The Strange Case of Doctor Jekyll and Miss Osbourne by Walerian Borowczyk, 1981.
The Living Dead Girl by Jean Rollin, 1982.
The Fly by David Cronenberg, 1986.
Twin Peaks: Fire Walk with Me by David Lynch, 1992.
The Witch by Robert Eggers, 2015.
The Neon Demon by Nicolas Winding Refn, 2016.
Films that end with a woman’s sublime or abject experience. Inspired in part by a post by batarde.
“Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.”
A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and the Beautiful by Edmund Burke, 1757.
“The corpse, seen without God and outside of
science, is the utmost of abjection. It is death infecting life.
Abject. It is something rejected from which one does not part,
from which one does not protect oneself as from an object.
Imaginary uncanniness and real threat, it beckons to us and
ends up engulfing us.”
Funny how things change, everyone called Gaga flop during the ARTPOP era since Applause (3X platinum in the US), but now nobody is slamming Katy Perry so hard with her new singles, the latest is predicted to sell 17k copies as much as Anything Goes (jazz cover)