but i still think screenplays would read much more seriously than that

Yuri on Ice interview translation - Pash! 2016/12 (p14)

This is a translation of Mitsurou Kubo’s detailed commentary on episodes 1-6 (plus some about ep.8) that appeared on the Dec. 2016 Pash! issue. I wish I could’ve posted it yesterday, but I was too tired to double-check it… It’s very interesting and there’s lots of “behind-the-scenes”, so have fun reading while we wait for episode 9 (can’t wait already)!

Some notes:
In the magazine, some parts of the commentary are written in bold font and some in even bolder font. I recreated it with italic for the first and bold for the latter. (So yeah those are not highlighted by me, I’m just recreating how the actual article is.) The episode titles are left in Japanese because I’m not watching any sub/dub so not sure what to use as an “official” translation. As for character lines, for the same reason I’m not using the translations appeared in the sub/dub so they might be worded differently than what you are used to hear.

***If you wish to share this translation please do it by reblogging or posting a link to it***
***Re-translating into other languages is ok but please mention that this post is the source***


Mitsurou Kubo complete commentary!
Mitsurou Kubo-san is in charge of creating the original plan for the screenplay, in the form of a manga storyboard. We have asked her to comment on the story so far!

Episode 1 “Nan no Pirozhki!! Namida no Grand Prix Final”

-Looking back, this episode doesn’t have many gag parts compared to the others. We see Yuuri’s past, and since it was getting gloomy we tried lots of ways not to make it go too much into that direction.

-I completed the storyboard for this episode last year and it’s been quite some time since it left my side, so I was able to watch it forgetting that I’m the one who created it. That’s one of the reasons when people watch episode 1 and tell me “”YOI” is interesting” I reply “I think the same”, even though it sounds like self-praise. But indeed, I think I’m the only one that can draw this kind of story…

-The “pirozhki” in the title actually doesn’t appear in the episode (LOL), but it will come up later on.

-In the recording test for the scene where Yuuri gives his glasses to Yuuko and tells her “please watch”, Toyonaga-san played him really cool and made my heart throb (LOL). However, in the actual episode we used a version that sounds weaker. It’s no good if Yuuri starts being cool from the first episode (LOL), so I asked Toyonaga-san to make it something gradual. As the story progresses, Yuuri also becomes stronger!

-The recording of this episode is the only one I’ve been able to go to so far. I didn’t think about the voice actors at all when writing the storyboard, which resulted in Phichit’s voice actor Kenshou (Ono)-san coming to the recording even though his only line was “hahaha!”. This happened shortly after I went to see the “KuroBas” musical (where Ono-san is also starring), so I felt especially sorry for him… (LOL)

-One of the things I was going to do no matter what is to show asses in the hot springs (LOL). Though in fact, until that point I had never really drawn a guy’s ass in my manga. When I saw the finished footage I was like “this is so direct…!!” (LOL). But seriously, skaters have such a wonderful body!


Episode 2 “Futari no Yuri!? Yutopia no Ran”

-Some people realized from the preview at the end of episode 1 that Victor was going to become a coach, and I also spotted comments like “I don’t want him to quit competing!”, but that’s a hasty judgment (LOL). It was never said that he’s retiring!

-For weekly serialized manga the reader poll* is very important, and I remember one of the things I was told by my editor is that “manga whose 2nd chapter receives more praise in the poll than the 1st one tend to continue longer and become more popular”. So my hope for this episode 2 was that it would receive more praise than episode 1. And I think this actually happened.
[*translator note: Usually magazines come with a postcard where readers can choose which manga they liked the most and write comments. This actually influences the order in which manga appear in the magazine and can lead less popular ones to be canceled]

-When I wrote this episode I was still drawing freely, without thinking too much about the “30 minutes time slot” of an anime. I was told that “cutting a long story is easier than trying to expand a short story”, but when I found that just reading all lines aloud would take longer than 20 minutes, I realized that I needed to think more about the time too. Still, until episode 4 I wasn’t able to calculate time correctly.

-I’m careful not to make it look like Victor is completely guiding Yuuri with his advices, and that it shows that Yuuri is actually a person that can think about what he wants to do, that wants to create a new image for himself, and that he can come up with ideas that go slightly ahead of what Victor is thinking. As the story progresses, it should become more and more clear why Yuuri needs to be the protagonist.

-What I needed to do first of all is make it so that viewers will want to cheer for these three, and that they will never get tired of watching them talk together. Therefore, to write this episode I gathered all the skills and experience I have gained so far as an author and did my very best.

Episode 3 “Boku ga Eros de Eros ga Boku de!? Kessen! Onsen on ICE”

-The episode where eros is compared to katsudon. The original idea came to me when I heard that the choreographer Kenji (Miyamoto)-sensei, when he teaches young children how to do sensual movements, tells them to imagine “having honey on your hands”. I thought that in that case, if you absolutely cannot come up with an image for eros, you could just try to substitute it with food. Plus I also heard that foreigners like katsudon. And there’s a “katsu” in “Yuuri Katsuki” as well. I also thought it would be cool if someone felt like eating katsudon the next day, influenced by the anime… However, I actually never asked Kenji-sensei to base the choreography on katsudon (LOL). I just tried to associate katsudon to the finished choreography myself.

-Yuuri is actually quite cold-hearted. He’s someone that doesn’t really try to get into other people’s hearts, but in this episode, through the confrontation with Yurio, he became aware of a side of himself he had never experienced before.

-Figure skaters, even if they’re rivals on the ice, can be quite friendly with each other off the ice. I wanted viewers to remember “Hasetsu” as a place where Yuuri and Yurio could spend some carefree time. I added this match because it would have been sad not to see them confront each other until the GP series.

Episode 4 “Jibun wo Suki ni Natte… Kansei!! Free Program”

-I came up with this part because I didn’t want Yuuri to just dance on a FS prepared by Victor, I wanted the two of them to create it together. I wanted to show that Yuuri is not someone that just waits for others to give him everything, he becomes more active and does something creative on his own too. It’s something to which I can relate too because it’s also what I feel when creating my works, so it was easy to put my feelings into it. This is also the last episode where they are training in Hasetsu, and I wanted to make this one of the precious days Yuuri spent with Victor.

-Regarding the “hair whorl” scene, in a manga it’s something that would be explained with words, but since this is an anime I wanted to draw something that cannot be explained with words, a moment when the wall between the two falls. As sometimes Yuuri acts rudely even toward the person he admires, can’t completely open up his heart, tends to get a bit hesitant about creating something new etc, I wanted to show this somewhat irrational side of him. Wouldn’t anybody want to poke Victor’s hair!? I had the feeling that if you poked it something would change. It’s like Victor “came down to the human world”.

-We made Yuuri’s theme “love”, but actually in the beginning the concept of “skating for love” was never in my or director Yamamoto’s mind (LOL). Then we heard actual figure skaters say that “they can work hard for love”. If we hadn’t heard that we probably wouldn’t have done it because it would have looked like something forced by the creators, but if the show wasn’t about figure skating I’m sure we would never have discussed seriously about love or portrayed it anyway, and with the director we just got all hyped up about love and decided to make it the theme. The portrayal of love is a key point in this anime, and I’m glad that we could convey it clearly in this episode.

-It seems to happen especially with young Russian athletes that some of them go well when they’re young but then suddenly start getting worse results above 16-17 years old, so considering this too Yurio probably feels the flow of time in a completely different way than Yuuri.

-I like the scene where Yuuri writes “YURI ON ICE” on the CD and it connects to the title of the series. It’s actually true that you have to bring a CD to the tournaments. Kenji-sensei also used to write titles on the CDs, so I took inspiration from that. I really like episode 4.

Episode 5 “Kao Makka!! Shosen Da yo! Chuu-shikoku-kyuushuu Senshuken Taikai”

-It’s a stupid title, isn’t it (LOL). I originally put “kao makka” (bright red face) in the title referring to Yuuri feeling embarrassed when he skates Eros for the first time, but in the end he collides with a wall and his face physically becomes red, so it sounds like it refers to that.

-This is the only tournament that takes place in Japan. I wanted to show how, like Yuuri admires Victor, there are also Japanese athletes who admire Yuuri, and this is where Minami-kun shows up. But seriously, Yuuri Katsuki mostly has a cold attitude toward athletes who admire him (LOL). He doesn’t really behave like someone who is the target of admiration, and that’s why Victor scolds him. After that he finally learns to encourage his junior. This is something where Yuuri needs to grow.

-Meanwhile Victor also grows when he needs to decide how to deal with a pupil that isn’t as good as he had pictured… I’m surprised we could fit all this in one episode.

-For the first time Yuuri skates in a public tournament in front of an audience, and I had to decide from who’s point of view to write the monologues. Since in the real world you cannot hear what athletes think when skating, I thought it would be interesting to have the monologues come from Yuuri, so I chose him for the first point of view. The second part is from Victor’s point of view.

-At the time I wrote this episode I wanted to draw the storyboard properly, so I did my best to ink it as neatly as possible. I really really wanted for the production staff to see, to understand that Yuuri Katsuki is strong.

-We actually went to the Chu-Shikoku-Kyushu Regional Tournament to collect data. It’s possible to watch the tournament from right behind where athletes enter the rink and also very close to the rink, so we pricked up our ears to listen to what people actually say. We saw an athlete coming back from the rink saying “I’m sorry, I know! I know!”. I believe they wanted to show their coach that they understood what they did wrong before the coach themselves said it. There were also athletes who pulled up their zippers with shocking speed. Some of the things we saw and heard there were actually included in the anime.

Episode 6 “Grand Prix Series Kaimaku! Yacchaina Chuugoku Taikai!”

-All the athletes participating in the China tournament show up. This is the episode I was most scared it wouldn’t fit within the allowed time slot.

-One of the things I absolutely wanted to draw is the characters eating “Shanghai mitten crab” (LOL). I’m sure we and everyone else would want to eat it, and I know that athletes sometimes eat it too after the matches, so yeah. I’m glad that we included that scene, because it was an entertaining way to show that the characters have gone abroad from the start of the episode, in a part that is not directly related to the tournament. Beside that, when we went there to collect data, outside the hotel there was a food stall selling something like Taiwanese senbei (rice crackers), and we spotted the Chinese skater Yan Han eating them, so we based the scene with Guang-Hong on that.

-The players that participate in the China Tournament are all sociable, so there’s lots of chatting. Many of the songs are also catchy. On the contrary, the Russia Tournament is suddently savage (LOL). I didn’t want viewers to find the tournament scenes boring or to be unable to understand the characters, so I did my best to make it so that you could grasp a character’s personality through their skating.

-Regarding the scene where Yuuri licks his lips, in the world of figure skating athletes actually do need to show a provocative attitude toward judges. The director and I always discuss about “what would be the most unusual erotic thing Yuuri Katsuki would do?”, and that’s how I decided to draw him licking his lips.

-I created Popovich as a very artistic character, but he’s amusing (LOL). It’s also common for Russian athletes to use very loud songs or songs with sound effects.

-In my storyboard, Giacometti is skating fully naked. The director told me that the recording for this episode was awesome (LOL).

-I was very straightforward when I wrote Yuuri’s line “I’m the only one who knows Victor’s love”… (LOL). But I think that using more lukewarm expressions would just not be good for the story, so I’m determined to go all-out.

Episode 7~
-In episode 8 J.J. is shocking (LOL). We’re not planning to create chara songs for this anime, but his SP is basically like a chara song (LOL). Of course it’s not sung by (Mamoru) Miyano-san, but he skates to a song that he requested to write for himself, and the lyrics are just the best (LOL). There are also some visual expressions that normally would be impossible to see, however it’s J.J. so it’s possible… I wanted to make him the most thoroughly strong rival character. I was the one who thought his final pose, and I hope it trends after the episode is aired… Another big highlight is Yurio’s serious agape after he becomes more refined. We had a female skater perform Yurio’s program, her hair was the same length as his and she brushed it up while skating. It would be amazing to see the same in the anime too. Another point to look forward to is the song used by Seung-Gil, who’s already popular in Korea!!

[Translator’s note: She actually doesn’t mention episode 7 at all, she just skips right to episode 8. I guess she didn’t want to make any spoiler and everything she wanted to say about it is spoiler? Well I can kind of understand… I am sure we will get comments on episode 7 too in magazines issued at a later time]


Beauty and the Beast - Thoughts

Okie so this is going to be a long post, just a heads-up. There may be unintentional spoilers, and if anything I’ve said is offensive I’m really sorry, the last thing I want to do is to offend anyone… But basically here is everything I loved about this movie after seeing it yesterday.

- All the backstory was great! Things that didn’t make sense in the original were explained, like how the village totally forgot about this castle, and why the Beast had emotional issues, and the whole age thing under the spell.

- Some minor characters got their own backstories and personalities fleshed out - Cadenza the harpsichord and Madame Garderobe, Mrs Potts’ husband, Cogsworth’s wife…

- Maurice was really well developed. He wasn’t just a bumbling inventor, he was an artist, a genius, a caring father, and I really loved the relationship between him and Belle. ‘How Does A Moment Last Forever’ was beautiful, it said so much in so little time; and getting some backstory on Belle’s mother was also great.

- Philippe the horse has officially earned his awesomeness ranking among the Maximuses and Samsons of Disney horsedom (I mean he already had in the original, but having a real horse made it even better)

- Belle’s girl power vibe was great - the way she stood up to Gaston, and how sassy her reprise was

- The librarian (he’s a librarian right? There were about four books but I guess it’s still a library…) - I won’t call him “the black librarian” or anything, that’s like saying “the female politician” - but I liked his character, how he defended Maurice, and that yes, he was a person of colour, which was awesomesauce.

- Also in general the ethnic diversity in the movie was well done, I thought. There were several mixed-race couples toward the end and everyone was chill with it, so I think that was great.

- Gaston’s character arc was excellent! I loved how he wasn’t really evil at the beginning, just extremely narcissistic, but then took a darker path later on…

- The enchantress got her own story too! No spoilers but she was a cool character

- Belle and Adam bonding over books was beautiful - I loved the Shakespeare references and the poetry, even if it was borderline cheesy at times

- Adam’s reaction when Belle says her favourite play is Romeo and Juliet - hahahahaha

- But then how he reads Guinevere and Lancelot in secret - aahhh <3

- Oh and Belle’s squeal when she sees the library - I would so do the same…

- Dan Stevens’ acting rocked in general. Obviously I was expecting that because Downton Abbey, but he really added new depth to the Beast.

- I’ll admit it, I thought Emma Watson was a bit overhyped as an actress, but she was amazing. I was proven totally wrong and it was great.

- By the way, about Gaston’s Macbeth reference (“screw your courage to the sticking place”) - I know this was in the original, but does that mean he does read books upon occasion? Not the sappy romances, but the dark and gory ones?

- The new songs were great - the part with young Adam gave me goosebumps, as did, like, the whole of Evermore

- Also the Beast got really emo toward the end there, haha

- I was a bit sad that one of my favourite lines was cut - “Lefou, I’m afraid I’ve been thinking”, “a dangerous pastime -” “I know” - but it was okay.

- LEFOU!!! Okay, I’ve been building up to this, I could make an entire separate post about it so bear with me here. I was amongst those getting mad about an LGBT Disney character, for a whole bunch of reasons. The fact that his name literally means the Fool; that he’s your classic imbecilic sidekick; that he’s in love with a self-obsessed straight guy who does nothing but abuse him in return; that Disney is using him as some kind of marketing scheme and token “representation” (gee thanks Disney); that he’s pretty much just a joke, and that his sexuality is therefore made into a joke as well. But… I was proven really wrong about, like, all of this. Disclaimer, I’m not part of the LGBT community, so I realise I have no authority to speak on this… but I thought he was portrayed really well. He was so much more than just a stupid sidekick, so much more than the comic relief, so much MORE than the “token gay character”. He had real personality, his own values and character arc and everything… And the relationship between him and Gaston wasn’t really abusive, not at the beginning. They actually had a nice bond toward the start, Lefou wasn’t just some hopeless obedient guy following him around… And the best part was that when Gaston went from being narcissistic to being plain evil, Lefou had real integrity, he saw Gaston’s true colours and stepped right out of it. He stood up for what he believed in, and got his own happy ending. As for him being nothing more than a joke - I think it depends on the audience. People /could/ take him as just the comic relief, I heard plenty of people laughing at the beautiful moment where he dances with Stanley… But that was up to the viewer. Josh Gad acted him excellently, I thought. Lefou wasn’t a serious character - he was never meant to be - but the actor took the role seriously, so that if audiences looked past the humour, they could see the depth he’d added to him. Tl;dr - Josh Gad exceeded my expectations as Lefou and it was wonderful. 

- Not only that, Lefou got some of the best lines in the movie - the part where he tries to spell Gaston but realises he’s illiterate; the part where he calms Gaston by reminding him of “happy things, like war, and widows”; and how he tells those girls fawning over Gaston “It’s not gonna happen, ladies” (we were all thinking it)

- Which reminds me - STANLEY!! My new favourite minor Disney character… His face when Lefou sings “whose team they’d prefer to be on” and doffs him on the head; the way he grins when Madame Garderobe dresses him in girls’ clothing; and of course the part where he and Lefou dance - how they stare into each other’s eyes… Aahhh I ship it

- The whole symbolism about being a beast was super deep

- Oh and Stephen Chbosky wrote the screenplay! I didn’t realise until the end, but I thought that was pretty cool.

Anyway, overall I loved this movie, it was amazing and beautiful, and really did justice to the original… I’d recommend very muchly if you haven’t already seen it! :D

Transcript of David on the NBC Sports Show - April 25/17

For those who sent me messages, here ya go!  :)

Note 1: I shortened the questions.

Note 2: Is it just me or does this guy not know how to pronounce DuchoVny?

Q: Are you doing what you went to school to do?

D: Well those programs are not really Fine Arts programs, they’re not writing programs. It’s more like studying to become an academic or a professor and teach literature rather than write it so I don’t know if it’s exactly what I set out to do as a career path, but it certainly was in the ballpark.

Q: How long did it take you to write this book?

D: Well I wrote it as a screenplay over 10 years ago and it kinda has been languishing in a drawer and I decided, after I wrote a novel called Holy Cow a couple of years ago, I realized that I could do it, that I could sustain a novel. That I could write like I thought that I might be able to. I always loved the story and I hadn’t been able to make the movie so I turned it into a novel in about six months probably. The funny thing there’s interest again in making it as a movie so it might turn into that in the end.

Q: Basically asks him if he went with Holy Cow first (which David already said!).

D: They were both ideas that I had conceived of as movies because that’s the business that I’m in. I hadn’t thought of myself as a novelist so Holy Cow was an animated film idea that I had and I decided to do that one first because it felt kind of liberating to kinda write for a younger audience. I felt like I wasn’t being that serious or maybe I might escape some harsh judgement. You know with the fact that I was writing in a genre that might not be taken as seriously as literature and then the Bucky effin Dent was always one of the favorite stories that I have ever come up with. I had the screenplay in a drawer not the novel. Turning anything into a novel from another form is not as simple as it might seem so it did take a while and it grew and it became somewhat different story in the transformation from screenplay to novel.

Q: What did you like so much about making this story?

D: Well you bring up the point. It is set in ‘78 and the charade that Ted the son is able to do for Marty the father which is kind of create this news bubble around him where if the Sox lose they can fake a newspaper or he’s got some tapes on VCR of the Sox winning that he can fool his father. Now obviously in today’s world that would be an impossibility, but when I started to actually think about the nuts and bolts of how and if this guy would be able to fool his father, luckily for me 1978 was the first year that VCRs came out on the market so Ted has a prototype of the VCR and when the Sox lose he’s able to put in a different tape of the Sox winning so that’s how he tries to save his father. But obviously at some point the dad figures out what’s going on and his health deteriorates. There’s a couple of reversals and turns that gets them to the playoff game and the final out and Bucky effin Dent hitting that fateful home run.

Q: How do you feel about what people have said about your work?

D: That particular book was reviewed very well so you know I tend to not read reviews of acting or anything that I do. I prefer not to read reviews, but in the book world it’s kind of a smaller publicity world than obviously movies or television so it’s really review driven so I was interested in reviews hoping that I would get some good reviews so that we could then alert some other people that it was getting good reviews, etc. So I was happy. I was happy that people seem to get what I was trying to do and they were moved by it. My intention in writing the screenplay first and then the novel was to… you really write an old-fashioned book or movie to where you’re moved to laughter and tears. I think that’s the story that I set out to write.

Q: Which one do you do best of the three? (Act, sing or write)

D: I don’t know. I’ve certainly acted longer, or I’ve probably written longer than any of it. But you know, they all come with different sets of challenges. I’d say with music that I’m probably the least developed of any of those things, but then again that brings with it the excitement of learning new things, of being a beginner so I don’t know what I’m best at. I think I enjoy doing them all.

Q: This guy’s got no problems. He’s made it. His life is complete. Am I wrong?

D: Well I mean, it depends, you know. In many ways life is complete but I just- I don’t wanna see it that way. I just see it as, you know, those were like seasons as an athlete, a job that I had. We had a good year, a bad year. But to me life is really about trying the new things and it’s not something about proving myself, but really enjoying myself and continuing to express myself. I also have a family so that completes my life in a completely different way. I’m grateful for the successes I’ve had and yet it’s still fun to try new things and even failure can be a great teacher.

Q: What do you want people to take away from the book.

D: I’d like them to laugh out loud and I’d like them to cry at certain points. I’d like them to have an experience.  Baseball is like… My own son is gonna be a better player than I ever was. He’s got a rocket for an arm. He’s a pitcher. It’s a way to talk about other things, it’s a way to talk about stuff, but communicate and spend time. It’s just kind of a wordless… it’s a long game. It’s a game of silences and it’s a game of lulls. It’s not action-packed. It’s like bursts of action. So there’s a lot of time to talk in between. Even like when I was in high-school, and this was before call-waiting even, this was like when you monopolized your one telephone line, I remember watching a ballgame with a buddy of mine, him on one phone in his apartment in New York and me in my apartment, two hours on the phone mostly silent just watching the game and making the occasional comment. With baseball you can do that.

pretty little liars series finale; a rant

Today I’m going to be talking about the series finale in more eloquent sentences with hopefully less profanity, because everything that I’ve been mumbling about the finale that aired about fourteen hours ago has been garbled nonsense and expletives. 

I realize that this finale has been highly controversial, and it seems, at least in the tumblr universe, that it’s been received more negatively than positively. If you enjoyed the finale, that’s fine. That’s your opinion. I don’t get how anyone could have enjoyed this, but if you want to explain it to me I’ll listen. I’m curious. 

Now, I am going to explain to everyone why I hated the reveal. (If you can’t handle high levels of salinity I suggest you stop reading here.)

Keep reading

5 Things (5/30/17)

1. I’m in Cinque Terre right now. Kelly is off on a hike and I’m laying low in our little B&B, reading, and wondering if I’ll even leave the room today. We’ve been traveling all over this country since May 19th, nearly non-stop. I’m exhausted. I’m in love with this area, much more than Rome and La Val, but only slightly more than Florence. I don’t know whether I want to walk to the top of a hill and revisit the cemetery, walk to the beach and sit in front of the water for the rest of the day, or stay right where I am, reading, listening to birdsong. None of these are bad choices. These are all privileged choices. And I kind of wish I could forget that, just for a moment.

I had a small crying fit on our third night in Italy. Right after dinner, we returned to our room and I started weeping almost immediately. Here’s something you should know: I am not great at taking vacations. Not real ones anyway. In fact, most of what I have traditionally called “vacations” are actually dutiful trips back home to Indiana in which I am pulled in a million different directions to visit a million different friends and family members, and inevitably end up disappointing a third of them with my lack of time to come through or my lack of mental presence when I do. Even vacations with Kel’s family, while amazing and usually unlike anything I’ve ever done with my own family, can be emotionally exhausting for someone like me. Someone who likes quiet, and long lazy afternoons. However, what those “vacations” provided me in spades were new experiences and distraction. This is why my current vacation made me cry. I’ve taken a real break. I’m really only doing what I want to do, and I’m doing it with my favorite person. But there is no consistent distraction. I am forced to feel, without having to wear the mask of self-containment or confidence. I get the long and lazy afternoons I wanted, and my mind fills them with all the thoughts, fears, and insecurities I’ve been distracting myself from for months. Maybe years. Go figure.

2. Kelly proposed the weekend before we left. I said yes, of course. He’d planned on proposing the day before the trip, but the combination of his own excitement and my over dinner confession that at times I don’t feel like I’m the kind of person who gets to be loved unconditionally, not for very long anyway, inspired him to ask me to marry him that same night. We’d talked about getting married before. I knew it was coming soon. Kelly is really bad at not being obvious about having a happy secret. I thought he might do it while we were in Italy. I was excited. Even if I couldn’t convince myself that I, as I am, could be loved unconditionally, I was certain I’d let him try. I’ve been certain about that for a long time. Because he already knew I’d want to pick my own engagement ring, he bought us matching Avengers novelty rings with green gamma ray insignia. We’re both huge fans of Marvel, and particularly The Hulk. It was perfect. He’s amazing.

I never thought I’d be significantly excited to be engaged. It just seemed like a small and barely necessary step to doing the real work of being married and building a life with someone. I am startled by my excitement. I am shocked by my desire to have a wedding day, even if I still want it to be one that looks like us, without too much fanfare or traditional happenings. I’ve been poring over four issues of the wedding magazine Catalyst, a gift from our family-friends Angel & Shira, and soaking up every idea that looks like something we would do if we were just throwing a party without the added pressure of an impending marriage. It’s the only magazine I’ve found that seems relevant to me, and my style. I can’t believe I’m reading wedding magazine that applies to my life. I can’t believe that thinking about my wedding day makes me smile so hard it becomes hard for me to stop. I can’t believe that my father will see me get married and my grandmother won’t. But Kelly is a constant. He is my constant. I am so excited–and so ready–to marry him.

3. This is my first time writing anything since we’ve been on this trip. I needed the break. And now, my head is spinning with ideas about what I want to do next. In my book, in my screenplay, for my job…there is so much I have to look forward to when I get back. And I am looking forward to it all.

4. My doctor is encouraging me to try a very specific diet to combat the symptoms of my PCOS. Part of me is willing to try anything. The other part of me is skeptical. Very skeptical. One of signs of the diet working would be me losing weight. A lot of weight. I’ve struggled with my weight most of my life due to callous commentary from people who loved me and just the general poison of societal standards of beauty. Typical stuff. But I’m feeling good about the way my body looks most of the time now. I don’t want to go back to judging myself harshly over the number on the scale. I just don’t need that shit. I also don’t want to be unhealthy. I’m going to try the diet. I might lose weight. And I’m going to cross my fingers that no one assumes I’m doing it for the wedding. Because I’m not, and I wouldn’t.

Seriously. If I lose a bunch of weight before this wedding, know that it had nothing to do with wanting to a look thinner on a “special day” and it had everything to do with my blood sugar, and reproductive health. I don’t know why it bothers me so much, the idea that someone might assume I lost weight to fit into a wedding dress or look good in pictures, but it does. That’s probably silly. But like…is it? I’ve watched friends over the past few years lose weight for a myriad of reasons, mostly health related. They’re sick and their bodies are suffering and the world is telling them how amazing they look, and it turns my stomach. I remember losing weight because I was depressed and once because I was so poor I was eating a half a sandwich twice a day with bread and meat I stole from my roommates and hoped they wouldn’t notice, even though they would have given them to me without hesitation. They were good guys. But I was embarrassed. Everyone was commenting on how good I looked, and I was eating so little I couldn’t even make a bowel movement every day.

I guess what I’m trying to say is, I want to be healthy, but I don’t want to fear my fat the way the rest of the world seems to. I don’t want to think it’s good or normal to want to be thin at all costs, especially when the cost is your mental or physical health. I don’t want to think that wearing a bikini, even if I’m self-conscious about it, is brave. Maybe it is, but it shouldn’t be. It should just be a thing I wore. And feeling comfortable in my body shouldn’t have to be such a struggle because it’s hard to find clothes that fit me correctly. And I’m a size 16! Imagine what it’s like for a woman who is a size 20 or 28 or larger? I would like to be able to just be in my body without fearing how the world will react to my size. That is wishful thinking, I know. But I still wish.

5. We both cried when he proposed. He started, and I soon followed. This is the first time I’ve been in a relationship where I am not the emotional lead. Kelly grew up in a home of emotional safety. He could talk to his parents about anything, and often did. When he was being bullied at school, when he was falling in love, when he was angry with them, when he was excited about something new he’d learned, when he was afraid…everything. It is not that he hasn’t known emotional pain. He certainly has. But he has always had this emotional safety net in them, this freedom to be exactly as he is, and express exactly how he feels.
In my home, there was no such freedom. I am still sitting in therapy once a week unraveling all the ways my current emotional obstacles sprouted from a childhood where my mother’s anger ruled her household and my heart.

While we were staying in a hotel in the Dolomite mountains, Kelly asked me what I’d like to do, what did I find fun on vacation? And I told him I didn’t really know. I didn’t grow up in a house where I was asked what would be fun for me or what would I enjoy doing. Sometimes fun things happened, sometimes we went to fun places, and whether I liked it or not was irrelevant. I had to appreciate it. And so, I’ve grown into an adult who knows how to appreciate most things, and few ideas what she would do to have fun intentionally. For many years, this felt like a superpower. Did I want to go to this movie or that one? Didn’t matter. I could appreciate both. Did I want to eat here or there? Read this book or that book? Go to this bar or that one? It rarely mattered. I was, and still can be, ambivalent to the point of invisibility. Now, when I don’t like something, I say so. And when I really really do, I really say so. But those strong opinions are far and few between. I am playing catch up. There’s still so much I don’t know about what I want.

Several years ago, when Kelly flew from Seattle to Indianapolis, showed up on my doorstep and kissed me, I didn’t know what I wanted. A few days later, when he told me he loved me in front of my favorite tree, and had for a long time, I didn’t know what I wanted. Each time, his certainty made me feel safe enough to try to figure out what I wanted. That’s something he’s always given me: room to figure out how I feel. For him, this is second nature. He has always been given room to figure out how he feels. This was his parent’s gift to him, this soft place to land. Today, he gives me the same gift. He encourages me to continue to appreciate everything, but know what I prefer, and go after it as wildly as I wish. My love for Kelly has never been about how he keeps me close, as much as it has been about how he encourages me to fly out and away in the direction of my heart’s deepest desires. Especially the ones I learned to bury in my childhood. Especially the ones that scare me. I can not explain to you how good it feels to want what I want, to know what I want, and to finally have a home that is also a soft place to land.

11 Blogs I'm Unfollowing Immediately

[Disclaimer: Angry post. Sorry.]

Once in a while, I do a “spring cleaning” of social media by unfollowing a ton of stuff. Not things I disagree with (we need disagreeing points of view) and not because I’m better than anyone (my insecurity would immediately banish the thought), but because it’s simply better for my mental state. It’s never a hasty decision. But where I’m going, I can’t take every voice with me. If you must, please discern wisely to unfollow me, too.

Here are eleven kinds of blogs or social media I’ll be leaving behind.

1) Random pornographic images. I know that art can be made out of the body (most work by Michelangelo and da Vinci are floppy beige sketches of the human form), but maybe we can draw the line at exploitative objectification. Not to be prude-ish, but I’m a recovering porn addict, and a relapse would have me missing work. And yes, most pornography supports violent cycles of human trafficking, and I can’t endorse that.

2) Hypocrisy. If you market yourself as an “inspirational blogger” but do nothing but preach online and get into passive-aggressive religious arguments all day, bye. There’s a whole world outside that’s starving.

3) Suicide culture. Look, I’ve wrestled with depression my whole life. No one wants depression. If you glorify that stuff with memes and moody movie scenes (from movies you’ve never seen), you’re both diminishing a very real illness and feeding into it, and I have to question if you’re really suffering depression or you’re just trying to go viral.

4) Shaming your parents. I know there are some really awful parents, but “Screw them because they didn’t get me the iPhone I wanted last Christmas” surpasses my tolerance for privilege. Unless you’re a parent, you have little clue how much they’ve sacrificed for your best (and yes, they’re people too, and they’re going to mess up sometimes). My family grew up with nothing; I know how hard they struggled.

5) Entitled fandoms. You’re strangling creativity. You’re why screenplay writers won’t take risks. They don’t owe you anything. Let them finish their story, and then complain.

6) Reactionary bitterness. If your blog is obviously acting out of unresolved anger all the time, bye. Go solve that stuff in real life, not with your thumbs. (And I recognize the irony of posting an angry post about angry posts: except it’s more out of grief than anything.)

7) Contrarian. If you’re constantly the guy who says “Well what about—” you’re actually an important voice, as we need critical thinkers, but at some point the edgy backlash of finding microscopic flaws that starts with “Am I the only one who doesn’t—” gets desperately exhausting.

8) Hyper-religious overbearing inspirational Instagram preachers. Seriously, bye. Why should anyone listen to you? What makes you a credible authority on anything? And why are you yelling “lukewarm” all the time? Please join any number of charities at the ground level.

9) Anti-religious atheist-fundamentalists. Seriously, blocked. I get the whole not-believing-in-God thing (I was an atheist for a very long time), but yelling at Christians in shrill snarky videos is just petty. You’re basically Westboro Baptist Church but replaced the “God hates you” signs with “I hate everyone who disagrees.”

10) Anyone who emotionally blackmails me to get money. I get at least one message a month that says something like, “You owe me, I made you who you are, don’t try to think you’re too big for me now.” Like this one: http://jspark3000.tumblr.com/post/152224898828/ (who by the way is still writing a bunch of “inspirational” stuff).

11) Dichotomous “Us vs. Them” rhetoric. If you can’t possibly make room and dialogue with the “other side,” politically or religiously or philosophically, you’re probably not mature enough to have a blog. If you can’t admit when you’ve been wrong or you only offer non-apologies, you have zero credibility for a platform. Go live a little, experience foreign cultures, admit where you need to grow, talk with people you’d normally never agree with, read different opinions. Please come back wiser.

J.S.

kaneki-ken-u-not  asked:

your jobs are cool! may i ask, what do you have to major in to be able to work as a character designer? I'd like to work in a similar field, but i dont know where or how to start

Hi

Thank you very much for your support :)

I m french, I love speaking english, but please forgive me if there is some english spoken mistakes :

To answer your question I would like to give you some advices and not a tutorial about how to become a character designer or how to draw cool stuff. You can find many tips about graphic design all over tumblr I suppose :)

I have to say that I m teacher since a long time, and more recently I had the chance to teach through Gobelins school as character design/ storyteller teacher.

I would prefer to share with you some informations that nobody use to share but who are much more important than graphic tutorials so I recommand people who read this post to share it a lot :)

I think the most important things I have understood to become art director / character designer is :

1/ practicing, I guess you have to find tutorials about drawing, you have to find life drawing lessons, you have to practice life drawing a lot, nude drawing a lot, you have to find a way to tell a lot of stories, thrygh comicbooks, animations, writing books, fiming..

2/ always focusing first on storytelling in your character design, and not only about “esthetic” , (I will talk more about it below)

3/ and staying curious of discovering many different influences from every kind of Arts or cultures or ages. (I will talk more about it below)

To be franck, I didn’t learn this job through my art school (Gobelins), but through my differents jobs as storyartist, comicker, character designer in real productions.

I mean that you can not do a proper design if you don’t have a strong story behind.

I also mean that my skills as a storyteller (storyartist, writer) are absolutely essential to be a good character designer / art director. for sure, 100%. I have became a better art director when I became a better storyteller (and I still have so much to learn of course)

A good design has to tell a good story. If not, whatever this design is good looking and with nice shapes, with nice brush photoshop made, it is not a good design but a vain design. You can not become a good character designer and less a good art director if you don’t understand that deeply.

The designs below from Ratatouille Pixar movie, are not about doing great esthetic designs (but they are also great good looking in that example) but they are first of all, created from a great story and created to push the story and to tell the story : you can understand relatonships, behaviours of each character, who is main character, who is second character,  through these  line up (below)

Pixar artists doesn’t care about puting graphic details, cool details, they remove all the details who don’t push their story deeper. Pixar artists care about what they are talking about. They want to stay readable, clear, coherent, meaningfull for the audience. This is the main difference between them and for example most of the designers from video games who lost themself in too many meaningless details in their designs (I love video games by the way^^ but they are not good example for you to follow to become a good designer for animation industry)

A good design has to be readable in one second, does not need subtitles to be uderstandable to an audience. that’s all. the rest is vain.

>>>>> in a word : a good design is like an ICON, it has to become iconic. For that purpose,you have to create a strong synopsis, a strong story then to imagine from that story  a strong, pure concept, pure idea to illustrate this story through one or several designs.


so a good design is about thinking good, not really drawing good… :))


 some other great and iconic designs readable in one second without knowing the movie, yes they are not drawing but it does not matter :

So : Do your personal stories, practice scriptwriting as much as drawing, all the time . As you can see, my last design are done from my personal project. I never split drawing and scriptwriting.

I mean don’t wait to get an art school to practice seriously, don’t wait to get a great job as character designer to practice. Practice seriously through many personal projects that you write yourself. So great companies and projects will come to you.^^

_____

learn how to write story through many scenario book or filming book:

here some books I suggest you to read as soon as possible and as much as possible:

in english I guess it is this one: but I m not certain sorry:

“filming” from Eisenstein:

http://www.amazon.com/Lessons-With-Eisenstein-Vladimir-Nizhny/dp/0809013509

in french : “lecon de mise en scene d’Eisenstein”

http://www.eyrolles.com/Audiovisuel/Livre/lecons-de-mise-en-scene-9782907114059

This book from Eisenstein is the most important book I have read about storytelling, and nobody knows it. Thomas Astruc, “Miraculous” creator, is the one who told me about it. There is a lot of books about scenario, storyboard, but none of them will learn you how about filming. This book explain you how the great director put deep meaning in their filming. This book tells about the scenography in a sequence. It explain you how to put meanings everywhere in a story, from the background design, through the character design, and to the storyboard of course.

another book I like is : Story from Mc Kee:

http://www.mckeestore.com/Robert-McKees-book-STORY_p_11.html

Why this book in particular? because it is made from “the Poetic” from Aristote. It is a very shematic book, hard to read, just take your time, take notes, make some exercices from it to understand it. It learnt me a mental grammar about how to think about a story.

____

so: conclusion : I have done a whole feature film screenplay about this personal project. My design are really stronger because they are made from a proper and strong story. This is the most important advice I could give to you.

My deep meaning is : a good drawing means something, tell a story. A good drawing is a drawing that you have thought about before you have started to draw.

Then I can give you some advices about my method of course but believe me, they are nothing compared to thoss about storytelling:

_ gather a lot of documentation and materials when you want to create a design. avoiding cliché is knowling deeply your subject. As I m doing a story about russian revolution and I m not russian, I try to gather many many information about the russian history , russian mythology, russian revolution, russian clothesabout this century, russian people…. This is not only about esthetic materials but about feeling the whole picture of your subject. so you have to read a lot, not only gather pictures.

_ Avoid to follow the “mode” but mix it.^^

I suppose you know we can not create stuff from nothing. We have to start from some pointin Art. But :

To create a new and interesting stuff, you have to mix two ancients stuff (at least) , not starting from only one influence.

My graphic style is a mix between many many influences. I don’t do “japanese stuff”, or “disney stuff”, or “comics stuff”, or “european stuff”, I have mixed everything I have learnt in my life.

Try to stay very curious of all kind of influences ; not only animation but Art in general, litterature, arcitecture, cinema, travelling, history of Arts (I have a History of art 2nd college degree which helps me a lot in my graphic researches). Try to stay open minded in every kind of cultures.

By example : Tezuka, creator of the manga, was very influenced by Disney. Kurosawa, best director ever, was very influenced by american cinema, georges lucas was very influenced by Kurosawa when he did Star Wars…..etc…

Try to discover as many art pieces as you can, never give up that in you whole life to stay inspired.

Personally I ma big fan of History, History of Arts, History of whatever in general. This is the main material I use for my work.^^

For that purpose , try to read many books, old books, shakespeare, Dostoievski, Homere, mythology books, whatever you want but really meaningfull books not only recent best seller(which are great of course^^ but do not focus only on them). this is a main part of your work , this is not lazyness don’t worry^^

same for movies: you can not tell good stories if you have nothing to tell :D : take the time to watch as many movies as you can, this is a main part of your work , this is not lazyness don’t worry^^  :

here some directors I love:

_ Kurosawa

_ Melville

_ Jonnhie To

_ Zemeckis

_ Nicolas Winding Refn

_ Mc Tiernam

_ Kurick

_ Takahata

_ Spielberg

My favorite movies :

_ Pusher II

_ Silence of the lambs

_ Benhur

_ Dersu Uzala

_ 10 commandements

_ Spartacus

_ Rush

_ Ikiru

_ Yojimbo

_ Kaguya princess

_ Munich

_ Mad max fury road

_ die hard 1

_ Hardboiled

_ A.I.

_ Contact


_ Compare yourself with the best artists in the world, not with your classmate in your artschool. If you want to be the best, and do the best production, be demanding and challenge yourself. Comapre your stuff to Pixar, Laika, Dreamworks, oldschool japanese mangaka and animator, ancient painters. Ask yourself why they are better than me? What should I do to improve myself? a lot of answer are not in the esthetic way but in the storytelling way believe me.^^

_ Don’t be shy, don’t be afraid to bother professional artists, show your work to professional as much as you can, ask them advice, be respectful with them and do whatever they will tell you to do to improve yourself. The only way to thank a teacher or a professional who helps you is to work harder and to follow his advices hardly.

_ Work full time, this is like a olympic game, this is serious : you have to be the best to get that kind of extremely competitive job. You need to implicate yourself a lot. You need to find a routine, you can’t work part time for this job. stay very implicated, stay extremely enthousiast.

_ To become better than other, that’s simple : work twice, triple more than other students. really. When a teacher, your boss seems satisfied, it does not have to be the end of the job.You have to impress people, not only satisfied them. Even if your boss seems satisfied, continue to improve your work after the deadline, until it is really great.

_believe in your potential but stay humble all your life, even after school, keep learning form others, never think you are the best.

Let’s stop for now, I hope it will help you and others people who wants to improve themself :)

A Brief Guide To Some of My Favorite Kirby Anime Episodes

As you might’ve already known, I’m a big Kirby fan. I love my brave orb son. Specifically, I love the Kirby anime, which you might know as either Hoshi no Kaabi or Kirby: Right Back At Ya! I dig it so much that I spent a sizable chunk of my time going through and screencapping every episode, including the all-too-short 3D special and the… interesting pilot. If that doesn’t sound like much, let me remind you that the anime is exactly 100 episodes long. That’s a lot of Kirby content!

Naturally, that much material means a lot of K:RBAY’s run goes through the motions with the show’s usual formula – copying abilities, saving the Cappies, and admiring the power couple that is Dedede and Escargoon – and spotting the diamonds in the rough is trickier than you’d think. Luckily, this guide is here to help! I wouldn’t say these are objectively the best episodes; just that these are the ones I enjoyed the most for various reasons. At the risk of blabbing your ears off about this beloved children’s cartoon, I’ll stop right here and tell you all about my favorite episodes! I’ll try not to list too many of them. (I should mention that this guide mostly focuses on the subbed version, which can easily be found on Youtube for the most part, though the dub is even easier to find and, admittedly, has its own charm.)

Keep reading

Just wrote someone a very long email about how The Oscars (and Hollywood in general) work, and I thought I'd put it here
Spoiler alert: making the best picture of the year has nothing to do with whether or not you win an Oscar. What I keep hearing again and again is “Hollywood is all about who you know.”  Which is why breaking in is such a daunting task.  A lot of the TV writers that I’ve read advice from keep saying that the best way to get a job in a TV writer’s room is to know someone who knows the executive producer, or to just go and introduce yourself if you happen to run into them at Starbucks or something.  Which is why I’m hoping that it won’t be too forward and desperate seeming of me if I try begging the executive producers of The Knick to read my spec over Twitter. Anyway.  Getting into “The Academy” is the same way.  If you just look at their webpage, it’s pretty self-explanatory: you get into The Academy because you know someone who is already in The Academy  and they sponsor you for membership, and the members then vote for who gets the awards.  It’s a democracy, but it’s an insider, good-old-boys club where there are serious career incentives to vote for, oh, say Ben Affleck’s big budget Iranian revolution film instead of a superior-in-all-ways indie film created by a first-time director with zero industry clout.  Not to mention that there are huge campaigns that go on behind the scenes, with “for your consideration” ads being run in Variety and The Hollywood Reporter (they’re so annoying this time of year, whenever I go looking at stories about where I might go looking for a job, I’m hit with Benedict Cumberbatch’s face), members are also sent free DVDs and fancy gifts from movie companies looking to curry some favor.  And then there’s the “they’re just a bunch of old White men” factor.  The LA Times broke its membership down:   

     Even if they’re voting objectively, without the nepotism and bribes, this kind of membership is naturally going to favor other White, male made films about White men.  Which explains why Birdman, despite being ridiculously pretentious and just kinda depressing, is likely to win best original screenplay while Cake, an indie movie with a nearly entirely female cast with an absolutely fantastic, clever, beautiful, and touching screenplay, isn’t even likely to be nominated.  It also means that it’s likely to give out Oscars to screenplays and movies that are kind of sexist, racist or homophobic.  Like I was saying earlier, I thought that Quentin Tarantino’s serious over-use of the n-word ruined an otherwise clever screenplay, making it sound like it was written by a ten-year-old who’s just realized he can use swear words when his mother isn’t looking, and I’ve got a lot of Black friends who tell me that it wasn’t even that great a screenplay to begin with.  And like how last year Spike Jonez won best original screenplay for Her, even though the movie was seriously too long, slow, boring, and its gender politics were kinda icky.  Beyond just the whole movie, there are also the kinds of roles available.  Recently, there have been more actors of color winning Oscars than ever, but if you look at the kinds of roles that are being offered, it’s not that great.  Seven Black actresses have won a best acting Oscar, and of those even roles, two have been slaves, one a maid, one an evil welfare queen, and one a woman having an affair with a racist.  Not exactly the most progressive kind of roles, but they’re the kind of roles that White people are used to seeing Black people in, and they’re the kind of roles that White people are going to vote for.  Quite often, when Hollywood actually does write a decent role about a person of Color, it goes to a White actor.  Characters of color in books magically become White on screen.  The lead role of Ghost in the Shell just went to Scarlett Johansen.  Back in classic Hollywood, Anna May Wong, an immensely talented Chinese-American actress, finally had the lead role that was going to give her an Oscar in The Good Earth, but the role went to Louise Rainer, who won the Oscar.     So, Oscar tropes.  There are a few tried-and-true tropes that seem to always work.  The most popular, and the most effective, is to play an iconic famous person.  This year, see Eddie Redmayne as Stephen Hawking.  Biopics are always big winners, and I’ll admit, a lot of the time, they create outstanding performances.  The King’s Speech is another good example of it.  It was a good movie, but I don’t think it was an especially *great* movie.  Another kind of infamous trope is “to go gay.”  Hollywood has a really weird relationship with queer people.  Anywhere there’s a lot of creativity and self-expression, there’s going to be a lot of gay folks coming to be there, so yeah, there are a lot of gay people in Hollywood.  But that doesn’t necessarily mean you get a lot of positive queer representation out of film and TV.  Recently, I talked to several transgender women about how they want to see trans people represented on TV (one of my characters in my TV pilot is a trans girl), and they all told me they were so very tired of the sad, pathetic queer person who does nothing but suffer and then dies.  The Imitation GameDallas Buyers ClubBoys Don’t CryPhiladelphia, they all fall into this trap, and they’re all big Oscar winners (or nominees at least).  Which is why I was freaking out so much to see the TV show Transparent win best comedy series and best comedy actor.  Transparent has a trans character who has a hard time and who struggles with coming out and transitioning late in life, but she ultimately stands on her own and most importantly, doesn’t fucking die.  And then there’s the whole issue of straight actors winning tons and tons of awards for playing gay roles while gay actors are terrified of coming out of the closet and ruining their career (it’s pretty much an open secret that Kevin Spacey is gay, but you haven’t heard a word of that from him, have you?).  Which is again why Matt Bomer, who is openly gay, winning a Golden Globe for a gay role, was also a really big deal.   and then there’s the role of women on the production half of Hollywood.  It’s still an overwhelming boys club.  Normally, I wouldn’t write (or even watch) campy melodrama for broadcast TV prime time, but I absolutely would change my style if I could get a chance to work with Shonda Rhimes.  She has three hit shows on air right now, is a titan of the industry, and is big on supporting other women in the industry.  That’s the kind of career support I might not get anywhere else.  But, as TV platforms continue to broaden, hopefully there will be more room for female screenwriters and female showrunners.  Orange is the New Black and Transparent, on Netflix and Amazon, respectively, both have female showrunners, have a solid core of female characters, and likely wouldn’t have gotten made if it weren’t for Netflix and Amazon being desperate for quality original programming.  The sudden boom of Netflix and other streaming services is a huge fucking deal for the entertainment industry because without the limitations on how programming is delivered, you no longer have to pander to the lowest common denominator and make TV and movies guaranteed to appeal to the widest possible audience.   There is a real breakdown of economics here: there are only so many network TV channels and so many time slots during the day.  Just the same, there are only so many movie theaters out there with only so many seats.  They aren’t going to waste precious space on something that’s got a somewhat narrow audience.  With Netflix and other streaming services, suddenly, that limit is completely removed, and suddenly people are *shocked* to realize that women want to watch stories about women, people of color want to watch other people of colors, and queers want to watch other queers.  And if it’s an especially good story, people from other groups might just join in.  Orange is the New Black may not have as massive an audience as How I Met Your Mother, but it’s a good enough show that people really do care about it and are passionate about seeing it do well, and want to see more TV shows like it.  So TV is really having a huuuuge moment where showrunners are king, original content is everything, and new voices are finally being heard.  Movies might just eventually catch up.  The Interview did absurdly well being streamed, much better than it would have just being in theaters.  I’m really wondering why the hell more movie companies aren’t going for the release to Netflix distribution method because movie theaters are a pain in the ass, and when I want to see a movie, I want to see it *now.* (cough, I um didn’t exactly pay to watch most of this season’s movies when I probably should have paid.  Seriously if movie companies want to compete with online piracy, they need to start making movies more available.  I’d have paid if they were on Netflix).  So if movies ever gain the democratizing effect that streaming has had on TV, you should be seeing much more diverse awards in the future, but it’s going to be slow going.   So yes there’s a long lesson on diversity in Hollywood and just what a clusterfuck of nepotism Hollywood really is.  I can’t wait to work there.
7

EDDIE REDMAYNE : .

THE INSPIRATION THAT COMES FROM THE GREAT MASTERS OF ART.

‘Inspired’ is one of the words that more pronunciation during the conversation. Has extremely nice and poses no da divo, Eddie Redmayne. Indeed, seems amazed that they all care for him. The reason is easy to explain. Until a month ago we thought that his talent had spread in the interpretation of astrophysicist Stephen Hawking, the theory of everything. The Oscar for best actor has confirmed the ability he had divined by looking in the transposition of Ken Follett’s novel the Pillars of the Earth. The criticism, he had applauded as the revolutionary Marius Pontmercy de Les Misérables. But with The Danish Girl, directed by another Oscar winner, Tom Hooper and premiered in competition at the last Venice Film Festival, many have thought of Oscar should immediately give him another. For that special gift that has to become more yourself, better if someone actually existed. In this case the painter Einar Wegener, Gerda’s husband, also an artist, whose marriage is overwhelmed by the choice of Einar to become the first transsexual in the world, Lili Elbe, at the beginning of the last century. Former student of Eton College finished in Cambridge for love of art history (but he also hung out at the fashion world, with two campaigns for Burberry), talk about art and style with Redmayne is easy. We do while we wait for the release of the film in the United States, on 27 November; then it’s the turn of the rest of the world. In Italy the date to sign it on 4 February.  

By Cristiana Allevi:

C.A.: PHYSICAL TRANSFORMATIONS ARE BECOMING A HALLMARK OF YOUR CAREER. …

E.r.: The people  physicality has always interested me, because it’s a huge part of who we are. The use of the hands, in particular, has always fascinated me, and the way each of us takes some posture.


C.A. LET’S TALK ABOUT the NEW ROLE IN THE DANISH GIRL. PLAY lILI WAS MORE  LIKELY TO STEP INTO THE SHOES OF ASTROPHYSICIST STEPHEN HAWKING?

E.R.  Play Stephen Hawking would have intimidated any actor. His story was one of the most encouraging and inspiring I’ve ever met. Had a rockstar character, but to play it I had to learn to move only certain muscle groups, immobilizing the rest of the body: a long and difficult process 

C.A  HOW DO YOU  PREPARED  INNER CHANGE, AS WELL AS, FOR THE DANISH GIRL.

E.R. I studied biographies of trans, as Jan Morris’s Conundrum, and David Ebershoff’s book from which the film is based on, The danish Girl. I also personally met many trans, I was ignorant about when I started shooting the film. I didn’t know that gender and sexuality are not related, I didn’t know the difference, the concept of fluidity. The people I’ve met have changed me, and I’m glad.

C:A: DO YOU HAVE NO SHAME TO PULL OUT HIS INNER WOMAN?

E.R. it was very interesting to look around, as Lili. I of course am not a transgender, but a cisgender (gender where there is a correlation between the gender of the individual and the behavior or role considered appropriate for one’s sex iol). But the first time I showed up on the set I heard Lili dress looks. I was more than secure environment, but I read subtle nuances of what it must mean being watched and judged as people do not conform to their sex. 

C.a.  YOU STATED THAT THE ASSISTENCE OF ALEX REYNOLD, the MOVEMENT DIRECTOR, IT WAS VERY VERY IMPORTANT.

E.R. Alex worked with me also to the theory of everything, he helped liberate parts of me. The movement is not only a fact outside: it was necessary that I could achieve a space as possible, inside me to contact the story of Lili. The difficulty of the film was to discover the true myself of my character, not build him a new identity.

C.A. IN THE FILM RUN SECRETLY BY your WIFE TO GO TO THE GREAT ATELIER AND WEAR WOMEN’S DRESSES. IN NORMAL LIFE HOW DO YOU LIKE  TO DRESS? WHAT COLORS YOU WEARS MORE?

ER i’M color blind, sometimes I dress too flashy colors, only later I understand they are very showy. But for most of the time I rely to blue, because I see it well (laughs) 

C.A. I HEARD  SAY THAT YOU ARE  LIVING OUT OF A SUITCASE: CAN’T MISS, IN HER BAG?

ER.  In my case there’s usually a lot of work! Screenplays, books, watercolors to make terrible paintings (laughs), what else? My car fotografica.

C.A. NOTHING DRESS?

E.R. DRESS ? Not so much … when I’m on the road for work, interview, Red Carpet, give them to me. When I got it, I put in my suitcase only t-shirts and jakets.

C.A. WHAT DO SAY YOU  PERSON HAS STYLE?

E.R. The fact that we feel caught without that person to make any effort to get my attention. When things are built does not attract me. I would say that for me the elegance is a State of effortless.

C.a. YOU  STUDIED ART HiSTORY IN CAMBRIDGE: THIS AFFECTS THE WAY YOU PRESENTE YOURSELF TO THE PUBLIC ?

Er  When I have to play  historical characters I spent several afternoons a Nationall Portrait Gallery in London, covers several periods. Although those walls there hung a painting without my character, find someone with the same historical moment that I need and I understand how it was played by an artist of the era. I find it interesting phenomenon.

C.A. DO YOU REMEMBER THE LAST TIME YOU WAS INSPIRED FROM  A PAINTING IN THE NATIONAL GALLERY ?

ER  When I worked on two Elizabethan movies, one was Elizabeth-The golden age, the other tv series with Helen Mirren who played Queen Elizabeth, Elizabeth i. I I played the Earl of Southampton. There is a painting which he had commissioned himself, explaining how that man loved the rich better than a thousand words. He had long hair, wore rings of various styles, was surrounded by carpets and precious objects. 

C.A. YOU WENT TO ETON COLLEGE  WITH PRINCE WILLIAM TOO. THAT PLACE HAS BEEN MARKED?

ER  Eton College  is a fabulous place ( I confirm). The oddity is that every day you have to wear a uniform, tailcoat with a collar (a particular type of frac, ED), this is a very uncomfortable. But when you’re there and everyone wears the same thing doesn’t it seem more unbearable. The real reason I went in  that  school are the great teacher who offers, just mention Simon Dormandy, a really sensational theater teacher . I was treated like a professional act. from day one; After meeting him I haven’t attended an acting school: he taught me all that I know.

C.A, THERE’S AN EXACT  MOMENT WHEN YOU REALIZED THAT YOU  WANTED TO BE  AN ACTOR AS PROFESSION?

Er   I always liked  recite since I was a child, 12 years. But I never believed it would be possible to do it professionally, they  had always said me that there are few actors who found a job, and it’s true: Statistics say that it is one of the professions that everyone wants to do. I mean, I never allowed myself to believe it can. But if I remember correctly before to go  in College, things have changed: I started to feel some excitement at the idea of trying seriously. 

C.a. ARE THERE  COLLEAGUES WHO ADMIRES?

Er . Of my generation? I like Ben Whishaw, Andrew Garfield, and I find that Benedict Cumberbatch is awesome. Then there’s my friend, Tom Sturridge. Want to know who I like among women?.

C.A.PLEASE

.E.R  I worked with Kristen Stewart and Sandra G Moretz, I was heavily inspired by their passion and freedom.

C.A. THERE ARE MORE HOLLYWOOD STARS LIKE ANGELINA JOLIE, CATE BLANCHETT, JULIANNE MOORE, THEIR  HAVE WONDERFUL WORDS ABOUT YOU. WHAT DO YOU THINK IS THE REASON?

ER I have nothing more to say except that I have had the privilege to work with and meet  so close and from  point of view of people I was lucky since the beginning, and it’s important. When working on a film make a kind of circus life,  your colleagues besomes your family.

C.A. STILL LIVES NEAR BANKS OF THE THAMES, WHEN YOU AREN’T WORKING?

  Er.  RIGHT.

C.a.WHICH ARE THE PLACES YOU MORE LOVE OF YOUR TOWN?

Er . In London I walk a lot, I like the South Shore (South Bank) down at the Design Museum. There’s a market, Borough Market, which sells delicious food. I also like the city center, this urban area full of offices: I love walking down those streets so old over the weekend, when they are empty by persons.

C.A. WHAT OTHER PLACES INSPIRE YOU?

Er. New York and the Neue Galerie, the Upper East Side. I have a weakness for abstract art in Germany, the Gallery is really my Kingdom. Spend a lot of time in Venice at the Guggenheim, and where else? When I travel I visit many exhibitions.

C.A. WHO WAS THE LAST?

E.R. Egon Schiele, in New York. It was a rather complicated man, these incredible sketches faceceva, created many dimensions with an economy of lines. Then at the Museum of modern art in San Francisco saw an exhibition on modernism really special, I can’t remember the title. 

C.a. YOU SAID THAT LOS ANGELES IS THE  OPPOSITE OF LONDON: WHAT MEAN ?

E.R.In London you have just  to get to a subway for discovering new places, to miss while you’re looking for something. And in New york it’s the same thing. In Los Angeles instead before you have driving, then you have to know where to go! I felt overwhelmed when I went there the first time. 10 years ago: I didn’t understand the city. Now I have a certain feeling, I enjoy the place as really special. there is all , you can be at the beach and two hours after skiing, or in the desert. There are practically all.

C.A.  YOU SAID ALSO  YOU FOUND MANY FRIENDS, WHICH STATE IN A FEW … …

E.r. For me and others is the city of work, but often the British actors who go there for the first time,  create a  group why they feel lost. Again, it’s a family matter, alive with colleagues for a month or two, it’s only natural to  help together . And in some cases it happens that  become friends. 

vefanyar  asked:

I could cry reading your answer on finishing things. Though I do tend to finish what I write (not always, but often), being disgusted by my writing (10+ years at it, no talent or voice to speak of) struck home... but it never would have occured to me to affirm that I'm producing crap instead of just forcing my way through a process I do enjoy but can't put on the page right and lately thought about giving up. I haven't tried it yet, but "liberating" doesn't even begin to cover this. Thank you.

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Rizzoli & Isles, 5x08 (once again)

I guess, thenicecheese was right – the only way to write a review for 5x08 is to do it while still enjoying a buzz. So, let’s do this before I’ll run out of wine. How about some music to get us into the mood? Here, have some Dropkick Murphys – and for the record, this is NOT the show’s theme song, no matter how often some acoustically challenged fans claim it was.

We begin with a little PSA: Smoking is bad for you! Like, lethally bad. I’ll count that opening as a plus because, given how many young viewers are watching, it’s always good to sneak in some health advice.

But enough with the foreplay, let’s switch to the reason why we’re all watching the show, which is Jane and Maura and—wait, what?

Oh, boy. It’s – quite literally – a boy! No offense. Gjokaj is cute and all. But can’t he grow a beard or at least some stubble so he’ll look old enough to be allowed into a bar at night?

Leaving superficialities aside, here comes the writers‘ first ginormous blunder. In case you’ve forgotten: We had to spent half of last week’s episode cancelling our date with Mr. Jack (sorry, the name Armstrong and his babyface simply refuse to go together in my mind), and the writers made a huge deal about Jane finally meeting him.

And now? We’re already in the middle of the conversation! No awkward introductions. No “not a hugger” scenes. Nothing. All the setup from last week for nothing.

Instead, we get to hear the lame old “whoops, my fly was open” story. I’m so glad I had wine to keep me entertained.

So, let’s move o– … hold on, what? Jane and Maura went camping? In the Adirondacks? What the heck? Have the writers stolen my fanfic draft again? (No, I’m not currently working on a story that includes J&M staying at the Sagamore. Not at all. Move along. Nothing to see here.)

So, finally, we get a glimpse into what the show used to be. High-fives everybo—what? Oh… we don’t get to hear the story? No? Ohhh… I’m just… I… excuse me for a minute…

Well, we’ll always have the Adirondacks, right? At least in our minds…

That’s strike 1, writers!

Fine, let’s deal with the crime then. Apparently, this week’s motto is “Let’s pretend we’re making a cop show.” And a very serious one at that! 

There’s something about a dead (ex-)husband who was playing “I spy with my little eye” – except that he won’t be spying anything ever again. Oh, well… I think I’m supposed to pay attention but I’m still wondering what the embarrassing camping story might have been. Your bad, stupid writers. Don’t throw me a bone and withhold the steak!

Uh, steak… yummy! Wait, sorry, getting distracted…

Anyway, now we get to meet the new team member. Nina Holiday. I wish some of the writers would take off for some not-so-well-earned holidays and let me handle this. Ah, wishes can come true, right?

Nope, not on this show.

So, supposedly, Nina is hiding a little secret but has a clean slate. Let me guess: domestic abuse? Got raped? Lost a loved one in the line of duty? Yeah, it’s gotta be one of the classics. Just wait and see.

What’s most important about this scene though is another fabulous display of the writers’ laziness. Let me quote Frankie: “Welcome to Beantown, Nina Holiday.”
The thing is: No serious Bostonian calls the city “Beantown.” Why didn’t Russ Grant point that out? I thought he used to serve at the real BPD? Oh, wait, I bet he was busy taking buttcrack pictures, eh? Ah, too bad…

Let’s make up for this with some beautiful pictures from Boston, because at this point, that’s one of the main reasons why I watch the show. Look at the pretty:

More pretty. Oh, look, it’s the Constitution Marina in the background. Wanna read a fic about it?

And more pretty. (Oh look, it’s the Massachusetts State House, where Maura’s boss works!)

And more pretty. (You saw that one coming, didn’t you?)

Did I mention I love baseball? And Fenway Park?

Well, let’s move on. That magic enhance button has another appearance (me thinks, it’s getting more screentime than Maura…), Korsak once again reminds those who never want to accept it that Maura works for the Commonwealth of Massachusetts, and we learn that Korsak’s batting average was pretty bad. I’d totally play him for a few rounds of beer.

Speaking of alcohol, somehow I made it through the next scenes thanks to some fabulous wine. We get a few talking heads (the writers have learned NOTHING from last week’s disaster), then Jane meets Nina (because, obviously, that’s so much more interesting than letting Jane meet Jack for the first time), there’s more talking, and some computer magic and more talking. Whatever.

And finally, after more than ¼ is over, there’s a glimpse of what this episode could’ve been. We finally get a ticking clock – the big bad guy is determined to kill all witnesses. It’s a race against time! It’s exciting! It’s—

Oh, wait, we’ll have to interrupt this program for a completely meaningless never-ending little scene between Jane and Angela and a coffee-stained baseball. Initially, I thought this would be a little setup leading Angela to the realization what her new job could be, but nope, the scene was only in there to, uh, well… make me drink more wine?

That’s strike 2, writers!

We make another quick stop at the Boston Talking Heads Department, and then things get finally exciting again because we can talk more about that baseball and how to keep it clean. It’s so important. Seriously! The writing on my two baseballs has worn off, too. I really need to know how to fix this. Here’s the rest of what was important about this scene.

 

Never mind that Maura is a supersmart, successful, independent woman. Let her talk about bathtubs and baseballs. That’ll keep the annoying Maura fans happy, right? NO, FOR PETE’s SAKE! NO.

Anyway. More talking heads. Blablabla.

And then we get an eeeeeendless scene of Jane trying to convince the quota idiot on today’s episode to give her some information-whatever. About Tasha. Or Santa Claus. Or I dunno. I don’t care anymore at this point. Remember that the clock is ticking? Well, apparently it’s broken now…

And that’s strike 3, writers! You’re out!

*Sigh.* If only…

Well, finally, after ¾ of the episode are over, we get more of the stuff that could have been so great.

A containment thriller. Being stuck in the building. Getting shot at. Hell yeah! That’s the stuff that good and Emmy-worthy shows are made of.

But sadly, most of it is – once again – wasted potential.

Just imagine how great it could have been if the killer and Jane had played cat-and-mouse in/around the elevator. You know, going up and down… Shots being fired at the elevator door… The killer trying to get in instead of Jane trying to get out…

Oh, what a great and tension-filled episode it could have been.

But, alas, the most tension is derived from the fact that Jane – a homicide detective trained to pay attention to every frickin detail at crime scenes – conveniently forgets where she got out of her car so that we can delay the arrival of the cavalry.

That’s strike 4, writers!

Yes, I’m totally inventing new baseball rules for so much laziness on the part of the writing team.

And finally – thank God, I still have some wine left – we get the dramatic ending, which isn’t so dramatic after all thanks to the lamest lines ever given to a genius like Maura Isles: “You did good, Jane. You did really good.”

Gaaawd, even the newest member of my screenplay feedback group would’ve come up with a better line. In fact, in this case, NO WORDS AT ALL would have been an even better choice. THIS would have been the perfect occasion for their eyes saying everything that words would never be able to express.

STRIKE 5, writers!

And STRIKE 6 and STRIKE 7! Just for good measure.

And just like that, we’re already done with this episode that was supposed to be so amazing.

I have no words left. And no wine.

There’s much more that could be said. About how they messed up Jack’s story arc… About how they could’ve sped up half of all scenes by getting rid of unnecessary staring and stating the obvious… About so much more….

But at this point, it feels like a lost cause with those writers.

Well… at least we know that Maura is still part of the show… sort of. Just to make sure we all remember her face, here she is again:

*sigh*