” He had answered. “And it’s just for five days.”

Although, the assurance had been more for himself than for the princess. He was never fond of the times he was far away from her, and he knew with absolute certainty that he never would. But at least on these particular excursions, he was away with purpose. However, she did not need to know any of that.

She had sighed, sheathing her sword and pouting. “Fine. Can’t be helped. Part of your job after all.”

“Don’t miss me too much.” He had added, trying to lighten the mood.

She had stuck out her tongue. “Shouldn’t it be me saying that?” She had tried appearing unfazed. But he knew the way her lips always formed a thin line whenever she tried hiding how she was worried. And back then, her lips were as thin as they could be.

The important thing was that he was done, he thought, as he placed the box on his worktable. He no longer had to go away to the farthest reaches of Wysteria,  no longer have to see her worry over him or watch her turn away just before he rode his horse, and more importantly, he no longer had to ride for days on end before he could see her. Now, all it took was climbing few stairs and some turns and she would be before him, with her smile and her coyness and her teasing smirk.

Gods he missed her smirk.

No, that would be amiss. Alyn missed everything of her.

As he took out the special ribbons he had hiding in his closet and began wrapping the present, Alyn made a mental note of turning down any assignment in the foreseeable future that meant being away from the castle. He was not sure he could take being apart from her any more than he already had. Every fiber of his being ached to touch her the moment he had crossed the palace gates. It was almost as if it physically hurt him to be away for so long.

Though he did have to stop himself from addressing the need to see her immediately. Alyn knew he had to go about this right, his timing had to be perfect. He had to be romantic about it.

So instead of racing towards her chambers, as he always did whenever he got back from an assignment, Alyn had dragged his feet towards his quarters, reminding himself all the while that he had to be patient. Just as he had been patient with collecting everything he needed for her present.

Some things could not be hurried.

And this was one of those things.


It was almost daybreak when Alyn finally finished.

He took a few seconds to regard his handiwork. He nodded, satisfied, and gave himself a mental pat on the back. Not bad. Wrapping things in pretty bows was not his strongest suit but he did a pretty decent job.

He smiled to himself. He hoped she would like it.

Realizing the thought made him suddenly self-conscious and he coughed uneasily.


Alyn tucked the gift under his arm and then proceeded to head for her chambers. It was a good two hours before she had to wake up. The chance of seeing her first thing in the morning made him smile to himself again.

There would be a whole lot of teasing to be done.

However, as Alyn turned the corner into the hallway leading to her room, the first thing he noticed was the startling fact that his two best men were nowhere to be found.

Alyn frowned. He had given them specific instructions to not have her out of their sight whenever he was away. What in the gods’ holy names made them disobey that?

He braced himself as he pushed the door and stepped into her room, hoping that he would find all three of them inside playing cards or something more sinister. The bedroom was empty. As a matter of fact, it seemed to have been unoccupied for hours.

Alyn noticed that the covers to her bed were a mess. Books were strewn from there all the way to the sofa, her favorite inks were on the floor, paint was smeared messily on the ends of a curtain, and, as he took a good look around, her best hiking boots, which she usually propped just outside her bath, were nowhere to be seen.

For a moment, he stood there, at a loss for what to do next. And for a moment, panic bubbled inside him and he tried to calm down by reminding himself that the mess he was surrounded by was just what she usually left in her wake.

He began picking up the books she had left behind, unable to shake the uneasiness he felt. When he was done, he wondered if he should wait until she got back and surprise her then. But if she did not return until after the palace staff had woken up, then it would mean that all his efforts would  be in vain.

Two months down the drain.

His near impeccable wrapping gone to waste.

He did not want that.

So Alyn made his way to her second favorite place.

She could be studying something or perhaps preparing for another speech or soiree. Probably with Giles and - he hoped not - with Leo. But as Alyn poked his head into the library, he found it dark and empty.

Still, as he took a good look around to make sure she was not tucked away in some corner and dozing off, he caught the whiff of newly snuffed candles. An inspection of the fireplace, and the attendant books haphazardly stacked on an armchair across it, proved his guess that she had been there recently.

So where was she now?

Alyn sighed and crossed his arms, suddenly remembering how it had been very difficult to constantly have to look for her during her first year as the Princess. Although she had mellowed the past few years, she still sometimes tried to wander off, and it was still something he would rather do without.

She’s not scaling the walls again. Is she?

Alyn shook his head.

No. She promised she wouldn’t again ever.

He imagined her sitting on the armchair, hair loose and legs folded underneath her. He imagined her looking up at him and smiling. He imagined her teasing him at being such an idiot because the clues were right there and he should have seen them and -



If asked back then if Alyn would have fallen for the princess elect, he would have laughed and then said, “Who the hell falls in love with a wall-climbing hooligan?”

He was glad that he had not been asked. And he was glad that he had not given that answer.

If asked when it was that he thought he had fallen in love with the Princess, Alyn would not have laughed. As a matter of fact, Alyn would not have answered at all, being extremely private. But he would, if pestered enough, give you his first fondest memory of them together.

“When I outbaked her.”

When she was still a commoner and not yet the Princess Elect, she had a tutor most days and a confectioner on weekends, helping around in her neighbor’s bakeshop.  It was not a surprise to Alyn then that she knew a lot of things: from basic arithmetic and languages, to how to grow plants and clean a fish, guts and all.

What had been a surprise was that she almost did not know her way around a kitchen. She was a confectioner after all; surely it meant that she knew how to cook. But that was not the case.

“I decorated.” She had said.

She did know the basics though.  Except everything else seemed to dissolve into obscurity. Details, he remembered her telling him, which were unimportant.

“It’s all about the end product.” She had declared taking a bite out of the macaroon she had just made and then smiling at her success. “Cookbooks just get in the way.”

“Well, sometimes you can’t skip them.” Alyn had scoffed at her.

“They’re not the gods commandments, Alyn. Just guidelines. Besides, making sweets isn’t so simple. Otherwise everyone would just pop sugar cubes in their mouth. Where’s the fun in that?”

This, Alyn had found ridiculous. Cooking was definitely more of a science than art. And some desserts worked because they were tried and tested. But she had waved his teasing away with a determined smirk and the words, “I can outbake you.”

He had laughed, “That’s not even a real word.”

“Person who does a better chocolate cake gets the last say?”

Much to Alyn’s delight, and to her chagrin unfortunately, she had been unsuccessful in her attempt to ‘outbake’ him. Alyn’s cooking skills was one of his best kept secrets after all and she had been dumbfounded by it. She could do nothing but admit that his cake tasted better than hers.

That, and everyone else in the palace had taken better liking to his creation.

“I did outdesign you though.” She had said, unable to accept clear defeat, motioning to the perfect twirls of cream on her own cake. To which Alyn, and everyone else in the palace, could only agree.

Her specialty was confectionary after all.

She also still maintained that cooking was, first and foremost, an art.

Regardless, Alyn was glad he had taken her up on her challenge. And he was even happier that they had by some unspoken mutual agreement, in the years succeeding, would always try to outbake each other on that special day. That had been the thing where they found common ground. Just like him, she found cooking (or making sweets to be specific) as an outlet to relax. And it was as if they saw each other in a different light.

She no longer ran away from the sight of him, or tried to escape whenever he was the one assigned for guard duty. She no longer teased him endlessly with Leo, or purposefully avoid going to his general direction. She also was no longer much of a grouch when they rode together or when he taught her basic self-defense.

“Your areas of expertise are battlefields and kitchens. That’s ironic.” She had commented.

“Says the person who bakes but cannot fry a fish to save a life.” He had answered.

“Rude.” Then, she had been silent for a while. “I don’t really care much about any other kind of cooking to be honest. I will leave it in your capable hands. Although I want to try and make something that wasn’t Wysterian.”

“You’ll be needing cookbooks for that.”

“Or I can just wing it by tasting them.” She chewed on her lip.

“Your tongue has limits.”

“And yours doesn’t?”

Alyn had scoffed. “We can find out.”

She had started smiling a whole lot more too. She laughed more earnestly, was more enthusiastic even during simple tea parties, and somehow seemed more at ease in the castle than she had ever been.  There were even instances when she would voluntarily submit herself to his quarters, at times just to pester him because she felt bored or feed him something she had recently tried creating.

The only downside was that she always did shoo him away whenever she spent time in the kitchen, teasing him to be spying on her, or otherwise declaring him an outright enemy of the state.

“I have nothing to teach someone who doesn’t believe this is art.” She had said when he had tried to check up on her.

It had been nothing at first but as they days turned to weeks and the weeks turned to years, and as they became closer than Alyn could ever have imagined the first time he had seen her, it began to bother him more and more.

There was a glow in her that lit whenever she emerged from the kitchens, clothes still smelling of sugar and cream and vanilla, as if her very skin was sweetness and honey. She was radiant enough as she was but when she had something in her hands that she had made, she was positively beaming.

And Alyn, for all his quietness and privacy, wanted to be part of that.

End Part 1

Alyn Crawford by @cyikemen

MC @me (hi guys, theempresskaizer here)

Nobody tells me what to do. (Sashea) - billciphereyes

I’m back with another Sashea fanfic that took me much longer than expected to write!

My attempt at Sashea smut based on a heckler telling Shea “No Ma'am” during War on the Catwalk when Shea was asked who she would hook up with and she proceeded to hit on Sasha. In this, Shea is still pissed at the guy by the time they get back to the hotel and Sasha has to try to calm her down. It (kinda) works but Shea takes out all of her pent up anger on totally dominating Sasha. In this story, both of them are single and don’t have boyfriends. As in my last fic, Sasha goes by She/her in and out of drag and will be referred to as such. Don’t get used to me posting this often, because college and I will have a crazy schedule for the first few weeks. Until I figure out how to time manage, my writing time/ ideas will be limited. Postive/constructive comments are welcome!

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Try (Finn x Reader)

Character: Finn Hudson

Fandom: Glee

Categories: Reader Insert, Female!Reader, Sister!Reader, Berry!Reader, Songfic

Title: Try

A/N: Since I finished watching Glee and I’m fangirling about it, I wanted to write a Finn imagine and remembered I had one in my closed requests tag. This one was requested by @angelbabymed a long time ago as seen here. I added a few ideas of my own to make it more complete, but I hope you enjoy it!

The boys and girls from the Glee club were about to enter the room, and it made me feel a little sad.

For a long time, I had wanted to join them. Not only because they all looked like such interesting and nice people to be around with, every single one of them.

But also because music was so important for me, it was a big part of my life. I always wore headphones and listened to my favorite songs, and if I didn’t I would feel empty.

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It has been brought to my attention no small part of maeiso’s moments have been lessened in the last ep

the smiling at each other bit was so cute tho nooo

when maehara got hurt the first to actually rush at his side in the manga (lost in the anime bc everyone was seated) was

this was the positive thing I said would come out of this ep too…. it got turned to okano holding his back NO….

and how he stays with him…? cries it’s not even made obvious because of paneling, proves to show how strong even bg chara relationships can be

some time/chapters later maehara feels the pain again…

also at the end of it all after nagisa beats takaoka it kinda looks like isogais apologizing to nagisa for maehara hitting him

WHAT ARE BEST FRIENDS FOR I SUPPOSE (theyre moe please dont take away more of them lerche) 

this has been your sad reminder part of the ship’s moments got taken away or otherwise intruded by another pairing ;_;

anonymous asked:

Awesome blog! Do you have any tips on writing third person omniscient? The story that I'm currently writing started out as third person limited (with only one POV character) but now I'm thinking of changing as I've started to write the POV's of other characters (I got a bit bored of the main protagonist and focusing on her POV wouldn't enable me to reveal the storylines of other characters).

Thank you so much! 

To begin, I’d make sure that third person omniscient is really what you want. I’m not doubting you, and it may, in fact, be the perfect choice for your story, but if you’re bored of your narrator, that’s also a problem worth looking into to figure out why. Perhaps it really is just a case of switching up the point of view, but perhaps it means you need to come at your story from a different angle, maybe by beginning later, closer to the action, or maybe there is something about that character’s mindset that you still need to figure out in order to engage with them better. If you’re bored, the chances are your readers will be too. 

Third person limited is always the most recommend because it allows readers to really engage with the character and understand their mindset, so keep in mind that you can use third person limited with several characters. You simply need to find a good place to change from one point of view to the other, and usually this is by chapters. Many books (the Inkheart series comes to mind first) go back and forth between characters; in this series, for example, one chapter may focus on the female lead and her adventures and POV, and the next may focus on the villain’s, and the next her love interest, the next her father’s, and then her again. The A Song of Ice and Fire (Game of Thrones) series also does this, and the author helps out even more by naming the chapters with the POV character’s name. 

As you said, changing between several characters can help immensely to focus on different story lines that might otherwise be skipped if you’re forced to rely solely on one POV narrator. But this is different than omniscient–in which no characters at all are telling the story, but a “narrator” as their own person (a person with the ability to read minds, in theory) is telling it for them. This POV is not extremely popular in the 21st century, but it is what most classic novels are told in. Editors and publishers tend not to like it, however, so be weary before going down this path. I highly recommend reading up on it as much as possible, and if you decide it’s the right choice for you, by all means don’t let that stop you! It may be a more difficult path, but at the end of the day, you have to write what is best for your story and tell it authentically. 

Here are some more resources I hope will help: 

The Secret Garden: Mary Lennox [ISFP]

Introverted Feeling (Fi): At first, Mary is established as quite self-absorbed. She never does anything unless she has some personal interest in it, she’s strongly affected by her moods, and she’s so emotionally detached from her rather neglectful parents that after their death, her only concern is whether she’s going to live with people who will treat her according to her own high-maintenance standards. She has trouble relating to other people and isn’t even very fond of herself. However, moving to Misselthwaite and devoting her energies to a project that matters to her transforms her Fi into something more positive. She’s very independent and doesn’t bother to consult authority before acting. Rules against investigating the lost garden or that mysterious noise in the corridor are totally disregarded if she has decided that the matter is worth pursuing. Although she admits to Dickon that she has “stolen” the garden, she insists that she doesn’t care: “Nobody has any right to take it from me when I care about it and they don’t.” Part of what attracts her to the garden is the thought of having her own personal, private space to do with as she likes, and she resents interference with or intrusion into her secret kingdom without her permission. Emotions are still hard for her to express (she’s uncomfortable explaining about the garden to Dickon and awkward in showing Martha appreciation, even though in both cases the sentiment is quite sincere), but she refuses to put up with behavior that she considers wrong and does not hesitate to voice her objections.

Extroverted Sensing (Se): Mary has an aesthetic appreciation that manifests itself early on in her playing that she’s making gardens. Her impressions of people are strongly tied to their appearances, and the highest compliment she can pay Dickon is calling him “beautiful.” She’s extremely observant of her environment, noting every detail about the Misselthwaite gardens, and perceptive enough to tell the sound of the wind from the crying—and she trusts the evidence of her senses even when told otherwise. When she first arrives at Misselthwaite, she’s curious about it because of its novelty, and eventually seeks out her own adventures there to avoid boredom. The moor environment affects her strongly, changes her mood, and motivates her to do things. By seizing just the right opportunities, she finds both the key and the door to the garden. Not immediately grasping how to use her new skipping rope doesn’t faze her; she doesn’t want to stop trying and gradually masters it. The concrete, sensory aspect of the garden appeals to her, making her renovation work feel more like play. Despite her deep belief that the garden ought to be private, she’s eager to share her sensory experiences with Dickon and Colin.

Introverted Intuition (Ni): The mystery and general idea of the garden appeal to Mary from the beginning, and once the concept captures her imagination, she obsesses about finding the lost door since she has nothing else to do. Once she does find the garden, she can see the potential in it and starts planning to implement this vision. Not only is she an observer of the physical world, but she also has a more fanciful side. She feels a connection to the robin and is sure they can understand each other, thinks of the portraits in the manor as real people who are looking at and appraising her, and worries that Dickon may not be real, only a “wood-fairy.” The wind blowing back the ivy from the garden door to reveal the doorknob convinces her that there is magic at work; as the book progresses, she becomes more of a believer in her own concept of magic as a force in the garden. She draws apt comparisons and contrasts between the boys in her life and gives Colin an insightful explanation of how his abnormal upbringing has affected his character.

Extroverted Thinking (Te): At her worst, Mary is tyrannical, opinionated, and irritated by what she considers incompetence, sometimes expressing this through violence. The influence of her new home does motivate her to create plans and carry them out. Once the garden interests her, she wants to put it to some use and becomes determined and absorbed in this new project, taking steps to acquire the tools and seeds that she needs for her work. When she starts to like people, she organizes all five of them into a mental list. This is as far as she goes with organization, though. She likes the wild messiness of the overgrown garden and doesn’t want to make it neat like “a gardener’s garden.” And though she attempts to plan her words when asking her uncle’s permission to adopt a garden, she ultimately improvises—and her plea is more effective that way.

The Valley of the End: Chapter Ten

Summary: There is a place where two legends once fought, a valley that saw their lifeblood spilled. And in Konoha there is a monument, a stone face shaped out of the golden bluff, which honors the champion—the Second Hokage: Uchiha Madara. (AU in which the Uchiha rule Konoha. SasuSaku. NaruHina.)

Rating: Mature

Chapter: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

Chapter Ten

be of love (a little) more careful

than of everything

It’s been a week since she and Sasuke made love in the meadow, and Sakura doesn’t know what to do. She worries she could be pregnant, despite the great unlikelihood of this (all kunoichi are given birth control shots every three months, unless they specifically request otherwise). She fears that her mother will somehow know, just by looking at her, that she gave up her virginity. And most of all, she’s afraid that Masami will find out about her betrayal.

Sasuke won’t even look at her. When Naruto calls them together for lunch at Ichiraku, he skips their meeting without explanation, and any time Sakura tries to talk to him, he brushes her off, saying he has to be somewhere.

Perhaps this should hurt more, but mostly she finds it frustrating. Sakura knows him. Sasuke isn’t avoiding her because he regrets what they did together; he’s avoiding her because he’s afraid that if he doesn’t keep away, it will happen again.

She carries on with her life. Sakura takes missions and trains and passes messages for the rebellion, trying to think of anything besides Uchiha Sasuke and the mistake they made. Her period comes and goes, and with it any fear of pregnancy.

Sasuke stops avoiding her as spring approaches, but he still doesn’t talk about what happened between them in the meadow. She’s too tired of this game of hot-and-cold to try to guide him toward a choice. Sakura can already guess how things will go, anyway: Sasuke will resist her until he breaks, and they’ll end up trading touches in some illicit place. Then guilt will drive them apart—his guilt or hers, who knows?—and they’ll end up dancing around one another all over again.

Team 7 celebrates their sixteenth birthdays in a quick succession of small parties: Sakura’s in the spring, Sasuke’s in the summer, Naruto’s in the autumn. Sasuke even dances with her at the latter. And although they only share a brief, perfectly friendly embrace, she can feel his hands trembling on her waist, can see in his dark eyes that he’s thinking of that day in the woods. The pleasure he found when she was tangled up beneath him, half naked and completely his.

She wonders if making love to her gave Sasuke a taste for more intimate things. His future bride would be only too happy to indulge him, she imagines.

Sakura excuses herself from the party and goes outside to get some fresh air. The garden behind Naruto’s house has become a mess of weeds and untended flowers in the wake of Kushina’s death. She takes a seat against the stone wall, pulls a pale purple blossom from its unruly bush, and plucks the petals from the stem with ruthless nonchalance.

“Why are you hiding out here?” Sasuke asks. He doesn’t sit beside her on the ground—no, he’s too weak, too much a slave to his desire for her, to test himself like that when they’re alone. Instead, he stands before her, hands in his pockets.

When she’s finished stripping the first unfortunate flower, she steals another from the bush and starts the process all over again. “You’re one to talk about hiding,” Sakura says.

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