“I knew, going into this shoot, that I didn’t want to include anyone who just, sometimes, or even mostly, dates women,” Bird notes. “I wanted lesbians. I wanted women who embrace that identity. Because as much as I understand the desire to get away from labels and signifiers, I also believe there can be power in a label—in people coming together as a group. That’s how you gain rights. It’s how you create a movement. For me,” she adds, “‘lesbian’ is equally a sexual identity as it is a political identity. And a cultural one.”
Now onto this famous scene from Episode 2: Attack of the Clones.
The importance of this scene is heavy weighted on Anakin’s
view point. He starves for affection, for acknowledgment, and for familiarity.
After years stuck with the Jedi who we all know by now kept him at arm’s length
and never actually accepted him. Now this person, this
angel who he longed for and loved since the age of nine has come back to his
life and he can’t contain his excitement. It’s as if he was dead until the
moment he saw her again. He wants to tell her everything without holding anything
back because he knows she won’t judge him… and that is something only his mom
ever done for him. A reassurance, that someone [ admittedly ] cares about him *going back to the Japor Snippet scene in Ep1*. Everything
seems perfect, too perfect in fact. So naturally, as soon as Padmé opens her
mouth in this scene in particular I’m afraid our dear Padawan was able to
return to a sense of… difficult reality which clearly expose how much different their upbringing
Padmé: We used to come here for school
retreat. We would swim to that island every day. I love the water. We used to
lie out on the sand and let the sun dry us and try to guess the names of the
[ note: lol, I just love how she just bragged about water to
a slave boy from a dusty planet. Padmé
And we see unmistakably that Anakin is having hard time sinking
in his own feelings. Up till this moment he was able to forget their status:
former slave, former queen. But now it’s all back and he can’t even smile. Like
at all. And no one of course can expect him to. While he wants to get to know
the woman he loves so much, the thing she was saying kinda felt like drinking acid.
I mean what is someone like him expected to answer to that? Having to hear; about
such beautiful lavished and serene moment so very much unlike anything that
happened in his entire harsher young life. This is where the awkwardness begins.
At one point he wants her to keep talking to him, and at another he knows he
can’t possibly relate to anything she says.
Anakin: I don’t like sand. It’s coarse and rough
and irritating and it gets everywhere. Not like here. Here everything is soft
This line isn’t about sand. This line isn’t about Anakin’s hatred
of sand. This line is about Anakin’s original home, Tatooine, the place where his
mother is (currently) slowly dying in. The muse of his nightly nightmares and where
his nonexistence sad childhood had began. Except; he couldn’t just say it out loud.
It’d ruin the mood for one thing and surely illustrate the vast gap between
their worlds. That could only play into his fears, and serves as reminder that
he’s not good enough for her. So, he tries clumsily and awkwardly to connect
with her on simpler terms.
This overlooked moment shows how two different worlds came
together and how it wasn’t an easy thing to do thanks to the major difference and
unforgiving aspects. This
very moment also was the start of Anidala courtship.
Within DEITIES verse, a variety of divine creatures can be found inhabiting both Duat and the overworld of Egypt. These beings – who often appear as composite hybrids of different animals – are not generally regarded as “gods” in their own right, or to the same degree as true deities, but they also do not share the primal affinity to chaos energy that demons have. Instead, divine creatures are known to serve as allies, protectors, and companions to other beings, and many are revered as sacred beings by both deities and mortals.
Okay so this is why I’ve been more quiet than usual this week, had to wait until I completed ALL THESE DESIGN REFS for the new Divine Creatures notes! These are mainly concepts and variations/examples of how certain creatures from the mythology appear in DEITIES verse. Visual designs and notes may be adjusted as the project develops, and hopefully I can do some color tests and other artwork of these creatures at a later point in between drafting o)9
UPDATED JUNE ‘17: Just completed new artwork for two new divine creatures – The Sacred Cattle and the Ouroboros, both of which have also been added to the updated notes!