100 years of civil-rights demonstrations: Photographs and newspaper coverage of the East St. Louis riots of 1917 and the NAACP’s Silent Protest against lynching and other unlawful treatment, New York City, July 28, 1917.
“You might think that your hair looks pretty fly, but chances are it’s nothing compared to the Amasunzu. It’s a traditionally Rwandan hairstyle that was once worn by men, as well as by unmarried women in order to indicate to potential suitors that they were single and of marriageable age.”
Donald Trump removed the KKK, Neo-Nazi and other white supremacist groups from the Terrorist Watchlist and will focus all his counter-terrorist on ones carried out by Muslims - two years after Dylan Roof killed 8 black churchgoers & right after the Quebec massacre where a white supremacist killed 8 Muslims at their mosque. I will never forgive or carry any sympathy for those who voted for him.
Social studies teachers been lying??? Would it be so hard to believe? Corruption and racism have gone hand in hand for so long. Besides, ask Native Americans. The atrocities done to so many nations across America were rewritten. Once you investigate you see the systemic racism at all levels. Ask Japanese Americans about the concentration camps from WW2 and how their lives, property, businesses were stolen and destroyed. All these things are just blips in books.
Students have been studying slavery in the U.S. for decades, so how do we keep getting it so horribly wrong? Grappling with massive, institutionalized cruelty is no easy task, especially for kids, but we owe it to American students to tell them the truth. We’ll never be able to reckon with our shared national history if we insist on sugarcoating it. Read more
After I took this boy’s picture, I was told by his mom how self conscious he is about his vitiligo that’s developed over the past year. She told me that he hates his lips. He avoids looking at himself in the mirror and can hardly smile in pictures because he can’t bear the thought of his “ugly” lips being preserved in photographs. Can y'all do me a favor and like or reblog this? I wanna show him this post so he can see how poppin he actually is. I want him to realize that his skin is flawless and that his vitiligo is just an additional mark of distinction to the already unique beauty that is Blackness, in all of its various shades.
in this era that we’re in, self-love is crucial and we can’t afford to have our black children facing the world with anything less than overwhelming love and pride in their skin.
Leah Chase is a legend in New Orleans. From feeding Barack Obama himself (and scolding him for putting too much hot sauce in her gumbo) to feeding folk during the Civil Rights Movement, Leah has seen it all since her humble beginnings starting a sandwich shop.
How Screamin’ Jay Hawkins Spearheaded the Goth Music Movement
recording studios of OKeh, a man, simply named Jay, walked in with a team of
musicians, with the intention to record a heart-wrenching love ballad, filled
with mourning. What resulted however, would shake up the music industry
forever. Just after Halloween, the chill of one drunken, November evening in
1956 brought us one of the most iconic, perplexing, and somewhat horrifying
pieces of music ever recorded. This was how “I Put A Spell On You” was born.
Prior to the
inception of the 50s classic, Hollywood was already being re-infected by the
Horror bug. The invention of Vampira, the popularity of American actor Vincent
Price, and the rise of B-movie Horror flicks cemented a public love for the
macabre, as established in the 30s, with Universal Studios’ Dracula, and
Frankenstein. Bela Lugosi and Boris Karloff were monster legends on the silver
screen. Vampira, the queen of the television screen. But no one was making
waves in the music scene to inject this beloved aesthetic into sound. How Jay
Hawkins’ “Spell” was born was a complete accident, but those around him knew
they had something special on their hands, from the moment they heard Hawkins’
original recording of “I Put a Spell on You” (now available on YouTube), was a
simple, sad blues tune, that may or may not have entered the public’s
consciousness had it been released as is. This version was recorded for Grand
Records, in late 1955. Nearly a year passes, and Jay chooses to re-record it
for OKeh Records, this time with producer Arnold Maxin on board. The story
goes, Maxin brought in food and drink (plenty of drink) for Jay and his
musicians, turning the session into an evening of inebriated music making.
“[The producer] brought in ribs and chicken and got
everybody drunk, and we came out with this weird version … I don’t even remember
making the record. Before, I was just a normal blues singer. I was just Jay
Hawkins. It all sort of just fell in place. I found out I could do more
destroying a song and screaming it to death.” -Screamin’ Jay Hawkins
the “Spell” was complete, and in November of 1956, OKeh Records released “I Put
a Spell on You”, under his new artist name, “Screamin’” Jay Hawkins. No records
prior bear the moniker “Screamin’” in front of his name (see: Discogs).
Alan Freed, a Cleveland disc jockey,
approached Hawkins about playing up his image, to draw the most out of this newfound
success, including the wild idea of rising up out of a coffin for one of his
performances. The rest, as they say, was history. Combining the aesthetic of
Vincent Price (and coincidently his mustache), and an aura of Haitian
voodooism, his act was born. He became the subject of mass media attention in
the 50s, side by side with the best of the Horror scene. He was one of them;
taking the derogatory “spook”, and turning it on its head—reclaimed, and turned
What Screamin’ Jay Hawkins created
is what we now associate today with Shock Rock. The main features being his
vocal delivery, his wardrobe, and props used on the stage to give macabre
effects. With the 1960s came the first wave of Shock Rockers, directly
influenced by the path Hawkins had carved out for them. Screaming Lord Sutch,
of out London, used British Horror imagery, such as the legend of Jack the
Ripper, to form his artist identity. Arthur Brown, who has covered Hawkins’
hit, wore corpse paint, and wore a flaming helmet upon his head in live
performances. The Spiders, Alice Cooper’s original band name (1964-1967),
performed with a huge, black spider’s web as their first ever stage prop. In
the 70s, The Cramps, notable Gothabilly band, also claimed influence by
Hawkins. And with these acts introduce a long line of Goth Rock history, that may
not sound alike at times, but all descend from the same tree.