17-year-old Beninoise woman poisons her Nigerian husband because she hates him -

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17-year-old Beninoise woman poisons her Nigerian husband because she hates him

A Beninoise teenager, 17-year-old Abiodun Ojo, who killed her husband, Jimoh, in the Makoko area of Yaba, Lagos State Nigeria, said she poisoned her husband because she hated him. Abiodun, during her interview blamed her father for forcing her to marry Jimoh, who she said never took care of h…

Comment: giovani_242 said “Beaucoup disent que l'amitié entre un homme et une femme n'existe pas, la notre existe bel et bien‼️Quand ensemble vous traversez des galères vous soutenez mutuellement sans jugement l'un envers l'autre le lien qui se crée est limite irrationnel #MyBestEmerdeuse 😂 #Beninoise #Francaise #Italienne #DoctorDentiste #Bellissima #LongHairSheDontCare 😘 #❤️onYou #UneFemmeEnOr #EilyVezoniGbezo"  


“Well, I stand up next to a mountain
Chop it down with the edge of my hand.”

Angélique Kidjo covering Jimi Hendrix’ Voodoo Chile live on Australian TV (1999)


Summertime by Angelique Kidjo (Cover)

So much bad news this week so here’s one of my favorite songs to soothe one’s spirits. NOT A VIDEO.

Beninoise man arrainged in court for stealing Chris Ayanwu's N10m, Jewellery

Beninoise man arrainged in court for stealing Chris Ayanwu’s N10m, Jewellery

A 33 year old Beninoise man identified as Brouno Amoussou was today Sept. 11th arraigned before the Igbosere Magistrate Court for allegedly conspiring to steal N10million cash, land documents and expensive jewelries from the home of Senator Chris Anyanwu, a serving senator representing Imo state at the National Assembly.

According to the prosecutor of the case, Cpl Innocent Odugbo, the…

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Angélique Kidjo, “Afia.” Õÿö. 2010.

Jazziversaries July 14th

Angelique Kidjo (vocal) 1960 :: Jazziversary  wishes to Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo, commonly known as Angélique Kidjo.

Angélique is a Grammy Award–winning Beninoise singer-songwriter and activist, noted for her diverse musical influences and creative music videos. Time Magazine has called her “Africa’s premier diva”. The BBC has included Kidjo in its list of the African continent’s 50 most iconic figures.The Guardian has listed her as one of their Top 100 Most Inspiring Women in the World and Kidjo is the first woman to be listed among “The 40 Most Powerful Celebrities In Africa” by Forbes Magazine. The Daily Telegraph in London describes her as “The undisputed queen of African music” during the 2012 Olympic Games River Of Music Festival. In March 2013 NPR, National Public Radio in America, called her “Africa’s greatest living diva”. She is an occasional contributor to the New York Times. On June 6, 2013, Angelique was elected vice-president of CISAC.

Her musical influences include the Afropop, Caribbean zouk, Congolese rumba, jazz, gospel, and Latin styles; as well as her childhood idols Bella Bellow, James Brown, Nina Simone, Aretha Franklin, Jimi Hendrix, Miriam Makeba and Carlos Santana. She has recorded George Gershwin’s “Summertime”, Jimi Hendrix’s “Voodoo Child” and The Rolling Stones’ “Gimme Shelter”, and has collaborated with Dave Matthews and the Dave Matthews Band, Kelly Price, Alicia Keys, Branford Marsalis, Robbie Nevil, Peter Gabriel, Bono, Carlos Santana, John Legend, Herbie Hancock and Cassandra Wilson. Kidjo’s hits include the songs “Agolo”, “We We”, “Adouma”, “Wombo Lombo”, “Afirika”, “Batonga”, and her version of “Malaika”.

Kidjo is fluent in Fon, French, Yorùbá and English, and sings in all four languages; she also has her own personal language, which includes words that serve as song titles such as “Batonga”. “Malaika” is a song sung in the Swahili language. Kidjo often utilizes Benin’s traditional Zilin vocal technique and jazz vocalese. She now resides in New York City, New York, United States.

By the time she was six, Kidjo was performing with her mother’s theatre troupe, giving her an early appreciation for traditional music and dance. She started singing in her school band, Les Sphinx, and found success as a teenager with her adaptation of Miriam Makeba’s “Les Trois Z”, which played on national radio. She recorded the album Pretty with the Cameroonian producer Ekambi Brilliant and her brother Oscar. It featured the songs “Ninive”, “Gbe Agossi” and a tribute to the singer Bella Bellow, one of her role models. The success of the album allowed her to tour all over West Africa. Continuing political conflicts in Benin prevented her from being an independent artist in her own country and led her to relocate to Paris in 1983.

While working various day jobs to pay for her tuition, Kidjo studied music at the CIM, a reputable jazz school in Paris where she met and married musician and producer Jean Hebrail, with whom she has composed most of her music. She started out as a backup singer in local bands.

In 1985, she became the frontsinger of the known Euro-African jazz/rock band Jasper van’t Hof’s Pili Pili. Three Pili Pili studio albums followed: Jakko (1987), Be In Two Minds (1988, produced by Marlon Klein) and Hotel Babo (1990).

By the end of the 1980s, she had become one of the most popular live performers in Paris and recorded a solo album called Parakou for the Open Jazz Label. She was then discovered in Paris by Island Records founder Chris Blackwell, who signed her in 1991.

She recorded four albums for Island until Chris Blackwell’s departure from the label. In 2000 she was signed in New York by Columbia Records for which label she recorded two albums.

Doug Carn (keyboard) 1948 :: Jazziversary greetings to Doug Carn.Doug is an American jazz musician from St. Augustine, Florida, formerly married to Jean Carne and known for his several albums released for Black Jazz Records.
He studied oboe and composition at Jacksonville University from 1965 to 1967, then finished his education at Georgia State College in 1969. He also taught piano and jazz improvisation at Jacksonville University for several years.

He, along with alligator wrestler Chris Lightburn and Rev. H. L. Patterson of St. Mary’s Baptist Church, founded the Lincolnville Restoration and Development Commission in his home town of St. Augustine in 1978. One of the group’s projects was the organizing, in 1979, of the annual Lincolnville Festival, which has continued into the 21st century and become one of the Ancient City’s leading cultural events.

Carn recorded several albums on the Black Jazz Records label during the 1970s that have since achieved cult classic status, including Infant Eyes, Adam’s Apple, and Revelation.

He worked with Nat Adderley, Earth, Wind & Fire, Shirley Horn, Lou Donaldson, Stanley Turrentine, and Irene Reid. Recently, he was featured on drummer Cindy Blackman’s latest release, Another Lifetime.

Sabu Martinez (congas) 1930-1979  :: was an American conguero and percussionist. A prominent player in the Cubop movement in the 1950s, Martinez appeared on many important recordings and live performances during that period. Martinez also recorded several Latin jazz albums, now recognized as classics of the genre.

Born in New York City, Martinez made his professional debut in 1941 at age 11. He replaced Chano Pozo in Dizzy Gillespie’s orchestra in 1948, and began performing with Benny Goodman’s Bebop Orchestra in 1949.

Over the next 15 years, Martinez worked with Charlie Parker, Duke Ellington, Count Basie, J. J. Johnson, Horace Silver, Thelonious Monk, Charles Mingus, Mary Lou Williams, Lionel Hampton, Noro Morales, Marcelino Guerra, Esy Morales, the Lecuona Cuban Boys, Miguelito Valdés, Tito Rodríguez, and the Joe Loco Trio. He also worked with vocalists Tony Bennett, Sammy Davis, Jr., and Harry Belafonte.

Martinez first recorded with Art Blakey in 1953, and contributed to his Orgy in Rhythm and Holiday for Skins projects from 1957–58. Martinez became a bandleader in 1957, recording his debut album, Palo Congo, for Blue Note Records.

He followed it up with releases on Vik and Alegre Records. Martinez moved to Sweden in 1967 and recorded with the Francy Boland-Kenny Clarke big band, releasing two albums. Subsequently he led the group Burnt Sugar, which was active into the mid ’70s.

It is normal for the Beninoise to mark their farm animals somehow. (Colored fabric, dye their fur, etc.) This is the most unique one I’ve seen so far!