but it's all there in black and white

JT Brown is literally getting death threats on Twitter for voicing his support of those who took a knee and for being black but yeah the NHL or its fanbase definitely don’t have any kind of issue with racism like y’all dumbasses still keep telling yourselves bc you want to keep stanning your faves despite them proving themselves as just as disgusting as you could expect white privileged men like that to be

anonymous asked:

I don't understand something when it comes to the boys fashion. How the hell can they look good in mix matched clothing?! For example, Jungkook on 170922 has damn near a whole black outfit minus his white shirt, but he has on all brownish colored shoes and like the outfit works for him! Whenever I try to do that I can't pull it off! I have to wear shoes that match my outfit if not I'll be thinking about it all day and how I'm not completely matching lol

START EXPERIMENTING!!!! ITS FUN!!! honestly there are no rules in fashion, I wear fitted sweatpants with chelsea boots and it looks damn good! 

anonymous asked:

hello i love your blog layout and the cc you create but i just wanted to let you know it's actually impossible for me to read the text under your posts because its so light even with my screen brightness up all the way :(

how come?? it’s literally black against a white bg,, pls send screenies

2

This titanic beast drifts through circumstellar debris fields, collecting minerals and other nutrients in its trawling apparatus.

I adore the idea of space fauna - creatures that live out all or part of their natural lives off-world, afloat in space. With A Good Haul on its way up, and all the inks for Earthling Stories: Sports Bar completed, I’ve got plenty of excuses to experiment with black and white in space!

(The second image was made for a lark, but I ended up liking it! It’s background was contributed by the good folks over at the Hubble Space Telescope. Go check them out if you want to see cool pictures of space!)

You know what? I really wish people were as hyped about Sonequa Martin-Green being the first Black woman to lead in a Star Trek series as they are about the D*ctor Wh* casting. But then again, most feminists don’t care about non-White women so it’s to be expected that most of you guys don’t care about the fact that she’s making history too. And when you factor in Michelle Yeoh, you get it doubly so. Last time I checked, this is a pretty big deal for the sci-fi genre too. 

What’s strange, to me, is people thinking that the D*ctor Wh* casting gives hope to all little girls when we know that’s not true. This issue is just so very layered and complex, but there is something particularly troubling about the fact that people think a White woman should be the symbol all little girls should look up to, regardless of their race. It’s so very arrogant to believe that little non-White girls will be represented by this woman that looks nothing like them. It’s very arrogant to think that little non-White girls should look up to the new Doctor as their new hero, especially knowing this casting is only a win for White women and White women only.

anonymous asked:

Do you have any kind of process for picking colors for the backgrounds? They all seem to have really nice uniformity, and I would love to read up on how colors like that are picked (or if it's more intuition based). I do remember you mentioning that you also had help from another color lead before, so I was wondering how much of that they help out vs the colors you chose?

hey, thanks so much! this might get a lil long (as it always does!!) so bear with me.

firstly i want to say, there’s no right or wrong way to pick colors. every artist has their own palette they prefer and i think it’s super delightful to spend time developing your own special sense of color. so even though i’m explaining things in a “this is how you do it” sort of way, it’s not the only way! just my way. the best method to develop your own sense of color is to look at a LOT of art, look at a LOT of the world around you, and practice practice pratice.

at this point in my life i pick colors intuitively just because i think it’s something i’m naturally tuned into, and i’ve been doing it for a few years, so i don’t actively plan my palettes. but here are some things that i think about as i pick colors.

firstly, i want to go over hue, value, and saturation. i’m sure everyone knows these intuitively but i want to explain them in words. hue, value and saturation are what make up a color, and decide how colors differ from each other.

hue: what color the color actually is. red, purple, green, yellow, and everything in between.

value: how light or dark a color is. if you’re painting traditionally, adding more white or more black to a color lowers or raises its value.

saturation: how “pure” the color is vs how much neutral tone is in it.

here’s an example of all three:


this comes into play because a big mistake i see beginners make is that they pick a “just” color, and by that i mean they pick “just blue” or “just yellow”. imagine buying a set of oil paints and only using paints straight from the tube without ever mixing. it would be impossible! so i try to avoid picking “just” colors, except as for a complementary color (more on that in a bit). here are some variations of a red, for example.

so, the biggest thing for me when i pick colors is that i want them all to be friends. i want them all to have something in common so that they get along. i usually lose control of a painting when my colors feel to different from one another. so, i will usually start a painting with one color i know for sure i want, and “subordinate” other colors to it, meaning every other color i pick has to look good with that color. as to how you figure out what looks good and what doesn’t, that just takes time and lots of observation to build a personal opinion :) here’s an example from one of my paintings. in this case, the main color is the trees.

and here’s another from rick & morty, the main color is the sky this time.

now that that’s out of the way, i’m going to give you the Actual Cheat Sheet for color palettes. in color theory, there are 8 basic color schemes that are generally pleasing to look at. here they are.

i usually use an analogous palette or monochrome palette out of preference. the two examples above more or less fall into those categories. however, i also like to use split complementary because the complimentary color adds a LOT of contrast and visual interest. it’s great to use if you have a specific thing in a painting you want to draw attention to. here’s an example:

it doesn’t always have to be a perfect split complementary, just one color that differs from the “family” of colors that take up a majority of the piece. 

now! you might be wondering when’s the right time to subordinate a color, or where to put it, or how much of it to use, etc. and the answer is: CONTRAST. there is always visual interest in things that are different. i was rifling through my school notes and found these great types of contrast when working with color.

value: things that are light vs things that are dark.

hue: two colors that look different. I.E. yellow vs blue.

saturation: things that are saturated vs things that are desaturated.

proportion: note the example above. a majority of the painting is orange, so the green stands out because there is proportionally less of it.

temperature: things that are warm vs things that are cool.

complementary: red vs green, blue vs orange, yellow vs purple. when in doubt, these colors always contrast against each other because they have nothing in common (there is no red in green, etc).

simultaneous: this is a little advanced and i’m bad at explaining it, so please read up on it here. 

a super helpful exercise is to look at your favorite illustrations, paintings, photographs, designs, etc and assess which one of the 8 color schemes (linked above) it has, and which types (can be more than one) of contrast it has. we did this in school and it REALLY helped me look at color better. here’s part of the assignment i did, the artist is annette marnat.

so! that’s pretty much how i think about color and how i pick my colors! i hope it was somewhat helpful! there’s so so so so much about color theory i can’t even begin to cover, i highly urge you to watch some videos and read some books and articles to further your study. a great starting place would be this series of videos. these are made by my teacher Richard Keyes, i think he had a dvd or something. everything i’ve talked about so far i learned from him and he is an absolute expert in color. these videos are invaluable. if you take anything away from this post, let it be to watch these videos hahaha.

to answer your question about my color leads, every painting was a collaborative effort between the three of us, and sometimes other painters too. it was a very hands-on crew, so i can’t say any of the r&m bgs i did are 100% “mine”. however, i think my personal color sense is waaaay different than jason or phil’s, which made the process very interesting because we usually had 3 very different opinions hahaa. you can check out their work here and here to see what things they brought to the table in relation to my own contributions.

thank you for the ask! again, i hope this was helpful :)

2

Allura’s Moving Castle AU

1. why? 2. why not! 3. asadahsdklsasdf

Small Candle Spells

Originally posted by heartsnmagic

Not every witch has the means to collect tons of exotic ingredients.   Sometimes, all you have is a candle and a wish.  So, I have put together 10 small candle spells.  (The types of candles I am talking about are tea lights or small, tapered little fellas.  Relatively cheap and easy to use!)  Hope this becomes a resource for you all!  Let’s get started!  <3 Salt


BLACK CANDLE:  Protection

You will need:

  • One Black Candle
  • Sheet of Paper
  • Pen/Pencil

Spellwork:

  • Write down what it is you wish to protect, be it your home, your family, yourself, etc.
  • Light the candle.
  • Chant the following ten times:

By the time this black candle has waned,
the blessing of protection be gained
by all that fall beneath its wax
be safely guarded from attack.
Until the next waxing moon appears,
protect all that I have written here.

  • Allow the candle to burn completely down and the wax to spread across the paper. 
  • Fold it and keep it until the next waxing moon.
  • Repeat as often as needed.

WHITE CANDLE:  Spirit Communication

You will need:

  • One White Candle
  • Photo of the Person you wish to speak to

Spellwork:

  • Before bed, light the white candle and focus on the flame.  Let’s its warmth ignite the love you feel for the person you wish to communicate with.
  • Say their name allowed.  Speak of the memories you have with them.  Let the memory of them come to life in your mind.
  • When you are ready, recite the following spell:

Before I rest my head for the night,
I ask that my heart’s call to you,
(say their name), be answered.
In dreams, let us be together again
and share the embrace of love.
I await your visit
and, for it, you have my deepest thanks.

  • Blow out the candle and visualize their face in your mind’s eye.
  • Once the wax has cooled, place it and the picture together near your bed.  You are free to sleep.  Enjoy the visit!

PINK CANDLE:  Self-Love

You will need:

  • One Pink Candle
  • Piece of paper (cut into a heart shape)
  • Pencil or pen

Spellwork:

  • On the heart paper, write down the positive aspects and assets you have.  It can be anything (from pretty eyes to being compassionate.)  Fill up the paper and fold it into a half heart.
  • Hold it in your hands and shut your eyes.  Deeply breathe, and focus on your pulse and the things you wrote.  Focus on yourself.
  • Recite the following incantation:

I am who I am
flawed, challenging, human
I am who I am
soulful, in communion with the universe
I am who I will be
ever-changing and growing
And I bow to the purpose that resides in me.

  • Light the heart paper on fire, allow it to turn to ash, and blow out the candle.
  • Anoint your forehead and the center of your chest with hearts made of ash.  Meditate on the self and what your purpose might me.
  • Anytime you feel the need to revisit self-love, use the ashes and light the candle again.

PURPLE CANDLE:  Accessing Gifts and Talents

You will need:

  • One Purple Candle

Spellwork:

  • On the night of the New Moon, sit in a quiet, dark room.  Light your candle and concentrate on expelling all the static energy from your mind.  
  • Focus on your the gifts you would like to explore.  An example?  If you are drawn to Tarot, have your deck nearby and envision yourself shuffling the cards.
  • Repeat the following chant 13 times:

My mind is clear, my heart is too
Reveal my gifts, deep and true

  • Open your eyes and stare into the flame.  Let the fire of inspiration illuminate the talent you want to access.
  • Invoke the gift by whispering:

On this night, and all nights to come,
I will open myself to this ancient power
and allow discovery of my true potential.

  • Blow out the candle and keep by your bedside.  When you practice a gift or talent, light it until there is no more wax.

ORANGE CANDLE:  Calling Your Inner Child

You will need:

  • One Orange Candle
  • Divinatory Tool (Suggest: Tarot or Oracle cards)

Spellwork:

  • Light the orange candle and begin shuffling your cards.
  • When you feel that you have shuffled enough, hold the cards in your hand and focus on the flames.
  • Say the following spell:

Bring future to past
with this candle’s light
and provide for me
childish insight.
One card to tell me of my woes,
another about the child within,
a third cast to bring us together
so that we may begin again.

  • Draw three cards.  The first will represent your position right now (who you are and what you have been going through); the second will represent your inner child and what insights they can provide through their innocence.  The third and final card will show you what will happen if you allow the present you and your inner child join together.
  • Light the candle whenever you need guidance from your inner child again.

LIGHT BLUE CANDLE:  Fortune and Glory

You will need:

  • One Light Blue Candle
  • Money (coins or paper money)
  • An Award or piece of Recognition (trophy, certificate, etc.)

Spellwork:

  • Anytime on a Sunday (the day where workings for wealth, achievement, goals, and promotions correspond), place your candle between your representations of fortune and glory.
  • Put one hand on each item, and say:

I humbly ask for the Universe and all the powers within it to look upon these representations of fortune and glory.  I light this candle to honor you and ask for the following blessings…

  • Light your candle and return your hands to rest on your items.  Recite:  

By the light of this flame,
sweet fortune I do claim.  
Wealth and wisdom I do gain.
By warmth of this flame,
glory granted to my name.
Recognition I do gain.

  • Allow the candle to burn until there is no more wax.  Collect what is left, store in a jar, and keep in a place you conduct business.

YELLOW CANDLE:  Invoking the Spirit of Air

You will need:

  • One Yellow Candle

Spellwork:

  • At 3 PM, go outside and bathe in the light of the middle of the day.  Light your candle and place it in front of you.
  • Fisting your hands, place them on either side of the candle and say the following incantation:

Here and now, I call the element of Air.  Summer breeze and roaring wind, echoing melody and lifting wings, ever-dancing.  I call you forth to infuse my intention with your swirling fits of both song and silence.  Carry my will on your back and raise my purpose into your sky.  Breath and cloud, sound and song.  Air, I call you to me.

  • Open your fists and allow for the spirit of Air to translate through your palms and into your center.
  • Let the candle burn for five minutes and then blow it out, keeping it when you need it again.

GREEN CANDLE:  Invoking the Spirit of Earth

You will need:

  • One Green Candle

Spellwork:

  • At night, go outside and bathe in the light of the moon.  Light your candle and place it in front of you.
  • Fisting your hands, place them on either side of the candle and say the following incantation:

Here and now, I call the element of Earth.  Soil of fertility and growth, fecund source of stability, stillness and health.  I call you forth to filter away all that is impure, and to stand rooted in this world.  Mountain and dust, footstep and stone.  Earth, I call you to me.

  • Open your fists and allow for the spirit of Earth to translate through your palms and into your center.
  • Let the candle burn for five minutes and then blow it out, keeping it when you need it again.

DARK BLUE CANDLE:  Invoking the Spirit of Water

You will need:

  • One Blue Candle

Spellwork:

  • At twilight, go outside and bathe in the light of the fading sun.  Light your candle and place it in front of you.
  • Fisting your hands, place them on either side of the candle and say the following incantation:

Here and now, I call the element of Water.  Tranquil and powerful, rippling and deep, abundant resource of life.  I call you here to infuse my intention.  Wash my will in your flow, carry my purpose on your current.  Dewdrop and lake, clarity and storm.  Water, I call you to me.

  • Open your fists and allow for the spirit of Water to translate through your palms and into your center.
  • Let the candle burn for five minutes and then blow it out, keeping it when you need it again.

RED CANDLE:  Invoking the Spirit of Fire

You will need:

  • One Red Candle

Spellwork:

  • At sunrise, go outside and bathe in the light of the new dawn.  Light your candle and place it in front of you.
  • Fisting your hands, place them on either side of the candle and say the following incantation:

Here and now, I call the element of Fire.  Heat and flame, passion and love, anger and wildfire.  I call you forth to burn away all that impedes my highest vision and to enact change in the world.  Lightning and hearth, heart and forge.  Fire, I call you to me.

  • Open your fists and allow for the spirit of fire to translate through your palms and into your center.
  • Let the candle burn for five minutes and then blow it out, keeping it when you need it again.
i fully blame the 1975 for the stress that comes with being {unreasonably} dedicated to wearing only black clothes but also being obsessed with white & pale pink