Over the last seven years, the It Gets Better Project has successfully leveraged the influential power of media to uplift and empower LGBTQ youth around the world. From an unprecedented social media campaign to a best-selling book to award-winning television programming, we are always seeking new ways to get our message of hope into the hearts and minds of those who need it most.
We have witnessed tremendous progress on a global scale toward greater acceptance for LGBTQ people. Yet, today, our youth are bombarded with threats to their civil liberties and, in some cases, their lives, because the communities they call home refuse to accept them. Our partnership with American Eagle Outfitters for the #WeAllCan campaign is the perfect collaboration to ensure that LGBTQ youth know they have the potential to achieve great things and to make a tangible and positive difference in the world. And, it provides an opportunity for those who love the American Eagle Outfitters brand to wear their support of a more inclusive world!
The social narrative is always changing. We know how to change that narrative, and the support of forward-thinking organizations, like American Eagle Outfitters, makes that change possible. Together, we will amplify our message of hope until every single person on this planet understands the intrinsic value we all possess as human beings. We owe it to our youth, we owe it to ourselves, and we owe it to the future of our society. Life can and will get better for LGBTQ youth — and for everyone else — when we start celebrating our differences and adopt a #WeAllCan attitude.
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Over the past few years, Rebecca Sugar has learned to steer a very large spaceship. Five seasons in, Steven Universe, her Cartoon Network show – the channel’s first created by a woman – is enormously popular with both kids and their parents, attracting a vast, fierce fandom. (It’s frequently at or near the top of the various rankings on Tumblr’s Fandometrics page, and has a large following all across social media platforms.)
The series is consistently lauded for its emotional intelligence, its musical numbers (including songs sung by Estelle and Patti LuPone, who Sugar wooed with roses), its nuanced character development, and especially its insistent queerness – one major character is the literal and metaphorical embodiment of a lesbian relationship, and almost no one in its central family is related by blood.
With her mop of black hair, indefatigable smile and seemingly boundless energy (she’ll turn 30 in July), it’s not hard to see Sugar in her creation. But series protagonist Steven – a relentlessly kind, goofy boy at the center of a millennia-old galactic war between the Earthbound Crystal Gems (Garnet, Amethyst and Pearl) and the parasitic Gem Homeworld – has a lot less going on in his life than his creator.
Steven Universe isn’t just a TV show: It’s a sprawling, many-tentacled property that includes comics, an upcoming console video game, a just-released soundtrack album, a New York Times best-selling children’s book and merchandise recreating most of Steven’s clothes. Most of theserun through Sugar personally in some capacity – she wrote The Answer (the children’s book), made editing passes on the companion volume Steven Universe’s Guide to the Crystal Gems, oversaw the tracklisting and remixing for the album, and contributed dialogue and artistic guidance to the game, Save the Light.
The scope of her job both excites Sugar and, occasionally, pains her. “When I don’t have time to be really involved, it’s definitely strange to see something come into existence and know that I…” She cuts herself off. “But it’s hard to stay away.” Letting anything go is difficult for Sugar, whose life and relationships, in a sense, are the show.
Steven is something of a tribute to Rebecca’s brother Steven Sugar, a background designer on the show. The show’s exploration of romantic relationships (particularly in the character of Garnet, the living embodiment of a romantic relationship) is informed by her own with long-term partner Ian Jones-Quartey, a former executive producer on Steven Universe and the creator and showrunner for upcoming Cartoon Network series OK K.O!. “My time with them is trapped inside the show,” Sugar says. “That’s what makes it special.”
Okay guys. Here it is. After 11 years the story of Fairy Tail finally comes to a close. So let’s dive into Chapter 545 “Irreplaceable Friends”
We open at a big fancy party thrown in Lucy’s honor for her best selling book, “The Adventure of Iris”. Honestly… Good to know Lucy gets a successful career in her ending.
and we now get the cover page…
It’s a little crowded, and I think there has been better shots of all of Fairy Tail together, but nostalgia is really kicking in.
The next few pages is just shots of FT being FT.
So Lucy begins to narrate some things that have happened in the last year. First about her book and then…
Oh god. Not you. Yes, Anna gets to live in this time period, with no consequences and not even a meaningful conversation with Lucy. To top it off, she’s now a teacher. Yeah, seeing as how all of Anna’s “intellect“ just kept making things worse and worse, I don’t think those kids are in for a good academic future.
Seems like Levy is pregnant. Cool. Not that this isn’t bad, but after the whole Bradman thing, this was kinda obvious.
We then cut to other guilds. Like Lamia scale and we find out that Chelia…
Are you fucking kidding me? I guess this war really did have no lasting consequences for our heroes!
This is the last of Sabertooth. Which I swear is just a copied image from the Avatar arc when the “Tora Tora eating festival” was introduced.
I guess Ichiya is Blue Pegasus’s master now? Well he did survive a suicide trip pushing Acnologia into a portal, guess he earned this title.
Wow this arc has done well at stripping away Kagura’s dignity. From getting striped by Dimaria, to giving Jellal CPR shirtless, to being given a magic induced orgasm, and now she’s a model. Okay there’s nothing wrong with being a model, but this is Kagura. Stoic, Badass Swordswoman, I didn’t see becoming a magazine model as a future for her character. She doesn’t even seem to like this! Actually wait! The caption says that Mermaid Heel’s girls all became models… Wow, way to treat the female only guild.
We cut to the party where…
Oh god, Gildarts no… Also Juvia, I know you spent time with Gray and developed the striping habbit, but you usually did it in combat… I don’t get why you’re doing it now.
Gray drags off Juvia and begins to lecture her on her scar…
So they’re canon… I think? Kinda… Sorta… No well explained… Hey wait! I just realized that this whole big plot point about how Gray will give Juvia an answer and keep her from being left hanging, doesn’t end in a straight answer, but a maybe?! AKA still left hanging! Dude, grow a spine and say it!
Wait… what’s this…
I love this scene! Mashima you glorious bastard~
We then cut to see that King Toma has abdicated, making Hisui queen. Yeah… Hisui… She totally earned it… What have you even done?Well she does make peace with Alvarez. Which is most likely going through a civil war to determine who is now the ruling body given the emperor and most of his top men are dead.
But Hisui also pardons Crime Sociere…
Y’know her telling them to live, would be a bit more powerful, if she interacted with Erza and not Lucy.
Yeah now the most controversial part of the chapter…
Erza and Jellal don’t get together. In fact, they don’t even talk. Y’know I did a brief post on my thoughts about this and I still stand by, Mashima is under no obligation to get them together, but he does at least owe them a conversation. At least. Because when you tease something like that, you really can’t leave open ended. If they aren’t going to get together you should at least give them a conversation that at least leads to them making the decision not to get together.
(Also Erza’s hair was that gorgeous without brushing it?!)
And Makarov can’t walk anymore… Oh god it must hard for him to make it through each day now, old, numerous heart attacks, lost the ability to walk. At this point just mercy kill him. Wait, he’ll probably live through that too.
Oh yeah and the other controversial scene…
Yup. Mavis and Zeref have been reincarnated and are now destined to fall in love again… Oh god… Why? You concluded their story! The whole journey of them as a couple had a great ending. Granted I felt it was weighed down by the Alvarez arc really dropping the ball with the whole relationship thing, before their conclusion. So this really feels like it ruins that big curse breaking moment, because they actually don’t escape their eternal cycle. Instead of being immortal they’re just reincarnated. Also one month is a short time for these reincarnations to be born and then make it to their teenage years
We get a montage shot of FT acting like FT and…
Wow… A ship with no canon interaction gets acanon ending. Mashima, you glorious bastard…
We cut to the next day in Lucy’s home, where… (For old time’s sake)
Natsu is in her living room. Appears she passed out after getting drunk, and brought her home.
And then this scene.
I know there are some upset that Natsu and Lucy didn’t get together, but this scene is really heartfelt. Regardless of the quality of every arc in question, I genuinely feel that these are two people who’ve been through thick and thin.
So they run off on another adventure… But not just on any adventure…
A 100 year quest.
So we close out on another montage showing off FT.
Umm looks like Fairies don’t have tails…
Anyway that is the conclusion, and after 11 long years the stories of Natsu, Lucy, Gray, Erza, Wendy, Happy, and Carla, come to an end, but the adventure of Fairy Tail lives on…
Post Chapter Follow Up: I’m going to start with the negatives only because I want to end on a positive note.
The biggest issue with this conclusion, is a lot of the individual ends feel iffy… Weather they don’t seem to fit the character like Kagura, or give a level of finality to their story like Jellal, or even acknowledge there has been a change to get us to this point like sabertooth. It really hurts because these are the last time we’ll see these characters and leaving them off with those conclusions is bitter sweet.
Let’s also talk about the controversial stuff. The biggest is the ambiguity. The “story” has to end without the story ending, thus it doesn’t go against a never ending adventure. There are things I think you can leave ambiguous, like Natsu and Lucy going off on an adventure, or what happens to all of the guilds as a whole. But there are some stuff that really you can’t do given the time spent on it. As I said, I am fine with Mashima not making pairs canon. Afterall, he isn’t under obligation to, just because the ships have large fanbases. That said he needs to at least give a straight answer. WIth all the time spent, you need to show us how you come to the end for these pairs and why that might not get together.
Another thing that really hurts is the Zeref and Mavis thing… Why? It’s not a bad scene, but it’s bad because it really ruins their already good conclusion. Doesn’t destroy it, but does make it a lot lesser.
So with all that said… Lets get to the positives,. First of all, I really do want to give Hiro Mashima for attempting something different for his conclusion than the typical shounen ending. I do think it is muddled a bit in execution, but this could’ve very well been just a repeat of Rave’s ending. I’m glad he ended it, his own way.
Another thing is the FT hijicks. I know a lot of the cast of FT didn’t do much this final arc, but it’s so nice to see them all get to show of their personalities one more time before the curtain draws to a close.
And finally, that moment with Natsu and Lucy. I know people are upset that the two are not together as lovers, but that doesn’t take away this really is two characters that share a genuine bond. Maybe not romantic, but it really feels like a finale for these two.
So this is the last time I’m going to do this for FT…
Final Verdict: 5/10
It’s too ambiguous
It does have some head scratching edings for characters
It has very sweet moments of characterization
Reminds of the jiy these characters brought me.
Before we go,This is it, this is the last review for a chapter of Fairy Tail I’m going to ever write. It’s been an honor and pleasure bringing you a review week to week. I wouldn’t be anything without this series, I could’ve never made my blog what it is without this series help, and all of your help dear readers. We had a lot of fun. Sure, at times it wasn’t always good, we had ups and we had downs, but that was what Fairy Tail was, a ride. And it’s a ride I don’t regret getting on. I hope it left everyone with some good memories. So till we see each other again, stay gold!
As I left the theater Friday night after the showing of Darren Aronofsky’s Mother!, an older woman turned to me, looking as baffled as I was, and said, “Well, we got through it.” It was an understandable sentiment. The movie is bizarre and overwrought and disturbing. It makes no attempt to explain itself. Aronofsky puts a lot of faith in the audience to put in the effort to decode it. I suspect there will be two types of viewers of this film: those who leave the theater confused and kind of peeved and write the movie off as a forgettable romp in narcissistic arthouse theater; and those who become infected by the film’s sheer mystery.
If I’m being totally honest, I must say that I pretty much gave up on decoding Mother! a few hours after seeing it. I suspected it was saying something about the life of the artist and its inherent selfishness, but my interpretation was murky at best. And then, as luck would have it, as I laid down to sleep, it hit me, seemingly at once: the whole film is an incredibly compressed retelling of the Bible. Or, at the very least, its action mirrors that of the Bible.
What follows is a rough attempt to break down how key scenes in Mother! reflect stories of the Bible, which hopefully will help foster a greater understanding of the movie’s central themes of creation, destruction, neglect, and obsession.
As you could have guessed, Javier Bardem’s character represents God, although he is far from benevolent. In my opinion, Jennifer Lawrence’s character represents a kind of Mother Nature figure. She is the one working on the house, which symbolically represents the earth, and she loves her work. She is the one creating the physical beauty of the world, and she wants the chance to enjoy it. But before she gets a chance, a stranger (Ed Harris) enters her world. This stranger is Adam, the first man. Bardem welcomes Adam into his home, who turns out to be a huge fan of Bardem’s poetry—in fact, Adam nearly worships him. Bardem gives Adam a tour of his office, where he shows Adam his weird glowing crystal. Adam is drawn to it and reaches to touch it, but Bardem forbids him to (forbid being the operative word here if you catch my meaning). That night Mother finds Bardem comforting Adam as he vomits into the toilet. She catches a brief glimpse of a wound on his rib cage which Bardem quickly covers with his hand. The next day, Eve arrives, having been fashioned out of Adam’s rib during the night.
Now there’s that scene with the toilet. Mother discovers a strange, um, organism hanging out in it that quickly vanishes down the drain. I cannot say with any certainty, but I believe this creature might be the serpent that tempts Eve. We don’t see it again, so the temptation itself must take place offscreen, but nonetheless, this scene is an unsettling hint at the corruption to come. Soon after, Adam and Eve are found in Bardem’s office, where they have touched and shattered his glowing crystal. Bardem with all the fury of the Old-Testament God banishes them for the office and boards it up, just as God banishes Adam and Eve from Eden and hides the Tree of Life. By the way, the Tree of Life in the Bible is the source of eternal life; in Mother! the crystal is what allows Bardem to reset time and seemingly live forever.
Enter Cain and Abel, who quickly play out their murder scene, but with a doorknob as the weapon of choice instead of a rock. I believe it is after this scene (but a re-watch is required to validate this) that we first see the “heart of the house” show signs of corruption. The fall of Adam and Eve along with this first act of violence pave the way for the film’s staggering and increasingly fanatic third act. I’d say it begins during the wake sequence after the sink falls apart and water rains down from the heavens—excuse me, I mean sprays out from the pipes—resulting in a Great Flood that finally gets Bardem to kick his unruly houseguests out.
Then Mother gets pregnant and Bardem publishes a best-selling book of verse. The press shows up at his house, along with pretty much the rest of the world, and all hell gradually breaks loose. The guests worship Bardem and greedily grab whatever they can find of his to worship as, you guessed it, idols. Sin wreaks havoc and the house goes full-on Sodom. The imagery that follows is so densely packed that I can’t pretend to have caught it all, but I imagine all sorts of Biblical allusions find their way into the scene.
Mother is on the verge of giving birth and Bardem helps her find a quiet place to do so. The guests send in gifts, and while there aren’t any stand-ins for the three kings, you get the picture: its Jesus, folks. Bardem’s first thought is that he must show his followers his son, and when he does, they hastily devour him. After witnessing this, Bardem comes to a very Christ-like conclusion: “His death must not have been for nothing,” he tells Mother. “We must forgive them.” This he says, by the way, while his followers are still chewing on his newborn baby’s flesh. Communion anyone?
Finally, Mother cracks and sets the house ablaze in a giant ball of fire, not unlike the kind God rains down on Sodom in the OT. An unscathed Bardem walks out of the ashes holding a well-burnt but still breathing Mother, rips her heart out of her chest, and uncovers a new glowing crystal inside, which he uses to reset time to live out the events again but with a brand-new Mother.
That’s, at least, how the plot mirrors the Bible. I didn’t touch on what these parallels do for the film’s thematic material, but I’m too exhausted to delve into that right now. In short, Aronofsky tells the untold story of the neglected Mother behind creation, which is also the story of the neglected muse behind the artist. That’s a whole different post, though, and hopefully, I’ll get to it soon.
Two years ago, life was good for Sheryl Sandberg. The Facebook
senior executive and mother of two had a best-selling book (Lean In) and she and her husband, Dave
Goldberg, decided to take a vacation. But on that vacation, Goldberg collapsed
at the gym from heart failure and died. He was 47 years old.
Sandberg went through a period of darkness after her
husband’s death. She turned to professionals and friends for help getting
through it, and now she’s written a book with one of those professionals,
psychologist Adam Grant. It’s called Option
B: Facing Adversity, Building Resilience and Finding Joy.
Sandberg spoke to NPR about finding her way back to normal
and the best way to be there for someone who’s grieving.
there’s literally never any reason to feel bad abt what uve named a character like, ever, cos thomas harris literally just named his main character hannibal the cannibal and now he’s written 4 best selling books and has had them adapted into 5 movies and a 3 season tv show all about Hannibal Cannibal so
There are two important things to know about Sam Heughan: He’s as nice as his social media persona and work on Outlander suggest. And he is that attractive in real life.
Even after a week of nonstop appearances promoting the third season of the hit Starz fantasy drama, (Sundays, 8 ET/PT), he’s all winks and Scottish charm, joking about getting bad takeout salad stuck in his teeth and fanboying over Whoopi Goldberg.
“We’re going on The View, and I’d say 75% of people there were Outlander fans and they were just so enthusiastic, and I’m like, ‘There’s Whoopi Goldberg’!” Heughan, 37, laughs.
He still genuinely seems shocked by how many fans the show has amassed — and there are many — but he’s quick to praise them.
“They were just really happy to see us. I felt very lucky,” he says. “I’m beginning to realize, I don’t think every other TV show has that kind of support.“
It’s as if he was plucked from a hilltop in Scotland and dropped into Hollywood. And fans, as well as casting directors and major brands, are eating it up.
"Why did we do it? We met him a little over a year ago in New York at an event we were hosting and he’s just such a nice guy,” says Barbour general manager Tom Hooven about signing Heughan as the fashion brand’s first global ambassador.
The partnership has worked so well they’ve signed him for two more years, and are releasing a collection he helped design later this month.
His lack of pretense may stem from the fact that his 2013 casting in Outlander, the historical fantasy series set in Scotland and based on the best-selling books by Diana Gabaldon, came asHeughan was questioning his career choice.
“I was a little like, not disillusioned, but certainly looking at my life. I was 30, maybe 33. I had toured a lot, did bit parts in TV and theater, was just coming back from America where I tested on a lot of big TV shows and films but still not sort of broken that barrier yet,“ he says. "I think I was just looking at life going, 'Is this what i’m going to be doing for the next 10 to 20 years?'”
Turns out, he was on the precipice of a major change. He got a call from his agent, after returning to Scotland following a string of rejections in L.A., with a script for the part of Jamie Fraser, the highlander who falls in love with Claire, a nurse from the 1940s who has traveled back in time after touching standing stones while on vacation outside Inverness.
“I read it, and I just knew that I knew that character.”
He was quickly brought onboard, and helped with the casting of his co-star Caitriona Balfe. The pair’s chemistry has helped the show become a ratings boon for the premium-cable network and a social media phenomenon.
It also got him the attention of director Susanna Fogel, who hired him, alongside Mila Kunis and Kate McKinnon, for feature film The Spy Who Dumped Me, due next summer, after an audition via iPad as he was shooting Outlander’s new season in South Africa. It was enough, however, to convince producers he was ready to break out from the historical fantasy genre for a high-budget comedy thriller.
Heughan plays a federal agent in the film, which follows two 30-year-old best friends Audrey (Kunis) and Morgan (McKinnon) in Los Angeles, who unwittingly become entangled in an international conspiracy when Audrey’s ex-boyfriend shows up at their apartment followed by a team of deadly assassins on his trail.
“Sam is that rare actor with such a breadth of talent that he can effortlessly move between genres. In our film, we asked him to do it all, and he did,” Fogel said via email from Budapest, where filming is nearly complete. "He’s a bona fide action star one minute, a grounded dramatic actor the next, and a comedic foil for Kate McKinnon and Mila Kunis throughout.“
The film may be the next break he was waiting for, hurtling him to a permanent place on the silver screen and giving fans a full-blown movie star to fawn over.
"It was exciting to give him an opportunity to explore a different tone and dynamic in his work and watch him master it like he did, and I can’t wait to see what he does next,” Fogel says.
Today we’re introducing you to a #1 New York Times best-selling author Timothy Ferriss and his highly acclaimed book. The full name of this book is Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers. Since the title is pretty much self-explanatory, we’ll give you info on the things that are not.
Breaking the Code - Jughead Jones x Reader Imagine
Requested by anon: hi! i was hoping for a jughead request with an artist!reader who asks to illustrate jughead’s book with crime scenes and stuff, and when she shows jughead the finished drawings he finds one of them kissing? Thanks!
Image: Theodor Geisel
in his home work room in La Jolla, Calif., in 1957. (Gene Lester/Getty Images)
Decades before he became a best-selling children’s book
author, Dr. Seuss, a.k.a. Theodor Geisel, created a series of sculptures he called
his “Unorthodox Taxidermy.” Using real horns, beaks and antlers, he
fashioned whimsical creatures which look like they jumped right out of his
1) Does Aria Have Multiple Personalities? Aria has definitely been traveling down a villainous path this season, and King revealed that was all thanks to Lucy Hale’s off-screen requests. “[Lucy] has wanted to be bad for so long and it really took us a while to figure out how we could make Aria see her dark side,” King said.
But Aria’s dalliance with A.D., and her most recent spell of frantically talking to herself in the car, has many fans wondering if she could have a split personality. King was quick to squash those rumors, saying, “Aria does not have multiple personalities.” King added that when Aria was talking to the dead body in her trunk, that was her way of “regulating herself” in a severely stressful situation.
2) Why Was the “He’s Coming For You!” Scene a Dream? “I’ll be super honest, when we were first shot it, we didn’t know who [‘he’] was – and that’s a spoiler right there!” King confessed. “It was a last minute decision to add that scene to the script because we just wanted to give fans a sense of what that flash-forward was going to look like. And for a year and a half we have been pondering like, 'Who was it? Who was it?’ We knew we were going to kill Archer, so it could be him, and then we just thought, 'You know what? Let’s just really have fun with it in a Pretty Little Liars thriller sort of way and make it a nightmare.’”
3) Was the Chalkboard in Emily’s Dream Hinting at an Emison Wedding? In Emily’s dream-turned-nightmare, fans were quick to notice that Alison was writing out all of her various alias from the past seven seasons – including “Alison DiLaurentis-Fields.” Gasp! Was this a premonition for Emison’s romantic future? “I mean it is a dream, but we love to drop easter eggs and hints, so maybe,” King teased. “Tune in next week for sure you’ll find out.”
4) When Did the Cast Discover A.D.’s Identity? “A lot of people found out at the table read because we didn’t give the scripts out ahead of time because we didn’t want them to get out into the world,” King revealed. “The person who is A.D. asked me not to tell anyone because that person didn’t want to affect certain scenes in certain ways.”
While King was tight-lipped on who is playing A.D., the showrunner was open about when she spilled the shocking truth to the unnamed actor. “That was a separate conversation that I had with that person fairly early on when the decision was made that they would be A.D. because it affected a lot of that person’s performances.”
5) Where Are the Biggest A.D. Easter Eggs Hidden? King says there have been many A.D. clues sprinkled over the years in PLL, but these “last 10 episodes” hold the juiciest secrets. “We’ve dropped a lot of Easter eggs intentionally into them because we wanted fans to have a really good chance to figure this out and to be right,” she said. “So the A.D. reveal is very important but then the understanding of [why] is equally as important. That’s why [the finale] is two hours, so the fans and the Pretty Little Liars can all process it all at the same time.”
6-9) Lay These Lingering Cece Rumors to Rest… Following last week’s shocking reveal that Mona accidentally killed Charlotte, many fans still had lingering questions, such as…
- When did A.D. steal the game from Charlotte? “I want to make sure that fans understand that everybody is interwoven, but as one story ends another begins,” King explained. “With the reveal of Mona, then it became the Charlotte story. And then with the reveal of Charlotte becomes this A.D. So this AD is separate in terms of playing the game from those other A ’s - Who is the one who posed Cece’s lifeless body at the bottom of the tower with the purple flowers? "Mona,” King answered.
- Does that mean we can put the rumors about Melissa’s suitcase handle being the murder weapon to rest? “Yes,” she said.
- Why did you ultimately decide to have Mona kill Charlotte? “She’s the most loyal friend to Hanna, but she has poor judgment as well, and she can’t not get caught up in these games,” King said. “This idea that Charlotte was going to continue the game really put Hanna’s life at risk. [Murdering Charlotte] wasn’t something that [Mona] intended to do, she really did just want to scare her.”
10) Who Gave Alison a Bloody Lip Back in Season 3? Way back in season three, episode 23, Veronica Hastings recalled a flashback in which Alison stumbled into Spencer’s house in the middle of the night sporting a bloody lip. Alison refused to reveal who assaulted her and weakly tried to blame the injury on a tree branch. So who hurt Ali? “It wasn’t a tree, but during that episode in Ali’s life she was really sort of taunting and torturing the girls about these older people that she was hanging out with,” King explained. “I will tell you that in the writers room, we never said specifically who [exactly] it was [who bloodied Alison’s lip,] but it was that group of people… college kids. The same group of kids who threw that poor girl down the stairs, and broke her leg.”
11) What’s the Deal With the NAT Club? For the longest time, Pretty Little Liars dangled lingering questions about Rosewood High’s mysterious NAT club, and we’re curious to know if we should still care. “They just sort of they grew up. It was a group of people who were peeping toms; they were spying on people for kicks,” King explained. “As the tapes got out and as the secrets got out, that was what got people killed – like Garrett.” So will this topic return in the finale? “I feel like we sort of dealt with that in the season 5A finale,” she concluded.
12) Who’s Coming Back For the Finale? As we approach the two-hour series finale, many fan favorite characters will be returning to Rosewood for our last goodbye , but some – like Jason DiLaurentis – will be noticeably M.I.A. “[Jason] is not going to be in the finale. There are a couple of actors that we really tried to get but either they were booked on other shows and legally they can’t come back to us and he’s one of those,” King admitted. “But somebody we tried all season to we get back who is in the finale and on another show is Melissa, Torrey Devitto, so we were really excited about that.” And as for Paige? “I’m not going to say,” she said cryptically.
13) How Did the Moms Get Out of the Basement? King confirmed that most of the Liars’ moms who are “still alive” will also be making a grand return to Rosewood. To make matters even sweeter, the moms will also be addressing one of the biggest unsolved mysteries of the series: How did the moms get out of the basement?! As you well remember, 'A’ trapped the moms in Alison’s basement at the end of 6A, but we never saw them leave. “[Their escape from the basement] is discussed, King said. "It’s not shown, but it’s discussed – maybe not completely in the way you want, but it is discussed.”
14 – 19) Rapid-Fire Finale Questions… - Which couple has the most shocking moment in the finale? “Emison,” King answered.
- Are there any masks involved? “There is at least one mask in the finale, maybe two,” King promised. “I won’t tell you whose mask it is, but they’re very realistic looking masks.”
- How many weddings will we witness in the finale? “If I tell you that it ruins the first hour of the finale for you, so I’m not going to tell you the answer to that one,” King said coyly.
- Which character has changed the most after the one-year time jump? “Toby,” she teased.
- Will there be a murder in the finale? “There’s a shooting. I can tell you that,” she said. “There’s a shooting.”
20) What Happens in Pretty Little Liars’ Very Last Scene? We’re absolutely dying to know how Pretty Little Liars very last scene will play out. Will it be a happy ending, a shocking reveal or a lingering cliffhanger? Although she couldn’t reveal specifics, King teased that the series will end with a “full circle moment.”
“It’s like a bonus,” she added. “Although this show ends, this world continues. The mythology of this town will always go on. It’s not going to end with Pretty Little Liars.”
21) Could The Perfectionists Be a Pretty Little Liars Spinoff? We already grilled Sasha Pieterse and Shay Mitchell about the possibility of an Emison spinoff, and King reiterated that “anything is possible” when it comes to life after PLL. However, we’re desperate to know if King’s next project, The Perfectionists – based on another best-selling Sarah Shepherd book series – would connect to the events in Pretty Little Liars. “It could. It could be in the same universe or it could feel like a similar universe,” King teased. “I would love to be honest about everything, but it’s still too early. I’m hoping in the next couple weeks we can talk more about that.”
There have been over 200 vampire sightings in the UK during the past 100 years (more than Transylvania), one of the most famous examples being the Highgate Vampire (although the British occultist David Farrant who was present during the numerous vampire hunts of the 1970s claims that the spirit roaming the cemetery was more demonic in nature rather than a vampire, whereas Seán Manchester claims it really was a vampire, and even managed to photograph the vampire as it finally got staked).
In David Farrant best selling book on the subject, Beyond the Highgate Vampire, David claims that ley lines, may be an important factor that has been left completely out of the Highgate equation. These lines, he says, can actually transmit psychic energy along their course and enable the vampire to materialise when the right conditions prevail. One such ley line, he points out, apparently begins in the middle of Highgate Cemetery at a large circle of tombs called the Circle of Lebanon, crosses through the Flask and Ye Olds Gatehouse pubs (both ancient pubs only yards from Highgate Cemetery); traverses a large block of council flats known as Hillcrest (themselves built upon the site of an ancient nunnery) and passes through an old Roman Settlement a quarter of a mile or so away in Highgate Woods which is marked by an old beech tree.
For without exception, all the locations on the Highgate ley line, were reportedly haunted by a ’tall black figure’ which, even when it was not actually seen, it caused dramatic drops in temperature, clocks to simultaneously stop, objects to fly from shelves or mysteriously shatter, and which also had a dramatic effect upon animals in it’s immediate vicinity.
Other sightings in the UK:
AlnwickCastle (Northumberland) - During the 1100s, a vampire that once frequented this castle, a one time lord of the estate, lived underneath it and would emerge at night to attack the local villagers. An outbreak of plague was also attributed to the unholy creature, and this resulted in the villagers digging the monster up from its shallow grave and burning it.
Blandford Forum (Dorset) - (1800s) a corrupt manservant who stole thousands of pounds from his employer, William Doggett finally killed himself, and now drives his phantom horse and carriage along this area. One local story says he returned as a vampire; after his body was exhumed many years after his death (from St Mary’s Church in Tarrant Gunville) it was found to be uncorrupted, with a rosy tint to the cheeks.
Croglin (Cumbria) - In 1875, an old house had been rented out to a woman and two brothers, Amelia, Edward and Michael Cranswell. During one summer, Amelia was trying to sleep when a strange creature appeared at her window and began picking out the lead surrounding one of the window panes with a long fingernail, then removing it and putting its hand through the resulting gap to undo the window latch and let itself in. It was described as having a brown face and flaming eyes. The vampire bit her in the throat. When her brothers came into the room, the monster was gone. While one brother tried to help his sister, the other went after the creature. After a trip to Switzerland, the three returned to Croglin Grange and the creature returned again. The brother shot it in the leg and was able to track it down to a vault in the local cemetery. They waited until the next day to enter the vault, where they found the body of the vampire, with a fresh wound to the leg, resting inside a coffin. They then burned it.
Lochmaben Castle (Scotland) - During the early 1990s, Tom Robertson investigated the woods after hearing stories that animals had been found drained of their blood. He encountered a tall figure dressed in sacking with a hood over its head, which black eyes and grey face. The creature leapt into a tree and swung away. Eight years later Robertson went looking for the creature again, finding it and taking a couple of photographs.
From my experience, vampires who have been around longer tend to look more naturally human in appearance, particularly if the spirits have gained enough energy to materialise in a fuller form. It is noted within folklore that vampires first start off as dark blobs or shadows before developing into a humanoid form. Being around vampire spirits can cause bruising on the skin, particularly on the neck if they “feed” on you. Vampire spirits are definitely ones that are more fond of physical contact, and it can be common for them to assault you (either sexual or physical violence), depending on the individual spirit. Vampires are fond of crystals that aid in blood disorders or circulation, particularly if they are dark red. If you work with vampire spirits it is better to use these as offerings rather than blood itself, which can pose all sorts of dangers - the biggest one being giving the vampire enough power to materialise physically for longer states of time, and moreover, power over you and your body.