bright angel lodge

futuristicwastelanddestiny  asked:

Idk if your taking writing requests but like if you are could you do modern jackcrutchie being cute in public but then they deal with some jerk being homophobic or something?

TW: Homophobia, homophobic slurs

The painting may have been nearly a decade old, but its colors remained just as vibrant as the day after Jack had painted it. Russet browns stretched down the canvas, darkening with deep, expansive shadows. Gentle shading had added definition to the stone face, illuminating nooks and crannies, dark with mystery. Faded red slashed across the stone, an eternal reminder of eras past. The base of the Canyon lay black with death, and destiny. Even despite the thick darkness, small outlines of boulders and crevasses dotted the edge of the jutting walls.

At the base of the Canyon, a faded olive river crawled, winding its way deeper and deeper into the ground. Erosion lined the river’s walls, gouges of eons and eras long gone. Gone, but never forgotten, as the century-old sun shone light onto the past. Only the smallest white smudges could distinguish the rapids that seemed impossible in the sluggish river from the height of observance.

The sky above the Canyon was soft with thin, pink clouds. The setting sun, barely visible over the Canyon edge, had turned the sky a brilliant gold, with light orange undertones. White-bright sun rays extended upwards toward the clouds, washing out some of the soft golden light. The top of the sky was already darkening into a deep indigo that bespoke of eternities swirling into the distance. Shadows dipped beyond the Canyon walls, stretching beyond the dwindling sun rays.

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Mary Elizabeth Jane Colter was an American architect and designer.

In 1901, the Fred Harvey Company (of the famous Harvey Houses) offered her the job of decorating the Alvarado Hotel in Albuquerque. Colter began working full-time for the company in 1910, moving from interior designer to architect.

For the next thirty years, working as one of few female architects and in rugged conditions, Colter completed 21 projects for Fred Harvey. She created a series of landmark hotels and commercial lodges through the southwest, including the La Posada, the 1922 Phantom Ranch buildings at the bottom of the Grand Canyon, and five structures on the south rim of the Grand Canyon: the Hopi House (1905), Hermit’s Rest (1914), the observatory Lookout Studio (1914), the 70-foot Desert View Watchtower (1932) with its hidden steel structure, and the Bright Angel Lodge ](1935); Colter decorated, but did not design, the El Tovar Hotel. The four “Mary Jane Colter Buildings”, as a group, were listed as a National Historic Landmark in 1987. She worked with Pueblo Revival Style architecture, Spanish Colonial Revival architecture, Mission Revival Style architecture, Streamline Moderne, American Craftsman, and Arts and Crafts Movement styles, often synthesizing several together evocatively. (text from her wikipedia visit that to learn more or I personally enjoyed reading this biography on her) (side note- Colter also would hire Native American artisans to create a lot of the art in the hotels/structures she designed)