but it makes more sense in this context

anonymous asked:

I like JLY about 10x better after that lyric video. I think it helps me understand what he was trying to get across so much more, and I think it fits with his writing style - he’s not going to presume to speak for anybody else’s personal experience, he will talk specifically about his own, but at the same time he shows an understanding of how that fits in in the greater context of other peoples’ suffering/struggle. Does that make sense? I’m having a hard time expressing my meaning

It does make sense! I had a hard time connecting to JLY because it seemed very self-reflective, especially in the chorus. I’m not sure that it’s the kind of approach to a song that I gravitate toward. But contextualizing this statement about himself within the imagery and references in the lyric video broadens the context in a way that’s more sympathetic to others, more so than the lyrics did on their own.

I’ve been thinking about sympathy/empathy/compassion in lyricism a lot this week, THANK YOU LOUIS. 

anonymous asked:

Have you ever heard about the theory that instead of Etemon, it was Nanomon/Datamon who was in cohorts with Apocalymon (due to the latter using Nano Bomb instead of Dark Spirits/Love Serenade), but the monkey simply arrived and took over the Server Continent? What do you think of it?

I haven’t actually heard of that theory, but it could make a bit more sense in the context of Adventure- Etemon working for the Dark Masters works just fine in the novels, but Etemon going rambo and taking over everything that “belonged” to Nanomon does fit into the TV show’s narrative better.

Beyond the visual and thematic similarities, Etemon does stick out from all the other villians having very little to do with the rest aside from getting mentioned by PicoDevimon. Sure there was that one time one of his Gazimon asked if Etemon was going to “call them” for back-up (to which he said no, claiming to be able to deal with the Chosen on his own), and while that does resemble Devimon’s “there are far more stronger Digimon beyond the sea” foreshadowing and Vamdemon’s “our powers of darkness” comment, it does very little to actually connect him to the other villians.

Sure, PicoDevimon “thanking” Takeru for taking out Etemon probably wasn’t genuine, but I highly doubt Vamdemon and his troops actually gave a crap about their obnoxious neighbor Etemon. And Metal Etemon clearly did not give a rat’s ass about Pinocchimon either. Of course becoming an Ultimate got into his head and getting revenge on the Chosen was a priority to him, but you’d still probably skip farting on your boss’ face

But if Etemon never truly worked for the Dark Masters, only recieving like a message telling him that he can have Nanomon’s tech etc if he’ll just kill the Chosen, it’d fit into the show’s narrative pretty well.

It’d also explain how Nanomon had gotten access to the Crest of Love too- like if Nanomon’s original tasks had been 1) spread the Dark Network 2) deal with the Chosen if they come into his territory and 3) experiment with the Crests and see if he can break them basically, making it so that the Chosen wouldn’t be able to use them*, it’d make sense if Piemon had given him one of the Crests to mess around with. Vamdemon got to keep the Crest of Light, so why not?

Not just that, but Nanomon’s plan on getting revenge on Etemon gains another meaning to it. I’ve mentioned before how figuring out which army Etemon should belong into is kinda hard because he doesn’t really fit any of them, but Nanomon would totally belong into Mugendramon’s Metal Empire. And we know that Mugendramon sees his pawns as disposeable- if Nanomon got defeated by some singing monkey, it means Nanomon wasn’t good enough for Mugendramon’s army to begin with, so the singing monkey can take his place. So Nanomon’s plan to get revenge isn’t just about getting revenge, but also about regaining his place in the villian foodchain and his role in Mugendramon’s army.

It’s a facinating thought for sure, it fits really well into the show, and even the novels to a degree.

*I mean the villians didn’t really know the Crests were just placebo light-up toys, if they had known Piemon wouldn’t have wasted his time stealing them and having Devimon hide them

anonymous asked:

I mean no offense, but could you please not use woc when talking about Tiana/Mekia. She's black. Don't be afraid to call her black. Her race is important to her and to other black girls and women out there. You have no problem calling lana latina, so could you please do the same for Tiana/Mekia?

Perhaps you could consider I use the words I chose in particular context.  When I’m talking about people photoshopping Emma/JMo over “woc” I’m talking about more than just Mekia/Tiana.  I’m also talking about Anwar, Lana, and Dania.

I routinely describe Lana as woc too.  When the word use makes sense in the context in which I am speaking.

Vocabulary is varied and has many uses.  The use of one word doesn’t negate the other.

so on the subject of stolen property, i’ve seen various arguments on this point but it is in fact true that inheriting something from a relative, when you know full well that it was stolen, does not make it yours.

this clearly goes doubly so for powerful magical artifacts, and especially for artifacts which are strongly implied to contain part of their creator’s soul!

you can talk about consequences - maybe the artifact in question has benefits for you, maybe you’re not convinced its rightful owners would use it responsibly - but talking about the consequences doesn’t erase the fact that whatever benefits you think you’re getting are achieved through wrongful means.

which is why i, too, think Frodo should have given the One Ring back to Sauron. thief.

Either explain it or don’t.

When authors include things that don’t fit within the real world–magic, time travel, anachronisms–there is an impulse to explain how it works. Which can be fantastic for worldbuilding, but if you don’t know what you’re talking about, it can make more problems than it solves.

Stephenie Meyer tried to explain some bizarre thing about chromosomes, and it made the biology of vampires and werewolves make no sense. Suspending disbelief worked better in that case before she tried to ground it in the real world.

Lemony Snicket, on the other hand, just has random anachronisms that are never explained, but because there’s nothing even close to resembling an attempt at an explanation, we can just shrug and go, okay, that’s how it works. The magic in Harry Potter seems to basically not be grounded in anything, but we can believe it within the context of the story because she doesn’t try to ground it in anything.

In Jim Butcher’s Codex Alera, on the other hand, he goes into a lot of magic theory, and it gives us a strong feeling of worldbuilding. There’s enough logically coherent explanation for it to feel grounded within itself.

It is possible to go too far (see: Orson Scott Card’s Xenocide and Children of the Mind) where the plot ends up so tied in the reader understanding intricately detailed scientific and pseudo-scientific minutiae that the story is incomprehensible without it.

Generally, though, if you’re going to make something up, either say it exists and leave it at that, or entirely figure out how it works. Halfway is always less believable than nothing at all.

Okay listen up losers I'm about to prove a fucking point.

So my presentation will be about proving season 3 Shiro is a clone and why DreamWorks made it too easy. I rewatched a crapton on episodes to make this, I need to sleep. 

If you guys didn’t notice the first thing Clone Shiro, umm wait imma call him Kuro Kuro looks at is his hand and a Galra symbol.

And that in and of itself is a big clue because there’s already a lot of meaning behind that since season 2. In which, Hunk and that team discussed how the arm can be used against them.

Memory is key! How could Galra have Shiro’s memories? The arm! Like Hunk said, if it could create memories than it’s pretty safe to say it can record them too.

Linking that with the shot of the Galra emblem is a huge deal in symbolism. Trust me I’m an English major, I deal with this shit all the time.

(I’m writing this on my laptop and phone at the same time, godspeed)


Speaking of symbolism, Ulaz made an appearance when Kuro was dazed



(Is that even Ulaz? I can’t tell I’m bad with faces)

This does two things. Reaffirm Kuro’s undying trust with his arm, and make a connection with Galra as a comrade. Lemme explain;

During Shiro’s ‘I can suddenly remember shit’ scene in season 2? He die-hard believes the memories are his and not a [insert dream here] from Galra, by showing him Ulaz they are trying to recreate that same feeling.

By showing him a Galra (regardless of being evil or not) you’re connecting the dots with trust.

That could be a good reason why the Galra decided to give Shiro a weaponized arm in the first place. Why would they power him up for shits and giggles? Haggard herself even said this:

(Bitch, no thanks.) They wouldn’t have given him a cool fighting arm just so he could be cooler in the arena. That’s fucking idiotic to arm a prisoner. (sorry)

This wouldn’t even be the first time Haggard had some evil version of Shiro

Remember this scene from season 1? Cuz I sure fucking do.

Speaking of that arm, why would they take it in the first place? Listen, it’s already pretty fishy they gave him a super arm but why would they take it at all? Dare I say, D N A ?

This leads me back to this scene here:

Why would Kuro hurt himself? A French term can explain this, ‘L’appel du vide’ translation: The call of the void. Basically, your brain is telling you to self-destruct in order to take control of a situation.  Now we already discussed how the Galra controls his brain sort of so that’s that.

Now I know what you’re saying: Oh! But that’s so he could close the wound!!

Listen, man, I did training with an Army doctor on quick fixes for medical emergencies. Now I’m not saying I’m an expert cuz I’m not, but if Kuro did that do it to heal himself up it wasn’t done correctly. Or at least done accurately…. Especially with an unknown power. This might be wrong, it was a brief training,  so don’t take this part too seriously.

Adding to this point:

If you’ve ever seen anyone wake up from a long coma, and I mean  l o n g  coma, they don’t have full feeling in their muscles and tend to fall because they do not have full control of their limbs. I’m assuming by the hair this hasn’t been up and about for enough time to get that effect.

Speaking of hair, yes guys, Kuro’s hair is WAY too long to be Shiro.

(Lmao, Shiro/Kuro w/ long hair; hit or miss??)


Kuro’s hair shows that he hasn’t cut it in at least 1 ½ years. There might not be much context of how long he was missing but I’m sure as hell it’s couldn’t be more than a few months since Keith was searching through the Glara rubble.

<Man, all these analytical essays are finally paying off>

This scene here:

Is a big clue. For real why would the Black Lion do that? Send him into more danger? That’s not right.

Well, guess what, she didn’t.

Remeber this gem? I sure fucking do.

She sent him with someone he trusts, Matt. This really makes sense cuz mATT JUST HASN’T SHOWED UP BUT IS OBVIOUSLY REALLY IMPORTANT *cough* sorry, I don’t know what came over me….

Not only does Shiro trust him but so does Pidge, and I know those two never really had a connection but they kinda all share a state of thought while forming Voltron…

So the Black Lion theoretically has seen Pidge’s thoughts and stuff. Theoretically Black has two reasons why to trust Matt.

The Black Lion has so many reasons to send Shiro to Matt and not some Galra base.

This can also help understand why the Black Lion didn’t trust Kuro.

From what I’ve seen (or remember seeing at 4 AM, I haven’t slept in 45ish hours guys, help) all of you guys think that Black knows that’s not Shiro from the Connection they have but that might not be it!

Kuro thinks he’s Shiro, he has the same memories, the same body, the same scar on the face! So the Connection can still be there, what he doesn’t have is Matt with him.

Which wouldn’t make sense because Black sent him there, so it’s ridiculous cuz “hey I sent you to be with your buddy? Why didn’t you bring him along to see his sister who has been searching for him like crazy???”

That could be why the Black Lion found Kuro and trusted that was the OG but then changed its mind and was like ‘no thanks’ when she saw Matt wasnt with him.

I mean look how….happy?? She looks when they find him!

Why would that change after the fact? The Connection had to be there in order to sense him in the first place. It just makes sense.

Also look at the symbolism here again:


Kuro is in a Galra ship, it’s so subtle you might not even catch it (unless you’re used to over analyzing everything in order to fit 3 more pages into a term paper like me)

Instead of animating Kuro getting physically off the fighter they show them apart, separated from Black. They show him in enemy weaponry.  

As an enemy kinda…


(I’m getting too into this…)


This is Kuro while he’s being cloned

This is Kuro after he’s ‘escaping’

Sounds like the plan was a success, but all that happened was Kuro getting away? I don’t know about you but prisoners stay locked up, unless they aren’t.

They even say Kuro’s is approved for Operation Kuron!


Also from that scene:

Kuro was given that codename ‘Subject Y0XT39′

But Shiro already had a codename, and it wasnt that.

Its ‘Prisoner 117-9875′

Subject and Prisoner are two different things and two different codes.


Kuron is already a huge fucking clue. I donno know if you seen this yet but,

Shiro’s name is literally White and the opposite is Black or Kuro which sounds a lot like Kuron


If you think that’s just a coincidence then try this:

Just try telling me this isn’t legit?


To add just a bit more, Kuro and Keith clashed a lot while both trying to lead Voltron.

He also made it so Keith looked like a weak leader, which he was not once he got more use to the role.


Appearance wise, Kuro is different from Shiro in a low key way. First off both haircuts he has where different from Shiro’s. They’re all horrible but that’s a different story.

His cloths is different too, it shows more skin. The sleeve shows his arm and he took off his glove. Symbolically this means he trying to be more open, more free, more approachable.

This would make it easier to give the wrong feeling of trust to the team, which is the plan Kuro was given


*searching through my notes* okay did I miss anything…? Ah Yes!!


When Shiro first meets those two freedom fighters the transmission radio picks of two things; something less important about Lotor and Voltron.

Which one was ignored and which one was heard?

Yes guys, Kuro didn’t even pay attention to Lotor cuz that’s not what he was told to do. He was told to find out about Voltron which, he did.

Also with those freedom fighters, we learn this:


It wouldn’t have been easy to escape injured and tired. When he escaped the first time it was with the help of Ulaz. They didn’t even try keeping him there, he wasn’t restrained and didn’t have any guards. The only thing trying to stop him were those androids they know Kuro/Shiro could easily defeat.

And last thing.


And I think this is the most important thing.







He didn’t finish that sentence.


He didn’t say he wasn’t a traitor.


He didn’t have too.



This concludes my presentation on ‘Proving That’s not Shiro but Kuro the Clone’

Thank you for your time.

For my next presentation, I will talk about why we should save Kuro and love him indefinitely

youtube

It’s been 10 years since we first started taking the Hobbits to Isengard. I mean, it’s been way longer - the Hobbits could have fucking walked there, back again, managed to get served several times at the downstairs bar in Doggett’s and got a Southeastern train service all the way to Charing Cross since Tolkien put pen to page. But (and believe me, this is deeply unusual for me) let’s put J R R aside in this.

Peter Jackson’s Lord of the Rings trilogy is kind of… well, both too faithful (total lack of critical interrogation of Tolkien’s absolutely awful concepts around race, gender, etc.) and not faithful enough in that it appeared to miss all the points your correspondent’s teenage self managed to find in the series. Specifically, where Lord of the Rings is an obsessively detailed but ultimately quite modest and traumatised epic, a huge amount of which is two small, starving creatures crawling around in mud having moral dilemmas. The Jackson films take themselves as seriously and grandly as the books came to be and as I suspect their author probably never did.

Taking the Hobbits to Isengard, on the other hand, is a pure and perfect work and I will hear no ill spoken of it else ye never receive a pint in a round bought by me again. 

It takes as its base the Hovis-theme-ripping-off music from The Shire - the small-worlded part of the films, before any grandeur is truly injected into the bloated beastie that is the trilogy. The Hobbiton theme is supposed to be homely, reassuring, quaint - like anything that succeeds at that, it sounds fucking amazing played on an airhorn.

The simplicity of the Shire’s theme is what allows it to so naturally accept the kitchen-sink style auditory ornamentation that is ‘a donk’. A classic staple of rave, it needs no introduction even in a world as apparently dislocated from two WKDs and a honk on some poppers as the miruvor-quaffing pipeweed fiends we see here.

As a lyrical piece, Taking The Hobbits is discursive - like many of the very best pieces of pop. One only has to consider the sweet, sweet tension of Fleetwood Mac’s The Chain or Brandy and Monica’s iconic The Boy Is Mine to recognise that dialogous pop is, when it works, a particularly sublime genre.

It doesn’t matter that the lines are, ostensibly, orphaned from their original place in the script - from the eponymous ejaculation to Gollum’s hissed What did u say??? they’re all perfectly addressing each other in the sort of gloriously confused cacophony usually reserved for a misunderstanding-based brawl outside a kebab shop at 3am. 

I remember the first time I heard Taking The Hobbits To Isengard. It was quite a momentous occasion because I still had dial up, so it took roughly the length of a decent pop song to load and it was very difficult to tell if it was deliberate or a bandwidth-related glitch remix for at least 30 torturously disrupted seconds. I’d imagined it would be a fairly quick joke - most internet video based things were, at the time, but no; a fully fledged song. That just kept going. 

The initial air horns! These are funny, yes because we remember them as the Shire theme, which isn’t even the music for this bit. The stuttering sample of the original line! Which sustains itself as Sheffield Dave-style shout out far better than it should, given it’s old seriousface Elf ears himself yelling off a horse. 

(In retrospect, should have equated that with Sheffield Dave earlier)

Then there’s …polka bit. Few pop songs manage to maintain a polka interlude - Bohemian Rhapsody springs to mind but Taking the Hobbits To Isengard manages to repeatedly insert it without losing coherency around its original rave premise. If you don’t think ‘Tell me where is Gandalf, for I much desire to speak with him’ delivered over a little eurodance handbag bit is not both extremely funny and excellent pop, I can’t help you. 

Taking The Hobbits To Isengard would score reasonably at Eurovision. Not because Eurovision is actually the home of comedy trash but because if France (and it would probably have to be France in order for the Elven analogues to take themselves seriously enough) scooted in on an artpop platform and wanged loads of fucking airhorns round the stadium it would be entirely in keeping with European sensibilities of solemnly considering the totally whimsical due to our inherent reservedness about experiencing joy.

(The slightly older and wiser part of me has to question the repeated use of Gollum’s ‘stupid, fat, Hobbits’ which makes sense in the context of what he is but isn’t inherently funny, unlike a context-dislocated, bass-intoned ‘A Balrog of Morgoth’)

The great thing about Taking The Hobbits To Isengard is it actually gets funnier the more it goes on. Like Star Trekkin it not only sets out to commit to a fairly one-note premise but to hammer that note until it falls out through the piano and becomes a transcendent free agent, cascading through the strings. 

It takes a premise; that the Lord of the Rings films, in their overblown format, are very, very silly and runs with it extremely, deadly seriously. This is the core of not all but a fairly substantial chunk of really good pop, as well as an excellent manual for life. All things are here - a manic sense of imminent implosion, troubling past associated with racist ideologies, handcarts, hell, what did u say???

Very seriously; Taking The Hobbits To Isengard is a superb piece of fan work and it has substantially enriched my life to listen to it on loop for the past 45 minutes whilst watching a parliamentary debate on mute. Creators of this piece: thank.

anonymous asked:

I really fucking love sheith, but I have this nagging feeling that Shiro doesn't love Keith as much as Keith loves him, or at least won't go as far as Keith would to get him back. Thoughts?

oh man, i’m really glad someone asked this. i think the way shiro acts toward/around keith is one of the most well produced parts of vld. they do such an incredible job with shiro’s character in general, but so much of his character depth is centered on keith. no matter how you interpret their relationship, the fact that they love each other is never in question, and it’s done so well:

that’s shiro’s keith… face and it shows up literally dozens of times. keith is so forward about showing how much he cares, but with shiro we get these really deliberate and subtle animation and acting cues:

that smile, ouch. and then the way his eyes linger on keith for a moment, even after pidge shows up? that’s not an accident. josh keaton also does an incredible job with these moments: (much… much more under the cut.)

Keep reading

wait so from translations I’ve seen, it looks like Harry’s politics comment was invoked by a question about Brexit, which means his answer makes a lot more sense… like his response to the Brexit comment was basically “I don’t comment on politics but I think things that keep people together are better than things that pull people apart.” Like…. that’s pretty darn close to a comment on his views on Brexit.. 

Retrograde Planet Guide

Retrograde planets are planets that appear to physically move backward in the sky at the time of birth in a natal horoscope.  It is only illusion as the planets only appear to move backwards in the sky from a point seen on earth.  They do not physically move it is only optical illusion.  During the Retrograde the planets are as close to the Earth as they ever are during their orbit.

Planets in retrograde motion symbolize karma.  Retrograde symbolizes an internalization of the planet’s energy, thus making us consider their energies more.  The planets energy becomes a part of our consciousness through Retrograde in a birth-chart.  For this reason planets in retrograde effect people at a great level.  

Mercury is already apart of our conscious and it’s nature is internalized by nature.  As Mercury rules the lower mind and communication it is a part of a persons conscious nature.  Retrograde still effects it, but not as deeply as the other celestial bodies. It is a different story from the other planets as there effects are greater.

The deeper influence of Retrograde planets are felt from Venus, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto.  Why is this you may wonder.  The simple answer is because all of these planets are planets that don’t represent an integration into our conscious thinking naturally.  

Sun, Moon and Mercury together are all naturally part of a persons singular consciousness in this lifetime. Mercury and Moon represent thinking of the lower and higher mind, and the sun is the other part of a persons conscious. Only Mercury can be retrograde in the normal consciousness because Sun and Moon cannot be retrograde in a birth chart.

Below is the list of planets and each of there Retrograde symbolic meaning.

Now what the planetary retrograde means by planet.



Thinking may have a non-linear and differing quality then other peoples.  The thinking can be more insightful.  The mind goes over experiences more. Learning is different and information is processed through subconscious thinking patterns as opposed to conscious thinking patterns.  

Doubts may center around learning, and this person can struggle with communicating their thoughts.  This can be from a reduced sense of confidence in the validity of their ideas.  Communicative reactive skills may be slower, as the mind needs to process incoming information different then others.  Sometimes the mind works so differently people may believe this person possesses a learning or speech disorder due to their offbeat mind and communication style.

Due to abstract thinking partners these individuals have a tendency to be their own best teachers. They ask lots of questions and have trouble accepting things at face value.  Mercury retrograde learns at a different pace then others due to their different thinking process.  Mercury here works best expressing itself through the hands by doing music, drawing, or painting instead of verbal communication.  

Mercury Retrograde karma centers around a past life where the person could of relied to much on others for teaching.   They may not of asked enough questions to enhance their learning.  They may of communicated things out of context and now are to learn to “think twice.” about what they communicate.



Venus in retrograde people may appear deeper then the standard Venus sign. They may be more introverted then then a normal Venus can be.  Socializing isn’t superficial and relationships are very important and taken very serious.   They don’t make social contacts just to be social, their relationships have purpose.

These individuals may have troubles communicating love or being affectionate in expression. Can ask a lot of questions around love.  May wonder a lot about commitment and loyalty.  Struggles can center around a reduced sense of self worth believing they are good enough in love.  Can come from thinking themselves into despair regarding being worth love.  Self esteem of the person suffers in many cases.

Life may be seen and measured in terms of value of love.   They may be wrapped up so much in the fear around losing love they don’t put themselves out there.  Forming the bond of a relationship can be problematic due to their self sabotage tendencies within thinking.  Opening themselves up to believing relationships are good for them despite their fears can be troublesome especially in early years.

Overindulgence in eating (food is a luxury seen from Taurus after all) can be a problem with Venus retrograde.  They may emotionally eat to make up for the lack of human companionship due to holding themselves back.  Loneliness may be a problem due to their troubles communicating their desire or affections for another.

The Karma of Venus in retrograde centers around past lifetimes where relationships and love may of been misunderstood, neglected, or troublesome. The current lifetime tends to carry on pain from the previous life love endeavors.



Mars likes to fight by nature but internalized retrograde Mars needs to sort out whats its fighting for.  Needs to seek and internal purpose that they think is worthwhile.  More times then not they relive actions they have lived in their lifetime in their head.  This person can work hard and more efficiently when given a second chance at retribution for their mistakes.  This individual can be one that works so hard at retribution they forgo taking care of their vital needs.

Not accomplishing goals can cause over-reactions as a result of the the internalization of their shortcomings.  Sexual side can be more internalized and their lovers may feel they are selfish.  

Karma for Mars retrograde can center around reliving actions already lived in prior lives.  There may of be a desire to attach to people that represent something from a previous life.  This may also mean recreating situations by living somewhere or doing tasks again in this life that can from a previous one.

There can be a perpetual feeling of living past lives, and coming back to accomplish missed deeds in a prior form. Shortcomings and failures may subconsciously be relived with a desire to to relive the past life in this lifetime.



Since retrogrades rule internalization, Jupiter retrograde symbolizes internal expansion of the person.  Morality, ethics, and philosophies come from their own internal thinking.  Others may think their belief systems, morals and philosophies are not of the norm.  They may struggle with higher education and be prone to being self educated more.

This retrograde offers an avenue for a higher spiritual nature in life.  They may be inclined to compile their own idea of religions.  This can be done by picking over infusing pieces from their own morality and other religions they are inspired by into a pseudo-religion that makes sense more to them.  Luck may not come so easy to them, so they think more about what they can do in the moment to make good things come to them.  

The karma of Jupiter Retrograde may come from blindly following other philosophies, religions and morals in a previous life without consider your their own personal values with them.  They may of also taken on education others recommended for them, failing to follow their own interests in a prior life.



Fear and self doubt can rule their life.  These people can possess a conservative approach in life.   They fear losing and fear rejection; causing them to not want to take chances.  They can feel stuck between a rock and a hard place.  Limitations are brought on by their own doing.

Saturn in Retrograde can produce a person who fears letting people down. The odd twist of fate is that they really let themselves down.  Following strict guidelines can be very different for Retrograde Saturn.  These people may feel nervous about fulfilling expectations others have of them.

Karma says that Saturn retrograde indicates that there was trouble fulfilling oneself in a previous lifetime, and it is to be relived in the current one.  Some with Saturn in Retrograde feel like they have more weight upon their shoulders then others.  Besides the fear of not pleasing others, they may subconsciously feel failing in this lifetime from the souls remembrance of failure in a prior life. Failure in this lifetime is a state of mind they create for themselves by their own negative self image carried over from a prior life or soul experience.

The current lifetime can be about using the wisdom of hardship to their advantage.  To realize that there is rewards for struggle, and retribution comes in the form of personal sacrifice.  Reputation and acknowledgment can come only when Saturn in Retrograde realizes the only person holding themselves back really is themselves.  Karma can be worked through but it’s up to them.



Internally their can be a great unrest centered around familiarity.  Instead of showcasing their originality to the world as an Aquarius would they can feel inclined to internalize what makes them original and unique.  Outside to the world they may seem like conformists, but consciously in there head it’s another story. This can stem from a childhood that may be symbolized a lack of self expression and individuality allowed.  

Internalizing originality gives a belief that others cannot take freedom from them.  A great struggle can exist in contradiction.  A feeling where this person may have to do one thing to conform, but really there is desire to be their original selves.  Embracing being a free spirit is something inside themselves they have aspirations, hopes and wishes for.  Yet the Retrograde gives them struggles in bringing it out.

People with Uranus retrograde may struggle and feel lonely because of this position.  Due to struggles expressing their individuality there can exist troubles being apart of social groups.  Struggles with assimilating with network groups, or gaining a following on networks due to internalizing their individuality that makes them unique and different is most likely.  

The Karma of Uranus retrograde can center around previous lifetimes where they expressed to much rebellious or individual behavior and didn’t consider their impact.



Neptune in retrograde can create a more hazy, confused and distorted perception.  Common sense may be a struggle as the physical world does not come easy to them.  Internally they challenge the idea of their compassionate nature.  While they may be more consciously aware of the spiritual side of life they be more apt to keep private.  

Since Neptune is water and contains psychic ability, Retrograde here may indicate a more psychic nature in the person.  This is because retrograde forces the outer planets energy to be absorbed into the conscious more.  This makes a person recognize Neptune’s intuitive and psychic ability and be more apt and develop it.  They are more likely to put it to use. The dreamy side of Neptune can be internalized as well, leading them to keep their dreams to themselves.

Karma dictates then in this life Neptune is retrograde to give the person a sense of the purpose of dreams.  Not just to act on dreams, but consider their validity in the real world.   The dream world and physical world can feel separate to them, making them feel they exist on two different levels.  Karma also shows here that person may of had psychic ability but failed to develop it in a prior lifetime.



Retrograde Pluto can make Pluto’s energy more consciously a part of the internal world of the person.  There can be inner intensity in their consciousness, along with thoughts that they either love something or hate it. Internally there thoughts may be very extreme in nature.  Yet to the outside world they keep them hidden.  

There can exist deep intuitive and psychic powers here since they are seen from Pluto.  They can be more a part of the persons living consciousness and not even realize their abilities are of a psychic nature.  Internally they may suffer with fears.  They can fear being controlled and manipulated.  

This individual can struggle showing their power in the real world.  This leads them to having the door open to being manipulated by others. They internalize the desire to have control of others and consider it’s value.  Yet coming out with it in the real world is reconsidered as the use of their power is now conscious a part of themselves.  They consider the effects of their actions more internally. These individuals may stop to consider how their actions help anyone.

Pluto in retrogrades karma centers around transformation.  In previous lifetimes the person may of had much power but failed to utilize it to transform others in a positive way.  Now they have a second chance in this incarnation to help stress the positive side of Pluto energy.  This is to use it to heal humanity instead of destroy or hurt others.

anonymous asked:

What if humanity is the only one ridiculous enough for homophones in their languages. they're so impractical and confusing why this

(This short is brought to you by the wonderful and amazing @pomrania who’s graciously offered to help me answer the backlog of asks. Please have a look at her blob! You won’t regret it)

“English is a confusing language!”
“Truth.”
“Why did people from England, of all the places on your planet, decide that two words should sound the same but mean completely different things?!”
“Um. Well. You see, it’s not just that one language….”
“What.”
“There’s only so many sounds that we can make, after all. Of course some words are going to end up sounding the same.”
“There is no ‘of course’ about it! And I’ve seen tables of speech sounds across various human languages, you have enough different ones to avoid any confusion!”
“So your languages don’t have any words that sound the same?”
“If they do, it’s because they mean the same thing, just in different contexts! None of this… ‘BARK’ nonsense!”
“Hey, 'bark’ makes perfect sense. You’re never going to run into a situation where you won’t know which is meant.”
“But it… why… it shouldn’t even be like that in the first place! And you said MORE languages have that as well?!”
“I can’t speak for all of them, I only know a bit of Spanish, but, yeah. Seems to be in every human language, from what I’ve heard.”
“WHY?!”
“Why not? And I guess it means that puns are a lot easier.”
*alien headdesks*

Theories (Peter Quill)

Pairing: Peter Quill x OC

Warnings: None…tiny, tiny spoiler for Vol. 2

A/N: This might be complete crap, but I desperately needed to write some Quill. I hammered this out earlier this morning and just did a quick edit, no rewriting. But hopefully it’s post worthy! I think a second part is in order? xD

PART TWO HERE


Originally posted by despairingfever

The sound of bickering voices drifted back from the cockpit, making me roll my eyes. I lowered the manuscript I was flipping through.

“Will you two morons cut it out already?” I hollered. I waited a beat, but the arguing went on. Probably hadn’t even heard me. Anyways, it wasn’t my job to break up the idiotic pissing contest that went on between Rocket and anyone he met. Or at the moment, Drax.

Keep reading

y'know what i was thinking, that the “leave the math to pidge” line makes a lot sense in the context of the episode bc few scenes before that pidge was talking all sciency and we see that keith immediately turned to lance for an explanation about what she had just said (and we know lance explains inside jokes and stuff like that to keith before he even asks now) but he was clueless as keith was. it almost felt like keith was saying “you and i both saw we’re not that good at math before, leave that to pidge and don’t worry”
which makes it even more friendly teasing than it was before to me

anonymous asked:

What changes happened during ep 28? I binged read the manga so ..

Anonymous said: I would be so grateful if you tell which chapter is the episode 28? 

@lumicuous said: I fully agree and I hope so much they’ll animate it the way it is in the manga! Though, I have a question… what changes in Episode 28 do you mean?


I’m putting all of these together again since they are about the same thing ^^.

Like I said in my other post, I didn’t like those changes. The one who got it worse was Mikasa, but the changes weren’t really good for Eren and Levi either, in my opinion.

But well, to make some sense of what I’m saying I need to explain myself a bit more, so let’s start from the beginning!


The scene I’m talking about is from Chapter 37 of the manga, and was animated on episode 28 with some changes. 

During this scene, Levi talks to Eren, Armin, and Mikasa and gives them instructions about what to do next, since they’re going to go separate ways. This scene occurs during the cart ride.

Levi first tells Eren he has to succeed no matter what. And just after that he addresses Armin and Mikasa. We got the first part in the anime quite well, so I can’t complain about that.

But in the anime, they moved the other part of the conversation to a scene later on. Levi then talks to Armin in a similar way as in the manga, but when he talks to Mikasa, is when the issues start. This is what originally Levi said to Mikasa:

This dialogue did happen in the anime scene more or less accurately. But in the manga, he continued and told her this:

This part was changed in the anime, and Levi told this to Eren instead. 

“And finally… Eren.
Learn how to restrain yourself.
Don’t succumb to rage and lose sight of the goal.
We can’t afford another mistake”.

“Yes, sir!”

This… changes a lot of things.

The reason Levi said this to Mikasa in the first place is because how she acted in the encounter with the female titan in the forest. She tried to attack her even if Levi told her not to. For Levi, saving Eren was the priority. He let this very clear to Mikasa during that time, and he is doing it again now. Because of Mikasa’s actions, Levi got injured. What Levi meant with these words was that her attachment to Eren is precisely what can backfire for her and put him at risk. She has to make protecting Eren her priority no matter what, and for that she has to keep a clear head and avoid getting carried out by her rage.

Mikasa is not going to forget about this conversation, and this exchange is going to be very important to her development. Many people did not like this change, and have explained the reasons extensively since then, so I won’t go much into it, since I’m trying to focus on Eren and Levi here.

Because for me, this scene in the manga was also very important for Eren and Levi’s relationship because it showed how Levi always put Eren first, and how he made sure to let clear his safety was the most important thing, just before they separated. He wanted to make sure Eren was protected properly now that he couldn’t do it himself. It doesn’t matter if you see Levi’s intentions as caused by duty, or by personal feelings; it’s a fact that he puts Eren’s safety as the most important thing.

Also, the way Levi’s face changes in the anime when talking to Eren compared with Armin and Mikasa didn’t help either. He speaks to them very calmly, but when it’s time to talk to Eren, suddenly his face gets… (I’m not going to discuss the animation because, lol) I don’t know what’s that, but he’s not happy! Here’s a comparison:

Of course to anyone who enjoys Eren and Levi’s relationship, these changes will be already a sad thing on itself. But what it personally bothered me by this change, (and the whole reason of this post lol) was the fandom reaction, especially by people who haven’t read the manga and get their vision of Eren and Levi’s relationship from the anime only.

And the reason is simple: Why would Levi say this to Eren? The conclussion many people reached was that this was caused by Eren’s decision in the forest, and the death of Levi’s squad.

I completely disagree with this.

Levi gave Eren the choice to do what he thought was best. He has repeated again and again how no one can know the outcome of that choice. Levi would never blame Eren for the death of his squad this way, he would not refer to it as a mistake, or something that happened because of Eren’s rage. I repeat,

Levi would never blame Eren for the death of his squad!

Even more when this has been already discussed between them. Remember this scene from Chapter 32?

So why then, the anime makes Levi talk to Eren like that? The most likely reason and the theory I agree with the most, is that this is because the anime also changed the final battle with the female titan in Stohess, and made Eren lose control, go into berserker mode, etc. So then, it makes sense for Levi to say this to Eren in the anime. In the context on the anime alone, this change is justified, even if this never happened in the manga.

So in my opinion, if I’m going to judge the changes just by that, they really aren’t a big deal in regards of Eren and Levi. I understand that the anime has to make changes from the manga to be able to adapt it, and it’s not going to be an exact copy of it. But, like I said before, the way some part of the fandom reacted to this is what upset me and why I wished they had never made this change.

There are people who think Levi hates Eren because of the death of his squad. Who think of Eren as just a bundle of rage who can’t control himself, it’s always yelling/crying, etc. The anime exagerates this a lot in many occasions. Levi telling him this, with that expression, did not help at all on that regard. I saw comments saying how Eren “is always messing everything up” and “it’s obvious Levi is fed up with him”. And usually those comments are followed by some remark like “how can people still ship ereri omg”.

So yeah… this is why this change is annoying to me, haha.

In the original scene, when everyone is asking Eren if he’s going to be able to seal the hole, Levi realizes he is uncomfortable, pressured, and he speaks to reassure him, he gives him encouragement and motivation, and he does this calmly, without getting angry at him. He never blames him for any mistakes or talks about his rage. That’s how Levi and Eren’s relationship actually is for me, and I hope more people saw it that way, too.