Going to the Salem Witch Trials Memorial is something I will never forget.
In my younger years as a witch, I never really wanted to see that part of Salem–Honestly, I am not sure if it is because I just wasn’t interested as a young practitioner or I didn’t quite grasp the weight that the Salem Witch Trials and mass hysteria had on our world. Only as I have gotten older have I become more and more passionate about the historical events aligned with witchcraft.
In 1692, nearly two hundred people in the Salem area were accused of witchcraft, then considered a crime. This episode is one of Colonial America’s most notorious cases of mass hysteria. It has been used in political rhetoric and popular literature as a vivid cautionary tale about the dangers of isolationism, religious extremism, false accusations, and lapses in due process. Twenty of the accused were tried and executed–victims of fear, superstition, and a court system that failed to protect them.
The abuses of the Salem witch trials contributed to changes in U.S. court procedures, playing a role in the advent of the guarantee of the right to legal representation, the right to cross-examine one’s accuser, and the presumption of innocence rather than of guilt. A memorial was created to honor the memory of these twenty victims and to remind us of the enduring lessons of human rights learned from the tragedy of the witch trials. The memorial was designed by architect Jim Cutler and artist Maggie Smith, and was dedicated in 1992 by Elie Wiesel.
“The Salem Witch Trials Tercentenary Memorial attempts to give form to concepts of injustice…The designers approached the idea of injustice through four words: Silence, Deafness, Persecution and Memory. To represent silence, they graded and organized the site to emphasize the surrounding tombstones as mute watchers looking into the memorial. For deafness, they inscribed the historical protests of innocence on the entry threshold and had them slide under the stone wall in mid-sentence. For persecution, they planted black locust trees, from which the accused believed to have been hanged. For memory, they inscribed the names, dates, and manners of death on stone slabs, which were then cantilevered from the stone wall as benches.”
When we first got into Salem and stood outside the Witch House, the architecture struck me as odd and the color choice was so stark in contrast to the lively summer green of plant life in the front garden. My friends and I took the usual tourist-y pictures and then began crossing the road to walk to our next destination. That’s when I heard it: my name, whispered up against my right ear. I stopped in the middle of the street, thinking it had been my friend’s husband. I spun on my heels only to find him hand-in-hand with her, just to the left of where I had been crossing. I asked, “Did you hear that?” He shook his head and kept walking.
Something kept tugging at my insides. The more historical sites we came across, the more insistent this feeling became. The whole city hummed with it, this magic–both kitschy and real–and that warm energy propelled us visitors further and further in. It wasn’t until we drove up a very unassuming alleyway that I realized where the epicenter of this powerful pull brought us. There, at the top of a small incline, was the Salem Witch Trials Memorial.
There is a stillness to the air when you stand before it and just beyond its entrance are towering, ancient trees; sentinels protecting the names of those who died without justice. There are inscriptions on the ground at your feet and they read of the last words uttered by the accused witches of Salem. One in particular caught my attention:
I am wholly innocent of such wickedness…
Twenty benches protrude from stone walls, suspended and slowly being weathered by the elements. Names are carved into them; the description of their execution marr the faces of stone and the date of their deaths resonate from the masonry. People walk in silence, quietly reading and leaving flowers for those that died during the witch hunt. It is a place of very heavy spiritual energy–whether or not it comes from the living who visit or the departed resting in the nearby cemetery is to be determined. The short amount of time I spent there can only be described as surreal.
The first few names I came across were the last ones to be executed before logic and law intervened. These victims died on my birthday, September 22nd. The very thought caused me to shudder, but still I moved forward and observed a moment for each person at their bench. Around I walked, counting down from twenty to one, and there before me was the memorial to the unusual and outspoken Bridget Bishop. The red flowers at this small monument were fitting of her, as I had read previously that she often was seen wearing a crimson cloak about town. People had misjudged her; she died because she was different.
The truth of the matter is this: none of these men and women were witches and yet they died because people feared what I am lucky enough to practice today. And that bothered me. It still does. It stuck with me the entire way home as we road-tripped sixteen more hours. I dreamed of the memorial, of Salem and its daunting trees and the fading headstones at the top of that hill. On Monday, when I returned to work, I began researching and I came across something that just absolutely stunned me: Bridget Bishop died on June 10th, 1692. I stood in front of her memorial on June 10th, 2017. The weekend we visited–down to the day–was the anniversary of the first execution of the Salem Witch Trials that took place 325 years ago.
Fate and coincidence are two things that I struggle with on a day-to-day basis, but like my experience so many years ago at the ocean, I cannot help but feel that I was in the right place, at the right time. I am just not quite sure what I am supposed to take away from this yet. Am I supposed to research and write about it? Am I supposed to share the stories of these victims? Is this more of a reaffirmation that the rights I fight for are valid and important? Is it that I just needed to see it on that day? Or perhaps it was something so very simple: that I was called so that I could learn to evoke the spirit and
strength of those people who chose to die rather
than compromise their personal truths.
at my old house. I had a love/hate relationship with the black locust trees. They provided strong verticals, had amazingly fragrant blooms, but were a very messy tree with their brittle branches and twigs. black locust wood is probably the most rot resistant wood there is, with posts in the ground lasting 30 or so years. Spring 1999.