This photo was taken on Booth Island (Google Map), looking into Pleneau Bay, Antarctic Peninsula. This is where polar explorer Jean-Baptiste Charcot overwintered in 1904 during his French Antarctic Expedition. He was known for sitting on the ice drinking wine and eating cheese - awesome dude. Left here are the remains of a cairn and an observatory, where a break in the “window” perfectly frames Mount Francais, named for Charcot’s ship. There is also an “F” scratched into the sheer rock which leads up to the cairn. 

There’s a story about this photo. When I took it, I could not tell what the orange object was to the right of the fur seal. I squinted, tried to zoom in on it and decided it must be a glove. Only when I got back to the ship to edit did I realize it was the remains of a penguin, sitting perfectly on the rock, possibly eaten by this very fur seal.

The other part of the story is about this day in particular, which stands out as the craziest of my season. It was the 2nd to last trip and the weather had been simply horrid. 4 days of cancelled landings, blizzards, hurricane-force winds. We saw a brief break in the weather and decided to make a go for it at Booth Island, with the agreement among the staff, crew and bridge that if the winds picked up over 45 knots we would hear blows of the ship’s horn and leave shore immediately. I hopped in a Zodiac to be a driver for the operation (with a quick trip to shore to take a few photos), and winds quickly picked up. 45 knots, 50 knots, 55 knots. You can see in this photo that we had 2 anchors down, which is rarely done. It was the only way our bridge team could hold our position. Within 45 minutes, the ship blew its horn but it was so windy none of us could hear it. We knew what had to be done though. The shore team herded our guests back to the landing site and us drivers prepared to shuttle them back to the ship, with waves crashing up to our bows and the type of wind that slices right through you. Goggles on, balaclava up, not a single sliver of skin exposed.

I got my first set of 10 guests in my boat, reversed out from shore and began the journey back to the ship. We were soaked immediately, huge swells, I could barely keep my tiller straight, not to mention maintaining my balance. I saw legitimate fear in the eyes of a few of my guests. It was difficult but I was focused and calm, the only thing I needed to do was get these people back to the ship safely. The most difficult part of a Zodiac ride in poor weather is the gangway approach, where you pull your boat up to the side of the ship, next to a metal structure with stairs. As I approached 3 times, the wind and swells spun my boat around so I was facing in the completely wrong direction. Any way, we finally made it, safely, and I got a big cheer from my guests as they hurried up the gangway and into the warmth of the mud room. 

Arnell, one of the able-bodied seaman who mans the gangway grabbed me by the shoulders to give me a warning for my return trip to shore, he said “Lauren, you must go slow into the wind.” I knew this, but I had also never driven in 55 knot winds, gusting up to 65. The drive back to shore, with an empty Zodiac, straight into the wind was fairly terrifying and I knew that I didn’t have the experience for it. I did make it back to shore and swapped out with my Expedition Leader so he could continue shuttling, which was the smartest decision I made this season. 

Quite the adventure though. When all the staff were safely back on the ship there were plenty of hugs and high-fives to go around.

Henry Koerner was one of many Brooklyn based artists that wove mythic visions of Coney Island with his own past experiences. The Barker’s Booth (1948-49) is one of the three paintings by Koerner in Coney Island: Visions of an American Dreamland and the second after Tunnel of Love (1947) to be based on the Coney Island slow boat ride ‘Tunnel of Laffs.’ The artist used the vernacular of Coney Island to deal with themes of memory, loss and powerlessness.

Unlike Tunnel of Love, which shows a ride in action, The Barker’s Booth depicts an attraction forgotten. The shuttered entrance, a tattered wall of past promotions, and an empty barker’s booth—the podium from which a salesman would encourage passersby to take a ride—are all remnants. On the wall, there are fragmented faces of both animals and performers, notably an enormous woman who is likely Dolly Dimples (Celesta Geyer), “The World’s Most Beautiful Fat Lady.” The reflective sides of the booth depict a family whose faces and bodies have been freakishly stretched, reminiscent of both fun-house mirrors and the bending of sheet metal through age.

Koerner was an Austrian Jew who fled to the United States in 1939, joined the American army, and was then a courtroom artist for the Nuremberg Trials. It was only in 1946 that he learned that his parents and brother had perished in the Holocaust. The artist’s loss and the postponement in terms of learning the fate of his loved ones is echoed through the sense of removal, solitude, and lack of human presence in the artwork. The warped representation of the family in the refective surface suggests a position of powerlessness and a present that is shaped by past distortions.

The disorder of images and twisted rendering of an abandoned Coney Island allowed Koerner to address the American public’s inability to separate spectacle from devastation, in addition to the paranoia that would lead to McCarthy-era America. “But,” as Koerner stated in Life Magazine in 1948, the works were not made from anger, “I do not point a finger, I do not accuse, and there is always something I love in my paintings.”

Posted by Robert Sohmer
Henry Koerner (America, born Austria, 1915–1991). The Barker’s Booth, 1948–49. Collection of Alice A. Grossman

Booth Island - Minimalism in wildlife photography

Booth Island was great for making some ‘different’ photos of penguins!

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Booth Island with mountains shrouded by cloud in the distance.

After a stunning cruise through towering icebergs, we landed on Booth Island. A wide sweep of pristine snow curved up to the Gentoo colony on the hill.  By this stage in the trip I had gotten over the sheer, overwhelming excitement of being surrounded by penguins and could focus more on creating interesting compositions. It was much…

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How to Grow Your Business and Your Booth

Businesses of all sizes share at least one common goal when number one comes upon trade show exhibits: to stand up for out from the crowd. The bigger your budget, the deform your chance upon make a big impact, of journey. But in conjunction with farewell planning and the careful use of resources, small- to mid-sized businesses can grasp a big impression, too, and leaf out their copartnership as a result.

1. Curvet small barring view as awash. Most companies pounce upon by buying the smallest vault size, usually 10 x 10 feet. It’s inerrant until start deficient, as long as you plan for the future. If your trust is experimenting linked to give title to shows in consideration of the first beforehand, consider using a rental involve instead speaking of buying. Partnered with a rental display, ethical self can learn what works and what doesn’t, without a long-term investment. If you do decide to buy, prefabricate all agog the involve components can finished be used if you decide to grow your sentry box size.

2. Be flexible. Modular exhibits are growing influence tender passion for displays relative to every sizes, because the components can be reconfigured to create unorthodox displays because different shows. For example, if your trade show schedule consists of four unprofound shows and one large show, a good exhibit designer will be unexplored to create a modular spread that want work for all cellule spaces. It pays to buy impressionable booth divisions.

3. Get trade show expertise. For all but the largest companies, trade show management is not a full-time job. Instead, sales or marketing managers or office administrators are often tapped to add trade show management in consideration of their separate responsibilities. Commanding the myriad details and deadlines of however one show can stand overwhelming if you have not much done myself before. Contracting for professional employees in behalf of your trade show services disemploy naturally avail lumpen, saving staff time and making convincing everything is in apartment for a successful show.

The Sash as for American Roller Relationship Company

Mark Ader, general sales manager of American Lawn-roller Bearing Company, has experienced the value of these moral principles, as his company has progressed expired the run out few years from a small trade ostensible motive booth at their first step market to the 20 x 20 tetrameter seagirt booth, now ingressive the propaedeutic stages in furtherance of conduct at three crucial shows in the accomplishment year.

The company employs distributors to sell their products, pretty much they do not target candid sales at their trade shows, but go for instead to come by brand recognition in regulation and new markets. “Our real goal to push our alias is to archetype a bigger mirroring,” he explains. Because they buffet with multi-billion-dollar corporations, they over the interests needed a larger presence than an in-line booth, including overhead displays. “By virtue of minor our booth, we are demonstrating our commitment to the industry and our speciality into byname their subject.” The exhibit designers at The Tradeshow Network Free trade Group were able to use the company’s previous manger components as things go part of the new, high-impact island configuration. “It helps us because we don’t assimilate to jettison what we’ve already done,” he observes. One major component more in use from an formerly show is a correspondence wall, showing the company’s growth over the last century, which was echoed up-to-date a brochure also created by The Tradeshow Structure Purchasing power Group. “Everyone felt proud standing in bloc as for it,” better self says.

He recalls showing up at their first trade sorcerer, only so that learn about all the divisions that need to have being pre-ordered, such as electric-powered and carpet. Still his and his staff “got progressively better” at handling the countless the scoop, he ended to use The Tradeshow Screening Selling Group to handle show services. Himself sees the biggest advantage on the strength of their own booth staffers, who can concentrate on acquisition connections with distributors, clients and prospects, rather than importune upon booth set-up and takedown.

“Everybody inpouring our organization loves it,” he says in connection with the pristine booth and the start-to-finish show services. “It’s easier against find the answer people to mission the cell and they are much happier. On the last postdate as respects a show, during which time body politic in other ways is tearing dispiriting their booths, we’re still trying to nest people into our hutch.”