books exist

Seven Long Years Later

I’m done with my book. It has been rewritten four times and is fully edited (okay it’s getting one last read through by a friend, but other than that it is done)

I’ve worked on other things, of course, and even went long stretches without working on it at all, but it’s DONE.

It feels weird, actually.  It’s been seven years almost to the day since I created Bel and Heln and so much has changed.

the thing about lotr that the movies don’t convey so fully is how the story is set in an age heavily overshadowed by all the ages before. they’re constantly traveling through ruins, discussing the glory of days gone by, the empires of men are much diminished, the elves (especially galadriel) are described as seeming incongruent, frozen in time….some of the imagery is even near-apocalyptic, like the ruins of moria and of course the landscape surrounding mordor

this is a strange thought to me, somehow: that the archetypal “high fantasy” story is set at the point where the…fantasy…used to be much higher? this is not the golden age; this is a remnant

[TRANS] ‘Seventeen’ Magazine 2017 Aug Issue - BTS Interview (P2)

JPN - KRN © cher_bts
KRN - ENG © ktaebwi

Currently on tour, BTS’ popularity has crossed borders and is spreading around the world!

RAP MONSTER: We came to many countries but Brazil left the most impression on me. I learned for the first that through the local news that they set up tents and stayed outside the concert venue few days ahead to buy our concert tickets.
JIMIN: I was really surprised!
SUGA: We travel around the world but mostly we just stay inside the hotel. I use the remaining time to make music there. That’s why I always carry around music equipment.
RAP MONSTER: You have a pot too. (laughs) He uses an electric pot to boil water and cook ramyeon or instant food he brought from Korea to eat.
J-HOPE: It’s really important. I bring a pillow too. It’s not too firm or too soft and fits my neck perfectly. I don’t have to worry even if the hotel’s pillow doesn’t fit!
JIN: I play guitar which I’m into lately in the hotel. We all do what each of us wants.
V: I bring my favorite book of Gogh and read it.
JUNGKOOK: I’m listening to music on my speaker… But the other members often scold me.
V: They said it’s too noisy. (laughs)
J-HOPE: When we say so he lowers the volume. (laughs) One time Rap Monster scolded him and he turned the volume down, but he couldn’t hear the sound like that so he brought the speaker to his ears to listen. I laughed and asked if he did all of that so he could listen on speaker.
JUNGKOOK: I told you the sound is different!
RAP MONSTER: What does Jimin bring?
JIMIN: I don’t bring anything special. Bringing myself is enough ♡

The real side of each person only the members know.

JIMIN: Our leader Rap Monster-hyung is a clumsy “destruction god”. Not just breaking stuffs, he also loses his phone time to time, tripping when there’s nothing around, or spilling coffee and stain Jin-hyung’s shirt… It happens a lot. (laughs)
SUGA: But he’s really smart. He’s got an excellent language ability and he’s the best at Japanese.
RAP MONSTER: I’m embarrassed~
V: J-hope is the dance leader, he dances the best. He’s also reliable and takes care of us well.
J-HOPE: I’m just doing my job.
JUNGKOOK: Are you being humble? (laughs)
J-HOPE: I’m serious. (laughs)
RAP MONSTER: Jin-hyung - the matnae* - takes care of us well too. He likes food so he cooks for us at the dorm or…
JIN: I’m busy recently so I can’t cook at all. I’m not eating a lot for my diet too.
SUGA: He shares a room with me. I hate when it’s loud so he always stays quiet for my sake. I like quietness and hate when there are too many people.
RAP MONSTER: He suddenly talks about himself when we’re talking about other members. Suga-hyung is really “mypace”**. And he’s always spaced out and lethargic. (laughs)
SUGA: I’m lethargic because I need to prepare my energy for music. Told you it all has a meaning! Jimin is “Slow Jimin”, this one word is enough. J-hope is the fastest and Jimin is the slowest. That’s the daily life of BTS.
JIN: But Jimin works harder than anyone else. He always dances or sings in the waiting room
RAP MONSTER: Is it the result of his effort? He has a cute face and great muscles.
SUGA: But… He’s always late.
ALL: (laugh)
JIMIN: Let’s talk about V next.
JUNGKOOK: He really is an amazing person.
V: I’m not amazing~
JUNGKOOK: He says that but he’s really amazing. (laughs) He talks out of the topic or question, even when everyone else is all “?”, he ignores and continues. And he forcefully makes everyone understand him.
V: I’m working hard on talking to the point too! But what can I do when I can’t think of anything? It’s hard for me too!
J-HOPE: I didn’t know that. (laughs) Our maknae Jungkook, as you can see, he’s perfectly handsome.
V: Is he always handsome like that? Hmh, is he…? When he sleeps… (giggles)
JUNGKOOK: What? (nervous)
J-HOPE: Nothing, you’re handsome when you seep too. It’s okay. (laughs)

*matnae: mathyung (eldest hyung) + maknae
**mypace: living or doing things without being affected by other people’s opinions or actions

The never-ending chatter of men! The close-knitted 7 people. When asked “What boosts your mood up?”, nearly all of them answered “The members”.

JIN: Sometimes we need to go work on our own… I indeed gets bored. It’s the same when we film individual cuts for music videos, if the members aren’t around I feel lonely.
JIMIN: The one who boosts my mood up is our maknae Jungkook. He’s mischievous so he always makes us laugh. But Jungkook said he likes tasty food more than me…
JUNGKOOK: Tasty food makes me happy ♡ If there’s food in front of me, I would take a bite out of happiness. Even if I’m full, it’s fine. I’ll get hungry soon after I sleep for a bit. I can keep eating all the time. (laughs)

For the question “What do you want to have at the moment?”, the answers of these 7 people who are busy everyday are!

RAP MONSTER: Time. I want to have some time with my family. I want to travel with my family. We had a concert in Japan last year and my parents along with my sister went on a trip. I couldn’t go with them… I was really upset.
J-HOPE: I have never had a family trip before too. I want to travel with my family!
JUNGKOOK: I want to travel too. To America or Japan. Who do I want to go with? (glances at J-hope sitting beside) J-hope-hyung ♡
J-HOPE: Wow! I’m happy! Jungkook finally knew how to live in life. (laughs)
V: I want to have time too, but I want to have paintings more. I like Gogh the most. There are around 10 paintings in my room.
JUNGKOOK: Are they real?
J-HOPE: If those are real they would cost hundreds of millions. (laughs)
JIN: I want to have an island. I filmed on some island last time and they said it can be bought with 30 billion.
RAP MONSTER: You don’t need to buy an island. We’re going to Hawaii or Okinawa anyway. (laughs) Oh snap, it’s time to end the interview! Let’s greet properly for the ending.
SUGA: Please listen to our single “Blood, Sweat & Tears” a lot and look forward to our Japan tour too. Please give BTS a lot of love!
RAP MONSTER: Our hearts are always… Seventeen ♡


Astral Projection

What is astral projection?

Astral projection is also known as an out of body experience. Astral projection can take place whether you are sleeping or awake. It is done when your conscious mind leaves your physical body on earth to a different dimension while staying connected by a silver cord. The cord makes it possible to come back to your earthly self. It enables your spirit body to explore the astral realm.  It is said that Astral Projection helps you become your truest and highest self. Astral Projecting is the floating and lifting of your physical being through the use of your astral body. 

Practices to Help with Astral Travel

  1. Relax and Practice Proper Breathing techniques
  2. Spiritually cleanse
  3. Practice visualization 
  4. Counting up or down while focusing your breathing
  5. Improve your concentration 
  6. Deep breathing exercises 
  7. Become Aware and Mindful
  8. Grounding
  9. Shielding and Protection 
  10. Intent
  11. Spiritual and Physical Protection
  12. Work on your inner energies 
  13. Meditate 

Astral Plane

A place where angels, spirits, deities, and other cosmic beings reside. It is a place where ones astral body travels through. It may also be recognized as the “emotional plane,” because the astral plane reacts to our emotions, thoughts, and desires. 

The Silver Cord

The silver cord anchor’s ones astral body to their physical body. The silver cord allows you to find your way back to the physical realm. It is described as being strong, almost indestructible, yet soft and elastic that can stretch and flex to make sure that the astral body is truly tethered to the physical one.

Risks of Astral Projection

  • Exhaustion 
  • Obscuring your focus causing obsession with the astral plane
  • Demonic Possession - A greatly debated topic, the truth of which is unknown.
  • You may become lost or disconnected from the cord - Some argue that you cannot severe the cord, some believe that becoming disconnected from the cord will cause death. 

Conclusion: The dangers of astral projection are extremely controversial, be sure to do proper research and follow your gut! 

Astral Travel Tips

  • Look after your mental and physical health.
  • Only travel when you have peace of mind, never when anxious or angry. 
  • Release all fear, do not project if you are fearful of the astral plane.
  • Record your experiences
  • Protect yourself by a visualization of pure white light
  • Wear loose fitting clothing and project in a warm room. 
  • Experiment with different methods

Signs you are astral projecting

  • You’re feeling a sort of numbness or buzzing in your skin
  • You’re hearing all sorts of strange sounds, like going through all sorts of random radio stations really fast
  • Your body is frozen and you can only move your eyes (“sleep paralysis”)
  • You’re feeling or hearing other people or animals in your room
  • Your body turns all liquidy like water and parts of you start floating
  • Your mind is spacing in and out of sleep


This is a basic guide to astral travel, do your own research before attempting astral travel! Be safe!

Moonlight Academy

anonymous asked:

Which Austen book/movie do you think had the most sexual tension?

Persuasion, hands down.

Think about it: every other novel depends wholly upon the uncertainty of the heroine being unaware of the hero’s romantic interest for some portion of the novel, with misunderstandings and difficulties largely brought on by the structure of Proper Courtship where it was generally considered inappropriate for either party to display too much obvious inclination until a proposal was actually made. (Marianne’s quick and clear affection for Willoughby makes a lot of people uncomfortable. Fanny Price is commended for her placid response to Henry Crawford’s flirtations. Elizabeth Bennet doesn’t even begin to remotely consider Darcy as a marital prospect until after he’s proposed and been rejected with some of the sickest burns ever committed to the page.)

But Persuasion. Ah, Persuasion. Anne has already previously accepted and then rejected Wentworth before the novel even starts. The whole book already exists at the level of tension we see reached when Lizzy runs into Darcy unexpectedly on her visit to Pemberley. That’s the whole book.

And it gets better.

Anne didn’t reject Wentworth because she couldn’t fuckin’ stand him, the way Elizabeth chewed off Darcy’s ear for being a dillhole to Jane and (she thinks) to Wickham. Anne loved Wentworth, and he loved her. They were devoted to each other. It’s the fact that she broke off the engagement despite this that rankles, for both of them. The attraction was there. It was acknowledged. It was allowed to burn wild and bright for that brief, delicious time before Lady Russell’s doubts and concerns seized hold of Anne and persuaded her to wreck his happiness, and her own. No, they were both fully aware of how much they wanted each other, and they were like “yeah, let’s get married, it’ll be great, I love you so much, oh God you’re so attractive, you’re amazing, I want to spend the rest of my life with you, you’re everything I could ever want.”

It was real and undeniable. They cannot unsay any of it. And then it was over.


And that’s just the backstory.

So despite Wentworth being hella difficult for Anne to read, and her own shattered expectations and self-esteem leading her to believe that of course he’s over her and totally into Louisa Musgrove, why wouldn’t he be, she’s young and cute and so many things Anne is not…we still get to watch Anne burn for this man after eight years apart and know that that’s a fire that’s never going to go out for the rest of her life, if time and distance and hopelessness and even the attentions of other charming young men in Captain Benwick and Mr. Elliott haven’t managed to put out those flames.

And on the re-read we can pick up on every look and cue from Wentworth which we then know to be signs of the fact that he is as helplessly lost to his desire for this person as he was nearly a decade earlier. He wants to believe otherwise and tries to act as if it is–and in a classic case of over-compensation gives rise to hopes and expectations from Louisa Musgrove which then very nearly lock him into an attachment which would surely divide him from Anne forever. And even when he feels himself safe from that, he confronts the possibility of Anne being taken by a rival in Mr. Elliott, and can only watch, rather than give a clear sign of his intent. After all the time that has passed, he is now in the position Anne was in at the beginning of the book, and must painfully struggle to weigh his own doubts against his desires. The no-liking-each-other-too-much-until-you-pop-the-question courtship rules still apply, and an open and happy flirtation at this point is not in their natures as individuals–they’re older than most other heroes and all other heroines. They know the risks. They’ve seen happiness slip away, before, and wonder if it is lost forever. Their emotional stakes are higher. He cannot bear to ask again, face to face.

The misery. The agony. The helpless and resentful eyefucking. That LETTER.

I͚̞̖ ̗̮͈̰̬͇͙c̺̗̮a̗̗̤̜ṉ̯ ̦͔̞̫̟l̯͎͇i̮̱͓̹̭̝͍̥s͓̣̱͎͉̙̻̱̩t͖̠e̼͍̻̣̼n̪̜̮̟̖ ̼̣̼̱̩n̬̳o̩̱̪̟͚̟̲ ̪̺̺l̗̦o͉̝̺̳̤̺̬̻ͅn̗̤̦̥̥͔g̗̰e̜r͎̙̲͚̥̫͇̰ ̜̻͎͈i̘̻̲̫͖̘̫n̩̳̻̮̳̪ ̖̳̳̬̭s̩i̹̩̗̻̘l̹͚e͈̮͖͚͈̫n͔̣̰̯̝̠̤̝c͚͍̙͈̱͉̗͇e̤̭̯̳̹̳.̘̖̫̩̭̻̤͖̱ ̳̞I͓̞̣ ̦̗̼͙͙͎̗͚m͚͙͖̜̜u͈̱̦̩s͓̰͚͎t̼͕̬͈̗̫ ̝͉͕̯̣͈ͅs͖̼͓̤͎͚̮p̲͇̮͓̩e͍̦̹͉͕̠͎̠a̻͎̝̭̜k͉̫̭̣ ̫̣̲̜͙͉̳t̺͚͔̜̗o̫͓̩̝ ̯̻̙̱y͕̳̘̺͎̞o͍̮u̲̭̙̦ ̺̦͎̬̦̣̤

b̩̹͖y̦̝͙̣̮̦̫ ̼̪s̜̜̼͓̝̣͉̺ṵ̼̦̪c͕̝̝h̝̞͈̻̺̩̼̬̩ ͕̺̟͓ͅm͖͈̣̰͍̫̦e̫͕͇̗̳̩̣̠a̬͕̭͕ͅn̖ͅs̲͕͉̙̥͉̠͙ͅ ̤̳̞̖̼̥̰a̗̗̹̰̳̟̙s̭̭͍̦͎͙ͅ ͇̭̰a̱̩͈r͍̦̟̣͚͙̱e̠̟̬̮ ̘w͔̩͈̩̠̮̭̘i̳̻̯͙̦̼t͇̖̹̙̩h͎̣͎̖̩̬̥̪̦i̙n͚̫͈̗̘ ̱̺m̯̜̬͈y̹̟̝̱̼̝̰̘ ̖̞̪̪̦̭r̮̝̙̻̣̯e̳̮̦͚̞̣a̱̞c̠̞̝͎̥̯͚͍ḥ͎̟̯.͎̪̬̟̻̥͉̦͙
͙̰̬͓̪̹͈ͅY̰̯̟̜͎̼̳͖̱o̘̜̞̣̭̥u̩͎̰̣̤̻͚͙ ̫̲̻̲̜͈p̱̹̯i͎e͈̣̩̠̲̖r̳͉̺c̩͔͉̩̤̥͉̲e͎̗ ̞̠̮̲̝̠̤̜m̯̙̹̖̗̺y̤̺͙̼̮ ̮s͇͔͔̦̮̤o̯͖̥̭͓͍̤ͅu͔̥̩̯̻̖̙̲l̟͎.̤͕ ̰̼̘I̭̝̫ ͚̠̝̜a̮̮̘m̝̖͖̫͙͖̟ ͔̳̯̟̺h̗͖̩̬̟̱͓a̺̳͔̲͈l̙̺̙͓̞f͍̠ ̠̞̘̮̩a̲̝̬̟g̪͖̲͙o̩͚n̩̞̹y̗̖͔̪̮͚̹̻,̖̩̬̗̣͇̺̹ ̥̙͇̜͓̙̠̰͎h͕̮̪͕ạ͙̰̠͓l͚͙͚̤͇̮f͉̰̝͈̳͍̖ ̭̘ḥ̞o̗̲͎̩̜̙p̭e͖̮̼̱ͅ.̻̳ ̙̣͍͍̦̩̼͓̯

T̻̣̖̼͍͉̝e̳̮̯̘̜͖l̪̰l͕͕ ̼͈͉̻̙̗̰̬m̟̬̙̫ͅḙ̬̰̲̦̮̜ ̣̲̘n̺̰̦̟͍͔̫o͙̬͓̗̫̻̻̱t̻̘̰̜̖̦̜͈ ͖͇̜͚̣͍t̳̞̼h̗̹͓̮̖̲̟͕a̫̞̖̣̳̩ͅt͈͚̩ ̝̤̗̲̭̫̭I̪͙͙ͅ ̝̜̭͚̙̞a͉̹͖̫͔̪̮m̯̘͇̪ͅ ̳͍̩t̠͈̻͚̩͇͚o̩̭o̘̦̝̙ ̰̬̠͓̠͚̙̹̹l͚͕͍a̰͎t̖̭̥ẹ͈̝,̩̲͓̖̘͇͎ ̻̲̬̲ț͔͎̹̪͍h̘͔̙̝a͇t̫͎͙͖ ̬̩͇̫̮s͖͉̘̙u͔̹͚c͕̣̝͙͍h͖̤̲̱̟ͅ ̖̺͔̠̰̬p͈̤͔̖̯ṛe͚͙̯̖c̝͔͙͉i̻o̖͙̠u̜̬̦̹̻̫ͅș̝̪̹̝̦̩̼ͅ ̦̥͉̞͉͚̗f͇̪e̝̰̠̝ẹ̹͔͉̟̤l̻͖͔̜͇̝ͅi̟̘͎̦͈̞̱n̲̮̤̤͉͈̬g̱͓͖͕̣̯͚͙s̱ ̩̯̲̪͕̩a̪̠͓͈̩ͅr͓͚e͍͇͖ ̹g̳̖͎͙͉͇͎̯o͓n̘̜͈̫e̲̥̥̞͖̩ͅ ̭̺f͓̺̮͈͚̼̲o̼̝r͖̰̩̞̺̼̮̰̪ ̗̮e̼̬̹̳͕̼̤v̲̝e͙̤͎ṟ̙̘̱.͕̞̥͙̝
̰̺̮̗̳̭̹I̺̼͎͕ ̳̖̘͇͚̦̳͉o̞̥̥̞̘̗̗f̜̱̞͔͕̹͙f̟̹̖̺e̲̬͉̥r̲͚̣̘̪͓̫̳̹ ̙͚͍̘͍̘̦m̪̫͔̼̙͔̯͕y͎̖̯͇s̞e̺̣͓̻̗͎̹͇̻l̙̣̮͈f͖̩̫̱̤͙̘ ̝̩̥͖̞̜͉̻͎t͇̳͈̳o̙̜̳͎̣ ͕̤̣y̱̞̦͈̳̥o͚u̦̭̥͔ ͈̹̗̮a̠̺͓͕͖g̤͇̟͍a͚̱͉̯̬͍̘i͚̣̣̻̥n̞͍̜̗̝͓ ̤̠̹̪̳͉̪͓w̼̭̠̭̝i͖̭t͎͕̮̭ẖ̟̱ ͉̩a̗͇̪ͅ ̩̥̺̱̱̦h̺̝͕͓̠e͈̜̮̪a͚̦̦͇͔̗͙̝͈r͖͔̜̠̰̥t̬̥̻̭͕̬ ̦͇̠͎̱͓͎e̥̙̠̥̼̩͎̘͍v̩͙e͎̭̺̫̥n͍͚̙̺̼ ̘̰̱m̗̲̯̞͇o̝͈͓̰͇r̹̤̞̙͕e͙͍̦̦̦ͅ ̱͔͇̩͓y̻̖͚̱̼ͅo̜̯̗u̦̲̦͎̙̬̭r̼̲̗̟̯̟̱͓ ̗͖o̜͍̤̩͓̲̬ͅw͈̳͎̩̪̤͓͍͎n͖͍͈͔̪͖͔ ͇̳͔̫̮͙̭͕

t̤͕h̲̲̩̱a̪͚͚̞͈͈͉ͅṇ̝̪̞̰̦͎ ͍̺̼̳̦̜w̝̹̖h͉̥̟̝e̮̞͇͕̩͉̰̮n̘͓̜͙ ̙ͅy͕̗͇͎͙͉̹̻o̖͈͈ͅu̺̱͈ ̮̥͍͍͓a̝̮̱l̥̩̤̹m͖̻o̻͚̯s͚͎̳̻͙t̟̹ ̱̹̤̝̞ͅb̰͍̺̜ͅr̤̙͍̹̯͎̻o̥͚͇̻k̹e̟͍̪͎͖ ̱̝̭̥̠i̠̝̬̙̲̤t͇͚̺̯̣̮̜͚ͅ,̙̣̭͓̭̮ͅ ̗̰̞̳͕͔e̦̱̹i̺̙̰͕̲͓̜ͅg̖̯͈͇͔̣h̻̻̺̼͉͍͇̞t̠̝̦̮̟͈ ̤̩̦̻̥y͕̼e̺͉͖a̭r͎̜̻̯͖s̺ ̰͔a͚̗̰̞̺̣n͕̳̜̲̰̱̮ͅd̮ ̲̳͉̙̲̙a͖̞͕͍̗ ̝̲͖̖h͈͈̮͉̯̱̪a̺̖̼̘̯̳͕̼̩ḻ͚̩̰̪̻̞͙f̺̫̻̬͓̩͇̜ ̖̮a͎̯̣͍̻̲̺g̞͖̹̭̻͓̻̥ͅo̺̲̯͔̪̹͖̭.̭͓̮̖
͚͍̮̟D̹̺̺͚͎͈a̱̫͕͕̩̞r̭̟̖̤͍̘e̫̞̞͉̖̮̳̣ ̼̱̜ͅn͙o͇̮̰̫̠̺t͕̱̜͎ ̟͕̩̼̙s̹a͖͉y͓̣ ͕̩̠̗t̟͈͍͚h͕͕͖̣̟a̤̹̯̗̪͕t̮̳͓ ͎̳̰̳̙̹͙ṃ̟͕̟ͅa̪̩n̥̲͇̺̞̖̰̫ ̫̖̯̜̼͖͖̼f̟̮̪̖̞o̯͉̝͚r̺̭̞͕g͕̹̤̖̣̤e͖̦̜̘t̺̮s̳̯̳̻̘̟ͅ ̻̜̻̱͉s͍͙̟͇̜̦̬͍o̬̪͔̟o̖̠̺͙̺̯̘͙n̼̫̥̮̬̜̞͖e̤̹͇͇̼r̬̻̰̻̻̹ͅͅ ͇̠ṭ̪̰͈̪̥͙̫h̫͕̙̞̟͍͖̺a̬̭̼̲n̹͙̮̹͚̘̞ ̜̺̤̪w͇̦͖̦͕ͅo̫̪̦͎̜̭m̜͕̹a͉͚̮̫n̪̥̣͖,̠̣ͅ ̺̺̪̠̮̘̮ͅͅ

t̫̳͎͙͎̩̹͕h̙̬̦̟̣̝̜̹a̟̠̖͍̜t̘̣͉͍̤̦̮ ͔̲̹̤̤̝̮͔̠h͖̲̲̣i̜̲͈ͅs̝̠̪̭̝̭̳ ̪̤͓̗̣̩̺l͔̺̱̼͇͕̩o͖̠͖͖v͓̫̤̲̬̳̳͔e̟̮͖̩̲̯̻ ̹͕h̼͚̠̘̺̖a̯̰s͍̹̠͔̠ͅ ̟͈̞̩̳͉̮ͅa͔̺̹̟̼̲̝̦n̳̖͕ ̣̗͍͎͇e͓͉̦̺ͅa͔̰r̠̺͖̝̗̼̼̘l̻̘͕̤̯̩̟̙i͔͚͙̠͓̥ẹ̯͙̼͙ͅr̲͈͉ ̣ḏ̲̯̟̪͇e̳͓̫̲̻͚a̯t̲̭̬̻̯̥̼̭h̠̘.͍̰ ͚͍

Ị̱̻ ̙̭͇̗̟̠͓̠h̲̳͎a͍̠̤̗̠̰̝v̙̘̖̼͖e̞̻̟̹̣̣̭ ̠̱͍̯͈l̹͇̗̣̙͈͈̩̰o͎̭̝v͈͕e̠̳̗͓͍̺ḓ͍͔̯̖̹̼ ̹̼̳͙̗̘̬n̳͕̰̻̲̰̖͉o̬͉n͚̭ͅe͚̮̯ ̺̺b̥̬̩̼̣͈̻̺͖u̫͖͖̦̪̜̠̱t̲̤͓̩ͅ ̙̮̣̜y͚͎̘̭̤̼̞̞o͔̩̭u̖̩͍̫̤͖.̠̬̞̰͍

Originally posted by kickinyoass

There are 30,000 days in your life. When I was 24, I realized I’m almost 9,000 days down. There are no warm-ups, no practice rounds, no reset buttons. Your biggest risk isn’t failing, it’s getting too comfortable. Every day, we’re writing a few more words of a story. I wanted my story to be an adventure and that’s made all the difference.
—  Drew Houston
[Revised 2/17] Books for Witches, Diviners and Spellcasters

Hi, everyone. A while back (a long time ago, actually), I started an annotated bibliography on books about witchcraft and magick, and I’ve updated it once (last November). 

Since then, I’d been keeping a list of things I need to add to it, but didn’t get around to actually reworking and updating the list a second time until today. Largely because I can’t really go outside much today because of the smog. But anyways, here it is. I’ve also included divination-related books in this version, whereas previously they were separate.

I hope you find something on here that suits your fancy! Happy reading! Also, yes, I do want to do more book reviews on this blog, so if you’d like a longer review of one of the books listed below, let me know and I can write one.

For Absolute Beginners

Encyclopedia of Witchcraft, by Judika Illes. Even better than the Weiser Field Guide to Witches - this book is huge and chock-full of information. It’ll explain in easy-to-understand language how the concept has developed throughout time, why witches do what they do, and different types of witches.

The Weiser Field Guide to Witches, by Judika Illes. This gives an excellent look at the historical lore concerning witches, from the perspective of a witch herself. It’s kind of tongue-in-cheek, but it does have some information that won’t be found elsewhere.

The Modern Guide to Witchcraft, by Skye Alexander. Great book for those who’re really absolute beginners and are wondering what witchcraft is all about. Skye takes a very postmodern, utilitarian, and unfailingly honest approach, and it’s geared towards those of almost any belief system.

Grimoire for the Apprentice Wizard, by Oberon Zell-Ravenheart. Attractively packaged and readible for almost all ages, this is a great (mostly) non-denominational look at the foundations of magical practice. It’s extremely detailed. Some of it only applies to Zell’s own tradition, but it’s quite useful, anyways.

Basic Techniques

Protection and Reversal Magick, by Jason Miller. This gets a little woo-woo at times, but he gives good advice on how to avoid serious problems that can come up as you begin to practice. Take with a grain of salt, though - some of this has the potential to make you feel paranoid.

City Magick, by Christopher Penczak. If you’re at all interested in tech witchery, or just want to practice magick within an urban setting, do check this out. It is by far the best look at the subject I’ve seen, and his discussion of urban tutelary spirits is worth the price alone.

Power Spellcraft for Life, by Arin Murphy-Hiscock. Nicely done, quite secular book providing basic beginner information regarding writing original spells and workings. It does fall prey to the trap of just listing correspondences with little information at times, but also contains a great deal of detail about ritual timing, raising power, and other topics essential for the beginner.

Sorcerer’s Secrets, by Jason Miller. This is a decent volume that describes a lot of techniques you don’t usually see in books, such as gesture and gaze-based magick. Be warned that Miller writes extensively about manipulative techniques, but it’s useful theory regardless of how you put it into practice.

Witch’s Bag of Tricks, by Melanie Marquis. This is not recommended for beginners, because the whole point of this book is to help existing practitioners refine and improve their already-established techniques. It’s got some novel ideas in it, and I like the author’s approach to symbolism in spellcasting.

Direct Magick (Energy Work)

The Un-Spell Book, by Mya Om. This non-denominational guide to working with magical forces is filled with useful exercises that go beyond the author’s previous work. I recommend reading this after reading Energy Essentials.

Instant Magick, by Christopher Penczak. Excellent beginner’s guide for those who don’t have access to a lot of fancy tools or prefer to work without them. This book won’t instantly teach you magick, but it will help even a seasoned practitioner find quicker, less-complicated ways of achieving results.

Energy Essentials for Witches and Spellcasters, by Mya Om. Though I balk at the use of the term “energy” to describe magical forces, this book is worth a look. It’s a bit like a workbook, with various exercises. Expect a lot of pseudoscience, though, and there are many religious references, but the techniques are solid.

Hedgewitchery and Astral Travel

Ecstatic Witchcraft, by Gede Parma. This is actually probably my favorite book on this subject, even though hedgeriding is only a part of what the book discusses. The only bad thing I can really say about this book is that it’s really not recommended for beginners, and it’s helpful to have the basics of visualization already mastered (for example) before doing the exercises Parma recommends.

By Land, Sky and Sea, by Gede Parma. This book goes into even greater details regarding different ways of conceptualizing the cosmology of hedgeriding, and I find it a very refreshing book that appreciatively draws from a number of different perspectives while grounding itself, so to speak, with the overarching metaphor of land, sky, and sea as the three worlds.

The Temple of Shamanic Witchcraft, by Christopher Penczak. Penczak is usually a pretty mixed bag, and this book is no exception. It gives a lot of good practical information and a very in-depth exploration of the three worlds (a useful concept), but it’s primarily framed by Wicca, so it might not resonate with those of other faiths and particularly those who aren’t pagan at all.

Ascension Magick, by Christopher Penczak. There’s a chapter or two in this that address alternate ways of conceptualizing the architecture of reality, and it’s pretty helpful for a hedgerider. Beyond that, this book is mostly about ceremonial magick, but it’s a (mostly) good book. Certain parts (such as the bit about UFOs) are a little off, in my opinion.

The Shamanic Witch, by Gail Wood. This book is really best suited for someone who practices Wicca and, besides the background info and cosmological descriptions, is really only useful in the context of that tradition. If you’re Wiccan or willing to pick around a lot of Wiccan-talk, though, this is a good foundation.

Witches, Werewolves and Fairies, by Claude Lecouteux. It can be hard to find scholarly works on these phenomena that are affordable, but here’s one I personally enjoyed. It details many accounts of journeying experienced by both pagans and Christians in earlier times, and gives a good description of the concept of the astral double, the architecture of the soul, and other topics throughout history.

Betwixt and Between, by Storm Faerywolf. This book is mostly a guide to the Feri tradition of witchcraft, but while I myself don’t practice that, those who do seem to know a lot about hedgeriding! The book has several chapters on the subject and is highly recommended for this reason.

The Psychic Energy Codex, by Michelle Belanger. A lot of people have strong opinions about this author, but this is book actually provides a lot of good information about so-called “energy work” which can be a step in the right direction for those wanting to ride the hedge.

Psychic Dreamwalking, by Michelle Belanger. In this book, Belanger discusses, essentially, how to use your non-waking life as a vehicle to for journeying, and while I myself don’t usually dreamwalk, much of what she says applies to hedgeriding in other states, too.

Hedge Riding and Hedge Witchcraft, by Harmonia Saille. I only mention these two in order to say that they’re best avoided. Saille tries to give a comprehensive look at the phenomenon, but it’s poorly-written and overly New Age. The negative reviews of them on Amazon really cover the problems with these book in more detail than I ever could.

Magical Writing, Words, and Symbols

Dictionary of Ancient Magic Words and Spells, by Claude Lecouteux. Mostly a historical text, this book isn’t exactly practical or terribly useful. It is, nevertheless, incredibly interesting. It’s a bit difficult to navigate, but worth a glance.

Composing Magick, by Elizabeth Barrette. A very general, but well-done, look at writing in a magical context. Some of the ritual templates are slightly specific to religious witchcraft traditions, but most information is widely applicable.

Crafting Magick with Pen and Ink, by Susan Pesnecker. Focuses both on the physical act of writing as a magical act, and the mental state associated with it. Highly recommended

The Modern Witchcraft Grimoire, by Skye Alexander. This book is for those who want to create their own grimoire. It gives fairly good advice for doing so, as well as providing hints and tricks for spellcasting and useful correspondences.

General Concepts

Planetary Magick, by Melita Denning and Osborne Phillips. If you want to work with the planets at all, particularly in a highly ritualized context, I recommend this book. It’s large, comprehensive and gives a good foundation beyond what you find in general astrology books.

Practical Planetary Magick, by Sorita d’Este and David Rankine. Shorter than I would have liked, but a useful reference to have on your shelf, with excellent tables and appendices in the back. The meditations are also quite useful.

Practical Elemental Magick, by Sorita d’Este and David Rankine. Should be read alongside the other book by this pair. Comprehensive guide to working with the elements in a ritualized fashion. Not as accessible to newbies as Lipp’s book, but good for seasoned practitioners.

The Way of Four, by Deborah Lipp. Though mostly geared towards Wiccans, I found this author’s in-depth treatment of the four elements highly fascinating. I will note that it’s probably best to get the print version of this book, as it contains exercises and quizzes.

Ingredients and Correspondences

The Herbal Alchemist’s Handbook, by Karen Harrison. I cannot praise this book enough for its concise and well-formulated approach to astrology, herbs, and magick as a whole.

The Weiser Concise Guide to Herbal Magick, by Judith Hawkins-Tillirson. This is excellent for anyone who’s interested in any kind of magick. Yes, the focus is generally herbs, but there’s a lot to be learned here about Kabbalah and other correspondence systems, as well.

Mixing Essential Oils for Magic, by Sandra Kynes. Fills a very difficult gap in published knowledge regarding the use of essential oils by discussing, in great detail, how scents interact with each other and how to create a formula that’s not only palatable, but evocative.

Dunwich’s Guide to Gemstone Sorcery, by Gerina Dunwich. Given the New Age fascination with all things shiny, it was quite a chore to sort through the myriad crystal books to find something with good information. While far from perfect and not exactly devoid of fluff, this book does give a level of detail about the lore surrounding gemstones not seen in many other texts.

Real Alchemy, by Robert Allen Bartlett. Excellent book, lots of history and detail. There’s a strong focus on tradition within the text, yet the author is quite accommodating of his audience and describes alternate methods that work better in a modern context.

Spagyrics, by Manfred M. Junius. With a highly-developed academic tone and attention to detail, this book is a meaty look at traditional alchemy. I recommend this more for intermediate practitioners due to the sheer density of information.


The Goodly Spellbook, by Dixie Deerman and Steve Rasmussen. The title sounds horribly fluffy, but this is a hidden gem. It explains obscure concepts like alternative alphabets and potential uses of musical notes, as well as plant lore and other bits and pieces. Definitely worth checking out. It’s way more than just “a book of spells.”

Encyclopedia of 5,000 Spells, by Judika Illes. The title sounds trite to some, but it delivers. This book has spells from almost every culture and spiritual philosophy, as well as a very detailed formulary. I read it when I’m bored sometimes, too, just because I always learn some tidbit from it.

Book of Spells, by Nicola Pulford. In most editions, this book is absolutely gorgeous and describes spellcasting traditions from a variety of perspectives and traditions. Recommended for those who already understand the basics, as this book jumps straight into spellcasting and gives only a small amount of information about how things work.

Ceremonial Magick

Modern Magick, by Donald Michael Kraig. I received this as a gift several years ago. It is essentially a workbook meant to be completed slowly, step by step, and while the format will not appeal to everyone, it’s a good easy-to-read introduction to ceremonial magick.

Familiar Spirits, by Donald Tyson. Though geared towards ceremonialists, any practitioner can likely learn a thing or two from Tyson’s interesting stroll through the whys and wherefores of spirit work and thoughtform creation. This is by far the best book I’ve seen on the topic of familiar spirits.

Secrets of High Magick, by Francis Melville. The most recent edition of this (the one I own) is lavishly-illustrated and full of rudimentary, yet useful information. He stresses the basics of ceremonial practice, and his writing style is very accessible. Highly recommended for absolute beginners.

My Life With The Spirits, by Lon Milo DuQuette. This is a memoir of a ceremonial magician, but it gives a good look at the magickal mindset in a highly developed form from someone who’s experienced quite a lot. I have major issues with DuQuette’s approach to Qabalah, but his memoirs are worth a read.

Chaos Magick

Liber Null and Psychonaut, by Peter Carroll. Classic book of chaos magick. I consider it required reading for almost anyone interested in the occult. Even if you have no love for chaos magick, do give it a read, just to understand how influential Carroll is, and why.

Hands-On Chaos Magic, by Andrieh Vitimus. Knowing some of the people involved in the creation of this book, I’m a bit biased towards it. That said, even if I didn’t know them, I would still recommend it. It’s especially interesting to read alongside Liber Null and Psychonautin order to see how the chaos “current” has developed over the years.

Pop Culture Magic 2.0 by Taylor Ellwood. There aren’t a lot of books on using pop culture symbolism in magick, but this one is nearly perfect. The author writes in a highly erudite, literate fashion, while still being accessible to newbies. Many useful resources cited, as well, so prepare to branch off a bit while reading it.


Triumph of the Moon, by Ronald Hutton. An inside no-holds-barred look at the history of Wicca and Modern paganism. Highly recommended. This is sort of the book that fluffbunnies don’t want you to read.

Book of Lies: The Disinformation Guide to Magick and the Occult, by Richard Metzger. Lots of facts and history of magick in the context of Postmodernity. This is different from the Crowley text of the same name, which I wouldn’t recommend unless you want to focus on his tradition.

The Place of Enchantment, by Alex Owen. This is a purely historical text that documents the occult revival within the context of Modernity. I remember it being very good, but please realize I haven’t really picked it up much since graduating, and it might just have served my mindset at the time.


The Book of Thoth, by Aleister Crowley. Make sure you actually own (or have access to pictures of) the Thoth deck before you dive into this. By far one of the best books on Tarot ever published. The prose is often dense and purple, but in this one book, Crowley teaches so much about Tarot and it’s connection to the Western Mystery Tradition. I can’t really say much more - it must be experienced.

The Pictorial Key to the Tarot, by Arthur Edward Waite. I recommend this book because it is a classic and was introductory for many older readers. It will teach you to read and gives insight into the methodology behind the Waite-Smith deck specifically, particularly his use of what are essentially parables and why he does this. Do not expect too much esoteric information, but read it anyways.

Seventy-Eight Degrees of Wisdom, by Rachel Pollack. This is the epitome of a good modern Tarot book and is really one of the first ones I’d recommend for someone looking for an accessible book on Tarot in a modern context. Very dense in information and history, yet altogether worth it. You’ll want highlighters nearby for this one!

Tarot for a New Generation, by Janina Renée. This is essentially a book for children and teenagers, but I do recommend it for them, specifically, because it is well-written, easy to understand, and helpful to absolute beginners.

Secrets of the Waite-Smith Tarot, by Marcus Katz and Tali Goodwin. This book focuses just on the history, symbolism, and creative process of the Waite-Smith deck. It gives you an inside line on just what Pixie Smith was thinking when painting specific scenes, and is a great look at her life’s work, as well.

The Tarot: History, Symbolism, and Divination, by Robert M. Place. This book will not teach you to read Tarot, but does give an actual, accurate portrait of the history of the phenomena, which is incredibly important and useful. Know your history.

Understanding Aleister Crowley’s Thoth Tarot, by Lon Milo DuQuette. I hesitate to recommend DuQuette due to issues I have with his approach to Qabalah, but many people ask me for a beginner book for the Thoth Tarot specifically, and this is the closest I’ve come to finding one. I recommend reading this alongside, and not instead of, Crowley’s Book of Thoth.

The Back in Time Tarot, by Janet Boyer. This is more for the intermediate reader, and the entire book details a single, extremely useful technique for familiarizing yourself with the cards, namely by framing past events in terms of how they might appear in a spread.


The Essential Lenormand, by Rana George. This was not the first Lenormand book I picked up, but it was the most influential and intense. Ms. George writes in a personable, touching fashion and brings the concepts of the system home by relating them to life experiences in a way rarely seen. She is one of those authors I literally go all “fangirl” over.

Learning Lenormand, by Marcus Katz and Tali Goodwin. This is one of the better beginner books on Lenormand. I’m not going to lie - it isn’t as good as Rana George’s, but it definitely is worth reading if you’re completely new to the system. It’s very accessible, where some of the books I’ll be listing later in this can seem intimidating, or so I’ve been told.

Lenormand: Thirty-Six Cards, by Andy Boroveshengra. This book is intense, but in a different way than Ms. George’s. Expect to be inundated with information and techniques. Another one of those where you really need to take notes or highlight while reading, and read it multiple times.

Secrets of the Lenormand Oracle, by Sylvie Steinbach. This book is organized in a novel and useful fashion by topic, and gives specific techniques for readings on love, money, spirituality, and other topics. Highly recommended, and I tend to use it as a reference book nowadays, looking things up as needed.

The Complete Lenormand Oracle Handbook, by Caitlyn Matthews. Not for the beginner, nor the faint at heart, this one details a lot of what, to me, seem to be more advanced approaches and techniques. I use this book a lot, and I think anyone else will enjoy it, too. Good information on the connection between Lenormand and traditional playing cards, too.

Cartomancy with Lenormand and the Tarot, by Patrick Dunn. This is more of a special topic book, and best read after you’ve got some familiarity with both Tarot and Lenormand. It’s all about using them in tandem and the synergy between them.


The Luminaries, by Liz Greene. I could really recommend anything by this author, but she’s written so much, and this book is a particularly important one. It focuses entirely on the Sun and Moon in astrology, and gives a good look at why the luminaries need to have a special place in your understanding.

The Weiser Concise Guide to Practical Astrology, by Priscilla Costello. This is focused, as you might expect, on actual interpretation of charts and less on theory, but it gives a good background on that, too. Was quite helpful in my attempts to interpret @xepsurah‘s unusual natal chart.

The Complete Book of Astrology, by Kris Brandt Riske. Very beginner, and very light on intellect, heavy on intuition. A great introduction, but I would not suggest it as the only book you read if you’re really interested in the subject.


Tea Leaf Reading for Beginners, by Caroline Dow. There are only a few books within Llewellyn’s immensely popular “For Beginners” series that I would recommend, and this is one of them. The symbol glossary (which makes up the bulk of the book) is the most useful part.

Tea Cup Reading, by Sasha Fenton. This book goes into some detail (quite a bit, actually) about the history of tea and coffee, and, better yet, how to prepare them in the traditional fashion! A lot of traditional lore is described, as well.

Scrying, etc.

Scrying for Beginners, by Donald Tyson. This is really a surprise find, as I don’t usually expect much from this series, by Tyson knows his history and goes far beyond simple exercises for scrying. He is a bit biased towards mirror and crystal-gazing techniques, but does discuss other methods.

Psychic Development for Beginners, by William Hewitt. Readable, and offers some very practical developmental exercises for those wishing to hone extrasensory abilities. Be prepared to sort through a lot of woo, though.

The best advice I have ever received is
“Find people who are not ashamed to sing in the shower.”
—  they’ll never be ashamed of you // bluestruckholly
Sometimes you’re 23 and standing in the kitchen of your house making breakfast and brewing coffee and listening to music that for some reason is really getting to your heart. You’re just standing there thinking about going to work and picking up your dry cleaning. And also more exciting things like books you’re reading and trips you plan on taking and relationships that are springing into existence. Or fading from your memory, which is far less exciting. And suddenly you just don’t feel at home in your skin or in your house and you just want home but “Mom’s” probably wouldn’t feel like home anymore either. There used to be the comfort of a number in your phone and ears that listened everyday and arms that were never for anyone else. But just to calm you down when you started feeling trapped in a five-minute period where nostalgia is too much and thoughts of this person you are feel foreign. When you realize that you’ll never be this young again but this is the first time you’ve ever been this old. When you can’t remember how you got from sixteen to here and all the same feel like sixteen is just as much of a stranger to you now. The song is over. The coffee’s done. You’re going to breathe in and out. You’re going to be fine in about five minutes.
—  Kalyn Roseanne Livernois
This property is HOA-Free.

This is a long one, because it involves a growing escalation of actions. TLDR at the bottom. Some terms are translated because I don’t live in an English-speaking country.

We moved houses last year, to the ugliest in the street. The previous owners must have loved Mondriaan, because the front was red/blue/yellow in windowframes and door. One paintjob, many thankful neighbors and several months later, I get an invitation to a voluntary “Collective of inhabitants”, the terms read like an opt-in HOA that you can never leave. A long list of restrictions, and no benefits? No thanks.

Keep reading

Human life occurs only once, and the reason we cannot determine which of our decisions are good and which bad is that in a given situation we can make only one decision; we are not granted a second, third, or fourth life in which to compare various decisions.
—  The Unbearable Lightness of Being, Milan Kundera
half - blood prince: a summary
  • ginny weasley: *exists*
  • harry: ginny you're so amazing
  • harry: ginny you blush like the setting sun
  • harry: ginny your eyes are so beautiful in the firelight
  • harry: my heart feels lighter after just talking to you
  • hermione: hey harry are u--
  • harry: in love with ginny? ABSOLUTELY NOT! 100% brotherly platonic feelings over here lads, just normal "friendly" behavior towards a perfectly casual friend chaps!
  • hermione:
  • harry:
  • hermione:
  • harry: nice save potter

Rick Riordan books all exist in the same universe…just think about that for a second. How much chaos can possibly exist at the same time in this one universe? Both Kane Chronicles and Percy Jackson take place around the same time, then Heroes of Olympus and Magnus Chase are very close together on the timeline. Trials of Apollo comes right after. Did gods from all these cultures conspire and say “Hey, let’s just continuously fuck up the world for a few years.” I can’t handle this.