On this day in 1500, Ludovico Sforza, Duke of Milan, was captured by Swiss troops and handed over to French forces at Novara. Prior to his flight from Milan in August 1499, Sforza had been a great patron of the arts, bringing Donato Bramante and Leonardo da Vinci to his court and commissioning numerous projects from them and others including the completion of the Dominican friary of Santa Maria delle Grazie with a new choir for his family’s tombs and a mural showing the Last Supper for its refectory.

Reference: E. S. Welch, et al. “Sforza.” Grove Art Online. Oxford Art Online. Oxford University Press.<>

Ludovico Sforza, Pala Sforzesca, 1494 (detail)

Giovanni Ambrogio de Predis, Portrait of Ludovico Sforza

Leonardo da Vinci, Lady with an Ermine (Ceclia Gallerani), 1489-90,   Czartoryski Museum, Kraków

Lazzaretto Hospital, Milan, 1488-1513 (destroyed)

Giovanni Antonio Amadeo, Facade, Certosa, Pavia, after 1492

Donato Bramante, Choir of Santa Maria delle Grazie, after 1492

Leonardo da Vinci, Last Supper, 1495-98, Santa Maria delle Grazie, Milan

“Shape of my Heart”

I made some shots in this fascinating place, the structure has been here since 500’

 this building stands on what was once the “old garden” of the castle. 

The place is known by the name of “Nymphaeum of Bramante”.

Model: Angelica Scascitelli

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Architect Donato Bramante died on this day in 1514 in Rome. Born in Monte Asdrualdo near Urbino around 1443, Bramante seems to have begun his career as a painter and designer near the court of Urbino. He had settled in Milan by the late 1470s, where he entered the service of Duke Lodovico Sforza. He worked in Milan for two decades alongside Leonardo da Vinci, who had joined the Sforza Court after 1482. With the fall of Milan to the French in 1499, Bramante left for Rome where he undertook important commissions for the Spanish monarchs as well as Pope Julius II, who gave him the extraordinary task of redesigning the church of St. Peter’s. Bramante’s style shifted from a more pictorial, colorful surface decoration to one closely tied to classical models. His Tempietto and design for New St. Peter’s have earned him esteem as the Father of High Renaissance architecture.

Reference: Paul Davies and David Hemsoll. “Bramante, Donato.” Grove Art Online. Oxford Art Online. Oxford University Press. <>.

Tempietto, Rome, after 1502; photo credit: Scala/Art Resource, NY

Attributed to Bramante (or Bramantino), Christ at the Column, ca. 1490, Pinacoteca di Brera, Milan

Santa Maria presso San Satiro, Milan, 1485, Milan, view towards choir

Santa Maria delle Grazie, Milan, after 1492, Milan, exterior of choir and views into choir and dome

Plan for New St. Peter’s and commemorative medal, 1506