but i want people so see this sam because i'm in love

The Tom Holland Fandom is Problematic: Yet ANOTHER Racism Rant ft. Fat Shaming and Toxic Masculinity because I'M ANGRY

and it’s a collaborative rant! with @spideyfloof and @themultilingualmartell and my sm:h fam because we’re all very very done with this. Let’s get to it! (This is a very long rant.  But if you can read a 10k word long smut fanfic then you can certainly read this.)


Okay, to start off, this rant isn’t about one specific person.  It’s about the Tom Holland fandom as a whole (and really every fandom), but it was triggered by one event.  A user on here said that they didn’t write for Jacob because they don’t know much about him.  That’s an excuse that I’ve seen too many times and I’m tired of it.  It’s not just that person, it’s almost every user in the fandom.  

1) Disproving this excuse. I think we all know the real reason behind this: our 2 favorite horsemen of the apocalypse: racism and fatshaming!  Isabel, you don’t know these people, why would you saw that? Now let me back myself up.  Let’s take an example.  Sam Holland. You all know him, love him, write headcanons and fanfiction about him every easily.  He rarely posts on social media, and is very quiet about his private life.  And yet, somehow, some way, the fandom has developed a popular characterization of him.  Now let’s look at Jacob.  He posts on social media a lot more than Sam, including using Instagram stories, and has MULTIPLE interviews.  AND HE WAS LITERALLY IN THE MOVIE!  Harrison, Harry, AND Sam were all not in the movie, and yet we’ve developed detailed headcanons about them.  So why can’t we characterize Jacob?  Why don’t we “know much about him”?  Oh, that’s right.  RACISM AND FAT SHAMING!  Nobody wants to bother to at least give a couple thoughts about to Jacob’s characterization, and so it becomes a cycle of ignorance.  

2) Racism in the fandom. I’ve already talked about this before.  We constantly ignore any person of color in the Marvel universe, and I’m going to use Jacob and Tony Revolori as examples.  A direct quote from the sm:h fam group chat (I don’t remember who said this, someone lmk!) “I joined the fandom thinking that there would be a lot of Jacob content because he basically starred in the movie.”  STARRED.  He was Peter’s BEST FRIEND.  Yet the only posts in the jacob batalon tag are pictures of Tom..  And TONY!  Tony was the star of an Oscar winning movie, who brought a totally new and realistic spin to the Flash Thompson character, and do I see anything about him?  NO.  And it’s because we inherently discount any person who isn’t white. I know (most of) you don’t intend to be racist, but in the society we’re raised in, there’s always an undercurrent of racism by which we’re affected.  Please at least try to fight that internalized racism, or else we’ll end up worse than where we are. 

3) Fat shaming.  This is Jacob specific, but he’s not skinny or has toned abs like Tom or Harrison.  And we all know that’s part of the reason why you all ignore him.  NOT EVERY BOY, NOT EVERY PERSON, IS GOING TO BE TALL AND FIT AND ATTRACTIVE ACCORDING TO OUR SOCIETY’S UNREALISTIC STANDARDS.  We always talk about fat shaming with girls, BUT IT’S JUST AS REAL FOR GUYS!  Body type is (literally) skin deep, and it’s no excuse to ignore someone and their accomplishments, which brings us to…

4) Toxic masculinity.  Now you might think, “I’m a #woke tumblr user!  I know what toxic masculinity is and I don’t support it!”  Ok, sure, so why don’t you support Jacob?  Jacob, who is around 5′5″ and not skinny and a person of color.  THIS. THIS IS TOXIC MASCULINITY.  BOYS WHO ARE UNDER 6 FEET ARE LOVED AND VALID, BOYS WHO HAVE BMIS OF OVER 18 ARE LOVED AND VALID, BOYS OF ANY BODY SHAPE AND TYPE AND LOOK ARE LOVED VALID.  Do you realize that when you say “I only like boys who are taller than me”, you COMPLETELY INVALIDATE any other boy’s experience?  And make them feel like they are unlovable and not enough for people?  Because you do.  Toxic masculinity is NOT just boys bullying boys, it’s girls and nonbinary people who unknowingly perpetrate it too when they fall prey to society’s standards.  And a great segue into…

5) Representation.  Jacob played a short, plus size character of color who WAS NOT USED AS A STEREOTYPE.  He is smart and kind and never once was the butt of a fat joke, or stuck into the “smart, square Asian” stereotype, or a short joke, or ANYTHING.  Do you REALIZE how refreshing that is? For short kids or kids who aren’t skinny who get teased at school to see someone like them on that screen?  For ME, and MARE, Filipinos who FINALLY SEE SOMEONE WHO LOOKS LIKE US.  On a movie screen!  A Filipino with tan skin and tapered eyes and big lips who is smart but not the stereotypical Asian smart, someone who I can finally RELATE TO.  And you completely ignore all of the impact he has.  It’s bothersome and, frankly, rude and it needs to stop.

6) I actually don’t understand why people don’t stan Jacob.  He’s sweet and caring and talented and unproblematic and he ACTUALLY SUPPORTS THE TRANS!PETER PARKER HEADCANON.  HAS SAID IT, OUT LOUD, AND WAS QUOTED IN AN ARTICLE.  COME ON.  The guy plays multiple instruments (not just piano cough), sings, acts, CARES ABOUT KIDS SO MUCH (went on the hospital visits WITH Tom), has a great sense of style, has a great sense of family, and yet you stick to your same skinny white boys for who knows what reason (actually, I addressed those reasons in the previous 5 paragraphs). 

7) Conclusion. THIS FANDOM IS A MICROCOSM FOR SOCIETY.  It’s not just one person who’s perpetrating all of these injustices, it’s ALL OF US.  Including me.  And we need to stop.  We need to start giving attention to people who deserve it, and BROADEN THE DIVERSITY IN THE FANDOM!  I’m not saying to completely stop stanning the Hollands and Harrison, or that you’re required to write for Jacob and Ned or whatever.  I’m saying to diversify your blog, because if none of us start, then this ignorance will never stop.  Start writing about Jacob or include Laura in your headcanons or add Tony to your list of ships or SOMETHING.  This isn’t just about Jacob, this applies to every fandom with people of color in it.  

At the risk of sounding arrogant, you really can’t argue with this.  You might be able to argue with the details, but not with the main points of why people don’t stan Jacob, and needing to appreciate actors & characters of color in general more, because I’m right and I have this entire website (and other social media websites!) as evidence.  If you disagree with this, go ahead and bring your finger or cursor to the upper right hand corner and hit that unfollow button because it’s been time to take out the racist/fat shaming/generally rude trash. 

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This!!! This is the chance I’ve been looking for!!!

“So, even with everybody thinking you’re a bad ghost, you’re still gonna try to be the hero?”

“Well, somebody’s gotta. If not me, who’s gonna protect this town? Besides, it’s not like I can ignore a scream for help.”

I am so gonna talk about this boy I’ve been waiting for a good chance to talk about what a good, pure child he is and I am taking it now. Bless his heart I love him so much.

Let’s talk about Daniel James Fenton and why he deserves love and protection forever and always.

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As Friends Do (1566 words)

“Dean, this has to stop.” 
Sam comes barging in through Dean’s door just as he’s making himself comfortable on the bed, trying to watch the latest episodes of Dr. Sexy in peace.
“Cas is stressing me out. He asked me if I’m angry with him for the fourth time this week.” 
Dean takes off his earphones and puts the episode on hold. “And why exactly would that be my fault, Sammy?” he asks irritated. Sam takes a few steps forward until he’s directly at the edge of his bed, looming over him.
“You know exactly why.” He nods to the open door, probably somewhere vaguely into Cas’ direction. “According to him, the stuff you do with him is how friends behave when their friends come back from the dead, and he now apparently thinks that I don’t want to be his friend.” 
That makes Dean splutter and blush; the stuff – what is he even – he didn’t do anything – and everything he did was certainly – “I don’t know what you’re talking about,” he finally croaks and slams the laptop shut because he’s definitely not in the mood to watch Netflix right now.
Sam rolls his eyes. “Dude, you’re all over him ever since he came back. And really” – he raises his hands defensively – “I don’t care, but please, just tell him what you feel for him so we can all get this over with.” 
“Jesus, can’t a guy show some hospitality to a new member of the household?” he grumbles, probably still red as a tomato. Yeah, maybe he did stretch the definition of friendship a few times ever since Cas came back, but really, that shouldn’t be an issue, right? He was just trying to make Cas feel as comfortable as possible.
“Dean, practically fondling the guy under your shared blanket on the couch doesn’t count as hospitality, it really doesn’t,” Sam says exasperatedly.
Okay, that had only been one time, and he hadn’t fondled the guy, Jesus, he had only stroked his knee because he had struck it against the counter earlier that day. He opens his mouth to tell Sam as much, but he doesn’t let him.
“And Dean, really, I love Cas – as a friend – but I’d be more than happy to never have to touch his general crotch area in my life.”
“I never –”
“So please, do me a favor and tell this guy that you’d like to bump uglies with him in an extremely unfriendly way so I can stop explaining to him why I don’t want to touch every part of his body and why I never stand up at 5 am to make his favorite pancakes.” He points a finger at Dean. “Don’t even try to deny it, I’ve seen it with my own eyes.” 
Dean’s mouth opens and closes like a fish as he struggles to find words; maybe, eventually, Sam is, at least technically, right. He certainly wouldn’t be averse to do… stuff that’s not covered by a friendship with Cas, but he’s also pretty sure that Cas wouldn’t want that, so why the fuck should he even care? 
The fact that Cas expects the same treatment from Sam, for God’s sake, makes it clear that he’s not really into the whole feel–up–Dean–thing – or maybe he’s a kinky fucker and wants them both, but then – nope. He’s not going to go there.
“Dean,” Sam says again, more urgently this time. “I could probably hear your thoughts across the pond right now. If you really think that Cas is trying to get into my pants, I’m going to have to sue you for ingraining this image onto my eyeballs.” 
“I wasn’t – okay, shut the fuck up. I’m going to talk to Cas. But not about having sex with him, Jesus. I don’t –”
“Don’t even say it. I’m not even listening anymore, I’m done with your bullshit.” Sam puts his fingers in his ears and wanders off, mockingly whistling a cheerful tone. This jerk. 
“Alright, fine,” he tells himself and takes a deep breath. He can talk to Cas. Sure. He’s not sure yet what he’s supposed to say, but he can definitely bullshit his way through all of this. Sam’s just not that much of a hugger. Sam values his sleep over making pancakes, and he’d probably burn them anyway. Sam isn’t used to sharing a blanket because he’s so big he needs at least two for himself. 
Excellent. Now he just needs to tell that to Cas.

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“…should we just search romantic comedies on netflix and see what we find?”

Anonymous asked: can you do a fluff where bucky and the reader accidentally fall asleep together? thanks!

A/N: That is adorable. Here it is!

Warnings: none

Originally posted by elves-n-angels

You were left in the tower alone. 


The couch was covered in blankets and pillows, the air conditioning was blasting, and the Netflix logo rested brightly in the center of the huge flatscreen in front of you. 

You were utilizing the best of the movie room as you could, and you were grateful Tony had put it in in the first place. Popcorn was already popped, and the familiar boom of the Netflix app opening caused you to smile. 

Finally, you were able to relax and enjoy some downtime in between missions. 

Just as you were about to fully sink into the cushions of the couch, the door opened, allowing the light of the hallway to seep into the mostly dark room. 

Remember that ‘almost’?

“Bucky what the fuck?” You groaned, blocking the hallway light and throwing the covers over your head. 

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Dean Winchester Has an Open Mind For a Different View

We’ve all watched the epic recap, right? So many parts of it stood out to me. Like the theme of family and trust - that sense of unity that the song is promoting. 

So close, no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
And nothing else matters

Never opened myself this way
Life is ours, we live it our way
All these words I don’t just say
And nothing else matters

Trust I seek and I find in you
Every day for us something new
Open mind for a different view
And nothing else matters

Never cared for what they do
Never cared for what they know
But I know

I feel like putting the whole lyrics in bold because every word matters here. I think it’s such a gorgeous choice and holy fuck does it not bode well for October? It does. Oh, it really does, because look at how they’ve combined image with phrase.

Twice they sing “open mind for a different view” and here are the images for the first time these words are sung (so sorry for my crappy gif making skills) (I’m a WIP) (so is my software):

And here are the images used for the second time:

ARE YOU SERIOUS SPN?? ARE YOU SERIOUS??? (I get so excited) (I get SO excited) (I get JARED excited) (so you can only imagine)

Ketch. FUCKING KETCH PEOPLE! He’s used in both of these moments! 

Ketch, who continuously represented Dean’s suppressed desire (HE ENTERED THE SCENE FIRING THE FUCKING GRENADE LAUNCHER FOR FUCK’S SAKE), as well as served as a reminder that the reason Dean is not “a killer”, which Ketch kept pressing on to try and manipulate him (mirroring Crowley) is because Dean is capable of loving unconditionally and Dean knows this now. It’s made him stronger. It’s an anchor into himself, into the person he wants to be, not fears he might become. It’s his bullshit detector, if you will. He won’t be manipulated anymore based on any fear that he’s not worthy of anything better.


Oh, they even INCLUDED A VISUAL TO UNDERLINE HOW THE GRENADE LAUNCHER META HAS BEEN COMPLETELY ACCURATE, juxtaposing KETCH using it when he arrived on the scene with DEAN finally blasting away with it:


And then, after flashes of flashes of flashes of quick, quick edits of what has transpired throughout the season (including the Pushing Up Against a Wall Moment AND LARRY), we land in the gifs below. We land in a sudden, drawn out reminder of how it all ended. And what’s most significant here - apart from the sudden slow pace and the absolutely startling use of sound as Dean screams that no (how IMPORTANT do you think this piece of dialogue is moving into S13?) (pretty important?) (I would agree) - most significant when looking at the recap as a whole is, of course, the chosen lyric as we linger on Cas’ almost too serene face:


Has there been any other indication that Dean’s bisexuality will be addressed in the coming season and that his feelings for Cas will take centre stage and that this show is readying itself to deliver one great, big blow to the NORM of it all?

Well, there’s Wonder Woman.

There’s Bob Singer saying this season will be smaller and more personal than S12, which was so goddamn character driven and focused on emotional growth that I don’t even know… That’s a lie. I do know exactly what smaller and more personal means. I know exactly. Endgame, people.

There’s Jensen saying that if Dean once thought he’d go out in a blaze of glory, he now sees himself hanging it up, if Sam isn’t there anymore. (yeah I know) (I think I turned into atoms for a moment reading that quote) (hanging it up as in settling down and finding contentment with the man he loves no?) (yes!)

Oh, right and there’s this.


S13, peeps. S13 is going to be historic. 

I love Critical Role for a lot of reasons. The acting, the storytelling, the characters, the characters’ shenanigans. But—and I didn’t actually realize this till last night—the thing that gets me the most about Critrole is the underlying theme of love.

I started watching Critrole a few months after getting out of a toxic, emotionally abusive relationship. I was lonely and grieving and, on top of all that, the majority of my friends no longer felt like my friends, because they all had ties—albeit passive ties—to my abuser. The few friends I still felt comfortable with encouraged me to start watching a bunch of nerdy-ass voice actors play Dungeons & Dragons, mainly because I had just started playing D&D irl, and I was like, hey, sure, why not. I didn’t really expect to get much out of it, but it was summer and I was depressed and, at the end of the day, it was something to keep me occupied.

Now, a year and a half later—having driven 12 hours one way just to see these nerdy-ass voice actors play Dungeons & Dragons live—watching Sam cry his eyes out because he wasn’t able to save his ninth-level spell to save his best friend’s D&D character—

I won’t say I’d given up on love at that point in my life. But I was definitely struggling to believe in it. And then I started watching Critrole, and—I honestly cannot think of a purer expression of love than what the cast does every Thursday night. Liam unashamedly adoring his friends. Travis and Liam comforting Laura whenever she gets anxious or stressed. The entire cast just doting on Ashley, even when she’s all the way across the country. Taliesin speaking up about his depression, how Critrole helps him get through the bad days. Marisha putting up with all the senseless criticism and hate, staying true to her character, never letting it affect her attitude. Ashley staying up till, what, 4 a.m., just to play D&D with her friends. Matt putting countless hours into this campaign, piecing together meaningful arcs for his friends’ characters. The guest stars. The level of physical comfort and familiarity between everyone at the table. Liam saying I love you to Sam and gutting every single Critter. Matt saying I love you to his friends after 5+ hours of watching them destroy his best and possibly favorite villain…

The whole thing started because Matt ran a oneshot for Liam’s birthday. Just for fun. Just because he loved his friend. And that love grew into this.

Critrole got me through the hardest time in my life. It gave me hope—in love, friendship, the power of stories. Just because I felt alone did not mean I was. I’ve never met the cast and I probably never will, but their characters have touched me, their stories have touched me, they themselves have touched me. I carry them with me. This thing has made me a better D&D player, a better storyteller, a better friend and person. It has changed my life, and continues to remind me that love—platonic, romantic, what-have-you—will prevail. Which is why Sam’s tears were so visceral last night. That little break in Liam’s voice. Marisha’s red-rimmed eyes, Liam and Laura clinging to each other as tightly as possible, Travis including Ashley however he could so she wouldn’t feel separate from the group. Matt torn between pride and frustration. These people love each other, and they love the story they’ve created, and in dark times like these, that’s what I need to see. The cast of Critical Role does good, important work, and I’m grateful af.


anonymous asked:

My sisters been sending your (amazingly) written metas, but I'm still confused as to what "Performance!Dean" is. Could you explain? ❤❤❤❤❤❤

Hi! Thank you!

Performing!Dean is a tag that many of us use to explain the way that Dean portrays himself to the outside world, suppressing parts of himself that he doesn’t think should be outwardly shown.

It’s a form of SUBLIMATION (a psychological term meaning to repress emotions / a part of oneself), a term which he actually uses in 12x05.

It’s a great example. The writers KNOW that we associate Dean’s love of pie with women / being comfortable / the home and family feeling, and cake with the repressed side of him (it is repeatedly used in this context, Dean really wanting it but never allowing himself to have it or just nibbling at the edges). It’s quite a famously known concept.

So… when Sam asks Dean if he wants pie and Dean says no, which basically never happens, when Sam then looks so DONE and starts talking about how Mary is gone and… (the implication being he is about to mention Cas being gone too)… then Dean says nope nope I am FINE and Sam FINALLY calls Dean out on it, saying “Dean, it’s called SUBLIMATION”.

Originally posted by castielamigos

And Dean finally relents and says “Yeah, its kinda my thing”. (And then later in the diner he is seen to have eaten a whole slice of cake in front of Sam and no-one makes a big deal out of it….)


Because THIS is Dabb again taking what has been IN THE SCRIPT and in the show for 12 years and building on it, making it BLATANT. Because we are building to endgame now, SPN isn’t likely to last past season 13-14, so the character arcs that were set up in season 1 (and 4 for Cas) need to be tied up, so we, the audience NEED it to be made obvious when it has just been in the subtext. THAT IS WHY SO MUCH IS SO BLATANT THIS SEASON. Ie Performing!Dean, Destiel, Sam and the MoL story, Mary being the catalyst for Dean’s self acceptance arc and Sam’s self forgiveness arc around Lucifer (which I think will be much more blatant next season re: Jack as his mirror).

With Performing!Dean it started to be made a bit more obvious since Sam told Dean that he was ‘kind of butch’ and people probably thought he was ‘overcompensating’ in season 2 but it still stayed subtext, Dean checking out a few guys here and there, only really getting with women when he was having his ‘I’m going to go to Hell and need comfort’ or ‘Sam is dead, Cas left’ moments or since he met Cas, whenever Cas had left, making Dean feel crappy and rejected or had just DIED, using it as a coping mechanism, even blatantly role playing in season 9 after he feels so bad about kicking Cas out of the bunker etc to the point that in 12x18 it is so blatant that this is what it is about, they even have Dean saying outloud that he is settling for Sam’s omelette mere seconds after clearly having settled for the waitress because she wasn’t what he really wanted on top of all the other give aways…

Anyway, it’s not just about his sexuality or feelings for Cas, there are many other aspects too, and those are the ones that are cemented in seasons 1-3. Most of these seem all to stem from John and if you see snippets from John’s journal it makes sense.

John says he is proud of Dean when he kills monsters, womanises, drinks etc etc. So guess what a young impressionable Dean learned was the best way to act in life?

Now, over the years bits have come out here and there. Every time we see Dean with a sexual partner he has been the submissive one, he is clearly an extremely giving lover and very caring. He is not a dude bro womaniser at heart, he cares for all the women he sleeps with enough to be kind and gentle with them, even the waitress in 12x18 who really he doesn’t REALLY CARE about, she’s just a coping mechanism, but he is still extremely sweet with her.

He drinks for years of course, he is a functioning alcoholic for most of the show, but lately he has switched to coffee… unless something really bad is going down. Like when we saw the empty bottle in his room in 12x19…

He listens to old rock music because it reminds him of his mom and dad, not because he is a real metal head. Yeah absolutely he loves it too I’m sure, but really it’s the emotional pull. And we haven’t heard him do so since 12x07. Just saying. He also admits to liking Taylor Swift in season 10, after firstly saying HELL NO, same with the cucumber water in 12x07. It’s not the music or the water or whatever as such, that is absolutely NOT what we are saying is making us feel Dean is bisexual or has a hidden side to himself, its the fact that he HIDES it first then admits to it afterwards, that is the essence of Performing!Dean.

When Sam drinks the cucumber water, no-one batted an eyelid, that means nothing to us, because Sam is super comfortable with who he is in THIS respect, even though he carries guilt etc, but that is another subject. But because Dean made a huge deal about how uncool and basically unmanly it was, after all we know of him over the years, THEN went and drank it anyway, saying “shut up” when Sam is like “seriously?!” THAT is where the Performing!Dean meta comes from. And Sam is the same as us, he doesn’t care if Dean is bi, or if he likes Taylor Swift or cucumber water or WHATEVER, what he DOES care about is the fact that Dean feels the need to hide it from him.

There are so many small points along the series that point to a lot of Dean’s persona being fake or exaggerated and how sometimes Sam knows and sometimes he doesn’t, it would be funny if it wasn’t tragic.

Deep down Dean Winchester is a soft, kind and generous soul who just wants to be loved and to help people.


Originally posted by disneyandthefamilybusiness

So yeah, the fact of the matter is that Performing!Dean has been there all along, since the PILOT, over the years it has been showed to us that it exists then some of the walls have started coming down. If anyone dares to tell me that Performing!Dean isn’t a thing (which I was told earlier this season, lmao) then I will kindly point them towards 12x11 and 12x22.

Also, let us not forget that even though 12x11 was mostly an exposition for Performing!Dean when he lost his memories, again harking back to the HEART is the person, NOT their memories theme of the season, we also were given the golden snippet that DEAN RODE LARRY BEFORE HE GOT WACKED WITH MAGIC. This is to show us that Dean’s walls are coming down this season. When Sam called him up on it in a way that seemed to be taking the piss, Dean, rather than attempt to deny or tell him to shut up actually embraced it and gloated about how GOOD he was at it. ATTA BOY DEAN!

With the resurrection of Mary and Dean’s near - complete death experience it seems that Dean got to the point in season 12 where he just didn’t want to hide from himself anymore and so let these walls down further, there were small snippets of this in nearly EVERY episode. 

12x11 was the exposition for casual viewers to see this side of him more clearly (in the same way that 12x19 was for Dean and Cas’s clearly more than platonic relationship, which will not be built on with HUGE LEGO BRICKS since Cas died), and now with the grenade launcher as a metaphor, Dean literally blew down his walls in 12x22. The culmination of this story was his confrontation with Mary where he explains WHY he always had this facade, because he had a shitty childhood, had to be a parent to Sam and that it wasn’t FAIR and he didn’t cope with it well at all.

So. There we have it. Performing!Dean is REAL, it was there ALL ALONG, we were RIGHT in seeing it because it is confirmed in 12x11 and then addressed and to some extent dismantled in 12x22, and the meta idea that the grenade launcher is associated with Performing!Dean was ALSO used.

Just… wowzers.

Originally posted by itsokaysammy

I don’t expect Dean to suddenly act completely differently now, he won’t, there are just some aspects of him that will be slightly more obvious or he won’t hide certain parts of himself. He still isn’t completely done with this, as Jensen himself said that there will be more of this to come in season 13…

I expect him to perhaps once or twice order a slice of cake or an ice cream sundae, to listen to the radio and not turn it over if a pop song comes on, to be more open with his feelings towards his family (and yeah, Destiel is a part of this for sure), a nice turn around but also not jarring, because it’s just a PART of Dean, not his whole self, a lot of what we see is really fully him, so it’s not that he is going to completely radically change!

Anyway, its all very exciting as the metaphorical death of Performing!Dean is just a part of what most of us see as a positive endgame for TFW and it is all looking pretty good so far :D

Without Dany, Jon has no claim to the Throne

After answering too many asks ( x x x x ) on this subject, I decided to consolidate it all in a meta. Let’s get one thing out of the way, Jon has no ambition for the throne, as a character he will have a lot of trouble accepting his Targaryen heritage and Dany will be in it with him, as home, family & love have been her deepest desire her entire life. But without being legitimised by Queen Daenerys & marrying her, Jon has absolutely no claim to the throne! 

Paper trail : 

  • If we talk about the records that Sam found at the Citadel, they only state that Rhaegar’s first marriage was annulled and he officially married Lyanna but there is no record of her ever being pregnant or having a child. 
  • Plus Cersei’s treatment of the paper trail Ned presented to disprove Jeoffery’s heritage and claim, was a good example of how easily these records can be challenged despite Bran’s Ned Stark like confidence. So without Dany’s support and firepower, it can be dumped in the trash.  

Jon’s Identity : Jon has been known as Ned Stark’s bastard, fathered by a nameless woman for years, he even looks exactly like Ned as stated in the books. To prove that Rhaegar Targaryen had a child with Lyanna and that child is Jon is absolutely impossible. As not everyone in Westeros saw this cross cut!

Let’s breakdown the actual “evidence”

Now a lot of us expect everyone in Westeros to know and believe in things simply because we have seen them onscreen, which is why it’s frustrating when someone doesn’t believe in White Walkers even though it’s crazy to ask someone to believe in zombies without proof. The same way, we are dealing with a huge assumption that everyone will just believe the “visions” of a goth teenage boy who calls himself the three eyed raven.  I’m sure not everyone in Westeros, outside the North, cares much for Bran and even if he starts disclosing creepy details of their sex lives, it will only prove that he has visions, it still doesn’t prove that he’s telling the truth about having visions of Jon’s parentage.  Any sane person’s reaction to the claim that Jon is a Targaryen would be “Northen Propaganda” 

Everyone who bared witness to Lyanna’s childbirth or pregnancy is dead, except for one person, Howland Reed, Meera & Jojen’s father, the kids who took Bran to Three Eyed Raven. He was the one who fought beside Ned outside the Tower of Joy before Ned found Lyanna.  He was not present for the pregnancy or birth, though he must have witnessed Ned carrying out baby Jon & Lyanna’s bloody corpse being brought out soon after. I doubt Ned gave him any context other than asking him to keep it a secret. Again as Ned’s best friend, he alone is not reliable enough to prove anything with the circumstantial evidence he could claim to have witnessed.

Originally posted by daenerya

Someone asked me, that if Jon mounts a dragon, it should surely prove that he is a Targaryen. But Jon’s own brother, Bran is a Warg and is very out & proud about it. So if Jon mounts Rhaegal there will always be doubt about him being able to do it because of Dragon blood or warging. This could be chalked down as theatrics as well. 

Originally posted by giantmonster

I was asked if Jon could walk through fire to prove that he’s a Targaryen.  In the show canon, Dany is fireproof but she is ‘The Last Dragon’, like Rhaegar before her. It’s a special mystical power not every Targaryen has. Just as Viserys died from burns, Jon too has been burnt by fire before. In season 1, Jon brought back a missing Night’s Watch member’s dead body from beyond the wall, when he takes his oath at the Weirwood tree beyond the wall & Ghost sniffs out the body. Lord Commander Jeor Mormomt wanted to examine it after Sam points out that there is no decay. That night Ghost gets anxious and leads Jon to Mormont’s chambers where the dead body wakes up and they see a wight for the first time. When Jon holds a lamp to fling it at the wight, he burns his hand, which is wounded & bandaged for the next few episodes. 

Originally posted by ashavgreyjoy

This has been done before by someone in the books:

Which brings us to Young Griff in the books who was created for the purpose of displaying how hard it would actually be for someone to claim they are a Targaryen and how important Dany is, as the unchallenged head of her house. 

  • He claims to be Aegon Targaryen, Rhaegar’s eldest son. He was a good fake, aesthetically he looked like a Targaryen, which already puts him in a better position than Jon who looks like Ned, as described in books.
  • He had the support of Dornish, who claimed to have rescued the prince in time, who is in fact Ellia Martell & Rhaegar Targaryen’s son. He also has Varys & Aerys’ former Hand of the King and Rhaegar’s best friend supporting his claim. These are people much more reliable and highly placed compared to Howland Reed & Bran for a Targaryen claimant. 
  • He has the Golden Company backing him, which is a force much stronger than the one Jon controls if we don’t count Dany’s forces, which he can absolutely never command without her support. 

Despite all of this he was advised to pursue Dany for marriage because without Daenerys, the head of House Targaryen, validating him as a Targaryen, his claim to the throne will not be legitimate. 

The good thing for Jon is that Jon & Dany are already in love and she would marry him in a heartbeat but unless she takes the throne after the Great War and legitimises Jon, he has no claim to the throne. As a Queen she can just declare that her totally Stark looking husband is actually a Targaryen in the light of all the circumstantial evidence present, but there will be many who’ll be sceptical and view it as a man taking his wife’s family name in a medieval way. Ruling is not even a part of his character goals, but not wanting the legitimacy of his unborn child challenged could be the only reason to sway him to take the Targaryen family name and his place as King beside Daenerys. 

Originally posted by joneryssnowstorm

That is, if he survives the war, as his character goals end after the Walkers are defeated while Dany’s character goals are long term, to break the wheel and change the political structure. Lets hope the pregnancy gives him long term character goals, he survives & we get a Jonerys wedding, Targaryen restoration & them ruling together. But let’s get one thing straight, he definitely neither wants nor would be able to stake a claim to the throne without her, just like he can’t win against the Walkers without her! I’ll just go back to sipping my truth tea brewed in hater tears now!

ok but the fact that taehyung cries in the bathroom because he doesn’t want anybody to see him upset is the most heart wrenching thing i’ve read and it makes me feel so helpless because this man deserves the sun, the moon, the stars, the galaxy, the entire fucking universe

seeing him as a dorky happy sunshine makes us forget that he’s human too and that he hurts just like us (maybe more, if i’ve learned anything from people around me) and the fact that he feels the need to hide himself when his sadness manifests gives me so much pain.

kim taehyung, most beautiful boy in the universe, i won’t say don’t cry. instead, i want you to cry, break down even, in front of the people/person you love the most and let them hold you, love you, support you. let it all out in the arms of the person whom you trust and love more than anything and know that they love you back too, and so much. let your feelings flow, my beautiful man, and know that you’re not alone and we will love you still, always.

Stuck in the Middle (with You)/Awesome Crowley

[For a meta about Reservoir Dogs and Tarantino’s use of gay subtext, click here.]

I don’t want to be the person who ruins everyone’s fun, so I’m saving my one big criticism of this episode for last. This meta is completely positive, even saccharine, until the very last paragraph. Also, I’m borrowing one of my favourite AO3 tags as a title because, let’s face it, Crowley was the real hero of this episode and where the action was, and that’s perfectly okay and long overdue. Crowley’s been around for years now, and he’s gone through huge bouts of character development, and yet we still know next to nothing about him and he’s often treated like an afterthought, both by our heroes and by the writers. This episode finally (finally!) corrected that, because no matter how intriguing and plain beautiful everyone was, Crowley was magnificent - as I fully expected him to be.

After all, they’re good - but he’s Crowley.

Like anyone with eyes, I loved everything about this episode, and especially how it was filmed. I have to say - this is the first episode in a long time that actually had me in tenterhooks about a possible character death, because you never know, right? Theoretically, Crowley could die, and so could Cas. Theoretically. And also the music, did I mention the music? I think that scene of Cas crawling away from Ramiel and the shot of Ramiel stabbing him - that’s just become my favourite Supernatural scene ever, bar none. It was so powerful and dramatic and visually magnificent and that damn music - wow

I adored that symbolism, because Cas’ been a Christ figure for a while now, and seeing him like that, on his back, defeated and stabbed by a lance - you can’t get more Golgotha than that. Beautiful stuff.

I also loved that this episode was, in a way - off-centre. Sam and Dean were there, of course, but the story was not focused around them. The real protagonist was the supernatural world itself - Cas, Crowley, Ramiel; even Lucifer, to me, was more present than he’s been in a while, what with this vague threat of his child hanging over the world, and him taunting Crowley and flashing his red eyes at this most undemonic demon in the very last scene. The truth is, I love everything about Sam and Dean, and that includes the incredibly talented actors who play them, but I feel the show could benefit greatly from approaching their story from a different perspective every once in a while. I’d love to know more about their childhood, for instance, or about this world of monsters and hunters around them; and a completely Outsider POV episode is, at this point, something I’d probably sell half my soul for.

Anyway - lately, this show reads like very good fanfiction, and considering how engaged, loving and talented this fandom is, this is high praise. I particularly appreciate the fact they’re going back to important plot points and filling them in with completely new details - after all, we’ve been wondering for years what’s up with demonic eyes, or how Crowley became king in the first place (or, at least, I know I did). This new class of demons appearing out of nowhere - creatures powerful enough to wield an archangel’s weapon - that’s incredible stuff. I’m guessing we’ll see more about them, and I can’t freaking wait.

So, yes - Ramiel was spot-on. Jerry Trimble managed just the right mixture of underwhelmingly normal and terrifyingly amoral - so much so I’m sort of sad we didn’t get to see more of this character, even if everything about him, including his death, was handled just right - there was no room for anything more.

My one slight criticism there would be the fizzling nature of Cas’ abilities. For instance, didn’t we establish that Cas can smell lies? So why couldn’t he guess Mary was hiding something? And what about demons’ true forms? I always assumed Cas could see that (was it ever stated in canon? it must have been), and I was therefore almost disappointed that Cas couldn’t recognize Ramiel for what he was. Maybe it can be explained away by him slowly becoming closer and closer to a human being - I don’t know. In any case, I’m truly appreciating how obsessed everyone seems to be with him lately. After years of taking angels for granted, we’ve got two characters in short succession fangirling over angels (in a creepy, murderous and definitely non-con way, but still) - and, yeah, I know that basically everyone spent the entirety of Supernatural pointing out how different and unique Cas is, and I’m grateful for that, but it’s also nice to get a reminder that angels are awesome (in the other sense of the word) in and of themselves.

(I’m still loving Mr Ketch, by the way. Aaaaaw.)

Let’s now come to our unsung hero: Mr Crowley.

Crowley was magnificent in all this. And we’ve now learned he never seriously planned to become King of Hell - my headcanon, which I’m considering confirmed, is that Crowley simply wants control. He’s been tortured for a century or more as some demon tore his human soul out of him, and he’s never putting himself in that position again, which is very sensible of him, and also very Scarlett O’Hara.

Keep reading

anonymous asked:

Hello!The reason I'm asking u this is because I love your answers, and u don't up down other characters to lift another, and the evidence you put with your answer. (Love your page) I read some post a while ago stating that Dean is a controlling doughbag. But I've always seen it as Dean trying 2 lead his loved one 2 do the right thing (Because you know how that ends up at the end lol) Ex: Sam tells dean don't let him go darkside,but gets mad when Dean tries everything 2 stop him. Thank you ^^

Hey there, and thank you very much. Sam and Dean have a very complicated relationship and I think the only reason someone would call Dean controlling is because they don’t understand (or are ignoring) the dynamics that were set up in childhood. We finally have canon confirmation that Dean had to be a parent to Sam, which helps for this discussion, but the fact is: we’ve always known this. Dean was tasked to take care of his little brother for weeks at a time (4.13):

cooking for him (10.12):

Making sure he had his books on the first day of school (4.13):

Procuring Christmas for Sam (3.08):

This is not a normal sibling job description. And it makes for a tricky dynamic because he had to act as a parent in so many aspects of their day to day lives. When Sam gets upset that Dean is telling him what to do, we’re hearing the complaints of a child trying to gain independence from a parent, and that’s made even trickier by the fact that neither one of them are kids anymore and Sam’s used to doing things his own way after breaking away from the family business and going to college.  And then he comes back and it’s right back to the old patterns, except that obviously Sam is used to making his own way. 

And the whole thing is muddied up because Dean is NOT Sam’s parent and he never should have had to be. They’re also brothers with normal grievances and times when they are shits to each other like any pair of brothers are (1.17 and 2.15):

Not to mention the fact that they take on very specific roles when they are hunting too, with Dean as the leader (3.03):

and really, no matter what’s going on with them (their huge fight during 9.16), that never changes because it’s a pattern set up from childhood

So basically you’ve got a sibling dynamic merged with a pseudo parent/child dynamic (throw in Dean as the de facto leader) and of course it’s gonna be all kinds of fucked up. 

Just take a look at these gifs (from 3.05), when Sam and Dean are arguing about whether or not to use the Colt to kill the demon who made the deal with Dean to bring Sam back? This is how the conversation ends: 

This is not a normal conversation between two brothers right now. This is the result of Dean having to be a pseudo parent to Sam for all those years. 

Right before this, Sam even comes out with this: 

Which reminds me of this (5.18):

And what’s Bobby to Dean? A pseudo parental type person. It’s not the same of course, because Bobby’s was an actual adult when he took on that role for Dean, but it tells us something nonetheless. 

And if we want to go deeper into how messed up everything is, we also have the times where Dean still fills the role of parent while John is around. 

This whole scene (from 1.21), where John clearly expects Dean to have told him about Sam’s visions is an indication of this. It’s Dean’s job to have filled John in, not Sam’s job. John relies on Dean to take care of Sam and fill him in on what he’s missed. Which is usually the role of a spouse in a family unit. 

Another example is the way Dean has to physically intervene when John and Sam almost come to blows (from 1.20). 

Not only does he tell Sam to cool it, he tells John to back off too. Like he’s protecting his child from the other parent in the family unit. 

This isn’t new, John expected Dean to protect Sam from anything that might hurt him when they were children. In 1.18, John tells Dean to watch out for Sammy and then asks, “And if someone tries to bust in?” 

Dean’s entire identity is wrapped up in keeping Sam safe, had to be both a mother and a father to him and people still ask why their dynamic is the way it is? Of course Dean is going to expect to be able to tell Sam what to do; he’s been doing it his whole life. He’s been put in charge of Sam’s well being since he was a young child. Of course Dean thinks he knows what’s best for Sam. And of course Sam would chafe against that sometimes; especially in the beginning. But you know what? Sam spends most of season five trying to make up for his mistakes in s4 and after that we don’t see much more of him insisting Dean is trying to control him after he says this in 5.05:

Because that’s what most of s5 is about, until we get here: 

While Dean also talks about why he defaults at treating Sam like a kid. 

It’s the whole reason Dean stops objecting to Sam taking on Lucifer. He lets him make his own decisions. Dean does default back, of course (because this wasn’t the end of the show and real life echoes this back and forth too). It’s an ongoing theme and one that’s addressed again in 12.22, with the Dean ‘sending Sam off to war’ plot. 

He was urging Sam to take his place in the world. It’s a complicated relationship, and it’s the reason I love them so much. These two men with their fucked up childhoods doing the best they can for each other with what they know even if it’s not entirely healthy on either side. And if someone has somehow missed the entirety of this particular dynamic, it’s not surprising that they’ll say Dean is controlling or Sam is belligerent.

ashes-pheonix  asked:

The top of the morning sam literally killed me, I'm dead now. Side note whats it like to sail? All i can think about is my book of jhon masefield poems and the book about an older period girl being sent on a sailor ship because her dad wants her to have good spelling and grammer and she gets scared by a coconut with face.

Oh man okay here is my love letter to tall ship sailing-

It doesn’t feel like something you should be able to do, in this day and age. It really doesn’t. Tall ships feel like they’ve been stolen from the part of history you read adventure stories about. Standing on board one, with the sails full and the deck heeling underfoot and ?modern office buildings? in the distance, is always a little surreal. It’s been two years now, and I still can’t shake that sense of having stepped just a bit to the left of the real world when I’m working on one. The history is present in the language, the roots of words, the pronunciation (someone once explained the bizarre evolution of terminology as the result being filtered through several hundred years of drunk and illiterate sailors) and in the boats themselves. I spent last season on a rum-runner well over a century old. Being a part of that living tradition, keeping it alive, is an honor.

And they’re beautiful. They’re so, so beautiful. From a distance absolutely; cutting along with a bone in her teeth, sails full of light and the complex shadow the rigging casts - it’s a sight from an oil painting rather than the here and now. But they’re also beautiful in close - the varnish and the smell of pine tar and the various fancywork. A tall ship is such an easy thing to fall in love with, I think. Especially after the work that goes into maintenance - sanding and painting and scrubbing and osphoric acid for the rust stains; caulking and bungs and seizings and splices. You can’t get that close to something without developing an eye for small jobs done well. It’s not all idyllic - cleaning the heads, pumping blackwater, scrubbing the bilges, and slushing the masts are all things that come to mind - but it’s all for the sake of the boat.

For me personally - It gives me a sense of accomplishment I’ve never felt before in my life - not in college, and certainly not as a bank teller. Understanding how the whole complex system works - if I do this, the line does this and the gaff does this and the sails do this and now we’ve picked up speed by two knots - is real and tangible in a way nothing else has been for me. There’s such a good honest pride in being able to sweat a line, or tie a complex knot when needed, or spot and clear a fouled line aloft. Things I can do with my own hands, you know? And see it done, and done well. I want to know everything just for the sake of knowing it. It’s being part of something important - part of the crew, part of the ship, part of the traditions we keep alive. Everything seems very clear, on board.

I like living on board. It’s not for everyone, but I don’t own much in the world and I’m a big fan of not paying for rent and/or food. It’s a small bunk and a sleeping bag, early mornings, deck showers or dish soap and salt water or baby wipes and dry rinse shampoo, getting to know the nearest coffee shop and dive bar (if you’re day sailing), or dropping into the galley to shovel down your weight in whatever the cook made today (on windjammers). It’s a lot of depending on the kindness of people who do live in town (and more often than not, they come through). There’s such a culture of sharing what you have - food or books or a jacket that you don’t need.

Overall it’s hard work, the living conditions can be rough, the jobs often disgusting, your hands will crack and bleed before they toughen up. But: climbing seventy feet up the ratlines to sit at the top of the mast in the sun, while a passenger played the ukulele on deck, with the green bay spread out below me and pine trees on the far shores. Jumping off the bowsprit with the cook and the first mate while at anchor, seeing the water light up around us with brilliant bioluminescence. Dolphins playing around the bow, six hundred miles south of Bermuda. Walking along a heeling deck and keeping my balance without thinking about it. Sitting on the dock with the rest of the crew at one in the morning, sharing a bottle of silver whiskey and listening to someone recite their favorite poem. Coming home from the bar to a tall ship, walking down the dock with the stars overheard and having it really sink in for the first time that this is where I live. The sun coming up over Antigua, after arriving there past midnight following a week at sea. The giddy sense of urgency that comes with a rising storm. Hands that are callused and covered in fine silver scars but are tough as anything. Getting to explain to someone what it is I do for a living. I just. Wow. I love it so much.

mormonvampire  asked:

Okay, so. One of my big problems with DP narratively is that Danny doesn't lose. Sure, he struggles. But he doesn't ultimately lose. You always know he's going to win in the end. I'm curious to hear your thoughts - is this just a byproduct of "keeping it a kid's show"? Do you think it could have benefited from a few bittersweet endings that ultimately raised the stakes for us viewers, knowing that he can lose? I have my own opinions but I wondered what you thought.

Danny does lose, though.

The only things that Danny always succeeds in by the end of any given episode is not dying and keeping his town generally fairly safe from ghost attacks, which are kind of necessary for a “superhero show” (even if that’s not what I ever saw this as.)

In the old Batman: TAS, Gotham City isn’t going to be destroyed, and when the Joker attempts a mass murder, Batman will always stop him. He will also always succeed in not dying. That doesn’t mean he can save everybody or that he’ll win every fight or even that he’ll be able to stop every plan.

Danny loses many one on one fights. Against Vlad, Bertrand, Desiree, the Circus Gothica ghosts, Pariah Dark. Heck, Danny lost a fight against the Box Ghost in Splitting Images because of his lack of experience. A lot of the time, the only way Danny gets out of a situation is because someone else comes in to help him.

If you want Danny losing against an enemy at the end of an episode, Public Enemies is one. Walker is sent back to the ghost zone, but he succeeds in his plan to turn the town against Danny. Everyone believes that he’s the one responsible for all the ghost attacks. Walker’s plan worked. What’s more, Danny was unable to save his new friend, Wulf. He was dragged back to the ghost zone and locked up by Walker again. The town’s safe, but a lot was still lost.

The Fright Before Christmas, while mostly silly, is another instance where the antagonist technically wins. Danny was forced to learn the Ghost Writer’s lesson. There was no way around it. It was a happy ending, sure, but it was still technically a loss on Danny’s part.

In Masters of All Time, Danny does succeed in saving his friends, but that was Vlad’s plan. He ended up having to give Vlad exactly what he wanted. He wasn’t able to avoid playing into Vlad’s hands without sacrificing the lives of his friends.

He’s not even able to keep everyone safe the way he’d like to. Valerie has her arm in a sling at the end of Reign Storm because she took so many beatings. Buildings are often damaged by attacks. There’s one time when the show cuts it really close to showing us a child dying on screen because Danny failed to catch them.

Danny also loses in most other aspects of his life. He loses the respect of his peers, even when he’s able to temporarily gain it in episodes like Pirate Radio. He loses his free time, sleep, and grades. He loses in all attempts to fight back against his bullies. He loses in trying to convince his parents and Valerie that he’s not an enemy. He loses in his love life. Every episode ends with “well, the town is mostly safe, but only for now and also Danny’s life still sucks.”

The only other way Danny could lose in the show would be having somebody die. And stay dead. Antagonists are able to achieve their goals sometimes. The only ones who can’t are the ones who want to kill Danny or someone else, take over the world, or permanently alter Danny’s life in an extremely drastic way (such as Freakshow).

Having someone die could’ve worked to the show’s advantage (and by that I mean someone other than, say, Vlad’s clones or something). That probably was because this was a kids’ show. We can’t have Danny die, because he’s the protagonist, and for the show to continue, that’d have to be undone in some way or another.

That only leaves things like if Jazz really did leave her family for Vlad, or if Freakshow got away with kidnapping Danny, or if Ember managed to enslave the entire world. Things like that obviously can’t happen, because that would either require the characters to completely go against who they are or the show to just…be over.

The best solution I can think of is to completely remove the episodic nature of the show entirely and have huge story arcs with larger stakes. Maybe Freakshow does get away with Danny and now there’s a huge journey Sam and Tucker have to go on to save him. That would completely change the nature of the show, though.

The town is mostly safe at the end of the episode. That’s basically the only way Danny always wins. And the only reason for that is that Danny will literally not stop fighting until he is dead. That’s proven in Reign Storm, where he was seconds from dying before Vlad showed up. So, unless the show went all out and killed the protagonist, he is always going to be able to beat back the antagonist, even if only temporarily.

I don’t think there’s much else the show could’ve done. (In fact, I personally wish Danny had more wins. A good example is Fright Night, where Danny loses the bet with Dash and it leads to a disgusting outcome.)

It’s still a cartoon. Just like how Dipper and Mabel weren’t going to really lose against Gideon or Bill in Gravity Falls, or how the Crystal Gems will always be able to keep Beach City from being totally destroyed in Steven Universe, Danny will succeed in protecting most of the people in his town. Anything else, though? That’s much more questionable.

anonymous asked:

What exactly are you angry about? I'm not trying to be rude I just want to know your thoughts

I wouldn’t say I’m angry, at least not at the moment. I’m irritated. Frustrated. Tired. Annoyed. Mainly at Sam and Cait, partly at myself.

Let me break it down for you. I don’t think Sam and Cait are bad people. I wouldn’t still be here if I didn’t believe that they were worth it, but they do some seriously shady and messed up things that hurt their fans feelings and it bothers me a lot. No it’s not always deliberate but sometimes it is and that isn’t okay. The majority of us came to this fandom because we saw something beautiful between them. That’s our crime. Seeing love between a pair of costars and deciding that whatever it was between them was special enough to dedicate our personal time and energy to supporting them. And yet because of that we’ve been treated like criminals. Like lepers. Like we’re insane. Like there’s something wrong with us and we need to be silenced and harassed until we can no longer take it.

When Sam and Cait pull us back onto the ship with their own behaviour (the shrimp discussion, Sam’s hand on her back at the BAFTA’s, the simultaneous online times, the constant flirting back and forth etc) and then turn around and decide to be seen with or interact with other people who are supposed to be their partners, we’re the ones who are targeted for it. We’re the ones who suffer and have to feel like we’re stupid because we chose to follow their lead and believe in what they’ve shown us. They know this. There’s no way they don’t. So while I don’t think they should have to live their lives in order to please the fandom, I think sometimes they should think about how their actions affect other people.

If they know they’re going to spend the holidays with other people and they aren’t willing to come forward with the truth, then don’t flirt on Twitter for weeks beforehand. Don’t get shippers hyped up. Don’t behave like lovers who can’t get enough of each other. Don’t purposely mess with our minds and our hearts when you know the inevitable bomb is going to drop and crush everyone again.

I’m not trying to sound like an entitled fan because at the end of the day they don’t owe us their truth if they’re not ready to admit to it, but it would be nice to not have to constantly feel like we’re living our lives in the middle of a battle field with no way out. They have the power to end this or to at least pacify the masses a little, and it seems as though it just continues to get more and more out of control. It’s frustrating to be a fan and to know that if I want to continue loving and supporting them then I have to put up with the other bullshit that comes along with it that nobody asked for. 

anonymous asked:

You said in your s13 meta that the narrative suffers from keeping Destiel in the subtext. Can you elaborate a bit on that? For example, would you have them enter a romantic relationship now (or in earlier seasons) or would you be okay with it only happening towards the end of the show as long as it gets shoved more into 'text' level along the way - however that would look? How would you personally go about it in a way that fits into the narrative of the show?

Well - I think there are a bunch of reasons why keeping Destiel in the subtext is hurting the show (narratively). Off the top of my head -

1) This kind of subtext - ie, scattered clues that can be as obscure as beer labels or paintings on the walls - is usually reserved for Big, Shocking Revelations - for instance, the identity of the murderer in a thriller. I can’t think of one single example in which the subtextual clues led to a ‘Guess what - she actually luuuuurves him!’, and there’s good reason for that - a romantic attraction is not interesting enough to leave the audience to guess it and half perceive it out of the corner of their eyes. A hidden subtext should be the kind of thing where you gasp and stare when it’s revealed and then you go back and rewatch the whole thing in disbelief (also annoyance, because part of you is not surprised by this at all, but you never listened to that part ‘cause your a gullible fool). For younger readers, the revelations about Snape in HP fit this model well; for older viewers, a good example is the ending of The Others or Fight Club. Romantically speaking, the only close equivalent to what Supernatural is doing goes something along the lines of sexual awakening - a beautiful example is Tracy Chevalier’s Girl with a Pearl Earring, in which it’s very clear for an adult reader that Griet is attracted to Vermeer from the very first moment she sees him, and yet the UST builds and builds because Griet herself is too young and inexperienced to see it - and when she finally realizes it, holy shit. Even in that case, though, the romance wasn’t exactly subtextual - every single adult around Griet wondered at it - her mother warned her to stay away from Vermeer, Vermeer’s wife was openly jealous from the second Griet started working for their household, the other servants were also suspicious of why Griet was spending so much time alone with Vermeer and so on and so forth. The tension came from the fact Griet herself didn’t understand what was going on - not from the thing being completely subtextual. So, to me, the fact Supernatural thinks a (gay) love story needs to be put in the subtext - it’s more than offensive - it’s just not effective.

Keep reading

anonymous asked:

Hi! I'm in a debate with a friend of mine about destiel; and since we're both really competitive people, it escalated, and now I have to write an essay about why destiel is a good ship by Thursday. Would you mind telling me some of the main reasons you ship destiel/some of your favorite moments? If you don't want to don't worry about it :)

(There are so many reasons lol) 

The main reason that I ship them is because of the connection that they have

They obviously have a different relationship than say, Sam and Cas

Their relationship is more…. profound ((romantic)) than Cas and Sam’s


Let’s go on to some of my favorite moments










#2- These parallels 


#3- The fact that in ^^^ that scene, Dean was supposed to say “I love you”, but the writers cut it out.

#4- The amount of times people referred to them as “in love” or “boyfriends”, because that means that other characters IN THE SHOW could see it too

#5- That one time that Isham referred to Dean as Cas’s “human weakness”

Also, do you remember when Metatron said this: 

Welllllll….. since Dean is Cas’s “human weakness” and Cas is in love with “humanity”



#6- These aren’t really in any specific category, but they are some of my favorites


In conclusion, Cas and Dean are hopelessly in love (even if they don’t want to admit it to themselves yet)

anonymous asked:

About Dean hitting on Daphne, Misha said at Chicon that Dean "gets a little randy" in the Scooby ep... I just feel a bit disappointed, like the writers knew Destiel wouldn't be canon by ep 16 so they wrote that in. I try to be positive most of the time about it being endgame and that I shouldn't worry about some random hook up Dean has, but I just don't see how this is a good thing if they want to make the GA aware of Destiel. Not to sound super negative, I just wanted to know what you think.

2. Hey! I don't know if you heard about this but apparently Dean is going to flirt with Daphne in the Scooby Doo episode… What are you thoughts on it?


People worry about random hook ups. I haven’t been around since before s12 but I know the meta writers say it happens every time.

Look at the gold in s12, we had 2 of them and they both were significant in that one was almost like it never happened (it probably didn’t and Dean was way more into riding Larry, she seemed really annoyed that he blew her off) and the other was a huge omelette metaphor for settling for something else cos you can’t have what you really want (is Cas bacon or the pancakes? Hmm either covered in maple syrup is good so…).

They both were cast and looked exactly like the Brokeback Mountain wives/girlfriends for TOTALLY coincidental reasons in a season where there was so much Brokeback Mountain subtext we laughed and laughed about it.

Then we had the gold of 12x11. Which was all about WHO DEAN REALLY IS DEEP DOWN.

AND IT HAD A FREAKING SCOOBY DOO REFERENCE (they knew they were going Scooby Doo in s13 at this point as they recorded it at the end of s12). AND IT’S A FREAKING PHALLIC JIZZ SQUIRTING SCOOBY DOO REFERENCE. 



Originally posted by flydestiel

I’m am so not worried. If anything it’s a momentary regression to show a blatant change in Dean now if he does jokingly flirt with her then is rebuffed or backs out or whatever but really it’s probably a whole host of things. THEY ARE NOT GOING TO DO A DEAN/DAPHNE ANIMATED SEX SCENE OMG CAN YOU IMAGINE. It’s all about the character growth and the metaphor it stands for and what it tells us about DEAN if they do do this and jeez, this is all off the back of some throwaway comments when Jensen was asked specifically by some dude bro interviewer and laughed it off like yeah haha, “sparks fly” (which everyone associates with Cas anyway since 4x01 LMAO) and I haven’t seen Misha’s comment but man… this is probably just SO blown out of proportion. 

But ok… let’s say they DO go there cos I think it’s actually a good idea re: exposition of Dean’s character growth.

Daphne is the epitome of Dean’s (old) fantasies.

She’s sweet natured, a cartoon so is reminiscent of his childhood, unthreatening. It could be so interesting and I’m actually looking forward to what they do here if they do, given how much they’re moving his character forwards now.

She’s also the badass fighter (occasionally, when the time is needed) who is in love with the tall blond leader of the group and is his emotional support…

Originally posted by totesmehgotes

Imma leave this here.

Character growth wise… man. We just had 12x22. Dean has been letting down his facade slowly for years and now it’s come crashing down. We know he is going to be A TOTAL MESS in 13x01 and most of this is about CAS. We know Cas does come back before this episode so… we will see SO MUCH of the fall out of Dean’s climax in 12x22 in his character growth in season 13. I CAN’T WAIT.

Dean just said “ok, she’s awesome” when Sam said he was more like Wonder Woman than Batman I mean COME ON!!!!!!!!!!! What amazing character development from Mr Dean - why do people assume I’m gay, is butch to overcompensate, hates when people call him pretty, projects onto Sam and insults him by calling him girls names and saying he acts like a girl etc - Winchester.

If we do have flirting it’s likely flirting that is backed out of, maybe Fred and Dean clash because they’re quite similar sometimes or Daphne actually flirts more with Cas and we get animated jealous dimples of discontent (Chuck I wish for this) or she flirts with Sam and it’s hilarious or whatever - who freaking knows.

I for one am not getting my panties in a twist and am actually really excited for what they could do with this for his character as I think it’s a part of his story in showing how he’s changed, because she is the epitome of his old fantasies, not a regression.

I mean have you SEEN seasons 1 - 12?! If they regress Dean’s character and he stays regressed and goes into dude bro no homo land now all hope is lost for any writer, showrunner or producer trying to write a character story on the CW. They clearly have no control or any clue what they’re freaking doing and are writing scripts with crayons.

It makes NO SENSE.




anonymous asked:

Women can slobber over Sam until they run out of spit but he will always be simple minded. The man has no depth beyond his muscles and love of mountain claiming. He's an average actor, still unknown beyond Outlander, who overplays his role and comes across as full of himself. Fans who fail to see the real Sam and continue to slobber over him only contribute to his mediocrity and ultimate demise. I'm sure most fans will call this Sam hate. I call it reality.

Oookay you all know I’m not Sam’s biggest fan, especially at the moment but this is just harsh and obviously I still care about him because reading this kind of made me want to fight you. The guy isn’t simple minded. Not at all. Yes he has many flaws but he has many amazing characteristics and no matter what happens, nothing takes those away from him. 

He’s extremely intelligent. He seems to be able to hold a conversation with anyone. He’s witty and charming and kind. He’s also shy which only makes him even more endearing. He puts his heart and soul into helping people. He truly cares about the ones he loves and it shows. Just look at the way he worships Cait. He would quite literally do anything for her. 

I may be in the minority here but I think he’s a better actor than Cait. There, I said it. Cait is amazing, but he’s more so. He has a way of captivating me just with a simple look. He’s not even close to average or mediocre. 

He may be full of himself and it’s quite off putting at times, but he works hard for his body and I think because he most likely grew up as the nerdy kid who no one looked twice at, he deserves to be proud of himself.

Obviously I don’t know him personally and never will, but I can say with certainty that he’s a good man. Yes he has messed up. Yes he’s repeatedly made the same mistakes that caused a lot of shippers to be hurt. Yes he associates with attention seeking trashy people for God knows what reason. Yes I kind of want to shake him and ask him WTF he’s been thinking lately, but he’s not a bad person. He’s not. I don’t know what’s going on with him or why he’s not being the best version of himself right now but I believe that guy is still there underneath it all. I may not stick around to see him come back, but I’ll always be rooting for him. And for Cait. I didn’t waste almost three years of my life being a fan for no reason. 

Now I’m going to crawl back into my cave because I’m embarrassed that you’ve made me say all of this, cya! 

1pen1knife  asked:

I'm sorry but all I need is for the whole pjo crew to meet the mcaga crew and piper is the one that looks at them and the first thing she thinks of is who likes eachother. Like I'm sorry but I need them (them being feirrochase and blitzstone) to awkwardly talk it out with the pjo crew

don’t worry bro i got you

  • ok so magnus is visiting camp half blood with sam, alex, hearthstone and blitz
  • b/c i mean like who wouldn’t want to see the magical camp 
  • (I’m wearing my chb shirt while writing this omg)
  • and percy and magnus have already met from when they needed his help 
  • so they get there, after a long car ride of arguing over whose baseball team is better between magnus and annabeth and percy agreeing with annabeth 
  • but magnums dads back him up
  • and alex totally does too b/c i mean she’s a magnus baseball fan ok and she threatens to kill percy and everybody goes silent b/c these demigods can’t die over and over and be back for supper? 
  • so its really awkward for a second 
  • and i mean alex did just offer to kill percy in honor of magnus and his baseball team
  • annabeth grins breaking the tension with ‘you can try but its gonna be hard’

  • when they get to the camp nico stares for so long and will and jason are hanging out with him 
  • and piper is talking to kayla and austin how nice 
  • annabeth and magnus are still talking about baseball 
  • and alex walks behind magnus and just plops his head on top of magnum’s because he’s tall enough to and he can 
  • so he’s awkwardly walking behind magnus just leaning on him so weird but very domestic 

  • blitz is great friends with lacy automaticaly and hearth just stands by until a kid runs up to him and starts signing 
  • and this fucking little kid is so happy because nobody here knows sign language but chiron and he’s not always here 
  • now hearthstone, blitz, magnus and sam are all signing to him and he’s so in love with them 
  • and magnus translates for alex duh 

  • nico is still fucknig staring so creepily but i mean 
  • ‘they’re fucking dead Will what the fuck jason go fly up to a tree with them and drop them i want to see what happens will they still be dead?? will they die and not be here??? are they ghosts??’
  • and will is like ‘or you could go speak to them’
  • Jasons just like i got this and picks nico up b/c no way is he walking over there alone, 
  • “my uh, friend, here wants to know wether you guys are dead or not’ 
  • will is trailing behind laughing his ass off 
  • and alex is straight up salty to them like ‘are you dead? thats not a nice thing to ask excuse you’ 
  • jasons just baffled b/c I’m mean that was rude it was a valid question 
  • and piper is here now like ‘my bf meant to ask are you dead?’
  • ‘oh yeah we are’ 
  • than piper goes ‘and your bf?’ referring to magnus
  • and alex just says yeah b/c he docent notice  
  • (the whole car ride back magnus is grinning like so I’m your boyfriend huh
  • ‘fucking shut up maggie you’re so dead later’)
  • and nico is just wow ok this is the first other lgbtq+ people he has actually met and they’re a couple so he jumps out of Jason’s arms and stands next to Will holding his hand so much more confident in himself
  • (jasons jealous so he also holds nicos hand ok) 
  • and wills grinning proud af b/c this is so rare and nico’s confident right now ok its amazing 
  • and ‘what about you guys are you dead?’
  • ‘no but were together as well’ blitz says looking magnus dead in the eye to be all fatherly like you aint fucking getting away with this without talking to us about it ok 
  • and hearthstone is too busy to read lips just still grinning at magnus and alex  

So I was thinking yesterday about that post about people being able to summon Danny (which is glorious- here’s a link because my tablet won’t let me add one to click: kikaiz.tumblr.com/tagged/summoning ) and I wanted to share an idea that came to me

Because this whole idea is great crossover material and it blends into the world of Supernatural so much, I would love to see a Superphantom crossover that includes Sam and Dean summoning Danny. Maybe they’re trying to summon the ‘Ghost King’ that they’ve heard so much about and then they’re surprised when it turns out to be a fifteen-year-old kid (who seems very /alive/). Or maybe they’ve already made friends with Danny and they summon him and he’s like: 

Danny: What’s going on? Do you need help? Is the world ending again?

Dean: Nah man we just need you to settle a bet for us. Do ghosts sleep?

Danny: …And you couldn’t just call because…?

Sam: Dean’s phone got destroyed on a hunt and we lost your number. Sorry.

Danny: Really? You lost my number but you didn’t lose the three pages of Latin instructions on how to summon me? Gimme that.

And then Danny would write his phone number on the top of the page and they’d go out for burgers and pie or something. And also wouldn’t Danny be able to call Sam, Tucker, or Jazz  to summon him back? Yeah idk but this thought amused me and I wanted to share