book three fire

Aelin: Are you always this cocky?

Rowan: Only on Tuesdays, and when beautiful women are involved.

Aelin: So you think I’m beautiful.

Rowan: Actually, it’s Tuesday.

Just One Word May BPC
Day 31: Freebie

Some of the books I’ve gotten from OwlCrate in the past few months

anonymous asked:

How different do you think Zuko's character development would have been if Aaron Ehasz had more creative control over the story? From some of what I read of the things he's said, he disagreed with Bryke a lot as to the direction of the character. I loved Zuko in Books 1 and 2, then in Book 3 it felt like he was an entirely different character for the most part. I still think him betraying his uncle and going all "dark and bad" made no sense at all and felt like a cheap attempt at a plot twist.

I’m answering this ask, and this one together:

So I’ve been trying to watch season three of atla after 8 years and I feel like I’m almost experiencing whiplash from how clumsy some of the episodes are. Like you could reshuffle a bunch of episodes in the first half and no one would tell the difference. I was wondering what your take was in the tonal and quality shift in season 3????

A:TLA’s Tumultuous Third Season

As my readers know, there have been rumors circulating since time immemorial of the fabled fourth season of A:TLA. We don’t have hard confirmation from any of the executive producers, but if there’s one thing that could convince me it existed, it’s the structure of the third season.

Season 3 of A:TLA is really two seasons in one. The back half of Season 3 feels totally different in tone as the characters wrap up their journeys and the final relationships of the characters stabilize. The front half is almost a throwback to Season 1, which was more episodic than the acclaimed Season 2. But the real difference lies in the treatment of Aang and Zuko.

Early Season 3 Aang begins by running off alone, and ends determinedly standing with his friends and allies, trying to win the Fire Nation invasion even after all hope has been lost. I was really proud of him during the Day of Black Sun, and I felt like his character reached its peak of development:

Aang: The eclipse is over, but I can face the Fire Lord anyway. 

That took a lot more courage, in my opinion, than energybending, because it required Aang to go against the grain of his normal character in order to make a stand for the world. 

Fast forward one episode.

Katara: Aang, can we talk about you learning firebending now?
Aang: What? The wind is too loud in my ears. Check out this loop.
Sokka: I think we should be making some plans about our future.
Aang: Ok, we can do that while I show you the giant Pai Sho table. Oh, you’re gonna love the all-day echo chamber.

This is not Season 3 Aang. This is Season 1 Aang. And for the remainder of the season, it is very difficult for Aang to see any point of view except the one he wants to see. From the Firelord, to Katara, to Yon Rha, he continues to get angry when challenged on his worldview, instead of trying to understand and value other people’s opinions.

As for early Season 3 Zuko, he starts taking on some Season 1 characteristics again in the front half. He becomes shut down, takes his uncle for granted, is more temperamental, and even tries to kill Aang! But fast forward to the Day of Black Sun, and Zuko throws off the shroud of his old life, starting a new one and developing as much character in the back half of Season 3 as he did in the entire second season. It makes him the most compelling character on the show. But since his development is happening while Aang seeks to uphold the Air Nomad beliefs as he remembers them (and therefore cannot develop new worldviews), this makes Aang take a back seat at a time when he is supposed to be the ramping it up as the hero.

Always remember: the human literary eye is attracted to movement in characters the same way a real eye is attracted to physical movement. Whichever character is moving the most on his journey is the one we’ll be watching.

I actually think this is OK as far as the show as a whole goes, since Zuko has more than enough material elsewhere in A:TLA to make him the deuteragonist; the first half of Season Three is Aang’s, and the second half of Season 3 is Zuko’s. 

As for the other characters–Sokka and Katara do get consistent development, but Toph unfortunately got the shaft in Season 3, and the first half simply doesn’t have a straightforward trajectory the way the other seasons did. As is mentioned, a bunch of the episodes in the first half of the season don’t build from one to another very well, although they do serve the greater whole. But while I agree that this is a legitimate criticism, let’s not forget the early episodes of Season 1 and 2 of A:TLA. King Bumi is an awesome character, but his early Season 1 episode was … rather unimpressive. Then there was The Great Divide, which … the less said about it, the better. As for Season 2, “The Cave of Two Lovers” and “Avatar Day” were pretty much the clunkers of the season, and though the events Kyoshi describes in the latter ended up playing a part in the finale, the episode itself didn’t do a whole lot to move the season forward. 

Considering that Season 3 has to do the work of two seasons in one, I think that it made out pretty well. And about Zuko’s regression–it’s one of the reasons, for me, he stands out as an exemplary character. Plot development can (and usually should) follow a linear progression, but real people just don’t develop that way. They stumble and fail and make mistakes, bad actions sometimes following good, and it usually takes a while (and a lot of work) to learn. If Zuko seems like a different person in early Season 3, it’s because he was trying to be: Zuko was trying to be Ozai. And his not only failing at that, but losing the desire to try at all in the attempt, was the impetus he needed  become more himself than he’d probably been since his father ascended the throne.

I think if Ehasz had more control over Zuko’s development, Zuko probably would not have ended up with Mai, and I would hope Iroh would return to Zuko’s side as firelord at some point. But Zuko’s character arc as a whole was left in his hands, and I don’t think Bryke was able to damage it the way they did other characters’ (especially in LOK). But I do think A:TLA would have benefited from Season 3 being split in two, and more time given to each half. Four, elements, four seasons–it definitely could have worked.

I just said “Mary Frances Among the Kink Fairies” while complaining about kink fics that talk about how to do SSC every damn scene and now I will never be able to unthink that. Great. Wow.


Read in 2016 » The Girl of Fire and Thorns trilogy by Rae Carson

     Understanding hits like a rock in my gut, and I gasp just a little. I know God selected me because I needed a push, but Ximena is right, too—I rose to the choosing. I didn’t need faith in God so much as I needed faith in myself.
     “Yes, I did all that, didn’t I?” I breathe wonderingly. I loved and lost and survived. Me, not the stone in my navel. I place trembling fingertips to the Godstone.
     It pulses with purpose.
     God is not done with me yet, and I may be in more danger than ever, now that the whole world knows I bear his stone. But in this moment, I choose to revel in our victory, in the warmth of having made a place for myself, surrounded by friends. For the first time in a long time, I am not afraid.

Avatar The Last Airbender Book Three “Fire” Chapter 1-6 Sentence Starters

“You will never rise from the ashes of your shame and humiliation!”

“It smells like old lady in here.”

“The first time’s for cleaning, but the second time’s just for the sweet picking sensation.”

“I got it! We’ll take potty breaks, and eating breaks at the same time!”

“Would you like the one-headed fish or the two-headed fish?”

“Hey, it might be gross, but it’s efficient.”

“When love is real, it finds a way.”

“As I feel my own life dimming, I can’t help but think of a time when everything was so much brighter…”

“Some friendships are so strong they can even transcend lifetimes.”

“My own mother thought I was a monster… She was right, of course, but it still hurt.”

“Do you have a name, or shall we just call you Manner-less Colony Slob?”

“Go to your room!”

“There’s a simple question you need to answer, then. Who are you angry at?”

“This much negative energy is bad for your skin; you’ll totally break out.”

“I know one thing I care about… I care about you.”

“Together, you and I will be the strongest couple in the entire world! WE WILL DOMINATE THE EARTH!”

“Okay, look. If you want a boy to like you, just look at him, and smile a lot, and laugh at everything he says, even if it’s not funny.”

“Well, I am a fan of secret rivers… Alright. We can stay one more day.”

“Orange is such an awful colour.”

“That’s a sharp outfit, *insert name here*. Careful, you could puncture the hull of an empire-class battle ship, leaving thousands to drown at sea. Because… It’s so sharp.”

“We’re safe now *insert name here*, you can take off the mustache.”

“If anyone is to blame for the state of the world, it is me. I should have seen this war coming, and prevented it.”

“What? You’re jealous of me? But you’re the smartest, prettiest girl in the whole world!”


“You’re so beautiful when you hate the world.”

“I’m not gonna make it… I failed.”

“Great job with the cloud camo, but next time, let’s disguise ourselves as the kinda cloud that knows how to keep its mouth shut!”

“It’s better for now that no one knows I’m alive.”

“I don’t hate you.”

“Hey, we’re in enemy territory. Those are enemy birds!”

“You inherited my problems… And my mistakes. But I believe you are destined to redeem me, and save the world.”

“I love you more than anything.”

“Can’t this wait until morning?”

“I need to redeem myself. I need my honor back.”

“I understand why you left, I really do, and I know that you had to go. So… Why do I still feel this way? I’m so sad and angry… And hurt.”

“The universe just loves proving me wrong, doesn’t it?”

“Yep, the whole world thinks you’re dead…Isn’t that great?”

“I don’t want you or anyone else risking your lives to fix my mistakes!”


Background designs from episode 52: “The Western Air Temple” (Chapter 12 | Book Three: Fire) by: (1,3) Hyun Cheol Jung & paintings by Kang Seung Chan, (4) Ethan Spaulding, (2) Elsa Garagarza & painting by Bryan Evans. Scans from ”The Art of the Animated series“ (order)

Bryan/Mike: For the Western Air Temple, the designers referenced the roof styles of Bhutanese monasteries. In order to make this Air Temple location unique from the others, but equally as difficult to acess, Bryan had the idea that the temples hung upside down from the cliffs. 

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