but it's just something to consider

10

the first 3 caps are from S1, during the bonding/training exercises, coran directing them with advice like “the paladin code demands you put your team members’ safety above your own!” and “protect your teammates, or no one will be there to protect you!”

the remaining 7 caps are from S2, and while keith and lance still sometimes rile each other up or try to outdo each other, i think these moments prove how much better they’re becoming at watching out for each other and keeping each other safe. the elevator scene has gotten a lot of focus, perhaps because of its prolonged focus on their teamwork, but i think smaller moments like these do a lot in the long run to provide foundation for future bigger moments. you could consider them examples of subtle showing, not just telling, that will make their future scenes as a good team/partnership all the more effective and believable! their rivalry is a lot of fun and i doubt it will ever go away completely, but it can be balanced into something more mutually helpful that doesn’t end with getting too caught up in bickering and crashing and burning.

13 Reasons Why characters

Justin Foley: Massive dickhead. Barely redeemable. He has a tragic backstory and a shitty childhood. However, he’s a massive douche, who let a girl get raped and lied to her, he was willing to kill a guy to save his own back and only right near the end did he decide to admit he was in the wrong and even then we don’t see him do anything to actually help the situation. This guy needs some emotional help and needs to start being a much better person and only then would he ever be anywhere near redeemable. 

Jessica Davis: At first I hated her for refusing to listen to her friend but then I realized this is similar to most girl as we are taught to trust our boyfriends more than our friends which sucks. However, she still tried to be nice to Hannah shortly after and a bit of communication could have helped their situation so much. I feel like she’s well and truly suffered enough and didn’t deserve any of the shit that happened to her. Already redeemed.

Alex Standall: As much as guys dont want to admit it and girl would deny it, these lists happen so often its unreal. I’ve seen groups of girls and boys alike make lists ranking others. Its not okay at all but its something that happens so often that it just goes to show how something so simple can be so harmful towards someone. He hurt two girls with this list, Jessica and Hannah. I feel like he is redeemable as he shows the most guilt to the point its shown he’s considering his own suicide. He knows what he did was wrong even if it wasn’t as hefty as some of the other guys. He was redeemed as soon as he admitted what he did was wrong. 

Tyler Down: I don’t get why everyone is up Justin’s ass but hate this kid. They both committed a similar crime. One is a pervy stalker and the other took what was an innocent mishap and made it into something filthy and then distributed it. I hate them both but they are incredibly similar except one is the lonely isolated loser with a camera who was bullied beforehand and the other a popular jock with a bad home life. As far as I’m concerned if one has the possibility to be redeemable then so does the other. I feel like Tyler needs some serious help, the kind that Hannah needed but never got. Except where Hannah killed herself, this guy is going to kill others. I can actually see some parallels between Hannah and Tyler, the only difference one is a creep and deserves at least a years sentence in prison. This kid really isn’t okay mentally and thats shown throughout the series, do I feel sorry for him? No. But, he would be redeemable if he got help and it turns out that he didn’t shoot Alex like many people are speculating. As far as I’m concerned, you cant love Justin and hate this guy as they both did similar crimes except one let his girlfriend get raped. Both are creepy assholes. Also, at least the kid told the parents and people about the fucking tapes and Hannah unlike the other assholes trying to cover it up. 

Courtney Crimson: She annoyed the fuck out of me when she was defending Bryce and trying to call Hannah a liar when it was already established that these tapes are all true. However, after actually taking some consideration into her character I can understand why she was scared and thought what she was doing was right. Yes this is the 21st century and her parents were gay so she must have known she’d be accepted. But its not that simple, she’s probably seen her parents go through shit and heard them say that her parents homosexuality would rub off on her. If she came out she would give the homophobes what they wanted, evidence to back their claim. I don’t agree with her further spreading rumours and defending a rapist. But with some compassion I find her story more redeemable than some of the others. Her character showed just how spiteful females can be towards each other. I feel like if she would just tell the truth, she could have been a redeemable character.

Marcus Cole: I haven’t seen this guy mentioned despite the fact he’s so much worse than both Justin and Tyler. He literally assaulted a girl in broad daylight and got away with it. And then when she dies he shows no remorse and even tries to stop the tapes from being distributed. He is one of the only two absolutely nonredeemable characters because he shows no remorse and only cares about his reputation. Whilst watching this I honestly got the feeling this guy has no compassion or emotions whatsoever and the only reason he didn’t agree with Justin wanting to hurt Clay is because he knew it could cause problems. He was only interested in calculating the best situations for himself and that makes him way worse because even at the end he didn’t think he did anything wrong. 

Zach Dempsey: The ‘nice guy’ mixed in with the wrong crowd. He may actually be a kind and nice guy but his popularity made him feel entitled and when Hannah pushed him away he acted out in revenge. What would have been a petty revenge on its own took away some of a girls last bit of happiness. He obviously had his own problems and confidence issues and what he did wouldn’t have been so bad without the other things that happened.  He’s definitely a redeemable character. 

Ryan Shaver: I don’t feel like he was focused on enough. He’s definitely a prick but he seems to be the only one to outright be like ‘yeah I’m an asshole’. He seems to be the kind to tell the truth and whilst still being a thoroughly unlikable character he does seem to want to do whats right. He know what Bryce did was wrong and he blatantly addresses the fact that Courtney is defending a rapist and is a rape apologist. I didn’t like him because of his lack of emotions however I did appreciate a character with a decent moral compass and I think hes redeemable but needs to take more interest in peoples lives outside of his stupid writing. 

Clay Jensen: Actual sweetheart. Unfortunately, he didn’t see the signs but its shown throughout the series that he helped her feel both better and worse in some of these situations. However, he has nothing to be forgiven for as he technically did nothing wrong except not notice which he tries to make up for with Skye at the end. 

Sheri: I guess she deserves to be forgiven when it comes to Hannah as she was just trying to be nice and after Clay is probably the nicest on this list. However, I feel like she let what others think help her to make decisions that aren’t as forgivable. However, she still deserves a chance at becoming a better person even if she does get put in prison for some time. 

Bryce Walker: Let him burn. That’s all I have to say about this fucker, he is not redeemable at all. Kill it with fire. He has no reason for what he did other than being a giant jackass with money. 

Mr. Trey Porter: Redeemable but a jackass. He’s one of those teachers that doesn’t actually give a shit about the students. The fact he told Hannah just to move on when shes been raped and is physically, verbally and sexually abused almost everyday is sickening and shows you just how good these anti-bullying campaigns actually are when teachers don’t even give a shit. 

I know a few people do not like the show, however I think it was good because it showed plenty variations of mental health, abuse and bullying with out actually addressing them but still showing the consequences. We didn’t just get Hannah’s story we got all the others stories too and it shows how mental health and bullying really can cause a butterfly affect. This show may not have been perfect but it was accurate and important.

EDIT: When I measure how redeemable these characters are, I’m not saying what they did was okay. I’m measuring how forgivable they are or if they do deserve forgiveness at all. This is my opinion obviously, you’re allowed to think differently. 

{PART 21} I Won’t Stop You // Jeon Jungkook, Vampire!AU

Originally posted by jengkook

Pairing: Jungkook x Reader

Genre: Vampire!AU, Fantasy, Angst, Smut

Summary; Just when you thought your night couldn’t possibly become any more heartbreaking; the man you thought you knew turns out to be something you had only ever considered to exist within the realms of nightmares and folklore.

“Perhaps, he didn’t want to be understood, so much as he wanted to be loved. His truth would set her free, but the question remained; would she stay?”

I update this series every Tuesday evening, 9pm-10pm (UK Time)

{Part 1} // {Part 20} {Part 21} {Part 22}

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I’m going to interrupt your day/night really quick and say that the green drink namjoon was drinking in the bst mv is a drug called absinthe. It’s a liquor that has really high levels of alcohol and considered to be a psychoactive drug that (supposedly) gives the drinker hallucinations. It was used by artists, writers, and poets because it was known for stoking creativity. People like Oscar Wilde, Toulouse-Lautrec, and even Vincent Van Gogh used it!

Originally posted by epikcry

honestly i have no problem with ‘queerplatonic’ relationships as a way to define a unique type of friendship In Theory (if they changed the name to something without the q slur bc theres nothing ‘queer’ about it) but like…

no offense but literally all this is when it comes down to it is just a close friendship that bends a couple social norms and blurs the lines into roles generally considered to be involved in a committed couple relationship. theres really no absolute line that separates ‘friend’ and ‘lover’ that can be applied to all relationships. most of us have that line in our personal lives, but what constitutes that ‘line’ will vary from person to person. theres no universal distinction.

so basically its just Advanced Friendship or a way to label an unconventional committed relationship. but unfortunately since years of MOGAI politics have overlabelled everything and pretty much set back tumblr’s collective critical thinking ability by decades, its treated like something unique that could be identified cleanly outside the lines of “friendship” or “relationship”.

so now youve got people acting like Advanced Best Friendship is “queer” and going as far as to say its “radical and progressive”, and inventing a nonexistent normativity (’amatonormativity’) that it supposedly challenges when, in the real world, it barely matters at all and doesnt really exist. its honestly a mess

HERE TAKE THIS AS MY THANK YOU PICTURE

my casual suga post just got a bunch of notes recently and people seemed to like it so i thought id draw another one in my own outfit from a couple of days ago bc im Gay And Edgy

So, through extensive exploration of the Minyard/Josten rivalry we have basically established these fuckers yell angry sounding Russian at each other from across the court to psyche everyone out when they’re really just talking about mundane shit, but consider this: one of their team members speaks perfectly fluent Russian, and can understand every single word they’re saying. The fuckin champ never tells a soul, the never ending irony of the media debating the extent of their intense hatred while they’re actually talking about their shopping list and weekend plans is too much.

MBTI Types as Things They Do Right After They Say They’re Going to Do Something Productive

(first of all thanks for reading past that mess of a title)

ENFP: Literally anything else they deem at all important that HAS TO BE DONE RIGHT NOW

ENFJ: Find someone to talk them in to/out of it

ENTP: *laughs* “just kidding”

ENTJ: Lowkey guilt you for not working too

ESFP: *sigh* *doesn’t move*

ESFJ: Awkwardly sit and wait for everyone else to prepare to do it with them

ESTP: Sulk for a while due to the mere idea of work

ESTJ: Try to get other people to do it with them

INFP: Stall x 100000 and stay on tumblr for “just a bit longer”

INFJ: “wow, I am suddenly really hungry; how about that”

INTP: Reevaluate how important the thing actually is

INTJ: Try to find a more reasonable time to do it, which is conveniently far later in time

ISFP: Absentmindedly doodle or play with things around them

ISFJ: Try to help someone else with something more interesting instead

ISTP: Try to find any way out of it

ISTJ: Something else that they consider productive, just not the thing they were supposed to do

okay but tbh lgbt etc people are more likely to come out in moving vehicles (i would know) so like… trans percy coming out to sally on one of the car rides to their special place, that beach where she met poseidon.

its fugliano’s shitty car and percy hates it, of course, but his mom is there and its so easy to forget all the bad things in their life when its just him and his mom. theyre talking, just catching up because hes been at school, and he says, suddenly, “mom, can you ask you something weird?” and she nods her consent.

percy asks “if i was a boy, what would you have named me?”

its a pretty standard question, lots of kids ask it, so she doesnt think anything of it. she thinks for a long time about it, going through the names she considered before the sex reveal, trying to decide, but then says “perseus” and he hears the name and he loves it so much. he asks her why and she explains, tells the story of perseus the hero, the tale of the hero that survived. when the story finishes, all thats left is the sound of the tires on the road, the wind rushing around them from speed. its a comfortable silence, mostly, but percy is fighting to find resolve and sally can kind of tell.

suddenly, he asks, in a voice so quiet she can barely hear him, “will you call me perseus?” and his voice still breaks and it surprises him more than it surprises sally somehow, who looks over with wide eyes before looking back at the road. she agrees, no matter what, but she asks why. he tries to explain, but he doesnt have the vocabulary beyond “because im a boy.” she agrees again, says yes, of course, anything for my baby boy, and then suddenly percy is crying and hard too.

percy’s tears startle a wet laugh out of her and her voice is thick when she says “oh baby no, no crying, we’re okay, i love you” and percy cant find the voice to tell her thats hes just so fuckin happy so he just smiles as big as he can, laughing too.

im just. really emotional rn

nishinoyalovesyuu  asked:

Hi! I'm the trash anon that begged you to consider the voltron au and let me just say that I love the character interpretation??? Like it's so spot on and I'm just in love! Thank you so much for drawing something for it, it like really actually made my day

!!!!!!! I’m happy you liked it, then!!!! ‘cause actually I have more

a Role Reversal™

fireandiceblr  asked:

What do you think about Sansa's crush on Loras? Do you think it means something that no matter how much she seems to grow as a character she still holds a crush over some pretty knight that never really seemed to care about her and she still imagines him when she kisses people (even if her thoughts get directed back to sandor)

Well… Loras is a very safe crush.

Loras plays the role for Sansa that teen heartthrobs do for many adolescent girls, a safe exploration of their growing sexuality.

The idolization of teen idols typically begins in early adolescence when girls start to become interested in romance and dating and more aware of social norms which suggest that they should have romantic feelings for someone of the opposite sex (Simon, Eder, & Evans, 1992). Rather than dating in real life, developing a crush on a teen idol is a way for girls to acknowledge their emerging sexual feelings in a safe, non-threatening way (Engle & Kasser, 2005). Because teen boys are viewed by girls as only interested in sex (McRobbie, 1991), teen idols are a preferable option. Further, they often project a feminine form of masculinity that is sexually non-threatening and thus accessible to young girls (Engle &: Kasser, 2005; Karniol, 2001; McRobbie, 1991; Sweeney, 1994).

Bitten by Twilight: Youth Culture, Media, & the Vampire Franchise

One of the most popular ways people like to hate teenage girls is to complain about their “insane” crushes on boy band members. Now, let me fucking tell you something: those big dumb crushes are what helps a teenage girl develop her sexuality in a safe environment that she can control. In her world, she can listen to One Direction and hear all these songs about how great she is, and how much these cute non-threatening boys want to make her feel special. Why is this so important? Because no one is pushing them. There’s no fourteen year old boy shoving his clammy hands down your shirt without your consent. These fantasy boys are not convincing a girl to send naked pictures, only to show all their friends and call her a slut. In the fantasy land of boy bands, the girl has all the power. And we need to stop judging them for wanting to escape into that.

–Meghan Harper, “Why I Fucking Love Teenage Girls”

ASOIAF is a medieval-style world, so it of course doesn’t have pop idols and movie stars, but it does have tournaments and tourney champions, who play that role for the adolescent girls of Westeros. (And the boys, too. Consider Bran’s idolization of knights, especially the Kingsguard.) And Loras Tyrell is not just one of the best upcoming stars of the tourney scene, but he’s so dreamy handsome, young, and from one of the best families of Westeros. (Even Robert Baratheon crushes on him, in a manly way.)

Now, the fact that Loras is actually gay (as are so many teen heartthrobs - George Michael, we miss you) makes him even safer, whether Sansa consciously realizes it or not. This is all the more important, since because of the close circles of Westeros aristocracy, Sansa Stark has far more of a chance of personally interacting with Loras Tyrell than your typical teenage girl has with her most beloved Bieber or Zayn.

So when Sansa actually has the opportunity to meet Loras, is even led to believe she might marry him… the expression of her sexuality, while very real, is also very safe:

The sight of Ser Loras Tyrell standing on her threshold made Sansa’s heart beat a little faster.

Sansa was finding it hard to walk and talk and think all at the same time, with Ser Loras touching her arm.

I am talking to him, and he’s touching me, he’s holding my arm and touching me.

Desperately she tried to think of something clever and charming to say to him, but her wits had deserted her. She almost told him how beautiful he was, until she remembered that she’d already done that.

Ser Loras in white silk, so pure, innocent, beautiful. The dimples at the corner of his mouth when he smiled. The sweetness of his laugh, the warmth of his hand. She could only imagine what it would be like to pull up his tunic and caress the smooth skin underneath, to stand on her toes and kiss him, to run her fingers through those thick brown curls and drown in his deep brown eyes. A flush crept up her neck.

–ASOS, Sansa I

Or, for a visual representation:

Now, the trouble (or not?) is that this safe crush of Sansa’s is no longer something she can rely on. Whether it’s because of her aging into womanhood, or because of her actual experiences with sexuality – the dark masculine danger of Sandor Clegane, her marriage to Tyrion Lannister (including seeing him nude and sleeping next to him in bed for weeks), the explicit rape threats of Joffrey Baratheon and Marillion, the disturbing attentions and unfatherly kisses of Petyr Baelish – when she wishes to escape into her formerly favorite safe fantasy of Loras Tyrell, it twists away from her into something else:

Before she could summon the servants, however, Sweetrobin threw his skinny arms around her and kissed her. It was a little boy’s kiss, and clumsy. Everything Robert Arryn did was clumsy. If I close my eyes I can pretend he is the Knight of Flowers. Ser Loras had given Sansa Stark a red rose once, but he had never kissed her… and no Tyrell would ever kiss Alayne Stone. Pretty as she was, she had been born on the wrong side of the blanket.
As the boy’s lips touched her own she found herself thinking of another kiss. She could still remember how it felt, when his cruel mouth pressed down on her own. He had come to Sansa in the darkness as green fire filled the sky. He took a song and a kiss, and left me nothing but a bloody cloak.

–AFFC, Alayne II

Note that there are many analyses of “the unkiss” (link 1, link 2), Sansa’s imagined memory of being kissed by Sandor the night of the Blackwater, but what many point out is that it is again an attempt by Sansa of a safe fantasy, a subconscious attempt to control and understand and romanticize a frightening sexually-charged situation. It’s just several octaves away from her non-threatening fantasies of kissing and touching the “beautiful” Loras.

And though you say Sansa still holds this crush, please note that Loras is only mentioned in Sansa’s narrative once in AFFC (that scene above), where she recognizes that Loras’s attentions were nothing real, no kisses, just a rose. Also, when she thinks about the men who helped her in King’s Landing, Loras is not one of them. Furthermore, he’s not mentioned at all in her TWOW preview chapter – which, considering it focuses on an upcoming tourney and the young knights who wish to be its champions, should be a perfect occasion for the pretty knight Loras to stroll through Sansa’s head, and yet he does not.

So I would say that Sansa’s adolescent crush on Loras is something perfectly understandable… and also something she has outgrown. I hope that helps!

I was doodling between classes and I particularly liked this sketch so I attempted (and failed) to colour it in Photoshop.

ALSO i love love love the way this show builds character pov and how instantly immersive it is. like even from the very first clip, you aren’t just in that character’s head. you are that character. you’re not just seeing the main character’s story and their expressions focused on, you’re also seeing a focus through the camera on what they’re seeing and reacting to, even if it’s not otherwise the focus of the scene. so the moment with the woman on the train, the little moment later with showing the meat on the pizza before they show sana picking it off, and what that implies about her friends thinking (or not) about her dietary considerations and what she would be able or comfortable to eat when they make choices for the whole group. these things are never the focus of the scene, and they’re almost never commented on by the characters as they happen, they’re just noted and felt and filed away.

and that’s brilliant bc that’s what microaggressions are, that’s exactly how they feel: these little digs at you, these little pointed reminders that you’re different, and you can’t really explain to anyone else why they’re such a big deal, or any kind of deal at all bc like. they’re not, they’re things that you can and often do brush off in the moment bc they’re not big enough to distract you from the conversation or what you’re doing with your friends or whatever you’re looking at on your phone. but that needling feeling, that always having to brush something off, is constant and grating and it wears you down. it wears ruts in your expectations, for others and yourself, familiar grooves that some part of you spends every moment of every day braced to have to deal with, to have to just shrug off like it isn’t a big deal even though it is, when it gets added to the pile of a lifetime of these experiences. that’s an exhausting way to have to live, and i’ve never seen a show even consider that feeling as part of its depiction of experiencing oppression and prejudice, let alone actually be able to pull it off making you, the viewer, feel it as effectively as skam does.

only the finest

Lena just wanted a nice night out with Kara.


“Would you like to go on a date?”

It slips out. Quiet and rushed, the words forming and letting loose before she can think anything other than please say yes. Kara freezes, noodles halfway to her mouth as she looks between them, and Lena almost takes them back.

(They’ve been doing this- meetings under the guise of interviews, the latest on L-Corp- for weeks.

Somewhere, between hands brushing just so as they pass food back and forth, it’s become featherlight kisses on the corner of her mouth when Kara leaves, promises to call when the other is free and texting whenever they can.

Somewhere, Kara has went from her only friend in National City to something. Something that makes her heart race with possibility and ache with the thought of its loss if she pushes.)

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The idea of post-leftism kind of irks me for many reasons but the biggest one has to be when its explained on the grounds of “well revolutions are just too hard!” Like, there are people who consider themselves radicals but also view a social revolution in the US as practically impossible, largely because they have many false assumptions about what something like that in a major imperialist country might look like. This is why I believe “studying a 100 year old event” can be valuable; the lessons of October teach us that all we really need is radicalized mass action in a few of the largest cities (not Portland and Seattle) to achieve major success. Basically something the size of the Women’s Marches but disruptive and radical rather than polite and liberal, sustained over about a week.

I sometimes wonder if Bioware fully considers the implications of decisions characters make in their games…? Like Alistair seemed like such an asshole in Redcliffe, but he had good reason to be furious with Fiona.

Thoughts under the cut.

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