Bertha Parker Pallan (1907-1978) was a Native American archaeologist, of Abenaki and Seneca descent. Her parents were Behula Tahamont, a Native American actress, and Arthur C. Parker, the first president for the Society of American Archaeology.
Parker discovered and participated in many archaeological sites during her career, but she is best known for her work at the site of Gypsum Cave. Although she was originally hired her as the expedition cook and secretary, she was allowed to explore the cave and was able to reach more inaccessible areas. It is here that she uncovered the first giant ground sloth remains in association with humans, a discovery that received national attention among anthropologists. After her time at Gypsum Cave, she discovered two additional sites: Corn Creek Campsite, and a pueblo site at Scorpion Hill. She worked for over 10 years as an Assistant in Archaeology and Ethnology at the Southwest Museum, where she published a number of archaeological and ethnological papers in the museum journal.
In her later years, she acted as a technical advisory and consultant on TV shows and movies depicting American Indians, and hosted her own TV show on Native American history and folklore.
Bertha Parker Pallan was a ground-breaker in many aspects. She is considered the first female Native American archaeologist, and she is one of the first women recognized for conducting her work at a high level of skill in the field without a university education. Additionally, her role as a consultant for TV and movies influenced how American Indian cultures and their histories were depicted in the media.
An Evening with Girlfriends by Lamplight (1891). Anna Petersen (Danish, 1845-1910). Oil on canvas. Hirschsprung Collection.
An investigation by the Hirschsprung Collection revealed that the women were all contemporary artists The Danish painters Marie Krøyer and Bertha Wegmann and the Swedish painter Jeanna Bauck sit listening to the Danish violinist Frida Schytte. The gathering of these Scandinavian pioneers for women’s right to express themselves in the arts imbued the painting with a certain emblematic quality.
Big Bertha, a gun used during WW1, was so powerful that troops had to move 300 yards away and put cotton wads in their ears, eyes, and nose, as well as open their mouths, so that their eardrums weren’t burst by the blast presure. source