A short post on the most underrepresented eye color in fiction and the most common eye color in the world.
Shades of Brown
Things that are Shades of Brown
Wood (range from light brown to black)
Chocolate (mid to dark brown)
Coffee (pale gold to black)
Henna (reddish brown)
Bronze (light brown)
Afternoon sunlight (gold)
Animals (and their eyes)
Earth (wet earth = dark brown, red clay = reddish brown, wet sand = light brown)
Topaz gemstone (orange to dark brown)
Leather (mid to dark brown)
Autumn or winter: Brown, an earth tone, is closely associated with dead plants, which are brown and not very romantic. You can link this to the smell of woodsmoke, bark, or new snow; the taste of frost or hot chocolate; the sight of bare branches and southward-flying birds; the touch of warm sweaters or rake handles; the sound of crunching leaves or fire crackling.
Earth: Again, brown is an earth tone. You can link this to petrichor, the smell of flowers, animals, or water; the taste of crisp cold air or freshwater; the sight of fresh soil, stones, bark, or a low-slung, comfortable cabin; the touch of rain, leather, dirt, or fur; the sound of birds calling, rain falling, plants rustling
Alcohol: Most liquor is gold or brown. You can link this to the smell of alcohol and a well-packed bar; the taste of ice, glass, garnish, and alcohol; the sight of a polished bar, a half-empty glass/mug, and the shotgun resting below the bar; the touch of a mild buzz, an arm through yours, or the mild jostling as you find a barstool; and the sound of barroom buzz, a pool table, jazz music, and pouring drinks.
Animals: Many animals - predator and prey - have brown or golden eyes. You can link this to the smell of (wet) fur; the taste of cold wind, blood, or plants; the sight of moving branches, unblinking eyes, feathers shining in the sun, and fur ruffling in the breeze; the touch of the ground beneath your bare feet, branches whipping along beside you, and the weather; and the sounds of panting/breathing, or soft footfalls or wing beats.
Material: Brown is a tactile color, bringing with it the touch of copper or velvet or hemp or satin in addition to the hue. You can link this to the smell of metal, wet fabric, or hemp; the taste of blood (sometimes described as coppery) or champagne at a luxurious event; the sight of a richly decorated bed, a burnished weapon or set of buttons, or a lovely gown; the touch of cold metal, soft velvet, or course fur; and the sounds of rubbing fur, rustling fabric, and chiming metal.
Blackness: This is for all the very dark-eyed people out there who appear not to have irises at all. You can link this to the smell of a cold night or of rock; the taste of regret, lies, or red wine; the sight of raven’s wings, obsidian, flickering shadows, mourners at a funeral, coals, and endless pits; the sensation of being about to fall into a hole, the secret thrill of illicit behavior, nothingness, warmth, or compelling mystery; and the sounds of murmured conversations, rustling feathers, and drowsiness.
Old Things: When I think of brown, I think of all of the above, yes, but I also think of old houses and antiques. Maybe because old houses tend to use wood paneling and because paper yellows as it ages? You can link this to the smell of old books, white-out, India ink, mildew, wood polish, and paper; the taste of musty paper, dust, and history; the sight of fireplaces, antique globes, solemn old portraits, overflowing bookshelves, and overstuffed, tatty armchairs; the feeling of a comfortable chair, paper between your fingers, warmth, and familiarity; and the sounds of a crackling fire, an old house settling after a storm, turning pages, and a scratching pen.
Warmth: The brown found in brown eyes is a warm, comforting color. You can link this to the smell of warm earth and a full house; the taste of hot summer days; the sight of dust motes swirling in the air, golden sunlight arcing across the ground at morning or dusk, and wood in the fireplace; the feeling of mild warmth from sunlight filtering through treetops; and the sounds of birds singing or quiet conversation.
“…And then I’m going uh, to shoot a film in October, um…it’s called Out of Blue; it’s an indie film that um…uh…it’s uh, by, kinda - BBC Films and BFI, which is really cool? Uh, it’s kinda a very bleak, uh, European crime drama? But it’s actually about an American family in the south? [laugh] Yeah - but uh, I play a detective and it’s really exciting - really - a young writer-director who’s incredible, and I’m very, very excited.” - Aaron Tveit, Billboard on Broadway Podcast (x)
From the information he’s provided, this should be the film that he’s talking about, starring Patricia Clarkson. I just quickly read through the book it’s supposed to be based on (apparently Martin Amis’ Night Train), and it’s specifically about the main (female) character’s investigation and personal relation to the case. If he’s playing a detective as he’d specified, I can’t say there’s a clear role I’d have imagined he should be playing, as most of the other detectives are necessarily too old, or POC. Neither do any of them have more than a scene or two to speak of. There is the possibility that the screenplay will strongly deviate from the book, or create new roles wholesale, but outside of that scenario, we might expect that his role could be quite minute.