because that stuff happens a lot

Hello there.
As you may know I’m mexican, and i live in Mexico City.
It is one of the most affected estates besides another 4, because of the earthquake that happened yesterday; there are lots of collapsed buildings (schools, offices, appartments, hospitals evacuated) with kids, adults and pets inside.

Materials needed are medicines, construction stuff (for the rescue teams), energy plants (there are zones without light, and it is very important for the rescue of people trapped inside the buildings)…

If you have the possibilities to help, it would be a lovable action.

Please share.

lacyazlin  asked:

Just curious about some of the others in Q's underground. what they like? have you come up with their designs and personalities?

Q’s world was a pacifist run, and everyone is pretty damn close to what you’d call standard canon personalities because of that. That said, there are some differences. For the most part, everyone’s a bit more chill thanks to the fact that they’re basically living in a utopia and can do just about whatever they please whenever they please.

Asgore and Toriel are together since, though they have the memories of what happened in the game before they ‘woke up‘, technically Asgore didn’t do any of the stuff Tori left him over. He’s taken the lesson to heart, though, and because of that they have a happy, healthy relationship with each other, and their restored son, Asriel.

Papyrus is still as kindhearted and energetic as ever, but he’s less desperate to prove himself, and has lots of friends. He finds a lot of fulfillment in his work restoring the Ruins and is carrying a torch for Grillby’s sister X’D

Undyne is a little less intense, though still plenty over-the-top and competitive as hell. She and Alphys are in a committed relationship. She acts as Sans’s back-up in cases of mass virus attacks since he can’t be everywhere at once, with Papyrus’ help.

Alphys is more outgoing, though still not exactly confident in herself. Dating Undyne has done wonders for her, though, as well as the fact that she tries very hard not to let her game history define who she is. She works very hard in the Lab with Gaster and Sans to help the amalgamates, and really enjoys designing crazy outfits and anime inspired settings on the side. She designs all of Undyne’s battle outfits.

Mettaton is pretty much the same as ever, but has moved on from doing the news  and plays to doing crazy, over the top reality shows of which he is the star.

Grillby is as stoic as ever, but has discovered a flair for internal design. He’s well known for changing the look of his bar every other week, and you never know what you’re gonna get next as far as atmosphere.

Muffet is one of the lead developers on the team trying to work out flavors in the digital world. Her desserts all taste great, though someone who actually knew what a donut is supposed to taste like might be a little thrown by the counter-intuitive flavor. Her reunion with her family as gentled her more frightening tendencies, though she still finds a great deal of amusement in sneaking up on people.

That’s all I have for the moment, but I’ll try and do at least sketches of everyone eventually! They look the same physically, though obviously their taste in clothing has branched out given the limitless options they have ;)

ashley00094-blog  asked:

I just read your post about kimilia and I completely agree!! I thought I was the only one that felt this way -- I don't want to bash kit and rose's relationship but I truly feel like kit and emilia just have way too much chemistry off screen to not be together in real life. I've watched a lot of their interviews together and I saw in the earlier years, Kit looked really interested in emilia but I just don't think emilia reciprocated back cause maybe she was focused more on her career

… This frustrates me because it’s like now or wait a very long time to get together or at least kit should just propose to rose now and just end this misery of wanting to see kit and emilia together! lol – especially with this long wait of waiting for season 8 to come out and all the jonerys stuff that happened; ugh I never felt more frustrated. What are the chances of them getting together now cause it seems rose and kit are going strong which is cool but the shipper me just wantstoseekimilia

@ ashley00094-blog I know right!! It’s frustrating! haha! But unlike you, I’m not really wishing kit to propose to rose just to end our misery but instead I want Emilia to date someone(equally hot of coz!) so everyone’s happy! That’s the only way to end my misery….that or kimilia happens somewhere in the future(where no one get hurts) becoz it juz has to!

anonymous asked:

That post about callout posts and callout culture is one of the reasons I love u so much tbh

Aww thank you! 

The main thing I have a big issue with is a very specific situation I see a lot, and normally this happens between minors. 

They’ll be friends, and one or both of them will fuck up a few times, but they’ll ignore it and sweep it under the rug because friendship (altho real friendship is being able to tell them when they fuck up). 

Then, there will be some petty drama- they’ll disagree over something, relationship drama, sometimes over bloody kin drama- and they hate each other. One of them then decides to make a call out post, and will use stuff that they in the past had excused, against the person. And they enjoy this! On their blog they’ll call it “drama”, and talk about how they enjoy people turning on their ex-friend.

The thing is, often the points on the post are legitimate! These people often are actually abusive, bigots etc, but that’s not why these posts are being made. If there hadn’t been a petty disagreement, the post never would have been made.

And honestly, often the points on call outs are things that someone just should’ve told them was wrong. People seem so scared of just sending a PM or an ask telling someone they did something wrong and explaining why if they need to! Sometimes people genuinely don’t know they fucked up, and suddenly having a call out for it won’t help anything.

tl/dr: call outs should be to warn people about someone, not to get back at someone

anonymous asked:

HoC question: is there a falling-out story behind Steve and Sharon's breakup? you hint at bits and pieces so we get the general idea of what happened but I'm curious about specifics. like who actually broke it off and why, exactly - was it Sharon's job? when did Steve/Sharon move out, before or after Clint's birth, was Steve there for a lot of the pregnancy stuff or...? idk I just got to thinking. Love the fic obviously btw I re-read it all the time

hey there!  um let’s see, there’s no falling out between Steve and Sharon, but mostly because neither of them cared overly much about the other? I mean, they’re friendly and were able to live together well, but the only reason they were living in the same apartment was that a) they were co-parenting Clint and b) apartments in the five boroughs are expensive. As Sharon’s job started up again, and she made small short trips for espionage real estate, it was easier to stay with Steve and have him be the constant care-giver for Clint. 

(let’s just say that they got together originally for primary physical reasons, not emotionally ones)

When Sharon finally left for real (reassignment), when Clint was around three, Steve was more irritated at what her leaving meant to Clint than himself. He wasn’t emotionally invested in Sharon by that point (and to be fair, neither was she for him).

I had the idea that when Sharon told Steve about the pregnancy, he decided that he was going to be there for his kid, the opposite of his own father. So he and Sharon lived together from when she was pregnant until as I said, Clint was about three, and Sharon left for her job. It was a really hard decision for her, and one she wouldn’t have made if she had any doubts whatsoever about how much Steve loves and is dedicated to Clint. 

now that she’s back in town, at least for now, she and Steve need to figure out their new normal, and how she’s going to play a role in Clint’s life, but they’ll make it work. 

thanks for reading!

anonymous asked:

You get a lot of invasive questions about clone stuff, it seems. Sorry you have to deal with that. Do you think it's just because Internet anonymity emboldens people, or does that happen to clones in person too?

Happens in person all the time.  “Wow, so and so is a clone.  Hey so and so, let’s see your barcode, where’s your original do they know you’re here, do you still have your kidneys”.

I absolutely LOVE people who pay with pennies!

Seriously. 4 years ago, I’m cashiering at a whacky mart on a register that holds all the smokes and alcohol. It’s 10pm and these two young men (early 20s) come up to the counter. They have three random novelty items (I don’t remember they were), but it was strange and unusual to get odd items this late at night. Maybe it was for some fraternity, I don’t know. It’s a college town so I get weird stuff from frats a lot. I scan the items and tell them their total is $22.xx.

Grinning at each other, they reach into their jackets and slam down two gallon zip-lock bags, full of only pennies. I stare them in the eye, but they didn’t even look back at me. Everyone else in line groan and went to other registers. These two kids knew what they were doing, but they didn’t know what they were in for because I prepared for this; I knew this was going to inevitably happen. I grinned with them, because I was gonna get paid during this. These pranksters are here for recreation. This convo occurs between Me, Ringleader (the other guy was silent and awkward), and a friendly coworker of mine.

Me: Is this $22.xx?

Ringleader: …

Me: Did you count it?

Ringleader: Nope.

Me: Are you going to?

Ringleader: Nope.

Me: Is it at least $22.xx?

Ringleader: Don’t know.

Me: Nice.

Coworker: Hey! You guys can use the self checkout. It can take all of your coins at once.

Me: Oh, don’t worry about it Cowor–

Ringleader: Nope, don’t trust them lady.  (Partner laughs)

Coworker: What? Why!?

Ringleader: Doesn’t count all your change right.

Coworker: I’ve used them before. It really works!

Me: (to Coworker) I got this.

I unpacked the ziplocks and threw all the pennies on the counter. It was a beautiful, massive shitstorm of a mess. And I digged in it. I was Frank in a dumpster in ‘It’s Always Sunny’. The two, still averting my gaze, start chuckling as if they were taking away my dignity. They whisper to each other “Dude oh my God,” “Dude yeah,” “Dude, hilarious.” I counted each penny, one by one. My coworker comes up to me.

Coworker: Guess I’ll help you count this.

Me: Don’t worry about it.

(She looks at me confused. Then she puts on her 'get down to busy’ look.)

Coworker: I got your back.

Me: Oh…ok.

We worked up a system where we counted ten, put them in a pile, then with ten stacks of ten pennies we separated them, making $1 piles. We made progress slowly but surely. Some customers came to the line, but we advised them to get to another line. Some of them looked at us confused, but when they saw the counter full of pennies they understood. Some decided to wait, but when they realized it wasn’t going to take just a few minutes they took their leave. Another register in the liquor department opened so it wasn’t too bad for other customers. We get to about $12 (about 10min in) until I “knocked” over the piles.

Coworker: Neontonsil!

Me: Oops. Sorry.

(Coworker looks at my grin. I give her a wink and tilt my head, motioning her to leave)

Coworker: You know what, I think I better let you do this.

Me: Ha, alright.

(Coworker leaves. I look at the two guys. They are absolutely stunned at the fallen piles of pennies.)

Me: (To Ringleader) Yeah, I’m going to have to count all of this again.

Ringleader: ….Ok.

I started from zero. I count slower then ever, and made my way back up. The duo is entirely silent. I get to about $7, when suddenly I say:

Me: Drats. I lost count. I better start all over again.

Ringleader: Really?

Me: Oh yeah man.

Ringleader: Why!?

Me: I lost count, sir. I could be in trouble if my register doesn’t have the right amount of cash, and I don’t want to rip you off.

Ringleader: …

It’s about an hour later. My manager walks past, looks at me. I smile at him, and he looks at the counter. He walks away without a word. I eventually count all the change and surprisingly they had only $18!

Me: Hmm, I think that this is $18.

(The duo has been dead silent. They look done for the night.)

Me: I’ll recount it.

I fucking recounted it.

Me: I think this is actually $19.xx.

(Without a word, the Ringleader whips out a $5)

Me: Seriously? You had cash?

Ringleader: Needed to get rid of my change.

Me. No problem. I’ll just recount this again. I want to make perfectly sure that this is $19, since I counted $18 the first time.

Ringleader: Are you kidding me?

(I shake my head no, completely serious)

He takes out a $20 bill straight out of his pocket and throws it at me. My coworker gives the biggest WHAT THE FUCK face. Internally, I die as well, because they were smart enough to have a backup plan. And the fact that he was touching his cash in his pocket the entire time kinda messed with me. I take the cash, do the transaction, give him his change, thanked him and wished him a good night. The two start to put their pennies back in the ziplock bags and I didn’t help them at all. I watched them just as how they watched me. Lots of pennies dropped to the floor, but they didn’t care to pick them up. It looked like their souls were sucked out of them. It was past midnight and I clocked out way past when I was supposed to. A lot of my coworkers gave me a thumbs up or told me good night. Even my manager told me 'good job,’ the only two words he ever said to me. Went to bed at the dorms after such a great petty penny night and crashed. Strange to say, but I’d love to count pennies again.

TL;DR I recounted 1900 pennies like 5 times. Was it 5 times? I better count again.

I absolutely LOVE people who pay with pennies!

(long story. tl;dr at the end)

Seriously. 4 years ago, I’m cashiering at a whacky mart on a register that holds all the smokes and alcohol. It’s 10pm and these two young men (early 20s) come up to the counter. They have three random novelty items (I don’t remember they were), but it was strange and unusual to get odd items this late at night. Maybe it was for some fraternity, I don’t know. It’s a college town so I get weird stuff from frats a lot. I scan the items and tell them their total is $22.xx.

Grinning at each other, they reach into their jackets and slam down two gallon zip-lock bags, full of only pennies. I stare them in the eye, but they didn’t even look back at me. Everyone else in line groan and went to other registers. These two kids knew what they were doing, but they didn’t know what they were in for because I prepared for this; I knew this was going to inevitably happen. I grinned with them, because I was gonna get paid during this. These pranksters are here for recreation. This convo occurs between Me, Ringleader (the other guy was silent and awkward), and a friendly coworker of mine.

Keep reading

Things I learned about Cole in Asunder that might help writing him (spoiler free edition):

  1. He does, in fact, sleep
  2. He also eats
  3. He likes floating in water
  4. Prior to learning his true nature (aka before Inquisition), all the weird stuff he knows he picked up eavesdropping
  5. He has trouble grasping metaphor (at one point he wonders how there can be so many First Enchanters and where all the second and third enchanters are)
  6. He only really uses the names of people he cares about, all others he tends to give descriptive nicknames for to distinguish them in his head (but never calls them those names out loud)
  7. He can always hear Lyrium singing if it is close enough and refers to it as music (this also seems to be true for some more powerful spells, but not all)
  8. His natural state appears to be ‘cold and wet’. Which he finds uncomfortable but never thinks to do anything about it.
  9. He has an aversion to places where the Veil is too thin - particularly if it’s thin because a lot of bad stuff™ happened there
  10. When things are too much for him, he crouches down and puts his head between his knees
  11. Affectionate touching (hugs, shoulder pats, etc) always cause him to first tense up and then relax, sometimes returning the gesture (such as hugging back)
  12. He is asexual (prior to his personal quest), but also not flustered by nudity or sex. He views both much like the disinterested narrator of a nature documentary.
  13. He has met, and fought beside, Leliana prior to Inquisition.
  14. He can make people near him invisible too, but this can often become too much leading to #10 and nosebleeds.
  15. He worries about what the people he cares about think of him and will adjust his behavior accordingly.
  16. Generally, if Cole cares about one person, he then begins to care about the people they care about. This explains his repeated attempts to befriend Sera despite her constant rejection - he cares about the Inquisitor, the Inquisitor (presumably since you’ve got them in a party together) cares about Sera, therefore Cole cares about Sera.
One-paragraph appreciation for the introvert types

ISTJs:  I think it’s great that there are so many of you, because ISTJs drive the world, get stuff done, and always seem to know what’s going on. You’re so incredibly reliable and trustworthy and we need people like that. Without your devotion and logical thinking, the world would be nowhere.

ISFJs: You guys are the glue that holds society together. I love how much you care about everyone and how much effort you put in to make sure everyone is okay. Seriously, you deserve more credit for being such great people, and you have both the drive and natural kindness to help a lot of people.

INFJs: Not only do you have other peoples’ best interests in mind, you guys dream big and have bold ideals. You may not think they’ll happen, but because you’re all so gutsy and organized (unlike me) I feel like you can and will accomplish your goals. I wish there were more of you, because you’re brilliant.

INTJs: You nerds are going to change the world. Seriously, you’re all intelligent, knowledgeable, determined and generally great at stuff, and you’re unbound by expectations. You are creators, challengers, improvers, and while you are few, you can have massive effects on the world on your own.

ISTPs: I know none of you are that dependent on the approval of others, but for what it’s worth: you are great. Your cleverness, pragmatism and bravery mean that you can accomplish awesome things that others could only dream of, and your calmness under pressure is something I strive for.

ISFPs: I feel like the world would be so much more peaceful if people adopted your mindset. It’s incredible how well you guys can see the beauty in others and the world around you. Flexible, talented people like you have so much potential, and since you’re all so kind and charming it’s great to be around you.

INFPs: You guys are most interested in deep thoughts and long-term goals and don’t care about shallow things. And that’s a wonderful way to be. I’m so glad that there are people like you: deep thinkers who don’t forget to look after others, altruists who still seek to define themselves. You fit so many great qualities into one incredible personality.

INTPs: My fellow oddities, you are awesome. You have whole worlds inside your heads, and you tend to know the right answers and ask the right questions. Your curiosity and imagination combined are a force to be reckoned with, and you are definitely some of the smartest people in the world.

SKAMS04E08 Clip 1 - Miss you

[SANA: Hi. There’s something I have to tell you.

Hi. What are you doing today? Can we meet up?

CHRIS: I’m hungover af

VILDE: Magnus and I are talking.

NOORA: How are you doing Vilde?

VILDE: He thinks I’ve cheated on him with Elias.

EVA: We’re gonna kill those who made the hate account. Sana: I’m also hungover af and dad is visiting from Bergen to celebrate my 18th birthday. Yippee!

No Yippee.

Plus fml.

CHRIS: Eva!! Mom said it’s okay for us to celebrate your 18th birthday at my place on Friday!!

EVA: SHE DID?? Fucking hell!!

CHRIS: She asked why you couldn’t have it at your place, and I was like… ehhh.. they’re renovating. After the last party.

EVA: Hahahaha!! Awesome!! Who are we going to invite??

[Elias watching Youtube video of the boys]

SANA: Hi.

ELIAS: Talking to me?

SANA: Sorry for being mad.

ELIAS: So you’re not mad anymore? That’s good. I thought you were going to be mad for the rest of your life.

[YOUSEF: Okay, are you ready?]

SANA: Why aren’t you friends with Even anymore?

ELIAS: No, the guy doesn’t want to be with us anymore, so we can’t make him.

SANA: So it’s not because he.. tried to kiss Mikael? Because I heard Mikael freaked out.

ELIAS: That’s not why. It’s.. A lot happened. The guy just started doing a lot of random stuff. Then he tried kissing Mikael, among other things. And we tried to get him to chill, but it didn’t work. Then he dropped out of school and I talked to Sonja and she told me he was depressed. And when she told us we tried to call him and text him a lot, but.. So it’s his deal if he doesn’t wanna hang out with us.

SANA: You know he’s dating Isak? I think he misses you.. Because he asked about you the other day.

ELIAS: He did? Tell him hi, then. Hey. You know Yousef?

SANA: Just forget about it. I’m over him.

BMC YOUTUBER AU

LETS DO THIS


(I know there’s this amazing ask blog ( @ask-gaymermell ) and while this is separate from theirs (and I kinda came up with this idea before I knew about the blog) I still highly recommend that way more than these silly ideas.)


Rich:

•Starts out doing EXTREME stunts on vine of all places.

•They are freakin INSANE OK?

•Jake is the one who films it

•He does get pretty popular

•A little bit before Vine dies, Rich moves to YouTube and makes his videos more of showing him doing the set ups and showing what goes on for a stunt.

•They are still really reckless but that’s what everyone is there for.

•It’s soon coming up on the anniversary of him doing stunts for 3 maybe 4 years and he wants to do something EPIC

•Something that has NEVER been done before. And he hyped it up months in advance and his audience is mega hyped!!

•Until Rich suddenly disappeares

•For like three months, people thinking that he just… quit.

•Until Rich finally comes and uploads a video.

•It’s really vague, something happened with his stunt. Involving a fire. Him being in the hospital. And a friend getting hurt as well.

•Rich says that he can’t do stunts anymore, and that he doesn’t even know what to do anymore. YouTube was the way he made a living. But he doesn’t know what to do.

•"So… this might be goodbye. I’m sorry everyone.“

•There is a lot of people who felt bad for Rich and many who thought he was being a baby. This incident ended up becoming huge, news articles putting up stories, information being revealed.

•After 6 months, Rich appears again in a new channel. A vlogging channel of all things.

•Rich confesses that he had never truly showed himself to his audience before (for some reason…). And he had "edited” his lisp out of his videos. But he said that from then on, he was going to be honest and true.

•People were a bit salty about him still not doing stunts. But to Rich it didn’t matter, soon he admitted that he was having more fun doing this rather than stunts.

•Soon after a couple of months on the first day of June, he comes out as Bi. Telling a story that he had never thought of guys before and when he did he denied any sort of attraction. Until after the fire, when he decided to be true to himself.

•He does make an icon out of that, no longer being known as the “stunt guy” but the “bi boi” which made Rich laugh.

•Not soon after did Rich introduce his best friend (soon later to be boyfriend, but I’ll explain that later) Jake. Who had been shown in videos before but never introduced.

•But Rich always kept a jacket on. And wore makeup on his face.

•Many people would ask about what happened but Rich never wanted to talk about it. Many theories about it arose about it.

•Until on its anniversary, where Rich decided to tell how he was “convinced” to do this big fire stunt. Even though Jake and others had warned him.

•Rich then took off his jacket and his makeup to show his burns.

•In the middle of the video Jake had to come in and help Rich talk about what had happened.

•Jake had saved his life, but had broken both of his legs in the process. Jake still had to wear braces on his legs at the moment.

•But it was getting better. Rich and Jake were often considered the “power couple” of YouTube. Despite the fact that Jake didn’t have a channel. Or did he?


Jake:

•Loves music, so much. And puts his music on YouTube for fun.

•This is even before Rich had moved to YouTube or had even gotten big on Vine.

•He never shows his face, he makes his own art for the song and has it play in the background.

•He wasn’t popular at all. No one knew about his channel, not even Rich. But Jake rarely uploaded anyway. Only like one song ever couple of months.

•Jake wrote about being popular, about having fun, about summer, and about school.

•One day… he wrote about love.

•It was after the fire and Rich was in a full body cast. Him in a wheelchair. Rich had confessed everything to Jake. The Squip. The stunts. Everything.

•It only took a month for Jake to fall for him and write a song about it.

•and it EXPOLDED

•Which Jake didn’t even realize until Rich came in happier than he had been in weeks saying “Jakey D! You gotta check this out!”

•When Jake heard his own voice, he was shocked. He then checked later to see that it had over 1 million views.

•Jake started getting emails, asking to sign on. But Jake denied them all. Music was hobby, and Jake didn’t really want it to be more than that.

•But he continued to write music, but now. He wrote about his family. About being alone. About drugs. Each one getting more and more popular.

•And Jake honestly couldn’t believe it. Especially when his best friend / crush became his biggest fan.

•He never planned on telling anyone. But one day as Rich had one of his worst days in awhile. Jake wrote another song. For him.

•But instead of uploading it first. He came into Rich’s room with his guitar. And he sang.

•Rich originally thought it was just another one of his songs. Playing from his phone. But he didn’t recognize the song. So when he looked up at Jake, he was shocked.

•Jake sung about all the things he loved about Rich. How despite everything they went through he still loved him. Jake poured his heart and soul into it.

•when he was done, Rich kneeled on his bed grabbed him by the shirt into a big kiss. Didn’t really matter that the big guitar was in the way.

•Jake didn’t reveal himself as the mysterious artist for awhile. But the inside jokes that Jake and Rich had may have hinted at it.


Jeremy:

•Jeremy was told by Rich, who he had met in passing. Recognizing him on the spot. To get a Squip, and that’s how Rich could do all that crazy shit he did.

•Jeremy wanted to be cool like that. Have fans. Michael already had his own gaming channel, but Jeremy wanted to be better.

•The Squip had decided that Jeremy should ditch the gaming and do challenge videos instead. All the popular stuff. Even though Jeremy didn’t really care much for it.

•Soon Jeremy was starting to do more dangerous stuff. Talking about sensitive topics.

•Michael tried to talk to him, but Jeremy just said that he was jealous that he was getting more subs than him.

•The Squip is about to make him do something really crazy when Jeremy finds out what happened to Rich. So he gets Michael’s help and shuts down the Squip.

•Jeremy then makes an apology video about the sensitive stuff he said. And deletes his channel. Making anew as a Lets Player.

•And he and Michael start dating.


Michael:

•Michael had been doing Lets Plays for YEARS!!!

•He loves it a lot.

•But as Jeremy ignores him, his motivation for videos slip.

•When they have a fight where Jeremy just thinks Michael is jealous. Michael does have a panic attack and just can’t make videos because of it.

•Once it’s all resolved. Michael apologizes and promises to put more effort into his videos.

•Michael is also a big figure in the LGTB+ community (like Rich) having no shame in admitting since the very beginning.

•Once Jeremy and him start dating they start a collab channel that is them either playing games. Doing funny stuff. And vlogs.

•They are kinda of like the Dan and Phil of this universe.

•They have people guessing for months if they are dating or not.

•Till at Vidcon they are doing a panel and someone just yells at them to kiss.

•Which they do, to the surprise of MANY!

•"Man, I was having fun teasing everyone though.“

"Think of it this way, now you can kiss me anytime you want.”

“True that.”

AND THATS ALL I HAVE GOOD NIGHT

I’ve gotten quite a few asks recently wanting to know what my issue with Dungeons & Dragons 5th Edition is. You’ve probably seen my grumbling about edition-warring a time or three, so I want to clarify that that isn’t where this post is going. I think 5E has a lot of fantastic ideas, and I wouldn’t hesitate to recommend it to new players. The problem I have with it isn’t that I don’t like what it’s doing; it’s that I see a lot of great game design ideas lumbered by a conscious refusal to take them to their logical conclusion - or, in other words, it’s not that I think 5E goes too far, it’s that I think it doesn’t go far enough.

(Fair warning: a lot of this is going to be really jargon-heavy game design stuff that normal people probably don’t care about. That’s your cue to check out if tabletop RPG meta isn’t your cup of tea!)

To start off, there’s a concept in game design - applicable to both video games and tabletop games - called “mechanical engagement”. Basically, it’s what it sounds like: how and when the player is called upon to make rules-based decisions. Some games have high mechanical engagement, in the sense that players are given lots of rules-based “toys” to play with and expected to interact with them frequently; other games have low mechanical engagement, meaning that there are fewer rules-based “toys”, and fewer player-facing decisions about how to deploy them.

Moreover, in games that have roles or classes, different roles within the same game can offer different levels of mechanical engagement. It’s tempting to think of this in terms of low mechanical engagement = basic and low-powered, high mechanical engagement = advanced and high-powered, but this ain’t necessarily the case; you can see this phenomenon in action in the sphere of video games in, say, 2D fighters, or multiplayer online shooters. You have characters/roles with complicated and demanding execution, and characters/roles with simple and straightforward execution, and the former aren’t necessarily more powerful in practice, in spite of being more demanding to play.

The reason this happens is because a player’s preferred level of mechanical engagement is totally independent of any other axis of play (e.g., preferred role, preferred aesthetics, etc.) Some players like having lots of rules-based knobs and levers to play with, and they’ll gravitate to roles that will give them that even if there’s no actual benefit - i.e., even if it obliges them to work harder just to get to the same level as players in roles with lower mechanical engagement. Similarly, some players just want to press buttons and watch stuff explode - they prefer low mechanical engagement.

There’s nothing wrong with either preference, and one of the major perks of playing a tabletop RPG with class/role-based character creation is that it allows you to accommodate different preferences in terms of mechanical engagement within the same party. You can have players who want to juggle lists of special abilities as long as their arm, and players who just want to hit things with swords, and they can play at the same table - everybody wins. Again, remember that this is totally separate from wanting to play a “low powered” or “high powered” character; the level of mechanical engagement that a role demands is a different axis from how big its numbers are.

Now, one of the perennial issues of fantasy tabletop RPGs in general and D&D in particular is tying particular levels of mechanical engagement to particular role aesthetics. In many iterations of the game, if you want to play a role with high mechanical engagement, you have to chuck fireballs, and if you want to play a role with low mechanical engagement, you have to be a sword-slinging meat shield. A player who wants high mechanical engagement but also likes swords is liable to be told, both by the game’s text and by other players, that she’s Doing It Wrong - and so, for that matter, is a player who wants low mechanical engagement, but also wants to set stuff on fire with her brain.

(Incidentally, this is one of several areas where core-book 4E solves a real and recognised problem in the most hilariously unsubtle manner imaginable, by bashing every role into exactly the same level of mechanical engagement. Which is fantastic if that just happens to be your preferred keel, because now you can play and enjoy every role - and terrible if your ideal toybox is too much larger or smaller, because now every role is an equally bad fit for you.)

5E brings a couple of great ideas for solving this problem to the table:

1. It introduces a series of “tutorial levels”, where each class‘s abilities are introduced gradually over the levels 1-3, reducing entry barriers, leveling out the learning curve, and allowing folks to “try on” different levels of mechanical engagement more easily; and

2. It introduces system of templated archetypes whereby particular classes/roles can be “tuned” to different levels of mechanical engagement, making the same basic set of roles accessible to players with a broader range of preferences in terms of mechanical engagement - and, critically, the choice of template doesn’t have to be made until after the previously mentioned “tutorial levels” are complete.

Sounds great, right?

The problem is, it only applies to fighters and rogues and related classes. Clerics and wizards - i.e., the full-featured spellcasters - don’t get any “tutorial levels”, are obliged to choose their archetypes at first level, and all of their archetypes are about equally complicated - to the point that, for example, the lowest mechanical engagement cleric you can build has more rules-based toys you’re obliged to wrangle at any given level than the highest mechanical engagement fighter.

In other words, the game turns around and goes some distance out of its way to reinforce the very problem that this design pattern is meant to solve!

This pattern is repeated in several other places. For example, one of the long-standing disagreements among the fandom is whether D&D should primarily support epic, globe-trotting “high fantasy” or gritty, street-level “low fantasy” as its default tone. It’s as much a question of rules as it is of flavour text, so it’s hard to do both - but 5E gives it the old college try, which is a frankly fascinating decision. How does that play out?

Unconventionally, 5E does it based on character classes: you literally have some classes that are built out of high fantasy tropes, and some classes that are built out of low fantasy tropes, with the result that you can have characters who basically hail from totally different genres of fantasy fiction running around in the same party. This isn’t necessarily a bad idea; there are lots of inspirational sources that setup could describe - I mean, just look at The Lord of the Rings. If that’s not a prototypical case of high fantasy characters and low fantasy characters partying up, I’ll eat my hat.

This’d be another great opportunity for the archetype system to shine - but again, we see this obnoxious wall slamming down between “martial” and “magic” classes. This time it goes the other way: fighters and rogues default to low fantasy genre assumptions, and have access to archetype templates that can dial them up to high fantasy - but clerics and wizards default to high fantasy and don’t get anything to adjust that.

Tellingly, the high fantasy archetypes for fighters and rogues basically operate by bolting half a wizard to the side of their respective classes. You end up with a strange dynamic where some characters from a given piece of genre source material are valid inspirations, but not others - e.g., you can be Merlin, but not Lancelot; Gandalf, but not Legolas; Medea, but not Achilles. Again, we see this reactionary notion that only spellcasters are allowed to play in the big-kid sandbox; the game’s text openly acknowledges as much by flat-out stating that only full-progression spellcasters are relevant when determining which tiers of play a party can engage with. And again, the tools to fix that are right there; the game just doesn’t deign to pick them up and use them.

I could keep going, but I suspect I’ve harped on long enough that y’all get exactly where I’m coming from here. It’s like… these are not new problems. Maybe not all players care about them, but it’s nearly universally acknowledged that they exist, and it would have taken so little effort to address them - the game literally developed the perfect tools to do so, then didn’t use them. It drives me crazy to see a game come so close to what could have been a legitimately revolutionary take on the genre, then deliberately stop juuuuust short of the goal line.

So you’re in a magickal funk. You haven’t done a spell in months, and let’s face it, you’re already exhausted, but the thought of not dedicating any time to your practice is stressing you out more than you’d like. There’s nothing major going on in your life right now that warrants the energy to do a spell or ritual so you’re stuck thinking “why bother?” 

This has been the case with me on more than one occasion, especially lately. I’m sitting here thinking…”man, I learned all of this stuff, had a lot of success and a few failures; I want to do magick but I just…can’t.” I work too much. I’ve got a lot on my mind. Nothing about raising energy and putting it to rest sounds appealing because all I really want to do is sleep. 

I’m sure some of you have read my “Passive Magick” series; if not, here is part I and part II; but what happens if you don’t even have the time or energy to do some of the most basic things I mentioned in those posts (like clean house, cook dinner, or even take a shower)? 

Since this is a personal struggle that I’m sure many of you also face, I’ve had to think long and hard about how I can practice magick in a minimalistic way without giving up all together, so here is what I’ve come up with. 

  • Think of all the reasons why you’ve become unmotivated or uninterested in your practice, and make a list. If you don’t feel like busting out a pen and paper, use the memo pad on your phone. It’ll take 5 minutes at the very most. For me, it’s got a lot to do with work, stress from work, being tired, adulthood in general, personal relationships, and overall worry about the people I love (gotta love being an empath). 
  • Alright, you’ve made a short and simple list of all of the stressors in your life, which might have stressed you out more than you already were, but let’s move on.
  • This next part sounds simple but might end up being a little more complicated than you think - it’s okay, stick with it: make some notes on your list about how to improve those situations, or simply jot down the opposite of what’s going on. For example, I might not be so tired all the time if I got a good night’s sleep - it doesn’t always help, but it might if I actually tried, who knows. I might have an easier time at work if my communication skills were up to par, and if I knew how to handle stress without getting overwhelmed. Home stress may be relieved if I was better organized as far as like, paying my bills early and trying to save money. I might worry less about my family if I visited with them more. You get the idea. Next… 
  • So basically, by listing ideas to combat your stressors, you’ve inadvertently come up with ideas for spells to help you along the way. For me, this entails…
    • an anti-stress spell
    • a communication spell (for both work and interpersonal relationships)
    • a sleep spell (preferably one where I have no dreams)
    • an organization spell
    • a motivation spell
  • You get the picture, I’m sure. 
  • Okay, so now…. you have to do the spells. Ugh. Even the thought of doing such a thing wears me out, but let’s entertain the idea of putting together a multipurpose spell jar. You can easily figure out the correspondences for things like better communication, better sleep, relieving stress, and staying motivated. You might even know a few correspondences off hand so you don’t have to do too much digging for information. 
  • At this point, head over to your spice cabinet, kitchen pantry, craft drawer, or whatever and gather some supplies. Don’t even bother trying to go buy new stuff. Use what you already have, and try not to choose multiple ingredients for the same intent. Just pick one, it’ll make your life easier.
  • Now, anyone who has ever made a spell jar before knows the process of stating your intent as you add your ingredients to the jar. It takes little effort on your part to mumble some words like “ok lavender your job is to keep me relaxed and relieve my stress.” Do this with each ingredient and bam, done. Seal the jar and…then what?
  • Well, what about timing the spell? That part is up to you: you might choose to utilize a certain phase of the moon, or you might not even care to wait until a particular lunar phase because you don’t give two hoots about the moon, at all. Maybe you choose to do the spell at night because for the first time all day, you’re somewhat relaxed. Once again, that’s totally fine. 
  • Okay…but I have to charge this stupid jar somehow. Well, you can lightly channel energy from external sources to power your spell so you don’t tire yourself out and lose motivation before you even begin. Craft a super simple sigil that states “this spell jar is charged and activated” or write that sentence on paper and set your spell jar on top of it. Draw a picture of a constellation or rune that corresponds to power or enchanting and set the jar on top of that. Stick a piece of quartz on top of the jar. Add a little sea salt water to the jar (it’s a natural conductor of electricity and energy). There are lots of easy ways to charge your jar. Done and done. 
  • Alright, my spell jar is made and charged so…now what do I do?? Remember that mundane effort is just as important when it comes to magickal workings. Buy a planner to keep you organized, or open the calendar app on your phone and mark important dates. If you know you need at least 8 hours of sleep to feel energized, then don’t wait until 2am to lay down in bed. If communication is an issue, then actually try to talk to people and don’t be afraid to ask for help if you need it, especially in the workplace. 
  • These are just examples that mostly cater to my specific and personal situations, but you can easily modify these ideas to suit your needs. One good spell may be just the thing you need to kickstart your practice again, and this method is simple and straightforward enough that pretty much anyone can do it, even on your worst days. 

Good luck. 🔮✨

theholylight  asked:

Apparently a Hashino/Soejima interview was translated. They said they were never able to have just a friendship with a girl and Soejima even said he 'never saw girls in that way'. It explains so much about slinks/confidants and the romance in P3-P5 :) ._.

Oh god, no, no, no! A few things:

a) This interview wasn’t translated recently, it has been well-known about ever since shortly after Persona 4′s initial release

b) Hashino and Soejima did NOT say that they didn’t think one couldn’t be friends with women in that interview. Rather, they explained that they, personally, grew up in a time when peer groups in Japan were extremely strictly separated by gender, and being purely platonic friends with someone of the opposite gender without any interest in pursuing a relationship as a teenager was seen as odd, if not downright ridiculous. How bad was it? Well, in the early 2000s, when a “trend” emerged of men actually being friends with women, rather than just trying to flirt with them, that “trend” was seen as so special, it was given it’s own name: Soushoku-danji, “herbivorous guys”.  In Hashino’s generation, just “hanging out” with girls as friends without expecting to eventually date them just. Did not. Happen. Because of that, people of their generation have a very, very poor grasp on intergender friendships and had trouble writing them in any way that did not include flirting. So when Hashino and Soejima gave that interview, they weren’t saying “lol, but girls have cooties and stuff”, they were admitting their own shortcomings and that they see that the world around them has changed, causing their writing/character building to regrettably fall short in that respect due to their upbringing.

c) Precisely because of that, after Persona 3, Hashino added a LOT of younger talent to the writing team, who could help with writing more believable, up-to-date intergender friendships than the previous team could. Among them is Azusa Kido, a woman who has been responsible for coordinating pretty much all of the Social Links ever since Persona 4, directed the entirety of Persona 3 Portable’s FeMC route AND wrote almost all of Persona Q by herself. She was brought in partially with the intent of fixing the issues with the characterization with male-female friendships in Persona 3, and she did so masterfully in my opinion. Now, due to her being busy with Persona Q when P5 was written, she sadly was not involved with the game’s main scenario, however, according to the credits, she was still hugely responsible for the Confidantes in the game.

So, no, this interview does NOT explain the issues with the romances in Persona 4 or Persona 5 or puts the blame for them entirely on Hashino or Soejima. At most, it shows that the problem with the romances is ingrained so intrinsically in how the games are written, that not even bringing in new talent has been able to alleviate the problem. 

EDIT (Clarification):

Kido was already on the Persona Team before P4′s production, however, her involvement in P3 was a lot more low-key than her involvement in P4, where she was given a lot more responsibility. Along with her promotion during P4′s development, new writers were brought in as well, many of them recruited from P3′s fanbase, according to Hashino.

i don’t think anyone needs to be reminded but: please try to post your artwork under 1000x1000 dimensions if you can. if you look on ebay, taobao, or sites like it, a lot of artwork gets lifted from popular fandoms to be printed on shirts and backpacks and stuff. the smaller the web resolution, the harder it is to print without enhancing/editing it by a ton. play it safe.

also, if you print things like dakimakura or shirts or so on, do your best to secure a trustworthy seller that won’t steal the image to sell on their own. this happens a lot with bootleg websites, where you’ll submit your custom art to be printed and they’ll do it, but later on you’ll see it show up in their stock (because they kept the high res file) and there’s absolutely nothing you can do about it.

be very careful about your full sized images. i’ve had a picture done for my birthday be lifted and printed on ebay just because it was big enough.

Comic based off of @what-even-is-thiss ‘s fic and @inalandofmythandtimeofmagic ‘s headcanon:

Holy crap this is 2 weeks overdue… whoops?

I totally underestimated the length of time it takes to draw a comic

But anyways you guys should totally check out the fic and the hc because I changed the comic a bit because drawing everything that happened was going to take even longer and doing so made this make more sense as a story by itself, so you should totally do that because the way the fic was set up was really funny and entertaining and theres some cool stuff that I missed, and there’s a lot of cool content that was made in response to the headcanon too if you haven’t already seen it!

Link to hc and other stuff

Link to Fic, Glowing