Things people with ADHD people can have without being autistic:
-sensory processing disorder
-social difficulties due to inattentiveness/being distracted or oblivious
really fancied being a Ministry man. Even as a child. My dad, it’s all he ever
wanted — me, no. (…) Mainly I wanted to be happy”
was frail. (…) I didn’t want to risk her health, I said it didn’t matter
whether the Malfoy line died with me — whatever my father said”
think you have to make a choice — at a certain point — of the man you want to
be. And I tell you that at that time you need a parent or a friend. And if
you’ve learnt to hate your parent by then and you have no friends … then
you’re all alone. And being alone — that’s so hard. I was alone. And it sent me
to a truly dark place. For a long time”
son is in tears and I am his father and so I am here to ask why you would keep
apart two good friends”
have to find them — if it takes centuries, we must find our sons”
the black cloud Bane saw was Albus’s loneliness. His pain. His hatred. Don’t
lose the boy. You’ll regret it. And so will he. Because he needs you, and
Scorpius, whether or not he now knows it”
child, Scorpius, was born … it was the best day of both our lives”
would sell my soul for another minute with Astoria”
need my son back with me and safe”
is exceptionally lonely, being Draco Malfoy. I will always be suspected. There
is no escaping the past”
They’ve heavily implied if not outright stated that they want a dog/’forever home’ together.
They’re openly going on cute holidays and dates together.
Their creepshot war has turned into a mutual “appreciate my husband” campaign.
Just everything they do shows how they’re each other’s ‘forever-person’ and they want us to know it.
Meanwhile, the Phandom is:
Excited of course, but not surprised.
Happy for and supportive of them.
Embracing all the changes that are happening.
Not overanalysing things the way we used to, and in fact have predicted a few things correctly this year.
At its most chill in general.
Basically a lot is happening and while one would expect us to be losing our shit completely, we’re actually being pretty cool about it in comparison to how we could be, meanwhile our love and respect for DnP is only growing.
A deeper, rather terrifying analysis of Keyleth’s free-fall off the cliff… I’m no physicist, and I’m not saying that this is by any means perfect, but by my calculation Keyleth was in the air for about 8.42 seconds, and crashed into the rocks as a goldfish at about 125.5 miles per hour. o.o
Someone asked about this a little while ago (on a tumblr msg), and I’ve been chewing on it. I want to say first that I’m not an instructor, and I’m not super good at explaining things. If you want some really good animation resources I highly recommend these two books:
Cartoon Animation - Preston Blair The Animator’s Survival Kit - Richard Williams
They are both very good
(and they’re on amazon for way less than I bought them for!)
, but if you can only get one, and you have no animation experience, I suggest the second. It’s absolutely huge and has a very detailed explanations and diagrams for basically everything you could think of, starting from the very basic of animation principles.
Soooo animation tips? I guess the first and most important thing I learned when I went to school, is that more drawings don’t necessarily make better animations. I always thought that was basically it. The difference between beautiful feature films, and not so great Saturday morning cartoons? More drawings. Right? That might be part of it, that’s what makes it smoother, but it’s not the secret. The most important parts of making an animation look good are:
1. poses. 2. timing.
In other words, what you draw and how you get there: They should be interesting! Spending time on that is more important than spending time on making lots of frames.
Now…. I started writing up a bunch of stuff about keyframes, breakdowns, squash and stretch…. and it’s just this giant rabbit hole of explanations. And I’m sure there are a lot of YouTube videos that already exist and are great for all of those things. So… short version: are you making short silly GIFs? Then you want to see how few frames you can get away with and still have it look okay. If you put your poses too far apart, they will look like your character is teleporting. If you make them too similar and / or close together, it will be boring.
This is 5 frames:
lil unicorn guy: 5 frames is the minimum for a “boiling line” that looks good (the kind of line style that you see in Ed, Edd n Eddy, for example). The heart and the eye are wobbling around just enough to be interesting, and the tail is the one piece that’s really moving. If the whole drawing was done with a boiling line, it would probably look better, but that is so much more work and this looks okay!
This is 2 frames:
cutiefly toot toot: the body moves a little bit (but doesn’t change), the wings move a bit more, and the feet don’t move at all, they’re like an anchor. it’s only two frames! but it looks okay too.
This is 27 frames (but don’t freak out):
hugs wolves: so the bodies don’t move. pink tail: 8 frames. purple tail: 9 frames. heart: 5 frames. the moving parts all move a little bit differently in terms of distance and frame count. They don’t start and stop exactly the same time. That variation makes it interesting. But when you break it down, there aren’t actually that many different drawings to it.
TL;DR: Don’t move everything the same amount. Variety is interesting! See how few drawings you can get away with. Or not! If you don’t want to. And most importantly, just make stuff, even if you don’t think it looks good.
Tears as seen in real life are…pretty uninteresting, tbh so to make them look more feel-inducing than reality, it helps to exaggerate, especially when it comes to size and contrast.
Here are some things I consider when sketching:
I like to keep it to two trickles per eye flowing from the corners to, but by no means is that a rule. To give tears a sense of weight, I draw them as thin streams that gather into large droplets depending on where gravity is taking them.
You might want to push the size even further so that they’re more visible at a distance. Context and mood is also an important thing to consider; as a general guideline, thinner lines imply delicacy while gushing waterfalls are usually more comical. Feel free to let anime/cartoons/comics (etc etc) be your guide, since they can go really heavy on the exaggeration for a wider range of expression. Have some Mako Mankanshoku tears from Kill la Kill as an example!
Awww :’D I mean Awww D’:
Anyways, once I have my sketch down, I go ahead and block them out. I’m using a white tinted with blue for color contrast from the warm colors of the skin, but it doesn’t matter that much if you lower the opacity as much as I have. In any case, I don’t want to use my whitest white yet since I’m saving that for shiny highlights.
I then duplicate my block-in, darken the layer, then erase from inside the shapes I made. This is my “line art” of sorts.
Time to shade! Since tears are essentially water, I treat them like gemstones/translucent objects. Similar to shiny materials like metal, there’s a high-contrast transition between light and shadow in both edges and value, but with transparent objects, light passes through them, bounces around, and “gathers” on the side opposite of the surface that’s receiving the light, like so:
Not the most amazing rendering in the world, but I hope it gets my point across x’D
To compensate the loss of detail from zooming out, I use black to amp up the contrast (doubly important since I’m using a pale-skinned person in my example). If that’s too harsh for you, feel free to play around with colors and opacity. (Again with the whole emotional context thing. Adapt to the situation!) You can even use a soft brush or put the shading through a blur filter, but I usually choose to keep the edges hard because again, contrast.
Now for the fun part: highlights! Shine bright like a diamond : DDD
Amping up the contrast some more by breaking out the whites! I suppose you could stop here, but this still isn’t shiny enough for me yet, >:3c
I go over the edges of the tears with white to punctuate how ridiculously shiny they are. I also like to throw in some bright reds/oranges reflecting off the droplets to imply healthy, glowing skin as well as a dash of a cooler color for general environmental lighting. I also added some cast shadows to the tears. Not terribly dark, since light passes through the tears as opposed to being blocked out.
Again, while I am basing my decisions off real-life principles, a lot of these choices are highly stylistic. Whether you’re drawing small, have time constraints or you’re just plain lazy, you can always pick and choose! This is just my current approach, so while you’re free to try out my workflow if you literally have no idea what you’re doing, I do encourage you to experiment to see what appeals you personally.
Hope this helps! Honestly, I’m quite flattered that anyone would ask me how I draw things :’D If anyone does end up using this guide, poke me and show me what you’ve come up with; I’d love to see :D
Gillian Anderson, December 2, 2001 Cracked Xmas benefit for
The Trevor Project, which focuses on crisis intervention and suicide prevention for LGBTQ youth.
I think it affects me because of my own struggles as a teenager. I
don’t know if I would have used a hotline at that time, so I know what it feels
like to be stranded, to not be able to pick up the phone and not trust that that’s gonna help
and to not trust there will be somebody trustworthy on the other line that understands. I think
it just reminds me. Just a constant reminder of what that was like. If it is about growing up in a town or in a
family that is intolerant of one’s inner self, whether it’s a parent or friends
or the neighborhood, I mean, it’s like, that is supposed to be your
safety. That is supposed to be where you
learn who you are and learn what you stand for and learn that everything is
okay so that you can find that place and then go out into the world. And if it’s
a bad place, there is no safety and there is judgment and there is
fear, and the potentiality for a very difficult and shaky and confused and lonely
life is there. So nipping it in the bud really early is a real good thing.