but ive rewatched this scene OVER AND OVER and it's all i can think about

Epic Movie (Re)Watch #166 - Wallace & Gromit: The Curse of the Were-Rabbit

Originally posted by saturdaynightmovie

Spoilers Below

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Mostly.

Did I see it in theaters: No.

Format: DVD

This post is dedicated to the memory of Peter Sallis, who passed away while I was writing. The voice of Wallace, we’ll remember always the love he had for his dog and how he was crackers for cheese.

Originally posted by digitalcelluloidboy

1) Wallace and Gromit were the stars of three original short films published by Aardman animation before this movie was released. All of them were directed by this film’s director: Nick Park. All of them were nominated for an Oscar for best animated short film. The final two (“The Wrong Trousers” and “A Close Shave”) won that Oscar. Wallace and Gromit are icons of not only British animation but animation in general, yet this is their only feature film to date. Having said that…

2) According to IMDb:

Nick Park wanted the DreamWorks logo to play an epic theme, like something akin to Star Wars: Episode IV - A New Hope (1977). He wanted audiences to think that Aardman had sold out to Hollywood, before the film reverts to the classic Wallace & Gromit theme over the opening credits. The intro was also one of the last scenes filmed.

3) As the opening credits play the camera pans across a series of family photos featuring the titular pair, telling it’s own little story in them. It’s actually a perfect way to introduce their relationship: Wallace’s love for cheese, Gromit’s sort of impatience with Wallace’s shenanigans, but also the deep friendship they have.

4) The vegetable shop in this film is called Harvey’s.

Originally posted by wish-for-the-moon

5) Peter Sallis as Wallace is a delightful treat.

Originally posted by sandowkm

Dreamworks originally wanted the performer - who had played the character since “A Grand Day Out” was released in 1989 - replaced by a bigger star. Nick Park firmly refused (casting Helena Bonham Carter and Ralph Fiennes in original roles to give Dreamworks this desire) and the film is better for it. Having a big name voice Wallace would be distracting. Sallis defined who Wallace was, playing the character until 2008′s “A Matter of Loaf and Death” (which is his last performance as the character). He brings with him a charmingly dimwitted yet sincere nature. There is no malice in Wallace, no annoyance. He is a totally warm and lovable character and I am grateful to Sallis for bringing that to him.

As I’m writing this I see that Peter Sallis has just passed away at 96. His agents announced, “It is with sadness that we announce that our client Peter Sallis died peacefully, with his family by his side, at Denville Hall on Friday 2 June.” I dedicated this post to his memory above but would be remise if I did not emphasis just how much of an impact he not only had on this series, but the world of voice over animation as a whole with his iconic character of Wallace.

6) Gromit is one of the finest examples of character animation ever.

Originally posted by casinoo

Gromit has the strongest personality of any character in the film without voice or even a mouth. His snark, his heart, his humor, who he is, is ALL in the eyes. In the movement of his eyebrows. It is truly remarkable when you think about it, especially considering how iconic a character he has become.

7) I have never related to a character as on this subject as deeply as I do with Wallace.

Wallace: “The fact is, I’m just crackers about cheese!”

8) Helena Bonham Carter as Lady Tottington.

Bonham Carter is one of the most sincere voice over performers I’ve ever heard, with her role in Corpse Bride just as delightful as in this film. There is no ego to Tottington, you don’t even think you’re listening to Bonham Carter. You are listening to the optimistic, earnest, trusting, kind, and sympathetic Lady Tottington and I think that works wonderfully.

9) Ralph Fiennes as Victor Quartermain.

Originally posted by the3deathlyhallows-blog

Like Bonham Carter, Fiennes is able to remove all sense of ego and just serve the character Victor is. No stranger to voice over work (notably The Prince of Egypt before this film), Fiennes is able to let loose and have fun with what is essentially a real dirt bag of a person. And although we may not like Victor we love to hate him and I credit both the filmmakers and Fiennes for making that possible.

10) The decision to go with the horror subgenre for this film is an interesting one. Much like how “The Wrong Trousers” felt like a Hitchcock movie, Curse of the Were Rabbit uses the established tropes of horror well by creating a unique atmosphere and having fun with its established tropes. A strong early example of this is when the priest in the film encounters the Were-Rabbit. He’s walking through a gloomy cemetery at night, hears a strange noise, goes into his church and then something is creeping up on him. Something we never really see. You could have opened the film that way and we would’ve understood what kind of tone it was aiming for.

11) There is also a lot of fine misdirection with the Were-Rabbit before the reveal towards the end. It is totally plausible and believable that it is one of Wallace’s rabbits run amok based on the way the filmmakers treat it, but also when you rewatch it you can easily see how the final twist works perfectly even if the filmmakers aren’t as in your face about it.

12) Like all Wallace and Gromit projects, this film has an incredibly strong sense of humor. The town meeting in the church is a wonderful example of this. From the organ player doing a, “dun dun dun!” after a startling statement is made, to this visual:

Strong visual and verbal humor are abound in a way which makes this film wonderfully funny.

13) I’m Gromit in this situation.

Wallace [after Quartermaine asks how they could catch such a big rabbit]: “With a big trap!”

Gromit: [Face palms.]

Townsperson: “By jove, he’s got it!”

[Townspeople start cheering.]

14) The lady rabbit trap is also another wonderful example of humor this film has. It is not only wildly creative but shows off some more of Gromit’s wonderful physical character.

Originally posted by allthingsgayandgeeky

15) While Gromit is alone waiting for Wallace to come back to the car we are given some surprisingly wonderful tension. The noises, the jumps, it is right out of a horror film and works wonderfully well.

16) Wallace transforming into the Were-Rabbit is wonderful. It’s straight out of the Wolf Man and a wonderful piece of animation. It is the big twist of the film: our hero is the monster! And the way everyone reacts to it is just hysterical.

17) They had to make this joke, didn’t they?

Victor [after the priest says the Were-Rabbit can only be killed with gold]: “Gold?”

Priest: “Yes. 24…carrot. [He chuckles].”

18) The rabbit Hutch turning into Wallace is absolutely fantastic.

Everything out of Hutch’s mouth is 1) a sped up version of Peter Sallis’ own voice and 2) a line that was either said earlier in this film or in a previous Wallace and Gromit. I think that concept is just hysterical and love that they included it in the film.

19) If you want to understand how wonderfully weird this film is, just consider this line.

Wallace [tearing up]: “Oh Gromit! I don’t want to be a giant rabbit!”

20) There are two jokes which I find straight up hysterical back to back.

Quartermaine [to the police officer]: “I don’t want to cause any panic, but the beast isn’t actually dead yet.”

Police officer [through his megaphone]: “The best isn’t actually dead yet?”

Quartermaine [after firing off a bullet to calm the crowd down]: “Now listen carefully. I’ve only got two [realizes he just shot off a bullet]…ugh, I’ve only ONE gold bullet left!”

21) I just love how THIS is what lets Lady Tottington know the Were-Rabbit is Wallace.

Originally posted by sandowkm

That hand gesture is so iconic for the character that even Hutch the rabbit spoofs it quite frequently.

22) The entire “Dogfight” between Gromit and Quartermain’s dog is an excellent showcase for how the series incorporates amazing action with wildly strong humor (as they did in the train chase in “The Wrong Trousers”). It is by far my favorite scene in the film, and when they have to insert another coin to keep going has my rolling with laughter.

23) The scene where the Were-Rabbit “dies” and turns back into Wallace is lifted directly from Lon Chaney Jr’s The Wolf Man and I just love that.

24) Of course cheese brings Wallace back and everybody has a happy ending.

25) I just need to get this out of my system:

(GIF originally posted by @marshmallow-the-vampire-slayer)


Wallace and Gromit: The Curse of the Were Rabbit is another excellent piece of animation from Aardman studios. It has the warmth, humor, heart, and characters we’ve come to expect not only from the filmmakers but from the series itself. Peter Sallis SHINES as Wallace and the additions of Helena Bonham Carter and Ralph Fiennes works wonderfully well. It is an excellent piece of animation and filmmaking in general. And I would be regretful if I did not make one last dedication to the late Peter Sallis. He may be gone, but children and fans everywhere will always have the warmth of his voice through the character of Wallace.

Originally posted by g-i-f-s

analysis attempt 3x14 - 3x20 (how do u do titles)

so i was rewatching all nygmobblepot scenes on youtube the other day and something in 3x14 felt…off
ive also seen a lot of you ask this, so this is my attempt of an answer. (if i accidentally used any existing theories please tell me or add a link)

oswald is willing to sacrifice himself for ed, he won’t let barbara and the gang hurt him and he even forgives him for what he did to his father’s remains, while ed is furious at first and later hesitant and clearly heartbroken.

so why is it that from 3x15 both are so hellbent on destroying each other??

ed’s viewpoint is easier to explain to me.
he wanted to kill oswald for what he did to isabellA and is hesitant from the moment oswald’s love for him is proven, but he still feels like he needs to kill him. oswald tells him he created ed nygma and that they need each other. ed realises oswald is right but shoots him anyway.
In 3x15 ed is taking drugs to see oswald to help him find someone to teach him how to become someone else, but oswald keeps reminding him of what ed realised just one episode ago: ed needs oswald and oswald needs ed. so, what does ed do? he becomes someone else. someone without emotions and without love, which we know he thinks of as a weakness. this arguably includes his love for oswald. to finish that transformation he dumps the pills, his last connection to the man that made his former self and that he arguably loves, into the same spot he dumped the real oswald. to change himself and to detach himself from the emotions that have hurt him so much in the past he kills oswald a second time. he says goodbye, fully convinced he will never see or need him again.
in the next episodes ed spends his time building his new identity. since the riddler doesnt have emotion, he needs to evoke emotions from the people around him. he solidifies this identity in 3x17 and even though he looks broken and arguably almost suicidal doing it he is convinced he’s on the right path.
but then it turns out oswald is alive. the reason for ed’s transformation into a stronger, to him better man, turns out to not have existed at all. what if he loses the riddler? what if he goes back to being, in his eyes, weak? he cant let his emotions get the better of him, emotions he’s convinced he doesnt have anymore. so ed decides to kill oswald again, too keep the riddler and stay free from feelings like love and regret, feelings he thought he finally got rid off by dumping the pills.
that is also why he insists oswald call him the riddler. he let barbara call him ed because they “have history”, but every single time oswald calls him ed he looks irritated and demands to be called the riddler. notice how he literally only does that with oswald? if oswald, the person tying him to his old self, calls him the riddler, he can convince himself his feeling self is completely gone, along with whatever feelings he has for oswald. (id say its definitely love, but as long as its not 100% canon let’s keep it at that)
it’s obvious ed enjoys this cat and mouse game with oswald and to me it looks like he hasn’t felt that stable and alive since 3x14, but to ed that doesn’t matter, or at least that’s what he’s trying to tell himself.


oswald’s viewpoint is a lot harder for me, so feel free to add or dispute anything. mostly their reasonings are quite similar though.
oswald doesn’t have an identity crisis but he goes from “i wont let you hurt him” to “there’s someone i need to kill” over the course of one episode. so what’s happening?
oswald let himself get vulnerable with ed. he shared his grief about his mother multiple times in multiple episodes, he basically let ed control his empire while he was bathing in the fame. and as we know, that didn’t pay off very well. ed ‘betrayed him’ (read: got his revenge) and took everything from him, even almost his life. not even breaking down to complete emotion, begging and confessions of love could stop ed, not even being willing to sacrifice his life for him after everything he had done was enough. to oswald, that’s just humiliating. oswald doesn’t beg for something he wants. he takes it. but for ed, he did beg, not even for his life, like with jim in episode one. he only begged for ed to understand they need each other.
but ed still shoots him. ed is still the last face oswald saw before he passed out, before waking up in an unfamiliar bed with a strange plant lady talking to him.
oswald is convinced that his love for ed made him weak, just as ed is convinced that love itself is a weakness. oswald’s core personality is made up of ambition, desire and revenge. he can’t let ed get away with what he did, especially not after oswald got so low as to beg for him to understand. he has let other’s, who did similar things (tabitha, butch..) live before, but this is different. he didn’t cry or beg for tabitha or butch. he didn’t give his whole self over to tabitha or butch.
oswald feels betrayed, he feels weak and he feels humiliated and to him the only way of getting back to being strong and powerful is to kill the person he percieves as responsible.

the docks scene changed both of them.
ed believes he needs to kill oswald to keep his strength and that the love he arguably feels is his biggest weakness.
oswald believes he needs to kill ed to regain the strength and power he lost and that his love for ed was the weakness that led to his empire tumbling down.

what they both need to understand is that love itself isn’t a weakness. unresolved love, full of regret, anger and fear is.
they need to learn that while love, if it isn’t protected and cared for, can turn out to be a weakness, like gertrud, but that mutual love and understanding can be their biggest strength.

i don’t expect the finale to solve this issue completely, i feel like we’d need a two hour finale about nothing but these two to do that, but i think we can expect they at least manage to start sorting through their emotions. but hey, we still have all of season 4 to look forward to.

JUST FINISHED GRAVITY FALLS

weirdmageddon was amazing! FAR better than most finales tend to be.

i wanted to know what the zodiac thing was all about though… i’d never seen it before but it was obviously important to the fans who had theorised about it…. couldnt we at least see what it would have done???? it didn’t have to be the final conflict!

ANYWAY i dont have as much to say about gravity falls as adventure time for obvious reasons so im going to rank it… Without further ado, it’s time to heavily overthink about cartoons!!!

Animation: 5 out of 5 hats - this is one of the most BRILLIANTLY ANIMATED childrens cartoon shows ive seen. there’s no weird inbetweens, the lighting for each scene is absolutely spot-on, it looks and feels amazing! honestly gravity falls looks like one of the strongest arguments for using script-driven shows instead of storyboard-driven shows, because cartoon network has never in its life produced something that looks this good.  When it used 3D CGI it was implemented smoothly. The characters had no absence of body language and cues either, it was never boring to look at. Disney does it again!!!

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i’m thinking about how terrible Scanlan must feel right now. Right there at the end, when him and Grog were desperately trying to kill Ripley before she could get a shot off, and Grog landed a hit with his axe, but scanlan doesn’t have ranged weapons, she’s too far away, he can’t do anything…

so he throws Mythcarver, in some last ditch attempt to stop her, before she shoots Percy, before she takes away a member of Vox Machina, of his family… and he misses.

He misses and she lines up the shot, but maybe, maybe he can still stop it, he can distract her, he can stop her, he can say or do something, anything, to keep the shot from finding its mark. But no, he fails that too, finds that when it really matters he cant find the words to help. 

And the shot lands, and Percy is gone. 

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