There are so many great movies out there, but when I decided to make this list, I knew there was only one more that would fill my number one slot and throughout the process of making the list, that number one pick never changed.
1. American Mary (2012)
Yes, my top choice also features the amazingly talented Katharine Isabelle.
I found this move either at the end of 2015 or just the beginning of 2016, but once I saw it, it bumped right up my list to favorite horror movies ever. Not just underrated, but IN GENERAL.
It stars Katharine Isabelle and is the revenge movie to end all revenge movies. It is wonderfully twisted and fucked up in all the right ways, like every horror movie should be.
Isabelle plays the role of a medical student, who is going through financial problems, but determined to succeed in her chosen profession.
Desperate for money to pay her bills, she decides to seek work as a stripper, but because she is a medical student, she is instead offered $5000 to save a man’s life, after being beaten.
Needing the money, she does so, but is immediately struck with disgust returns home, in complete panic over the ordeal.
She is offered quite a bit more money to perform a surgery, which would involve removing a girl’s nipples and labia, to appear more like a human doll. She offered $10,000 and an extra $2,000 to just show up.
Despite the way she felt at the strip club, she agrees and successfully performs the surgery.
Some time passes and during her residency, she is invited to a party, where she gets drugged and sexually assaulted at by her former teacher.
Unable to cope with the attack, she drops out of medical school and goes back to the strip club, where she pays workers to bring her attacker to her.
She starts working at the strip club and starts working full time as a surgeon for consensual body modification, all while continuing to torture her attacker on the side.
This movie takes a new spin on revenge story and as I have said before in my number two pick, Katharine Isabelle is hypnotic on the screen and when she is acting, your eyes stay on her and only her.
What I have explained is only part of the plot and I will not give the rest away, because the element of surprise needs to be there if you intend to watch this.
It is written and directed by the Soska sisters who had a cameo in the film, shown above.
I have never fallen in love with a horror movie so quickly before and I urge you all to give it a chance, because not a lot of people have heard of this movie and it is such a visual masterpiece.
I will say this though, the climax and ending happens a bit fast and because of that, it does end a little underwhelming, which is a shame, because everything else is just so flawless and absolutely chilling.
I repeat, absolutely chilling.
Watch the trailer and see for yourself. If you are as intrigued as I was, you will find a way to see this movie.
The best part of Riverdale Season 2 starting filming is seeing the cast hanging out together and spotted with fans around Vancouver again! Recent candids of Lili, Cami, Mads, Casey and Cole together out and about ~ #squadgoals Cole seems to be going for a new look wearing that cap and staying lowkey in most pics lol
“This, you know, what you’re feeling now, it gets multiplied by 10 when you’re 34 and you’re not the hot young thing anymore. But that’s not you. You don’t have to worry about that yet.” 1 Night (2017)
Description: You run into your ex-boyfriend while at a party with your current one and during the encounter are reminded of all the ways he still controls you. You aren’t entirely surprised to find yourself on your knees in the bathroom with him in front of you minutes later.
A/N: @avveh prepare to die. I think I listened to The Weeknd the entire time I wrote this haha. Some of the songs were played over 100 times just during the time I wrote this, particularly “Shameless”, “Earned It”, and “Often”.
It always bothered me that Ron replaced Neville in the Forbidden Forest detention scene. I feel like it took away from the fact that he was a very important and close friend to the trio. He was always looking out for them, a theme that is portrayed a lot in the books, but barely anywhere in the movies. Then again, I guess a lot of the best parts about Neville were omitted from the films.
So Today I
Watched… Wonder Woman // Warner Bros (2017)
And so it
is. The day has finally come. Before making the mistake of saying “The first
ever Woman led Super-hero film” let’s remind ourselves for a minute that before
this release we had over the past 25 years Supergirl, Tank Girl, Barb Wire, Catwoman and
Elektra. No, Wonder Woman is not the first effort by a studio to have a leading
superhero female character. BUT it’s the first one they finally get right. This
movie it’s a letter of love to the character, one that Gal Gadot carries on
with tenderness, strength, innocence and purity. I swear to God. The best part of this film is this woman’s
acting. She embodies all the traits of Diana of Temyscira, Daughter of Hippolyta.
A child born from clay, and given life by the grace of Zeus to make the world a
safer place. She doesn’t know about her
destiny and she’s refused to be told so by her mother who cares for her more
than she should. Diana’s stubbornness and eagerness to learn make her the
Amazon’s fiercest warrior until one day she meets Steve Trevor, a British spy
on a mission to uncover a ploy by the Germans in WWI to strike the allies with
first knowledge of the world of men by the words of Steve wakes her warrior spirit but despise being a very wise
woman in the ways of the Amazon she knows nothing of the world of man. Once she’s
out of Temyscira she has to face the nuisances of the world in London on the
year of 1918. From here on it’s an amazing experience to see this warrior woman
who sees the world on terms of right and wrong, learn about compromise,
patience, love, hypocrisy, the measure of principles, the way the world works
and how this affect in the outcome of the conflict she faces. Every relationship
Diana builds in the film reveals a new facet of the character; she truly is an
ambassador for humanity, caring for everyone. As every origin story, this movie
has “The hero’s realization” scene (the moment when the hero knows he has to
step up and make a stand to prove his/her worth) and while we have seen this
played out a thousand times over in a lot of super hero films over the past 12
years Diana’s realization is pure gold and a one the best moments to watch in
the film despise being blown over in the trailers already. Diana is not an infallible
hero she’s learning as she goes and as such she makes mistakes. Some of them
cost her dearly. Some of them haunt her to this day and that’s why she put on
the mantle again in Batman V Superman.
did not receive the hype BvS had with a 3 years in the making process and that’s
a good thing. This is a very solid film. One of the best origin stories ever
told. Patty Jenkins outdid herself with this movie. The aesthetics are great
and they suit the period the film is being set in. The music while not the most
memorable makes good companionship to the drama unfolding over the 2 hours of
story. Every actor is efficient on their contributions. You’ll get humor. You’ll
get sadness. You’ll get moments of reflection. You’ll get empowerment. You’ll
get action. But above all and everything else… We, the fans, finally have a
Wonder Woman feature film and it’s an awesome one. If you are one of the few
who haven’t watched it yet go and buy a ticket. You are in for a ride.
My Faith in the DC Cinematic Universe has been restored to a 100%.
1) This film holds a lot of personal significance to me. I first saw it when I was 13 in one of the hardest months of my life. I was sick with pneumonia (diagnosed that day) and my great grandmother had just died, so the whole family was over because the funeral was that week. It was late and someone wanted to put in a movie so my dad pulls out Chicago. My mother was a little bit strangely strict about what PG-13 movies I could and could not see, usually forbidding more sexual stuff than anything else. So this was the most sexual film I had seen at the time and I had felt because of that, and the fact I was watching it with all the adults of my family, that I had been promoted to the adult table in some senses. I was really captivated by the music, the story, the moral ambiguity, it was just so different from anything else I’ve seen. I would not be Just Another Cinemaniac without Chicago. In some ways its as important to my film fan identity as Back to the Future.
2) The film opens with an extreme close up on Roxie’s (Renée Zellweger’s) eye, giving us our first inkling on how this is a musical in Roxie’s mind. But more on that later.
3) Note that we never see Velma Kelly’s (Catherine Zeta Jones’) face until she’s on stage giving a performance. This creates the feeling that Velma is ALWAYS putting on a performance.
4) Catherine Zeta Jones as Velma Kelly.
This film is pretty much perfectly cast, I think. 4 of its actors were nominated for Oscars, with another being nominated for a Golden Globe. Zeta Jones actually won her first (and to date only) Oscar for her role in this film, and for good reason to. She IS Velma Kelly. Zeta Jones is totally lost in the role, being able present all of Velma’s different qualities. Her showmanship, her rare vulnerability, her killer instinct, and it all just WORKS. You never EVER feel like you’re watching an actress. Zeta Jones IS Velma Kelly and as the first character we get a nice long look at, it is a great performance to start the film off with.
5) Hey, it’s Dominic West!
6) Renée Zellweger as Roxie Hart.
Roxie is really the lead of this film, the character who we follow along and see the world through. The writing is really interesting. It would have been easy to start Roxie off as some innocent girl who made a mistake and goes on this big journey, but Roxie - despite whatever facade she puts up - is hardly some innocent girl. She readily and passionately has an affair even though her husband is a pretty nice guy (and not a “nice guy” where the guy acts nice but is really a jerk, but is actually pretty kind), murderers her lover just for being a jerk (there are better reasons to murderer someone), all while putting up this act like she did nothing wrong and is the victim. And I honestly think she believes it.
Renée Zellweger captures all these conflicting parts of Roxie’s character with true mastery. She also is able to handle Roxie’s transformation into a more cutthroat and determined creature with the same expertise. Like with Zeta Jones, you never feel like you’re watching Zellweger just giving a performance. She is - for all intents and purposes - Roxie. Originally Charlize Theron was cast in the part but after a change in directors there was a change in casting, and Zellweger had to learn signing and dancing for the film. It paid off wonderfully, as she was nominated for an Oscar for what is possibly her best role ever.
7) John C. Reilly as Amos.
John C. Reilly was also nominated for an Oscar for his performance in this film, and it is clear why. Amos is the only honestly good character in the film, and even then he is not without his flaws. He is not above losing his temper or being able to say when enough is enough when it comes to Roxie (you know, the woman who cheats on him, tries to have him take the fall for murder, and manipulates him in court just to get off). But - because this is Chicago - he’s the only main(ish) character to come out the other side being totally and utterly screwed over. There are some nice layers to Amos (mainly the loss of temper as mentioned above) and Reilly is just totally sincere in the part. It’s no wonder he was nominated for an Oscar.
8) This film sets itself apart from other movie musicals through the idea that the musical is all in Roxie’s head.
This creates a plausible explanation for why character’s burst into song and dance, allows the film to utilize some unique editing and art direction, and finally gives us a nice peek into Roxie’s head. This element allows us to see just how passionate Roxie is not only for the desire to perform but also the desire for fame. It also lets us know how she sees OTHER characters in the film (namely Billy Flynn, but more on that later). I think it is this key element that set the film up for such critical and artistic success, leading to its best picture win at the Oscars.
9) Danny Elfman provides a few nice instrumental pieces of score for the film which feel totally period Chicago. When you are adapting a popular musical such as Chicago adding extra music could be a challenge, but Elfman’s occasional score blends perfectly with the rest of the film.
10) Queen Latifah as Mama.
Latifah rounds out the quartet of Academy Award nominated performances with her portrayal as Matron Mama Morton. I think it’s Latifah’s best performance. She is able to portray Mama as cooperative and a bit soft spoken, but still someone who deals with no bullshit from her inmates. She is as manipulative as any other character in this film, if not as in big a way. You often hear her tell Roxie and Velma EXACTLY what they want to hear knowing that it will lead to a big pay day for her. It is a crafty role which Latifah plays well, and her introductory song “When You’re Good to Mama” shows off not only this characterization but Roxie’s perception of her quite well. It also allows for Latifah to show off her impressive singing chops.
11) The Cell Block Tango.
Where do I even begin with this number? It is by far the most iconic and best part of the entire film. The filmmakers are able to use the idea of “the musical in Roxie’s mind” to create a visually unique and compelling number which is edited together seamlessly with the “real world” of the Cook County jail Roxie finds herself in. Each of the “murderess mistresses” is given enough time to create a unique character and create a sense of the world Roxie (and the audience) finds herself in at this time. I particularly find the use of ribbons to illustrate blood/murder wildly effective, noting that Hunyak’s ribbon (the girl who constantly claims she is not guilty) is white whereas the others are red. This suggest that she is - in fact - innocent.
It is also worth noting that while the first story starts off very much “I’m guilty, here’s what happened”, that by the time we get to the inmate who claims her husband “ran into her knife” ten times the stories have become more and more claiming of legal innocence. This is a trend which continues through Velma’s story, where she claims she blacked out after seeing her husband & sister having sex and came to with blood on her hands. We as the audience have actually seen NOTHING which contradicts this story, further creating a nice sense of showmanship within the film.
12) Okay, I am all for good female friendships on film and television, but I would be lying if I said the catty relationship between Velma & Roxie was not entertaining. I think this is a byproduct from good writing (with what we know about these characters, how ELSE could their relationship go?) and the wildly captivating chemistry between Zeta Jones and Zellweger. Their relationship is one of the key sources of conflict throughout the film and with those two actresses it just WORKS.
13) Richard Gere as Billy Flynn.
The number in Roxie’s head which introduces us to Flynn - “All I Care About” - is a pitch perfect example of expectations vs. reality. After what she’s heard about Billy (which isn’t much mind you), Roxie expects him to be this honest to goodness lawyer who only wants to save women from dying in by the noose in Chicago. What we get however is the craftiest, most manipulative skeeze ball in the film. So why is he so damn likable? Who is he comparable to the roguish Han Solo? Why do we root for him? I think that is all in Gere’s performance. It would be easily to play him as a disgusting slime ball but there is a charisma that Gere brings which I think elevates the character and the film. Originally offered to Hugh Jackman & John Travolta at different parts, Gere’s chemistry with the rest of the cast is great and although the film didn’t land him an Oscar nomination he did receive a Golden Globe for his work.
14) I think it’s worth noting that Roxie does not take too long to adapt to prison. Again evidence that she’s not as innocent as she wants people to think.
15) “We Both Reached For The Gun”
I can never tell if this or “Razzle Dazzle” is my favorite number in the film, but I think for a visual standpoint it HAS to be this. This is once again where the conceit of “the musical in Roxie’s head” benefits the film GREATLY. The imagery of Roxie being a dummy operated by Billy to sell her story not reflects on their relationship in an incredibly clear way (as well as how Billy is literally using people) but also is just visually fascinating. Zellweger is a lot of fun during the number, and if you ever want to know why this film won the Oscar for best editing the year it was nominated just watch this scene.
16) The song “Roxie” when Roxie is at the top of her game is a great character study. It goes even deeper into Roxie’s desire for fame and admiration, a key quality in her character that drives pretty much all her actions throughout the film. It features gorgeous cinematography with its use of mirrors and presents us with Roxie’s ideal self. This ideal self is not a good person (not necessarily), but someone who is adored by her audience. If that doesn’t speak to who Roxie is as a character I don’t know what does.
17) A film is told in cuts, as in cutting from one moment to the next in as clean and clear a way as possible.
Velma [after Mama suggests she kisses Roxie’s ass to maintain some position]: “Over my dead body.”
[We cut to the mess hall, where Velma is seen smiling at Roxie]
Velma: “Mind if I join you?”
18) “I Can’t Do It Alone”
Up until this point we have not seen Velma truly vulnerable. We have peeked more into who Roxie is as a character than who Velma is. That all changes with this number, which shows us that Velma is just as desperate for the spotlight as Roxie is. She NEEDS to stay relevant, she NEEDS the fame and the admiration, and only when it was too late did she realize that the murder of her sister took away one of the key things that made her so desirable to the world in the first place. This song is a fun number that adds nice depth to Zeta Jones’ character and shows off just how talented she can be with Velma’s vulnerability.
19) My heart broke a little when I saw Velma’s face after Roxie’s rejection of her.
And in that moment and that moment alone, I think I shipped the two of them together.
20) Lucy Liu’s glorified cameo as Kitty, the newest jazz killer in Chicago and the one who threatens to take away Roxie’s fame, is a perfect example of how easily Roxie can fall. But here’s the thing, Roxie is smarter than she appears. And more manipulative. It is her greatest strength that people underestimate her, so when she “faints” and mentions “the baby” everyone - from Velma to Billy - are all surprised by her.
21) I was a naive 13 year old. I didn’t understand that the doctor who said he’d testify that Roxie was pregnant had very clearly slept with her (hence Billy’s remark about his fly being open).
22) “Mister Cellophane”
Somehow this song not only shows us how ROXIE perceives her estranged husband as being someone who’s not worth caring about, but also makes Amos into a sympathetic character. He is not particularly whiny about the fact that he’s oft forgotten, he’s just a little sad about it. Reilly’s performance in the song is filled with soft sorrow and vulnerability we don’t always get to see from the actor, an honesty which carries the entire song on its back. It is a truly worthy number to be included with the rest of the film, with its Chaplin like art style and Reilly’s vocals, and I’m glad it made the cut.
23) In a lot of ways Chicago is a noir comedy musical. I say this for two reasons: Amos being kinda screwed over at the end, and the fact that Hunyak - the only innocent girl in the jail - is the only who is hanged. This also reminds Roxie of the fact that she IS on trial for murder and of the fatal consequences she could face.
24) “Razzle Dazzle”
If “We Both Reached for the Gun” is my favorite number in the film from a stylistic standpoint, then “Razzle Dazzle” is probably my favorite from a thematic one. Gere expresses Flynn’s belief that the courts are just a circus, simply entertainment to be manipulated, in a way which is just that: entertaining. I am always totally taken in by the song through its themes of craftiness, playful melody, and fun visuals. It is just a wonderful number which I love watching again and again.
25) If “Razzle Dazzle” doesn’t tell you how Billy sees the court system than this line will:
Hell, the non-musical court room scenes are in a lot of ways more dramatic than the musical ones.
26) This film had a song which was shot but not included in the final cut, one sung between Mama and Velma called “Class”. Still found on the movie’s soundtrack, “Class” had the pair discuss how the world seems to have gone to shit and how no one has any class. It was cut both for pacing issues and - largely - because it did not fit the theme of “the musical in Roxie’s head”. Roxie was at the court house and these two started singing after hearing about what was going on over the radio. It is a wonderful song but I think the film works better without it featured.
27) It took absolutely no time at all for Roxie not to matter. The press didn’t even want her picture after the verdict was read. Another killer, another star.
28) The final number of the film is a dual thing. The first of which is Roxie singing the song “Nowadays” on her own at an audition. The song is sad, somber, and lacks umph. This causes the directors to pass on Roxie. But when Velma and Kelly work together? When they’re able to work with their heat and chemistry and put on a duet of “Nowadays”? The umph is back and it is a wonderful number to end the film on!
I’m obviously biased through my own personal experience with the film, but I think Chicago is quite possibly the best movie musical of the 21st century (yes, even better than Les Miserables). The acting is incredible across the board, with Catherine Zeta Jones and Renée Zellweger being the obvious standouts. The concept of “the musical in Roxie’s head” allows for a musical which is unique and supports a wonderful art style. The songs are fun, the pacing and editing are great, and it’s a technical spectacle in its subtletly. Just a wonderfully entertaining film I think everyone should watch.
“You’re wrong on this Y/N. He’s definitely still dreaming.”
You sighed again. Four hours on the plane with Spencer and the test of the team, the best part of those four hours arguing with Reid about a sodding film.
“Spencer, can we not just agree to disagree here. Please?” You’d had enough.
“No because I’m right. The totem doesn’t wobble. I’ve just watched it ten times. He’s still dreaming.”
“Spencer, it’s meant to be ambiguous. Why do you think it ends right after the slight wobble? To keep us guessing.”
“There is no wobble.”
Geez, he really hated being disagreed with. Normally, you’d have to agree with him because normally he was right. But this was one of your favourite films that he was talking about, a film you’d watched forty seven times. A film you’d spent an alarming amount of time reading up about after you’d first watched it.
You looked around at the rest of the team who’d been watching you, arguing back and forward. “Guys…Help, please?"
JJ leant forward in her seat, "Show me the clip.”
Spencer reset the clip, JJ leaning in to get a better view of the laptop screen. She replayed it once more when it had finished.
“Spence, it wobbles,” she declared, sitting back in her seat.
He glared at her. “Well you would agree with Y/N wouldn’t you. Girl power and all that.”
JJ raised her eyebrows at Reid. “How many times do I agree with you Spence? You might be a genius but you’re not right all of the time. I agree with Y/N. It’s meant to be ambiguous, and I see the wobble.”
The rest of the team gathered around his screen ready to cast their opinions on the matter. He replayed the clip again.
“I dunno Y/N, I don’t see it. I’m with the boy wonder here.” Prentiss sat back down, Spencer flashing a grin at her.
“Sorry kid, I see it. I’m with the pretty lady.” Morgan punched his shoulder lightly, Reid rubbing his arm at the contact.
Agent Rossi asked for the clip to be played for a third time, before sitting back down in his seat as the plane started it’s descent.
“Well?” Spencer asked him.
“I’m thinking about it.”
Fifteen minutes later, he asked to watch it once more, Reid handing the laptop over to him. Rossi studied the screen once more, as the plane touched down.
“I don’t see it. I think he’s still dreaming.”
You were two for two now and there was no way Spencer was going to let that happen.
Spencer turned to his supervisor who was sat beside him. “Hotch, what do you think?"
"No,” The older Agent replied.
“See, he agrees with me. I’m right,” he smirked at you, gloating.
“I’m not agreeing with you Dr Reid, I’m saying no to taking part in this discussion. I’m tired and just want to get off the jet and go home. You’ve rambled on about it for the last few hours. Just agree to disagree. If I hear anymore on the matter, I’ll give you a formal warning.”
“You can’t do that, we’re having a discussion about a film not a case.” Spencer’s tone was one of a child that was being told off.
“I can and I will. You’re having this discussion on the BAU’s time. And Agent Y/N has already asked you to drop the subject once. She may choose to say that you’re harassing her.”
Haha, you liked that.
Spencer shut his mouth and turned away from his boss. Aaron Hotchner caught your eye giving you a quick smile to let you know he was joking.
The jet rolled into the hanger coming to a stop a few moments later. You all stood, gathering your belongings and starting to make your way to the exit door.
Spencer was stood behind you, sulking at being told off. You heard him mutter under his breath.
“I still say he’s dreaming.”
“Oh for the love of God!” You spun around to face him, putting your hands out on his chest to stop him walking into you. “Did you not hear Hotch? Shut the hell up already! You may a genius, but you are not always right. For once, either let someone else have an opinion or agree to fucking disagree.”
His eyes were watching your mouth as you continued on your rant.
“The director himself has said the ending is up for debate, it’s meant to make the viewers question what they’ve just watched. It’s meant to make you go home and think about it. Some people see the wobble, some people don’t. But until the director or writer confirm it either way, just accept that you are neither ri……. ”
You would have continued but a pair of lips were suddenly on yours.
The very lips of the man you’d just been yelling at to be precise.
And they felt nice. Soft. They moved, applying pressure against yours, a hand snaking out around your waist. You started to match them, your lips parting slightly.
Just when you felt the tip of a moist tongue slip between your lips you heard cheering and clapping.
“Way to go pretty boy! Didn’t know you had it in ya!”
You pulled away suddenly remembering where you were, your cheeks flushing red.
Spencer’s own face was flushed as he opened his mouth, closing it again seconds later as he struggled to think of what to say.
“What the hell Reid?” you chuckled at him, you were shocked but pleasantly surprised.
“Erm…. I don’t really know what came over me Y/N. Fuck, I’m so sorry.“ He looked sheepish, awkwardly shoving his hands into his pockets.
The rest of time team started to exit the plane, Morgan and Prentiss looking over their shoulders at you both as they did.
"If you wanted me to stop yelling, all you had to do was agree with me Spence. You didn’t have to stick your tongue in my mouth.”
“I….. Erm….. I…. Um…… Shit. Please don’t slap me! ” Oh he was so awkward and cute right now, you almost forgave him for the past four hours.
You started walking up the short aisle to the exit, turning around when you realised he wasn’t following you.
“Come on Spence. I’ll give you a ride home……Also if that’s how you stop me from getting angry at you, maybe I’ll have to yell at you more often…..just saying.” You grinned at him seeing his eyes light up as he started to follow you.
“Just next time you do that, maybe wait until we don’t have an audience. Okay.”
“Okay…..Do you….do you wanna yell at me now?”
You burst out laughing at him. “Let’s get away from the team first genius.”