best part of this film

Top Ten Underrated Horror Movies (Part 10/10)

We have finally made it to the end

What could my top choice be?

There are so many great movies out there, but when I decided to make this list, I knew there was only one more that would fill my number one slot and throughout the process of making the list, that number one pick never changed.

-

1. American Mary (2012)

Originally posted by spookshowbabydolll

Yes, my top choice also features the amazingly talented Katharine Isabelle.

I found this move either at the end of 2015 or just the beginning of 2016, but once I saw it, it bumped right up my list to favorite horror movies ever. Not just underrated, but IN GENERAL.

It stars Katharine Isabelle and is the revenge movie to end all revenge movies. It is wonderfully twisted and fucked up in all the right ways, like every horror movie should be.

Isabelle plays the role of a medical student, who is going through financial problems, but determined to succeed in her chosen profession.

Originally posted by petermolyneux

Desperate for money to pay her bills, she decides to seek work as a stripper, but because she is a medical student, she is instead offered $5000 to save a man’s life, after being beaten.

Needing the money, she does so, but is immediately struck with disgust returns home, in complete panic over the ordeal. 

She is offered quite a bit more money to perform a surgery, which would involve removing a girl’s nipples and labia, to appear more like a human doll. She offered $10,000 and an extra $2,000 to just show up.

Originally posted by panslabyrinth

Despite the way she felt at the strip club, she agrees and successfully performs the surgery.

Some time passes and during her residency, she is invited to a party, where she gets drugged and sexually assaulted at by her former teacher.

Originally posted by normvndy

Unable to cope with the attack, she drops out of medical school and goes back to the strip club, where she pays workers to bring her attacker to her.

Originally posted by a-dark-and-terrible-thing

She starts working at the strip club and starts working full time as a surgeon for consensual body modification, all while continuing to torture her attacker on the side.

Originally posted by horroredits

This movie takes a new spin on revenge story and as I have said before in my number two pick, Katharine Isabelle is hypnotic on the screen and when she is acting, your eyes stay on her and only her.

What I have explained is only part of the plot and I will not give the rest away, because the element of surprise needs to be there if you intend to watch this.

Originally posted by do-not-sit-next-to-dennis

It is written and directed by the Soska sisters who had a cameo in the film, shown above. 

I have never fallen in love with a horror movie so quickly before and I urge you all to give it a chance, because not a lot of people have heard of this movie and it is such a visual masterpiece.

Originally posted by horroraddict247

Originally posted by weytani

Originally posted by singfromthehair

I will say this though, the climax and ending happens a bit fast and because of that, it does end a little underwhelming, which is a shame, because everything else is just so flawless and absolutely chilling.

I repeat, absolutely chilling.

Watch the trailer and see for yourself. If you are as intrigued as I was, you will find a way to see this movie.


6

“This, you know, what you’re feeling now, it gets multiplied by 10 when you’re 34 and you’re not the hot young thing anymore. But that’s not you. You don’t have to worry about that yet.” 1 Night (2017)

It always bothered me that Ron replaced Neville in the Forbidden Forest detention scene. I feel like it took away from the fact that he was a very important and close friend to the trio. He was always looking out for them, a theme that is portrayed a lot in the books, but barely anywhere in the movies. Then again, I guess a lot of the best parts about Neville were omitted from the films.

Five Months

Description: You run into your ex-boyfriend while at a party with your current one and during the encounter are reminded of all the ways he still controls you.  You aren’t entirely surprised to find yourself on your knees in the bathroom with him in front of you minutes later.

Pairing: Namjoon x Reader

Genre: Smut

Word Count: 12097

Warning: Dom!Namjoon, spanking, breath play, daddy kink, demeaning names, punishment, cheating, bathroom sex

A/N: @avveh prepare to die.  I think I listened to The Weeknd the entire time I wrote this haha.  Some of the songs were played over 100 times just during the time I wrote this, particularly “Shameless”, “Earned It”, and “Often”.  

Keep reading

2

Mads Mikkelsen and Ben Mendelsohn bromance in the collection of quotes:

- Who is most likely to brighten your day [on set]?

Mads: “Ben.”

****

Ben: “I didn’t dream Mads would be as much fun as he is. I was intimidated by him… Yeah, I was. Mads is a great actor, he’s an incredible powerfull communicator of whatever feeling that he wants to tell you about. And he’s a joy to be around. I sang to him a lot.”

****

Mads: “I love him. There was never a dull moment on set with him. He’s just fucking mad - in the absolutely best meaning of the word. Talented, professional … and the opposite as well. He’s wonderful.”

****

- What was the best part of working on this film?

Ben: “The relationships we made.”

Mads: “Awwwww!”

****

Mads: “So that was wonderful. I spent a lot of time with Ben and that was hilarious. He’s a very funny man and he makes the day just fly by.”

****

- What was your fave moment working on Rogue One?

Mads: “It must definitely be meeting this gentleman here, Ben Mendelsohn, who has the ability to switch off when they say ‘cut’ and start singing and dancing. And I love every second of it.”

****

Ben: “Probably my most fun day was working with Mads in Iceland. We had not met before, but very soon we were singing and dancing together. And then we went and got drunk. And then we were on… the cou…”

Mads: “[Grins.] Couch?”

Ben: “Yeah, drinking.”

****

Mads: “I spend a lot of time with Ben. He’s very hard not to love. So yes, that became very brotherly really fast for us.”

****

- If you were stranded on a desert island with one castmate, who would it be?

Mads: “Ben Mendelsohn. He’s hysterically funny. I would stay on a desert island with him for a couple of days… I’m sure he’d be man enough to provide me with food and water if I get injured.”

Ben: “Mads Mikkelsen. I would happily be stranded on a desert island with Mads.”

****

Mads: “Personally he’s one of the funniest people I’ve ever met. He can definitely keep up the energy on every set in the world.”

****

Ben: “He invented it, and I built it. And that’s the most exciting thing. And together we are the Death Star.”

****

- Choose between: ‘I love you’ and 'I know’.

Ben: “I love you.”

Mads: “I know.”

****

- How about you two being the next same-sex couple in the Star Wars universe?

Ben: “Well, we do have a dyed-in-the-wool bromance. But the next? Only if they go back and do an heroic retelling.”

Mads: “But there is a seed planted, definitely.”

****

Bonus from Ben’s wife twitter:

Epic Movie (Re)Watch #127 - Chicago

Originally posted by the-color-of-rain

Spoilers below.

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: No.

Format: Blu-ray

1) This film holds a lot of personal significance to me. I first saw it when I was 13 in one of the hardest months of my life. I was sick with pneumonia (diagnosed that day) and my great grandmother had just died, so the whole family was over because the funeral was that week. It was late and someone wanted to put in a movie so my dad pulls out Chicago. My mother was a little bit strangely strict about what PG-13 movies I could and could not see, usually forbidding more sexual stuff than anything else. So this was the most sexual film I had seen at the time and I had felt because of that, and the fact I was watching it with all the adults of my family, that I had been promoted to the adult table in some senses. I was really captivated by the music, the story, the moral ambiguity, it was just so different from anything else I’ve seen. I would not be Just Another Cinemaniac without Chicago. In some ways its as important to my film fan identity as Back to the Future.

2) The film opens with an extreme close up on Roxie’s (Renée Zellweger’s) eye, giving us our first inkling on how this is a musical in Roxie’s mind. But more on that later.

3) Note that we never see Velma Kelly’s (Catherine Zeta Jones’) face until she’s on stage giving a performance. This creates the feeling that Velma is ALWAYS putting on a performance.

4) Catherine Zeta Jones as Velma Kelly.

Originally posted by musemm

This film is pretty much perfectly cast, I think. 4 of its actors were nominated for Oscars, with another being nominated for a Golden Globe. Zeta Jones actually won her first (and to date only) Oscar for her role in this film, and for good reason to. She IS Velma Kelly. Zeta Jones is totally lost in the role, being able present all of Velma’s different qualities. Her showmanship, her rare vulnerability, her killer instinct, and it all just WORKS. You never EVER feel like you’re watching an actress. Zeta Jones IS Velma Kelly and as the first character we get a nice long look at, it is a great performance to start the film off with.

5) Hey, it’s Dominic West!

6) Renée Zellweger as Roxie Hart.

Originally posted by segel-sudeikis

Roxie is really the lead of this film, the character who we follow along and see the world through. The writing is really interesting. It would have been easy to start Roxie off as some innocent girl who made a mistake and goes on this big journey, but Roxie - despite whatever facade she puts up - is hardly some innocent girl. She readily and passionately has an affair even though her husband is a pretty nice guy (and not a “nice guy” where the guy acts nice but is really a jerk, but is actually pretty kind), murderers her lover just for being a jerk (there are better reasons to murderer someone), all while putting up this act like she did nothing wrong and is the victim. And I honestly think she believes it.

Renée Zellweger captures all these conflicting parts of Roxie’s character with true mastery. She also is able to handle Roxie’s transformation into a more cutthroat and determined creature with the same expertise. Like with Zeta Jones, you never feel like you’re watching Zellweger just giving a performance. She is - for all intents and purposes - Roxie. Originally Charlize Theron was cast in the part but after a change in directors there was a change in casting, and Zellweger had to learn signing and dancing for the film. It paid off wonderfully, as she was nominated for an Oscar for what is possibly her best role ever.

7) John C. Reilly as Amos.

Originally posted by mikewazowskis

John C. Reilly was also nominated for an Oscar for his performance in this film, and it is clear why. Amos is the only honestly good character in the film, and even then he is not without his flaws. He is not above losing his temper or being able to say when enough is enough when it comes to Roxie (you know, the woman who cheats on him, tries to have him take the fall for murder, and manipulates him in court just to get off). But - because this is Chicago - he’s the only main(ish) character to come out the other side being totally and utterly screwed over. There are some nice layers to Amos (mainly the loss of temper as mentioned above) and Reilly is just totally sincere in the part. It’s no wonder he was nominated for an Oscar.

8) This film sets itself apart from other movie musicals through the idea that the musical is all in Roxie’s head.

Originally posted by inlovewithaudreyhepburn

This creates a plausible explanation for why character’s burst into song and dance, allows the film to utilize some unique editing and art direction, and finally gives us a nice peek into Roxie’s head. This element allows us to see just how passionate Roxie is not only for the desire to perform but also the desire for fame. It also lets us know how she sees OTHER characters in the film (namely Billy Flynn, but more on that later). I think it is this key element that set the film up for such critical and artistic success, leading to its best picture win at the Oscars.

9) Danny Elfman provides a few nice instrumental pieces of score for the film which feel totally period Chicago. When you are adapting a popular musical such as Chicago adding extra music could be a challenge, but Elfman’s occasional score blends perfectly with the rest of the film.

10) Queen Latifah as Mama.

Originally posted by isabellenightwoods

Latifah rounds out the quartet of Academy Award nominated performances with her portrayal as Matron Mama Morton. I think it’s Latifah’s best performance. She is able to portray Mama as cooperative and a bit soft spoken, but still someone who deals with no bullshit from her inmates. She is as manipulative as any other character in this film, if not as in big a way. You often hear her tell Roxie and Velma EXACTLY what they want to hear knowing that it will lead to a big pay day for her. It is a crafty role which Latifah plays well, and her introductory song “When You’re Good to Mama” shows off not only this characterization but Roxie’s perception of her quite well. It also allows for Latifah to show off her impressive singing chops.

11) The Cell Block Tango.

Originally posted by queen-cii

Where do I even begin with this number? It is by far the most iconic and best part of the entire film. The filmmakers are able to use the idea of “the musical in Roxie’s mind” to create a visually unique and compelling number which is edited together seamlessly with the “real world” of the Cook County jail Roxie finds herself in. Each of the “murderess mistresses” is given enough time to create a unique character and create a sense of the world Roxie (and the audience) finds herself in at this time. I particularly find the use of ribbons to illustrate blood/murder wildly effective, noting that Hunyak’s ribbon (the girl who constantly claims she is not guilty) is white whereas the others are red. This suggest that she is - in fact - innocent.

It is also worth noting that while the first story starts off very much “I’m guilty, here’s what happened”, that by the time we get to the inmate who claims her husband “ran into her knife” ten times the stories have become more and more claiming of legal innocence. This is a trend which continues through Velma’s story, where she claims she blacked out after seeing her husband & sister having sex and came to with blood on her hands. We as the audience have actually seen NOTHING which contradicts this story, further creating a nice sense of showmanship within the film.

Originally posted by mymovieblogx

12) Okay, I am all for good female friendships on film and television, but I would be lying if I said the catty relationship between Velma & Roxie was not entertaining. I think this is a byproduct from good writing (with what we know about these characters, how ELSE could their relationship go?) and the wildly captivating chemistry between Zeta Jones and Zellweger. Their relationship is one of the key sources of conflict throughout the film and with those two actresses it just WORKS.

13) Richard Gere as Billy Flynn.

The number in Roxie’s head which introduces us to Flynn - “All I Care About” - is a pitch perfect example of expectations vs. reality. After what she’s heard about Billy (which isn’t much mind you), Roxie expects him to be this honest to goodness lawyer who only wants to save women from dying in by the noose in Chicago. What we get however is the craftiest, most manipulative skeeze ball in the film. So why is he so damn likable? Who is he comparable to the roguish Han Solo? Why do we root for him? I think that is all in Gere’s performance. It would be easily to play him as a disgusting slime ball but there is a charisma that Gere brings which I think elevates the character and the film. Originally offered to Hugh Jackman & John Travolta at different parts, Gere’s chemistry with the rest of the cast is great and although the film didn’t land him an Oscar nomination he did receive a Golden Globe for his work.

14) I think it’s worth noting that Roxie does not take too long to adapt to prison. Again evidence that she’s not as innocent as she wants people to think.

15) “We Both Reached For The Gun”

Originally posted by darker-than-light

I can never tell if this or “Razzle Dazzle” is my favorite number in the film, but I think for a visual standpoint it HAS to be this. This is once again where the conceit of “the musical in Roxie’s head” benefits the film GREATLY. The imagery of Roxie being a dummy operated by Billy to sell her story not reflects on their relationship in an incredibly clear way (as well as how Billy is literally using people) but also is just visually fascinating. Zellweger is a lot of fun during the number, and if you ever want to know why this film won the Oscar for best editing the year it was nominated just watch this scene.

16) The song “Roxie” when Roxie is at the top of her game is a great character study. It goes even deeper into Roxie’s desire for fame and admiration, a key quality in her character that drives pretty much all her actions throughout the film. It features gorgeous cinematography with its use of mirrors and presents us with Roxie’s ideal self. This ideal self is not a good person (not necessarily), but someone who is adored by her audience. If that doesn’t speak to who Roxie is as a character I don’t know what does.

Originally posted by barbara-stanwyck

17) A film is told in cuts, as in cutting from one moment to the next in as clean and clear a way as possible.

Velma [after Mama suggests she kisses Roxie’s ass to maintain some position]: “Over my dead body.”

[We cut to the mess hall, where Velma is seen smiling at Roxie]

Velma: “Mind if I join you?”

18) “I Can’t Do It Alone”

Originally posted by avengerassemble

Up until this point we have not seen Velma truly vulnerable. We have peeked more into who Roxie is as a character than who Velma is. That all changes with this number, which shows us that Velma is just as desperate for the spotlight as Roxie is. She NEEDS to stay relevant, she NEEDS the fame and the admiration, and only when it was too late did she realize that the murder of her sister took away one of the key things that made her so desirable to the world in the first place. This song is a fun number that adds nice depth to Zeta Jones’ character and shows off just how talented she can be with Velma’s vulnerability.

19) My heart broke a little when I saw Velma’s face after Roxie’s rejection of her.

And in that moment and that moment alone, I think I shipped the two of them together.

20) Lucy Liu’s glorified cameo as Kitty, the newest jazz killer in Chicago and the one who threatens to take away Roxie’s fame, is a perfect example of how easily Roxie can fall. But here’s the thing, Roxie is smarter than she appears. And more manipulative. It is her greatest strength that people underestimate her, so when she “faints” and mentions “the baby” everyone - from Velma to Billy - are all surprised by her.

21) I was a naive 13 year old. I didn’t understand that the doctor who said he’d testify that Roxie was pregnant had very clearly slept with her (hence Billy’s remark about his fly being open).

Originally posted by mulder-scully-gifs

22) “Mister Cellophane”

Originally posted by 80plays

Somehow this song not only shows us how ROXIE perceives her estranged husband as being someone who’s not worth caring about, but also makes Amos into a sympathetic character. He is not particularly whiny about the fact that he’s oft forgotten, he’s just a little sad about it. Reilly’s performance in the song is filled with soft sorrow and vulnerability we don’t always get to see from the actor, an honesty which carries the entire song on its back. It is a truly worthy number to be included with the rest of the film, with its Chaplin like art style and Reilly’s vocals, and I’m glad it made the cut.

23) In a lot of ways Chicago is a noir comedy musical. I say this for two reasons: Amos being kinda screwed over at the end, and the fact that Hunyak - the only innocent girl in the jail - is the only who is hanged. This also reminds Roxie of the fact that she IS on trial for murder and of the fatal consequences she could face.

24) “Razzle Dazzle”

Originally posted by barbara-stanwyck

If “We Both Reached for the Gun” is my favorite number in the film from a stylistic standpoint, then “Razzle Dazzle” is probably my favorite from a thematic one. Gere expresses Flynn’s belief that the courts are just a circus, simply entertainment to be manipulated, in a way which is just that: entertaining. I am always totally taken in by the song through its themes of craftiness, playful melody, and fun visuals. It is just a wonderful number which I love watching again and again.

25) If “Razzle Dazzle” doesn’t tell you how Billy sees the court system than this line will:

Originally posted by stilinska-archive

Hell, the non-musical court room scenes are in a lot of ways more dramatic than the musical ones.

26) This film had a song which was shot but not included in the final cut, one sung between Mama and Velma called “Class”. Still found on the movie’s soundtrack, “Class” had the pair discuss how the world seems to have gone to shit and how no one has any class. It was cut both for pacing issues and - largely - because it did not fit the theme of “the musical in Roxie’s head”. Roxie was at the court house and these two started singing after hearing about what was going on over the radio. It is a wonderful song but I think the film works better without it featured.

27) It took absolutely no time at all for Roxie not to matter. The press didn’t even want her picture after the verdict was read. Another killer, another star.

28) The final number of the film is a dual thing. The first of which is Roxie singing the song “Nowadays” on her own at an audition. The song is sad, somber, and lacks umph. This causes the directors to pass on Roxie. But when Velma and Kelly work together? When they’re able to work with their heat and chemistry and put on a duet of “Nowadays”? The umph is back and it is a wonderful number to end the film on!

Originally posted by damnafricawhathappened


I’m obviously biased through my own personal experience with the film, but I think Chicago is quite possibly the best movie musical of the 21st century (yes, even better than Les Miserables). The acting is incredible across the board, with Catherine Zeta Jones and Renée Zellweger being the obvious standouts. The concept of “the musical in Roxie’s head” allows for a musical which is unique and supports a wonderful art style. The songs are fun, the pacing and editing are great, and it’s a technical spectacle in its subtletly. Just a wonderfully entertaining film I think everyone should watch.

Filming  Productions...

A/N: I haven’t posted in a while, lol. I’m sorry about that. What a surprise, another Dylan O'Brien imagine since there will never be enough in the world. Remember requests are always open and so are ship requests! xxx Love you all! x

Requested?: No

Relationship?: Dylan x reader

Imagine Type?: Fluff, so much fluff!

It is my first day. Oh My God! First day. I am finally pursuing my dreams of filming a movie! The best part is that Dylan O'Brien is the lead in the film. Me. Y/F/N. Is filming a movie with Dylan O'Brien. American Assassin. Before I was told I was hired for the job of the female lead, I read and reread the book and studied the script so carefully that I always accidently said lines from the movie in public making me look like a complete idiot. But who cares, I’m gonna be in a movie with my all time crush. I’ve had a crush on him since his first movie, High Road. His acting was so good for his age and plus he was just really damn adorable.

I made my way to the first filming location to properly introduce myself to the rest of the amazing cast, including the one and only Dylan O’Brien. I parked my car close by the entrance and walked towards security to assure that I was had to go through to the set. “Hi, my name is Y/F/N. I’m g-” you started. “Don’t worry, I know who you are, you can go through, Y/N.” he politely interrupted. I sweetly smiled at him and the security guard wished me good luck for the following months to come. My heart started to beat faster and faster within each step I took. What if the cast didn’t like me? What if Dylan didn’t like me? What if they all hate me? Suddenly, all the happy thoughts were bombarded by a hurricane of negativity. You weren’t going to let that happen, this was your first day of shooting, the first day of many and you were going to enjoy it whether anyone liked it or not.

The directors of the movie were waiting outside of set, backs leaning against the walls until everyone arrived. “Hi, Y/N. How are you?” I shook their hands and replied. “I’m doing great, thanks. Am I late?” Michael shook his head and laughed. “No, not at all. In fact, you’re the second person to arrive. Sanaa is inside, you can go introduce yourselves. I’m sure Dylan, Taylor and Michael should be coming soon.” He opened the door for me and smiled at me. I smiled at him and saw Shiva sitting on the sofa on her phone.

“H-hi, Sanaa. I’m Y/N. How’re you doing?” you asked, happily. “Hi, it’s so good to finally see you. I’m doing really well, thank you. How are you?” she responded. “I’m great, just really excited.” you said, warmly. “Excited for late night shooting or excited for the dangerous amount of coffee we may need to drink to stay up?” she chuckled and sat down while patting down the space next to her, signalling you to also sit down on the sofa. “This is my first proper movie and the best part is always meeting the cast for the first time. To me, probably one of the most exciting parts of filming.” Sanaa’s eyes widened. “First proper movie? Jeez, woman. This is a pretty big break then, if it’s your first.” I bobbed your head and grinned. We both jerked our heads towards the door when we heard it being opened once again.

“Hi, guys. Who’s ready for some hard core filming?” you smiled as Dylan walked through the door. His hair was sticking all over the place but still managed to look gorgeous. His golden honey eyes glistened in the light and his cute little upturned nose just looked so damn adorable. The same guy I liked years ago was standing right in front of me, Dylan O’Brien. “H-hi, Dylan. I’m Y/N.” I smiled graciously. “Yeah, I know who you are, I did a lot of research on you… And now that sounds like I’m a crazy stalker. Great first impressions, Dyl.” I giggled. “Hi, Dylan. I’m Sanaa.” she shook his hand and he replied. “Hi Sanaa, it’s nice to meet you.” She stood back up from the sofa, “I’m going to the bathroom, I’ll be back in a minute. “Okay, bye. Sanaa.” I kindly said.

“Do you think Sanaa will mind if I steal her seat for a bit?” I smiled at Dylan and shook my head. “Nope, I don’t think so.” Dylan groaned as he sat down and I twisted my body around so I were facing him and he did the same. He leaned his head against his hand on the back of the sofa and just stared at me. “What is it?” I asked curiously. “You’re just a lot prettier in real life. Not that you weren’t pretty in your short movies and stuff. You’re just even more beautiful now.” I felt a hot blush rise to your cheeks. “I’m really not that pretty, Dylan.” I responded. “Trust me, you’re probably the most attractive woman I have ever met.” Dylan scooted closer to me. “Then, in that case. You are the most handsome guy I have ever met.” I moved closer to Dylan.

Oh my god, he just called me pretty. No, he called me the most attractive woman he had ever met. Jesus Christ, this is actually happening. He could most likely hear my heartbeat from where he is sitting, it’s literally like a hammer smashing against a wooden table. Okay, this is happening. Get a grip, Y/N, you can do this! Let’s not die today, Y/N. We’ve 100% got this, don’t mess it up. Stop thinking and actually do something, Y/N!

Dylan moved his hand on top of mine and gently squeezed it. “Do you believe in ‘love at first sight’?” I hesitantly nodded my head. “Yeah, I do.” Our faces were right in front of each other and I could feel his hot breath fanning my face. His free hand cupped my hair and his thumb slowly stroked my cheek. “You’re so damn stunning.” he leaned forward and his lips crashed into mine. Like he was running out of oxygen and I was the only thing that could keep him alive. I snaked my arm around his neck and played with the little hairs on the back of his head which caused him to moan into your mouth. Our lips were moving so perfectly against each other, like this was the 1000th time we’ve kissed.

We quickly separated when the door freed open and Sanaa was standing by the entrance, mouth wide open. “I leave you guys for 5 minutes and you already suck each other’s faces off. Kids, huh? I will never be able to get that imagine out of my head.” she laughed and sat down on the chair opposite the sofa. I glanced back at Dylan and chuckled when I saw lipstick smudged above his lip. I lifted my hand and swiped it off with the tip of my thumb. “You might wanna re-apply your lipstick, it’s kind of just completely gone, basically just ended up on me.” Dylan smirked as I brought my phone up to my face to use the camera and he was right, literally nothing left. “Oops, what happened here? You know what? I’m not going to re-apply more, it would be a waste later.” I winked at Dylan and lightly kissed his cheek. “I think I’m falling in love, Sanaa.” he stated.

Originally posted by melobing

I think the thing I love most about Gaston is that, while Luke Evans gave him a believability (and at times a likeability) that the cartoon was seriously lacking, he also highlights the absurdity of his character. 

Who can make up these endless refrains like Gaston?

I love this line because it doesn’t quite break the fourth wall, but it serves to remind the viewer of how ridiculous this situation actually is— that this guy is actually singing about himself.

bravo to whoever added those endless refrains. 
for me, this song was the best part of the film.

anonymous asked:

Dan replying like 10 minutes after just to confirm that yes "we" aka Phil my best bro and myself laughed so much while filming that part and that yes Phil helps me to film and in dinof videos in general like so extra smh

i love knowing these things dan! thank you! thank you for being extra and incorporating phil into every breath you take! thanks!

Epic Movie (Re)Watch #109 - Atlantis: The Lost Empire

Spoilers Below

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: Yes.

Was it a movie I saw since August 22nd, 2009: Yes. No.

Format: DVD

1) The early 2000s have a lot of truly underrated gems, especially from Disney. Along with The Emperor’s New Groove and Treasure Planet, Atlantis: The Lost Empire is probably one of the most underrated and overlooked films in their catalogue. Which is a true shame because it is such a great film.

2) This film opens with the city of Atlantis being washed away by a great flood, but if there was originally an alternate opening featuring vikings with the Shepard’s Journal in search of the fabled city. I prefer the opening we have, but you can watch the viking prologue if you want.

3) Michael J. Fox as Milo Thatch.

Originally posted by snowflake-owl

I saw this movie when it first came out in June of 2001. I fell in love with Back to the Future in February of 2009. So when I realized Marty McFly and Milo Thatch were one in the same my love for this film only grew. Fox brings a sincere enthusiasm to Milo, and like with the best voice acting you forget that you’re listening to Michael J. Fox. He BECOMES Milo, the guy who has to deal with everyone doubting him while still clinging true to his beliefs. It is a great character supported by an incredible actor.

4) There is a nice juxtaposition between how Helga sets up Mr. Whitmore (“Don’t worry, he doesn’t bite. Much.”) and the quirky little nut Mr. Whitmore actually is.

An enigmatic man who I would’ve liked to know more of, Whitmore is a little eccentric but comes off as a good hearted man. His relationship with Milo’s grandfather seems to be the defining thing in his life, so much so that he’s funding a multi-million (1914 million) dollar expedition to find a myth. John Mahoney (best known for the role of Frasier’s father on Frasier) gives a strong performance in his little bit of time, but this film is filled with strong voice over performances so it is no wonder his stacks up.

5) This line was improvised by Michael J. Fox:

Milo [after he throws up from being seasick]: “Carrots. Why is it always carrots? I didn’t even have carrots!”

6) Animated films tend to be short and with the added benefit of exaggeration need to establish personalities of supporting characters IMMEDIATELY. This is very true of the expedition’s crew. This starts with Jim Varney as Cookie, a hillbilly type who fits Varney’s comedic styling very nicely. Varney passed away before filming was complete, leaving some lines to have a stand in, but his life is in Cookie all the way.

Helga: “The men need their four basic food groups.”

Cookie [holding up three fingers]: “I’ve got your four basic food groups! Beans, bacon, whiskey, & lard!”

7) Oh my god Vinny.

Every line out of Vinny’s mouth is glorious! Voiced by Don Novello, Novello makes Vinny his own in the same way that James Woods made Hades his own in Hercules. I saw a behind the scenes featurette for this film way back when that said Novello improv-d a lot of lines and most of them are included in the film. Vinny is hysterical, with his penchant for blowing things up and dead pan delivery. The crew is made up of a bunch of great individuals & Vinny is no exception.

8) Rourke…

Rourke is the captain of the expedition and - after the film’s twist - turns out to be the main villain. Voiced by James Garner, Rourke is honestly at his most interesting towards the end when he can be a ruthless bad guy. Up until that point he’s a pretty good commander and seems like an honest man. But looks can be deceiving.

9) There are so many jokes you don’t get in these movies when you were a kid (just wait until I do Shrek). For example:

Mole [about his dirt from different countries]: “England must never merge with France!”

10) Although Vinny is awesome, there’s a good chance that Sweets is my favorite crew member in the film.

He’s fast talking, genuinely kind, a good doctor, and when the crew needs to start acting like bad guys he’s the first to abandon Rourke and his selfish quest (although much more quietly than the other characters). Phil Morris - like the other actors - breathes such life and personality into Sweets that you don’t even question that he’s real.

11) I love the wit in this film.

Sweets [presenting Milo with the vials presented above]: “Here, I’m going to need you to fill these up.”

Milo: “WITH WHAT!?”

12) And to round out the crew, Audrey.

Like most of the crew, we learn more about Audrey in a pivotal scene later. But when we first meet her she’s already impressive. Just a teenager, Audrey is the head engineer on the expedition and tough as nails. She knows her shit and is tough as hell, but that’s not why she’s awesome. Well, that’s not the ONLY reason she’s awesome. But more on that later.

13) The Leviathan.

Mike Mignola, the creator and artist behind the character Hellboy, is credited as a production designer on this film. Nowhere is his influence more clearly scene than the leviathan, the mechanical sea beast meant to defend the entrance to Atlantis. It is an impressive feat of imagination and animation, a creature which is truly menacing in both size and design. The leviathan and its attack on the submarine crew could quite well be the best part of this film.

13.5) Why does a science expedition have battle stations? I mean, now we know because they’re mercenaries. But did this not raise any red flags?

14) God bless Packard. I’m not even sure what her role on the ship is besides announcer, but god bless her.

Originally posted by miusix

15) The pivotal scene for so many of these characters in this film is when Milo eats with them for the first time and we get their backstory.

  • Sweets’ of mixed descent, part black part Native American (I believe he said he’s Navajo). He studied to be a doctor when he got enlisted in the army.
  • Audrey’s father wanted sons, one to run his auto shop and another to become world boxing champion. Her sister has a shot at the title.
  • Vinny’s family owned a flower shop and when the business next door blew up, “It was like a sign from god! I found myself in that ‘boom.’”

And then of course we get this line.

Milo: “What’s Mole’s story?”

Sweets: “Trust me on this one. You don’t wanna know. Audrey, don’t tell him. You shouldn’t have told me, but you did. And now I’m tellin’ you, you don’t wanna know.”

You see THIS is what fleshes out these characters. Its this one scene which makes them more than jokes or stereotypes or archetypes, but real people. We get their conflict, their history. We learn of Audrey’s family, of Vinny’s boredom with flowers, or Sweets’ history in the army. THIS is what makes the film standout in the way it does.

16) Kida.

Originally posted by heymadmoizelle

It’s too bad Atlantis didn’t do too well at the box-office, otherwise Kida might take her place among the official Disney Princess line. Along the same lines as Mulan, Kida is a warrior princess. A woman who can kick ass but also loves her father and her people very dearly. Cree Summer is an accomplished actress in the voice over world, with Kida possibly being one of her finest roles. Kida is tough but never mean, curious but never overbearing, capable but able to form a meaningful relationship with Milo (while also not being too over the top lovey dovey), and just an all around great character.

17) Hey look, its Spock!

Leonard Nimoy has had a number of voice over roles, particularly in the 21st century. Its nice hearing him in this, even if we don’t get to spend too much time with the king.

18) So you know the trope of a 100+ year old vampire forming a slightly weird relationship with a much younger woman?

Originally posted by moan-s

Well…

Originally posted by justmeandmythoughts32-blog

Originally posted by my-harry-potter-generation

19) The betrayal of the crew wouldn’t have hurt nearly as much as it does if it weren’t for the scene where we get all their backstories.

Notably we don’t get the backstories of the two most evil characters in the film: Rourke & Helga. This is when Rourke becomes REALLY interesting and when James Garner has a lot of fun as the bad guy. He’s a brute! A bully! He’s ruthless, pretty much kills the king, beats on Milo when he’s down, all while cracking a jock and flexing his impressive muscles for a 60+ year old man. Rourke doesn’t get enough credit as a Disney bad guy in my opinion.

20) I love this.

Milo [after Rourke asks him to translate better]: “I know, why don’t you translate AND I’LL WAVE THE GUN AROUND!”

I live for heroes telling bad guys who are “in control” to f*** off.

21) The entire crystal chamber scene is just absolutely gorgeous. The early 2000s were noteworthy for frequent mingling of hand drawn and computer animation, with Atlantis being one of the finest examples of it.

Also this shot is gorgeous:

Originally posted by curvecreation

22) I never got this line.

Rourke (after his crew decide to stick with Milo & the Atlanteans): “PT Barnum was right.”

Only now do I know one of Barnum’s famous quotes is, “There’s a sucker born every minute.” And I had to google it.

22.5) Fun fact: Joss Whedon worked on the story for this film! For you Whedonites out there, doesn’t “PT Barnum was right.” sound like a very Whedon-y line?

(GIF originally posted by @marshmallow-the-vampire-slayer)

23) Okay, as a child and even now I was OBSESSED with crystalized Rourke.

Like that image is just very memorable to me, especially after Rourke was supposedly killed by being encased in crystal. It’s too bad we only got a minute or so of it before the airship crashed, but damn that’s just the coolest thing to me. If there are any Kingdom Hearts fans reading this, imagine this: A Rourke boss fight, where after you beat him the first time you have to fight his crystal form and its an even tougher fight.

24) And of course Milo stays in Atlantis at the end, because it is what he and his grandfather sent their entire lives searching for. What would be the point of returning to the surface where either A) no one will believe him, or B) people will believe him and try to take advantage of this culture they found? It’s a great ending which makes a lot of sense.


I love Atlantis. It’s one of my favorite Disney films, but it maybe wouldn’t be if it weren’t so underrated. If you’re a fan of action, adventure, Disney, animation, or heck, even Stargate, I think you’ll enjoy this film.