bill chambers

“What Harry found most unusual about life at Ron’s, however, wasn’t the talking mirror or the clanking ghoul: It was the fact that everybody there seemed to like him.”

I’m fucking sobbing

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Miles Davis - Blue In Green (Kind Of Blue, 1959)

Miles Davis – trumpet
John Coltrane – tenor saxophone
Bill Evans – piano
Paul Chambers – double bass
Jimmy Cobb – drums

intro

part of advanced PLACEMENT: an ars PARADOXICA high school au about a gang of queer teen nerds, by @estherroberts , @podcastmecaptain , and @lizzieraindrops

all three of the aformentioned dorks are equally responsible for the hijinks found in this post.

click here for the au masterpost | track #ars placement for updates!


  • point-of-exile, CO
  • modern day, 20[fuck]
  • bill donovan is the principal of the only high school around for miles
    • he’s a dick
    • like a full on dick 
  • seniors: june, helen, anthony, sally
  • juniors: penny, esther, quentin, jack, bridget 
  • important relationships/friendships: june/helen, helen/anthony, june/quentin, esther/bridget, jack/penny, sally & anthony, esther & jack, sally & esther
  • june and helen are dating each other as well as their boyfriends, they and quentin and anthony have a poly arrangement that they’re all really happy with 
  • also, sally and anthony are really Not dating, but also they’re not exactly Not Dating, either. mostly, they’re best friends. 
  • everyone at school is slightly bemused by the gang because so many of them are dating each other (in both assorted pairs AND poly chains) and those that aren’t are often so close that it’s hard to tell anyway
  • theatre kids: why the fuck is the science department queerer than we are
  • height order from shortest to tallest: esther, sally, jack, bridget, penny, quentin, helen, anthony, june
  • sally skipped a grade and is the same age as the juniors
  • esther and bridget are out to everyone in the science kid gang and esther’s sort of out at school 
  • sally’s completely out to the gang and most of school by senior year. she’s ace as hell and definitely some kind of aromantic
  • sally had a really awkward coming out that probably involved terrible puns
  • june and quentin are both bi and out (june is out to everyone except her parents) 
  • quentin is a demiguy and mostly goes by he/him but sometimes uses they and ze
  • jack is trans
  • helen is trans (and loosely bi, if she had to pick a label for that aspect of her identity)
  • anthony’s pan 
  • penny is demiromantic and demisexual 
  • helen and june are the mom and dad friends
  • bridget actually calls them mom and dad 
  • the three of them go get sandwiches at the coffee shop where penny works
  • and the four of them have a “our dates are nerds and we’re suffering” bond
  • they call themselves “the girlfriend gang”
  • everyone agrees the following is true:
    • helen: god 
    • june: the devil
    • bridget: an angel
    • penny: a demigod
  • helen for student body president 
  • anthony works part time at the post office. he gets very bored. sometimes the gang goes to bother him and he makes faces at them through the slots when they open the mailboxes
  • june works in retail, even though her parents are kind of rich. they wanted her to get the life experience. if you’ve ever worked retail you understand why she’s always angry
  • bridget volunteers at the library
    • she’s friends with all of the old lady librarians
    • they give her advice when she wants to plan cute dates with esther
    • and they all share book recommendations
    • and geek out while they shelve  
  • sally works at the ice cream shop
    • always gets in trouble for trying to identify the flavor formulas
    • gives everyone discounts
    • most likely to get in trouble for her hair being uncontainable

lots more under the readmore!

Keep reading

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Chet Baker - Alone Together (Chet, 1959)

Chet Baker (Trumpet), Bill Evans (Piano), Herbie Mann (Alto flute), Pepper Adams (Baritone Saxophone),  Paul Chambers (Bass), Connie Kay (Drums)

lovely…

bloomberg.com
Senate GOP to Snub House Obamacare Repeal Bill and Write Its Own
Several key Senate Republicans said they will set aside the narrowly passed House health-care bill and write their own version instead, a sign of how difficult it will be to deliver on seven years of promises to repeal Obamacare.

Steven T. Dennis  and Laura Litvan at Bloomberg:

Several key Senate Republicans said they will set aside the narrowly passed House health-care bill and write their own version instead, a sign of how difficult it will be to deliver on seven years of promises to repeal Obamacare.

Lamar Alexander of Tennessee, who chairs the Senate health committee, and Roy Blunt of Missouri, a member of GOP leadership, both described the plan, even as the House was celebrating passing its repeal after weeks of back and forth. The decision will likely delay even further the prospect of any repeal bill reaching President Donald Trump’s desk.

Hospital stocks dipped on the House vote, but quickly bounced back on the news the Senate would start over with its own version, with the BI North America Hospitals Index up 0.9 percent at 2:39 p.m. Hospitals fear the winding-down of Obamacare’s Medicaid expansion will leave them with more customers who can’t afford to pay.

Trump celebrated the House vote with a news conference at the White House, standing alongside dozens of Republican lawmakers.

“This has really brought the Republican Party together,” he said.

But in the wake of the House’s razor-thin 217-213 vote, the Senate made clear it was going in a different direction. Alaska’s Lisa Murkowski, who has been very critical of the House bill, said Thursday she hopes they start with “a clean slate” in the Senate.

To get some kind of bill through his chamber, Majority Leader Mitch McConnell will need to unite moderate and conservative wings of the party that want to pull the measure in entirely different directions. The GOP controls the chamber 52-48, meaning he can lose no more than two Republicans and still pass it, given the united Democratic opposition.

The added sweeteners that helped win crucial GOP support to get the House bill through that chamber had made it even more difficult to get it through the Senate. One of the many obstacles with the House version is that it could run afoul of budget strictures governing the procedure under which the bill is being handled.

‘Manage Expectations’

Senate Finance Chairman Orrin Hatch of Utah said Republicans’ goal will be to craft a measure that can get 51 votes.

“Coupled with the constraints imposed by the budget reconciliation process, we must manage expectations and remain focused on the art of the doable as we move forward,” he said in a statement after the House vote Thursday.

In short, without changes, the House bill arrives in the Senate well short of the 50 votes, plus a tie-breaking vote by Vice President Mike Pence, that will be needed to pass.

“We are not under any deadlines, so we are going to take our time,” No. 2 Senate Republican John Cornyn of Texas said. “When we have 51 senators we will vote but not until then.”

Coverage and Premiums

Several moderate Republicans have been demanding a more sweeping rewrite of the House bill to ensure more people get covered and premiums come down.

A number of moderates were unhappy with a Congressional Budget Office estimate showing an earlier version of the House measure would have resulted in 24 million more people without insurance within a decade.

That wing is led by Bill Cassidy of Louisiana, a doctor who worked for decades in a charity hospital, and Collins, who together crafted a more moderate plan that kept the Affordable Care Act’s taxes in place instead of repealing them.

Other senators who have expressed concerns about the House bill include Tom Cotton of Arkansas and Cory Gardner of Colorado, who both hail from states that have benefited from the Medicaid expansion.

Slower Pace

Despite intense pressure from Trump to push through a repeal bill, several senators said in interviews in recent weeks that the Senate should take its time.

But several House Republicans have warned the Senate not to tinker too much with the measure they passed Thursday.

Representative Dave Brat of Virginia, a member of the arch-conservative Freedom Caucus who only came on board when states were allowed to bring back higher prices for pre-existing conditions, warned there can’t be any changes to the House bill in the Senate and keep conservatives on board.

“Not at all, none,” he said of any Senate adjustments. “It’s about time they got a dose of medicine. They better not change it one iota.”

One advantage McConnell has is Senate rules, which allow fast-track consideration and an end to debate after a potentially all-night voting session on amendments.

But procedure isn’t enough to trump math. Given all the differences and the GOP’s slim majority, there’s every possibility the bill simply bogs down and goes nowhere, or goes so far in a moderate direction that it loses conservatives in both chambers.

Vulnerable Republicans

While Republicans have a favorable Senate map in the 2018 midterms, Democrats are targeting Dean Heller of Nevada, Jeff Flake of Arizona and, increasingly, Bob Corker of Tennessee for possible pickups.

Heller is by far the most vulnerable as the only incumbent running in a state Democrat Hillary Clinton won in last year’s presidential election.

These senators could feel vulnerable to political attacks for supporting a repeal bill, given the new popularity of the Affordable Care Act.

Complicated Senate Rules

To get through the Senate with only a 50-vote margin, any health bill needs to be scrubbed by the Senate parliamentarian for portions that could violate the “Byrd Rule” – a law that limits what can be passed in the Senate under the reconciliation mechanism.

While Pence – or the presiding officer – ultimately determines what complies with the rule, the long-standing Senate precedent is to defer to the parliamentarian’s rulings.

For example, Democrats believe the provision that critically won over the conservative House Freedom Caucus likely violates the Byrd rule. The amendment would let states apply for waivers to allow insurers to charge higher premiums to people with pre-existing conditions if they haven’t maintained continuous coverage, provided the state also has a high-risk pool.

That amendment also would let states ditch “essential health benefits” such as maternity and prescription drug coverage.

Pre-Existing Conditions

How the measure handles pre-existing conditions provisions will face scrutiny among Senate Republicans, even if they first clear the parliamentary hurdle.

Susan Collins of Maine, for one, said in a recent interview she wouldn’t support allowing people with pre-existing conditions to be charged much more money. “I can’t go for that,” she said.

She said that she would instead consider more support for so-called invisible high-risk pools that act as essentially a reinsurance plan to bring costs down for everyone. The House bill has some funding that could be used for such a pool.

Reversing Medicaid Expansion

The House bill’s $800 billion-plus cut to Medicaid goes too far for some Senate Republicans, particularly those from states that expanded Medicaid under the Affordable Care Act.

That includes Rob Portman of Ohio, Shelley Moore Capito of West Virginia and Murkowski. Each reiterated their objections to the House bill in interviews in the past week.

It’s unclear whether they will be satisfied by reallocating some of the spending in the bill, shrinking the tax cuts, or some combination, although senators have been meeting in small groups and discussing possible amendments.

Age Rating and Tax Credits

The House bill’s move to let insurers charge people age 50-64 five times what they charge young people – up from a 3-to-1 ratio now – would dramatically increase their premiums, even as poorer people would see skimpier tax credits under the new system.

The Congressional Budget Office predicted as much as a 759 percent increase in premiums for low-income seniors whose premiums are now capped as a percentage of their income.

Senator John Thune of South Dakota, a member of the GOP leadership, has been crafting a provision that would reduce the premium spike for these seniors – an issue particularly important to senators in high-cost states like Murkowski’s Alaska and in states with older populations like Capito’s West Virginia and Collins’s Maine.

Fuller Repeal

On the party’s right flank, Senators Ted Cruz of Texas and Rand Paul of Kentucky will try to pull any measure closer to a full repeal of the Affordable Care Act while adding conservative planks.

It’s not clear how they can do so and still get enough votes to pass the final product.

Cruz said Wednesday he is talking with senators and the administration about ways to improve the bill and bring down premiums. One provision he hopes to add is an amendment allowing insurers to sell across state lines to boost competition. That’s something Trump promised on the campaign trail but could run into procedural objections, as well as political resistance.

Paul, meanwhile, may be the toughest vote to get on the right. The libertarian-minded senator has criticized the House bill for continuing some tax credit payments to insurance companies.

The Senate’s NOT going through with the #AHCA, and will instead craft its own version of an Obamacare replacement (aka #Trumpcare).

2

Kind of Blue was released on 17 August 1959.

Produced by Teo Macero and Irving Townsend, and recorded in 2 sessions (2 March and 22 April 1959), with almost no rehearsals and little preparation (Davis provided each musician scales and melody lines he wanted them to improvise from), Davis and his quintet created what has been called not only “jazz’s greatest record,” but one of the greatest albums of all time.


1. So What
2. Freddie Freeloader
3. Blue in Green
1. All Blues
2. Flamenco Sketches

Miles Davis - trumpet
Julian “Cannonball” Adderley - alto saxophone
Paul Chambers - bass
Jimmy Cobb - drums
John Coltrane - tenor saxophone
Bill Evans - piano
Wynton Kelly - piano on “Freddie Freeloader”

Miles Davis Sextet – Recorded at Columbia’s 30th Street Studio, New York, New York on 26 May 1958 - released as the first track, side one of 1958 Miles. For later reissues, the album was retitled as ’58 Sessions Featuring Stella by Starlight or ‘58 Miles Featuring Stella by Starlight.

Miles Davis – trumpet

Julian “Cannonball” Adderley – alto saxophone

John Coltrane – tenor saxophone

Bill Evans – piano

Paul Chambers – bass

Jimmy Cobb – drums

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Miles Davis - The Meaning of the Blues/Lament (alternate take)

Miles Ahead (Columbia, 1957)

Personnel: Miles Davis – flugelhorn; Bernie Glow – lead trumpet; Ernie Royal – trumpet; Louis Mucci – trumpet; Taft Jordan – trumpet; John Carisi – trumpet; Frank Rehak – trombone; Jimmy Cleveland – trombone; Joe Bennett – trombone; Tom Mitchell – bass trombone; Willie Ruff – French horn; Tony Miranda – French horn; Bill Barber – tuba; Lee Konitz – alto sax; Danny Bank – bass clarinet; Romeo Penque – flute, clarinet; Sid Cooper – flute, clarinet; Paul Chambers – bass; Art Taylor – drums; Gil Evans – arranger and conductor

9

The Miles Davis Sextet, NYC 1958, featuring John Coltrane, Jimmy Cobb, Paul Chambers, Bill Evans and Julian “Cannonball” Adderley

When photographer Robert W. Kelley shot a few rolls of film at an intimate jazz gig on May 14, 1958, evidently neither he nor his LIFE editors were jumping out of their skins with excitement. Kelley provided scant notes describing the evening: just the date, the city and the subject’s name, “Miles Davis,” scrawled on the small archival file of the resulting photos. Why the pictures - which capture the great, ground-breaking trumpeter, then just 31 years old, leading his band in an unnamed New York venue - never made it into print remains a mystery to this day.

Maybe Kelley’s 1958 photos never ran in LIFE because seeing and hearing jazz greats on any given night felt so commonplace in New York at the time - the music mecca Birdland, after all, was just around the corner from the Time-Life Building. Maybe pictures of a ground-breaking young master of the art weren’t something to get worked up about. But six decades later, when Miles Davis’ star shines brighter than ever and he’s acknowledged as one of the genuine titans of 20th century music, it’s hard not to get excited by the opportunity to see previously unpublished pictures of the man and the rest of his legendary sextet.