MD: The wealth disparity between the rich and the poor in Ba Sing Se has become much worse since Aang first visited the city. Episodes like this one are very taxing for the entire design team, as there are many different locations and so many background characters that need to be fleshed out to make Ba Sing Se feel like a real, lived-in city.
BK: Seeing all of these Lower Ring character designs imbued with so much personality makes me wish that every one of them somehow could have a spotlight moment on-screen. You can tell by these designs the middle Ring denizens are privileged to have more fortunate, less back-breaking lives than those in the severely oppressed Lower Ring. Finally, we have the elite Upper Ring citizens, people descended from families that have been wealthy for so long very few of them know what it means to actually do a day’s worth of honest work.
Lower Ring residents by Christie Tseng. Middle and Upper Ring residents by Angela Song Mueller. Cleanup by Evon Freeman. Color by Sylvia Filcak-Blackwolf.
JDS: If there is one thing I’m a sucker for, it’s a good shoulder roll! As you can see here, Korra transitions fluidly from a front roll to a jumping, spinning hook kick–a complex series of movements expertly animated by Studio Mir.
If you think that what Zaheer did to Korra in the Book 3 finale was disturbing enough, remember that the Red Lotus tried to kidnap her when she was four. The planned to poison and murder a four-year-old child.