There’s a dating app that prevents you
from swiping right too soon. Appetence
forces you to take things slow by making
you talk to a match before you can see
what they look like. Both profile images
are blocked out by a pattern that slowly
disappears when you ‘like’ each other’s
messages. Your match has to like 50 of
your messages to see your full photo,
and you have to like 50 to see theirs. SourceSource 2
Y’ALL MY HAND SLIPPED AND I WROTE MORE KAGEHINA *SCREAM* SOMEONE STOP ME BEFORE I GET CARPAL TUNNEL
((For my dear @tolhinata who gave me this idea a couple weeks ago.))
Hinata likes to draw. Some people would call it doodling, maybe; he can draw people and trees and things (he’s gotten really good at shading apples and other fruits in still lifes), but he’d rather draw patterns.
Once he got to second year, coach informed him that he needed to work an art class into his curriculum before he reached third year or he’d have trouble meeting requirements to graduate. Yachi had suggested drawing when he’d told her, and once he started his first class he found he actually kinda liked it. He was surprised he could find something he could get excited about… at school.
What he really likes to do, though, is draw on Kageyama.
Pairing: Arthur (Mr.) Ketch x Reader Word count: 2,636 Warnings: Cussing. Spoilers for Season 12 all the way to episode 13. Smut. Unprotected Sex. Fingering. Minor Rugaru Violence. Authors Note: I am no good at writing a summary. This is just an idea I had and decided to try.
Some Iris nonsense from tonight; I have a couple friends who are cosplaying her so I figured I’d make life easier for them.
1. Reference and my two plaids –– one is accurate to the concept art, the other is accurate(ish) to the game; the final version ended up being closer to the second, but with added paler stripes. See how in that top corner I’ve blocked out the pattern where it repeats, and then just used the Pattern tool to generate a repeating pattern?
2. Shirt pattern. This is similar to the one I went with (layered over black, obviously) but I spaced it out a little bit more after. Again, I drew out the pattern to the point of the repeat and then used the pattern tool to continue.
4. Vector patterns for the accessories. I decided I don’t really like the necklace charm yet but I’m not sure if I feel like reworking it right now.
5. Mostly finished 3D models. There’s a weird mistake on the fanned one that I corrected after; I accidentally grabbed a face I shouldn’t have and extruded it.
6. Finished textiles. Didn’t take progress pictures of the “leopard” print for the undershirt, but basically I made a bunch of irregular shapes, spaced them on a grid so there wouldn’t be obvious seams, and then used the pattern tool on a hexagon arrangement to make them off-set.
All of these will be going up on the store eventually, just gotta do swatches and prints and stuff.
Getting ready to decorate the front, shaving off some fresh Yosegi Zuku (slice) from a Tanegi (pattern block) I made not too long ago. Holly, Yellowheart, and Redheart, with Holly and Ebony veneer for the fine lines. #woodworking #veneer #yosegi #yosegizaiku #kanna #handplane #japanese #handtoolthursday #handtools #handmade #video #geometry #kikkou #geometric (at Silver Spring, Maryland)
Writer’s Block and You: On Causes and How to Write On
If I were going to rank the writing-related
questions from least to greatest, “how do I beat writer’s block?” probably falls
quite high on the list, if not at number one. When I worked as a small
publisher’s community manager, this question would show up at least twice a
week- on forums, discussion posts, and Q&As with other published
The responses were varied and usually stale
in quality: the same “take a walk, listen to fresh music, write something
else”- and that’s not to say that these things can’t stop
Writer’s Block, because they can for some people. But it’s often occurred to me that, for
a question that gets asked so much, there are very few solid answers as to how
you actually stop Writer’s Block. There is nothing more frustrating when you are
applying all of the fixes and they just
don’t work. Que the spiral of despair as you stare down that ever-blinking
But if Writer’s Block is an ailment, we
shouldn’t be searching for the cure; we should find the cause. The same logic applies if you spike a fever; cause might say you have cold, but WebMD
will convince you that you’re probably dying of gangrene.
So, let’s talk about a few distinct
types of Writer’s Block and what they do to the writing process.*
*(to me, personally. Full disclaimer here,
because the most important thing to understand about Writer’s Block is how,
just like writing habits, its causes are very unique to the author.)
Usually right before or at the
beginning of every novel. Symptoms include procrastination, excessive research,
and lots of deleted opening paragraphs.
a really great quote by Gene Wolfe, which goes, “You never learn how to write a
novel … you only learn to write the novel you’re on.” This was said to Neil
Gaiman (yeah, that Gaiman), who finally
felt he had this novel thing down after writing American Gods.
I’m now three novels into my writing
career, with two more on my plate for this year. Each one of them starts with
the sensation of groping around a pitch-black room with only my rough outline and a
half functional flashlight. There are things in this room that I want (and
probably better batteries for my flashlight), but I need to get my bearings
first. It usually takes me about 15,000 words to do this, and it’s easy to mistake this sensation for a “lack of inspiration.” I encourage you to bury the concept of inspiration somewhere deep for now.
Inspiration isn’t magical fully-fleshed out concepts; inspiration is what we do
when we find those fresh batteries and get a clearer picture of our space.
“Press forward to those 15,000,” I remind myself. It always pays off and I
always manage to find those batteries eventually, even if it takes a few tries.
Middle of Despair:
Named so for its location, as
the middle of books are notorious for being mind-numbingly hard to write.
Symptoms will include plotting ending scenes you have not yet written, social
media browsing, and crippling self-doubt. Welcome to the void of the writing process. You got this.
Not everyone has problems writing their
novel’s middle, but it’s often noted as a rough part of first drafts and
rewrites. We tend to come into stories with a general idea of the plot’s cause
and effect: the beginning and middle, in more novel-related terms. It’s easy to
get caught up in the sogginess of a middle and fall into a great deal of mood
swing-y sadness. Writing must not be for you if you can’t even get through a
simple section of the book.
But journeys aren’t about the destination,
yes? And as Jeff VanderMeer says, when the reader enjoys an ending, they’re
really saying they enjoyed the payoff to the well-structured middle of a novel.
This quote helped me re-frame what middles were; the meat and potatoes of the
story. Substance that keeps your reader around for the finale, rather than a
sequence of events so you can get to the ending. Whenever I find myself trapped
in the middle, I have to ask myself “how does this benefit the ending?” If it
doesn’t, I cut and rework (even in a first draft, which something I would
normally warn against). Listening to your gut about what isn’t working, and
locating the strength in your middle,
is usually one of the easiest ways to avoid its slog.
Symptoms include starting new projects despite a lack of time, inelegant
sobbing, and the return of that crippling self-doubt.
You might think, once you have finished
your first draft, you would be free of the Writer’s Block and its troubling
patterns. Revision and rewriting should be easy now that you’ve finished the
Ah, the innocence.
Some of the worst roadblocks I have
encountered in writing show up in the process of fixing the first draft; the
scenes to reframe, plotlines to tighten, characters to build upon. Revision is
harder than hell, since so many issues can show up during revisions that you don’t expect. The
point of editing books is digging deeper; you must unearth the layers beneath
the top soil that is your first draft, and you will find things you don’t like,
things you must throw away and rework into oblivion. There will be scenes that
you adore and no longer apply to your current vision. Your story will never
again be the project you started, and it will never be perfect, and you get to
accept that in all its artistic ugliness.
I recently finished my editing on my first
novel and am currently working on edits for the second. The act of pushing
through your revision roadblocks- whatever they may be, is a matter of
willpower, and moreover, about confidence. It requires trusting in your own
abilities, recognizing your limits, and practicing
over and over. It’s about being open to
failure and critique, and learning from both for the future. These are all hard to stomach, and probably the reason most people don’t like editing. But
revision separates the novice from the novelist, and humbling yourself to it is
the best way forward. After all, we are often much stronger writers than we
What’s your experience with Writer’s Block? Where do you get it during the writing process and how have you learned to address it?
Alexis from Persia Lou shares her free pattern for these little lovelies.
These Color Block Crochet Baskets are perfect for storing odds and ends in style. Just follow the free crochet basket pattern to quickly make your own cute baskets, and add in some fun with a simple and subtle color blocking technique