but i'm sure about the answer

anonymous asked:

Do you know any nsfw dramas? Japanese and korean

Nsfw dramas? Well, I’m not sure. I Need Romance, Discovery of Love, Coffee Prince, Queen In Hyun’s Man, and Oh My Ghost have some good intense make out sessions if my memory serves me right. Also My Secret Romance and Tomorrow With You for the most recent ones. As for jdramas, I can’t come up with any, sorry. Probably Hapi Mari? Majo no Jouken (it’s about student-teacher forbidden love though so it might not be to your taste)?

iilesgemeauxii-deactivated20170  asked:

I really liked your awkward Hanzo comics~ Could you make one where McCree compliments his hair (particularly the white little hair-wings part thing) and the next day someone (Genji? Symm?) finds him with a little smile trying extra hard to make them perfect? (not in a snooty/prideful way. more of a "i hope they look good today maybe he'll talk to me again" way) I am not sure if I'm allowed to make requests/suggestions so i hope this does not come off as pushy~ '3' Welp, 25 letters left so this -

im super glad you liked it omg thank yOU!!! i am 1000% down for requests & suggestions hehe there u go!!!

anonymous asked:

Okay, serious talking now. What would be the worst point in each paladin to attack. We know about Lance's insecurities, but what else? What about the others? I want to read your opinion because you do awsome meta and character analysis.

???????? Wow, thank you ;A; And I’m not sure if I can answer this well for all paladins but I’ll try^^ [tl;dr at the end because this post has gotten really long]


Let’s start with Lance. Lance honestly has many points to attack, which is probably why this fandom is so focused on langst. It’s easy to create content for that because we have so much to work with:

1. his insecurities about his role on the team and in general

I already wrote a lot about it here (and also here a little), desperately trying to figure out how strong these insecurities are but there is no doubt that they exist^^ 

2. homesickness

Lance is homesick. Really homesick. He’s homesick to the point that he would leave a party to hang out alone and get lost in his memories:

He is also the one that references his life on Earth the most often. “I missed 14 days for a stomachache in 3rd grade that I never really had”, “That’s the tagline of 6 of my favorite movies” - those are little things, not very important in the overall picture but they prove that he thinks back to his past. 

3. fear of death/unnatural things that are dangerous

Lance isn’t afraid of aliens, that’s not what I mean with it - I’m talking about the episode Crystal Venom where the castle was trying to kill him. Here is an analysis on how deeply that episode really disturbed him. As for his fear of dying - he is the one that has been confronted with death the most of all the paladins (excluding Shiro - but Shiro has lost/repressed lots of his traumatic memories). Here’s proof:

S1E1. He thought Hunk had died in the explosion when they were trying to retrieve the yellow lion. S1E4. The explosion nearly killed him - “you would have died if Hunk and Coran hadn’t gotten a new crystal” (Pidge, S1E6). S1E9. He almost got sucked out of an airlock. S2E2. The snake monster thingy got free of the stone and Lance was in the direct line of fire.

He was the one screaming “we’re gonna die, we’re gonna die!!” in S2E5 when they had to hold the lenses for the wormhole maker. Lance is scared of death not despite but because he knows it the best of all of them. He almost died multiple times and he saw his friends almost dying multiple times (the Hunk thingy I included above, when he saved Coran from the explosion, when he thought he had to save Coran in “Crystal Venom”, when Pidge in the cube episode got shot down and didn’t reply to them). Look at his reaction vs the reaction of the other paladins when they thought Allura had died:

They are all shocked and disbelieving, meanwhile Lance:

He’s neither shocked nor disbelieving, he’s just hurt. One of his deepest fears became reality and there is nothing he could do about it.

Keep reading

  • Reporter: Connor-
  • Leon: *glaring* -is the greatest player in the world. He's the best captain ever and we have the best chemistry. Our chemistry is amazing. Also we're really good friends off the ice, for sure. I'd make a joke about playing against him except it hurts too much. Hey, do you think Connor would consider German citizenship or playing for Team Europe? He's just so fast man, I'm just trying to keep up and be the best player I can be so I can be better for Connor because he deserves everything in the world, you know?
  • ____
  • Reporter: Leon-
  • Connor: *beaming* -is so big and strong, have you seen him? He's so big and has such a presence on the ice, throwing that big body of his around. He's the most underrated player in the world ever. Make sure you mention that okay? He's so good and strong, you know? He's unbelievable. He doesn't get enough credit. I should probably talk more about him so people know how awesome he is. I love Leon. There is literally nothing I don't love about that guy.
So you know how the new aspect test is annoying a lot of people

I decided to look into it, mainly because I was annoyed with my results. (Hope. I’ve never seen myself as Hope.)

“Looking into it” started with figuring out which questions coincide with which aspects. (Aspects are definitely paired, by the way. This quiz just confirms that beyond a reasonable doubt.) From there, things got ridiculous and I’m just going to put all of this underneath a cut. 

Keep reading

8

yeah yeah git outta here

Ch19 flashback

Out of all OC’s flashbacks, I think this scene is the most mysterious and confusing one. I’m sure we are going to see a more detailed version of it next month, but before that I need to organise my thoughts, so I made these notes for myself. Just me rambling as always :D

  • Whose POV is this?

→ probably from OC’s. The whole flashback in ch19 seems to be from OC’s POV: We see everything through his eyes, how the cult “bought” the twins, how RC was killed etc, so I assume this scene is supposed to be from OC’s POV, too. Also, the boy gets out of breath from running.

This might be a hint that this was the sickly twin, i.e. our Ciel (though you could argue that even RC, the healthy twin, would get exhausted if he ran from one room to another in panick).

What I’m pretty sure about though is that there was only one boy in this scene because Tanaka said 「貴方様には酷すぎ」which literally means “For *you(*singular), [this is] too afwul”. If both twins were present in this scene, Tanaka would have used the term 貴方方 (’you(plural)’) or お二人 (’you two’). So he was most probably talking to one child which then raises the question “where was the other twin?”.

  • Why did the child call Tanaka “Tanaka” and not “Jiiya (Gramp)” as he’d usually do?

→ it doesn’t necessarily have to mean anything, but it’s a little bit weird that the child - regardless of whether it’s OC or RC - called Tanaka “Tanaka” in this scene because both twins would usually call him “Jiiya (Gramp)”.

  • the meaning of “Lord Ciel…”

→ the translation “Lord Ciel…” makes it seem like Tanaka is referring to the child as “Lord Ciel”, but that’s not necessarily the case! In the Japanese version Tanaka’s line goes “Ciel-sama (Lord Ciel) wa—”. The particle “wa” is a subject marker, so grammatically speaking, as long as “Ciel-sama” is the subject, Tanaka could have meant anything: “Lord Ciel (got kidnapped)”, “(Where is) Lord Ciel?”, etc. So to me it rather seems like Tanaka tried to tell or ask something about “Lord Ciel” but didn’t/couldn’t finish the sentence - which leads me to believe that the child he was talking to was OC, not RC.

  • What did Tanaka mean by “This is all too awful for you?”

→ it’s such a weird wording, and a weird thing to say in general. If he meant the bloody bodies lying on the floor or something, why would he say “This is all too awful for you”? It surely would be awful for every normal person?? What would be so "awful” particularly for OC to know/witness? Maybe the culprit Tanaka was facing was someone OC knew?

  • Where is RC (or OC in case it’s RC’s POV)?

→ we see in the latest chapter that both twins stayed in their room until at least 18:45, but judging from OC’s flashback in ch19 he was alone when he found his parents’ bodies and asked Tanaka for help. Where was RC at that time? Why did the twins act separately?

Related to this, there’s also the question when and how the twins (or one of the twins) managed to get the Phantomhive ring. Was it passed down to RC before Vincent’s death? Or did RC take off the ring from Vincent after he found his body?

  • Did Tanaka really not see the culprit’s face?

→ it definitely seems like he was facing (one of) the culprit(s) in this scene

however, when he reunited with OC in the hospital (ch63), he stated that he didn’t see the culprits.

Why the lie? He obviously knows something and seems to hide it from OC for some reason. Yana even went through the trouble of painting the background of Tanaka’s panel all black in the comicbook version (left) to make his “……” even more ominous and meaningful.

So why would Tanaka lie to OC? Does it have something to do with his line “This is too awful for you (OC)?” Did he try to protect OC by hiding the truth? What does he know?? And most of all, why was he, a badass sword fighter (ch100) and baritsu master (ch43), defeated in the first place???


Conclusion:

YANAAAAAAA, GIVE US SOME ANSWERS, PLEAAAASE!!!

anonymous asked:

I can't believe gsnk has been out for so many years and there is little to no development...

Nonsense! Aside from Hori’sIdealWoman!gate we’ve had so much development, including:

- a very romantic lap pillow

- a just as romantic movie date

- the romantic bridal carry from our prince for our little sick princess!

- the dramatic love declaration!!

- the romantic hug!

- an indirect kiss! INDIRECT. How repulsive!

- hell our own heroine got to 2nd base, I’d like to see all your fave shoujo heroines get to that point 👀

anonymous asked:

Who/ What is Dragon????

T_T

This is just speculation from my part, but I think maybe Kanou grafted more kakuhou onto Shirazu’s body. He already was an Ukaku, so maybe he received Koukaku, Rinkaku and Bikaku kakuhou…

As for the name “Dragon” in itself…

…I’m wondering if maybe Kanou didn’t get his hands on Tatara’s body after Seidou killed him… And if so maybe one of the kakuhou he transplanted to Shirazu is Tatara’s, hence the name “Dragon”… 

T_T

anonymous asked:

yuuri sometimes calls victor "sweetheart" and "babe" without consciously thinking about it, like when they wake up and yuuri doesn't wanna move yet so he'll cling to victor and mumble "babe no, come baaack," or when victor's coaching him and he goes, "one more time from the sit spin, yes?" and then yuuri takes a last swig of water before nonchalantly replying "sure thing, sweetheart." it gets victor right in the gut bc it's so casually affectionate, they're just a domestic pair of dorks

anonymous asked:

If nO hOnEyMuStArD hOw AbOuT cHeRrYbErRy b0i

Y’all honestly, please stop asking about ships please

anonymous asked:

Do you have any tips for describing characters in a story? I've consulted various sources, and some say to describe details down to face shape, but others suggest being vague, but not too vague, and I'm lost.

The reason you see so much variety is because, in my mind, it comes down to the author’s style. In all reality, you could get away with writing an entire novel without saying a word to how anyone’s physical appearance. However, I would certainly not recommend describing each and every detail about your character’s appearance. It’s really not useful to the story. My personal recommendations are these:

  • Give as much detail as fits your style/narrator. If you write long winded and eloquent paragraphs, there’s nothing out of place about taking a sentence or three to describe how someone looks. If your narrator is short-winded and casual, they may not even care to describe how someone looks unless it’s unique or obvious.
  • Give detail with a purpose. It’s fine and all if you know your character’s exact height and weight and the unique imperfections of their skin. But take the time to think about what’s useful for the reader to know. For example, telling us that a character wears their hair in box braids is significant, as it gives us a clue in to their heritage. (Same thing would go for some other hairstyles, monolids and various skin tones) If a character has a noticeable scar or piercings or burn or dyed hair or heterochromia, these are also significant, as these are identifiers unique to the character. If a character has a beauty marks, that’s cool, too! But we don’t need to know exactly where each one is on his body, you know?
  • You can take your time to reveal information. I don’t know about you, but when I meet someone in real life, I don’t immediately notice every little thing about their appearance. In fact, I can barely tell you if my best friend has a mole on her face, and where it would be. (Not me being a bad friend so much as no visual memory, but I digress) Little details become more important to us over time, and can signify a growing relationship (romantic or otherwise) between characters. And even otherwise, it can be nice to simply spread out their description over the course of the story. No reader likes to be bombarded with a paragraph of information on what a character looks like when they just want to know who they are!
    • A sidenote to that last point: You can spend a long time describing a character’s appearance when they’ve gone through some sort of transportation. Since we already know who they are and what they’re like, we need to be readjusted to this new version. (Which details you reveal can also set the mood of the scene or reveal more information about their psyche or the narrator’s thoughts about them)

anonymous asked:

I know we're all dead but can we talk about how cute it was that he said thank you when she took her top off? And how intimate that moment was when he just took a second to look at her, to breathe her in, to confirm that this was really happening? Cause of death: Olicity.

Oliver was the perfect gentleman throughout that entire scene. 

Starting from the beginning, he was… everything. He was a man who was clearly still in love with this woman, but he’d also heard her last season when she said she was, for all intents and purposes, done. He was a man who was willing to get every tiny scrap of her natural sunlight, no matter what the cost for himself. Y’all are lying to yourselves if Felicity wasn’t doing exactly what Curtis suggested when the idea of her trying the salmon ladder came about. She’s all cute and flirty and doing something that shows a lot of skin, and yet, the entire time, Oliver was just so sweet. He didn’t push it, he didn’t take what are pretty obvious signs, he didn’t do anything without her explicit permission and direction. They went through two bottles of wine, my friends, they were quite a few sheets to the wind and still, he was the perfect gentleman. Even when she asked him to help her down, when he grabbed her waist, when he held her close, letting her down gently, cradling her like she’s the most important thing in his entire world (she is)…

(src)

He was just… 

(src)

… so Oliver and so respectful and I loved it so much.

But then it gets better.

Felicity finally makes the first move, she kisses him and remember the way he responded? 

(src)

(wow they kiss really well like damn well done a+)

He gives it his all because that’s all he wants to give her. He messed up so much in the past, and while the source of those issues are deeply buried and require a fucking bulldozer to unearth, it doesn’t change that it effectively ruined the best thing in his life. But now, now he has her back and it’s everything. Yes, the wine has stripped their inhibitions, but it just scratched off the surface, revealing what they’ve always, always wanted.

(src)

(src)

(This was cute af, anon, I so agree. He’s so totally getting swept up in the sensation of having her in his arms again, of kissing her, tasting her, feeling her, and it’s intoxicating. It takes over everything, leaving no room for anything but continuing to feel those wonderful things. We see that in the way he suddenly spins her, with so much intent, so much purpose - I know I’m not the only one who thought that was going somewhere else - but then he’s so painfully gentle with her. He could absolutely rip her sweater to pieces if he wanted to and he knew she probably wouldn’t complain one bit until later, but he didn’t, because remember, this is the Oliver who has been in love with this woman forever and he lost her and he’s been respecting her wishes in not pursuing a relationship and suddenly she’s here and she’s with him, but that doesn’t change where they are mentally, where he’s at mentally. (Wow, tangent.) It’s marked with that soft, adorable smile of his - that happy smile of his - and the way he says, “Thank you.” It’s really as if he’s thanking her for giving them this chance again.)

And then…

(src)

The passion is back, brimming over, all-consuming, burning them from the insides out, taking over everything, pulling them together like the magnets that they are…

But that’s not all it’s about, not quite. It’s about that, oh yes, but it’s also about connecting again, not just physically but emotionally and mentally, with their very souls. This isn’t just physical for Oliver, nor is it for Felicity, which is what he needs to double check, he needs to see, to make sure that… 

Well, that this is happening, that it’s what he thinks it is, that she’s on the same page, that she wants this, that she wants it as badly as he does, that she’s doing it for the same reasons, that… 

(src)

(the way he whispers her name, a gasp, a breathless plea… a prayer…)

He has to make sure. He has to. One, because it’s Oliver and when it comes to Felicity, there’s never been a halfway. 

Which is so very interesting considering what happened tonight - thinking about it from Oliver’s perspective, he honestly thought he was giving Felicity everything he could. He didn’t know at the time that he was only giving half of himself, only giving her the pieces he felt worthy of her, not realizing that he was hiding things from her, all under the guise of trying to protect her, in his own warped way. He has been broken, in his mind, for so long, but it’s only when he’s whole within himself that he can finally be with her, which we’re finally seeing, thank goodness.

He’s all in or he’s all out and he needs to know that Felicity is there with him.

(src)

But not a simple “Are you sure this is what you want,” no, it’s more than that.

(src)

It’s about them, and their love for each other.

(src)

And there it is. She’s right there with him, her love for him shining through, bathing him in its purity, a cleansing feeling that shines light in the darkest corners of his being (even if he doesn’t recognize it until much much much later). 

Cause of death: Olicity 

Indeed, anon. Indeed.

9

a Fatal_Error has Occurred: Chapter Two - Part 9

The Beginning - Chapter One

Previous <—–> Next

:’)

Who’s ready for the chapter finale next week?

I’m in love with that last page.

Also just want to make this clear: the text on pages 5, 6, and the top of page 8 are MEANT to be difficult to read. Near impossible to understand. He says stuff, sure, but it’s more of a visual display of his emotional state. You can pick at it if you’d like, but it’s more for visual and emotional effect. Since ya’ll are smart cookies, I’m gonna not answer people’s questions about those pages being ‘too hard to read’, since I’m sure everyone here has read this little blurb and hence, no one’s gonna ask about it, I’m sure ;)


Aftertale, Errortale, GenoSans and ErrorSans belongs to @loverofpiggies!

Underswap belongs to @popcornpr1nce!


Having trouble reading the text? You can read a transcript of just the dialogue over here.

Honey I'm Home

Dm: ok so the tunnel splits here, one going down and one going straight. Where ya wanna go?

Our fighter, rouge, wizard and cleric: going down :D gotta stick together!

Dm: ok *describes puzzle* and what about you?

Warlord: Im going down the straight path-

Dm: uh are you sure?

Warlord: y eS I fucking run down that hall

Dm: *messing with papers* uh you find a locked door, about 7 feet tall.

Wizard: you should knock?

Dm: no don’t-

Warlord: I knock on the door.

Dm: there’s no answer. Maybe you should go to the puzzle room with the others.

Warlord: I knock harder and yell, “Honey I’m home! I brought bacon!”

Dm:…..you hear a loud growl and angry foot steps running towards the door.

Warlord: I uh… I run back to the group.

*everyone is laugh crying as dm tries to get his shit together*

  • Ron: Admit it! You like my girlfriend.
  • Draco: Oh, come on. I mean, am I attracted to Granger? Sure. Do my days feel better when I'm around her? Yeah. Does she get me in ways no woman ever has? Indubitably. Do I fantasize about her? Yes, but only in two positions. Look, am I the kind of guy who would try to steal someone else's girlfriend? Sure, of course, but do I like her? The answer's no.