Could you list all of the tropes that you consider "feel good violence"?
Okay, “Feel Good Violence” is very simple as a concept.It’s violence that feels good, when you’re reading it, when you’re watching it on screen, because for the perpetrator violence can feel really damn good.However,that is violence when taken outside of context. It is violence without consequences. It is violence for the sake of violence. Violence that serves no purpose but to prove the character or person is tough.
Protagonist Sanctioned Bullying - Bullying in general is a fairly popular method to achieve “Feel Good
Violence” because bullying does feel good. The audience sympathizes with
the protagonist, so when the protagonist acts they cheer for it. Its
not presented as bullying by the narrative, but it is still bullying.
Usually it’s a rival or a character set up to “deserve it”, but sometimes not.
Making people afraid makes you feel tough. Many authors will fall prey to the sweet lure of bullying and not even know it because bullying is violence without fear of consequence. Most often, they’ve been the recipients rather than the perpetrators, and acting as the bully is a very different ballgame. It is an emotional and psychological high. You feel big, strong, safe, and untouchable. Powerful.
In their worst incarnations, most superheroes become bullies.
Bullying is all about control, protected status, and freedom from consequences. An entirely fictional world creates the opportunity for all these things, with the narrative itself siding with the bully. Bullying is Feel Good Violence writ large in real life. It’ll follow you into the fictional world just as easily. Power is a high you never forget.
This is very common trope for characters who also act as a means of self-insertion by the author. For them, it isn’t bullying. It’s an example of how awesome their character is and how tough they are.
Everything But Dead
- When the only morals applied are if someone died, the rest is sanctioned without comment. There are no narrative consequences for the character’s behavior, and everyone cheers them on. Anyone who calls them out is an acceptable target, usually evil, or the protagonist wins them over in the end because their actions are “justified”.
By Any Means Stupid - This is the “by any means necessary“ trope, where the violence really isn’t necessary and the author just wanted an excuse to paint the room red.
Unprovoked Violence Is Always the Solution - This is the one where the protagonist skips all the other steps and goes straight to preemptive violence against a total stranger, for no reason other than it makes them appear tough. Usually not framed by the narrative as bad, but it is. Oh, yes, it is. Worse there usually aren’t any consequences for the hero physically assaulting someone in a room full of witnesses because everyone knows they’re the hero, right?
Random Violence Before Strangers is A-Okay - The
protagonist disembowels a bully in front of their victim in order to
protect them and receives effusive thank yous. Nothing comes from this.
The bad guy is dead. We all feel good. All is right in the world.
Except… violence freaks people out.
Acceptable Targets - These are people designated by the writer as non-entities and targets for violence regardless of narrative context. A very slippery slope that is ever descending. But, you know, it feels good? Sure, so long as you’re not on the receiving end. This kind of dehumanization happens in real life too, just in case you were wondering.
Beating Up My Source - You have a character who collects information from an old standby, they threaten and beat up that standby regularly to show they’re tough. At what point does this seem like a terrible idea? Never! Hey, they’re a bad person so you feel good, right?
Waving My Gun Around - Trigger discipline is just the beginning of this problem.
A gun is not a toy. but you’ll find a vast array of narratives who use it that way in order to look tough.
Killing Your Way to the Top - You can’t really destroy organizations like this. Killing the people at the top will just lead to someone else taking their place. Whenever you create a power vacuum someone will fill it. You can’t destroy an organization by killing. It doesn’t work. But, it feels good!
Must Obviously Be Boy - Because female fighters are unicorns and the mooks have never laid eyes on a woman before. Usually part of a larger narrative issue with violence, but acts as a “get out of jail free” card.
Clear the Building - That time the character decided to knock everyone out to prove that they are tough. Weirder when it happens on stealth missions.
I Am Not Gaining Levels - When you’re reading a book and the character is fighting like it’s a video game. They fight everyone like they’re in an RPG chasing XP. Why? We don’t know, but it makes them feel good.
Let Me Shoot Him Twenty Times - We could call this spray and pray, but let’s pretend for a moment the magazine could run dry.
Magic Bullets - The bullets that go where you want, stop when you want, and don’t cause accidental casualties. You know, like the protagonist blind firing through a wall and hitting a four year old playing in the yard across the street.
Body Armor Always Prevents A Blow-through - Nope!
New to Training, Perfect Sparring - That time the main character took on their evil rival (school’s top/better trained student) in a sparring match and won, especially when it was their first day.
Sparring Just In General - The vast majority of Western media doesn’t understand the concept or purpose of sparring. Many authors seem to think its a UFC match where you just beat each other up and the first thing you do during training to “assess your capabilities”.
Queuing for Combat - This is an old Hollywood trick where the burden of a group fight is lifted as the stuntmen wait their turn to fight the protagonist. Particularly egregious in written action sequences where the author doesn’t grasp the concept of teamwork. It also warps the understanding of how many people its possible for a human to fight at once.
Terrible At Torture - Torture is a terrible way to gain information in general because it doesn’t lead to a confession so much as confirmation bias. The subject will tell you whatever you want to hear because they want the pain to stop. It’s even worse when done poorly, which it is 90% of the time. Usually, media uses it for shock value or to prove how tough a protagonist is. Torture is not putting a blowtorch to someone’s foot and hoping for the best. It’s far, far more complicated than that. Neither torturer nor subject come out of the experience whole. Besides, the unimaginative protagonists say, “screw you!” The clever ones lie.
What Is: Dress for Success - How we dress our characters is often necessary for crafting a sense of narrative realism. This comes in often as a reason for why its so difficult to take female action heroes seriously, but it happens to the guys too. Not a bad trope on its own, but often symptomatic of a larger narrative approach to violence that ends with “feel” and “good”.
Beautiful and Badass - This one is a very specific female fantasy, which is that you can meet all the cultural standards and definitions for beauty while being in direct defiance of them. These are the female characters who are never touched by the combat they engage in. They are always graceful, always elegant, always beautiful in motion and the narrative will pause to tell us this often. “She fights like she’s dancing.” For these characters, their supermodel-esque beauty is a natural extension of their being. They don’t work at it. Combat is incidental. It’s a set piece to tell you how awesome the character is. It generally amounts to nothing, serves no real narrative purpose, but by god the author is going to walk us through it in excruciating detail. Combat and character are separate, and consequences are for other people.
My Instincts Performed A Wheel Kick - Your instincts just don’t work that way.
There’s probably more, but that hits most of the major sins.
Keep in mind that many of these tropes are not issues by themselves. They often work when context and consequences are taken into account by their narrative/setting. Generally, this results in characters with no accountability for their behavior and exhibit no responsibility for their actions. The issue, of course, is that responsibility and accountability are what make well-written violence work. Violence often drives the narrative. It’s part and parcel to who the character is, and their decision making. It’s the difference between a character who presents themselves as tough or skilled and one who actually is.
1. if ancient swordsmen say that a blade is just an extension of your arm, then poetry and the arts are just an extension of your heart and soul put into verse and a painting.
2. rather than wait for someone to fall in love with you, fall in love with yourself. easier said than done, i know. but hear me out. don’t love the way your hair looks? get a new hairstyle. do you feel like a failure? then fail, fail, fail and fail some more. each time, there’s a chance that you’ll succeed. i think that’s worth every ounce of sweat. don’t love your body size? maybe you’re too thin because it’s depicted as beautiful by supermodels, eat some more. your brain needs nutrition. when you see yourself, you’re more than just your body. you are your thoughts. feed your brain and you’ll feel loads better. maybe you’re too large and depression has got you lethargic again. i once sat around in a house for a year straight. i did nothing except for writing sad, sad poetry. you wanna know something? once you get your head out of the past, once you realize that mistakes are there for you to change, once you’re aware that they’re really not coming back– it’s going to be much easier to move on. and yeah, it’s still going to hurt, but you must hurt your way forwards not backwards. have you been high lately? heavily sedated to numb the pain? drank a beer too much and now you’re regretting it? was the joint laced? are your lips poisoned from people you shouldn’t be kissing? that’s your second pack today, right? baby, bad habits will destroy you, but it’s also a part of the process. if you try, try and try again. one day, you’ll slip up and it’ll all make sense. it’s going to feel alright even if you’re a little sore. don’t wait for someone to love you, the best contender is already looking at you while you’re dreaming. when you’re awake and brushing your teeth. when you’re listening to your favorite song. when you’re singing in the shower. when you’re dancing with your shadow while the lonely moon is out. when you’re doing that extra rep while no one’s looking. when you’re running that extra mile just for shits and giggles. when you smile some day because the quote was right. time does heal all wounds.
3. if a rose has a natural defense mechanism, then you must guard yourself from your own negative frequencies. tune into who you want to be. we are what we feel. we are what we think. we are exactly as we want to be. want to be happy? repeat after me: i’ll try again tomorrow and if tomorrow doesn’t work, i’ll try the next day, next week, next month. one day, i’ll get it right. make a pinky promise to yourself. love yourself for your mistakes, love yourself for your flaws, love yourself for your changes, love yourself for your youth, and love yourself back into the universe. the stars are watching.
4. write love letters. lots of it. seal each one in an envelope and randomly date them for the future. when the day arrives. open it. a blast from the past, these little bits of love. it used to be you. revel into yourself. you’re cool. you’re angry. you’re kind. you’re sweet. you’re chill af. you’re hot. you’re gorgeous. you’re beautiful. you’re funny. you’re boring. you’re relaxed. you’re stressed. you’re ugly. you’re too thin. you’re too fat. there must be balance in life. for every bad thing in the letter, add two good things. for every good feeling, kiss yourself goodnight twice. no one’s going to love you like how you will. and if they somehow manage to pull it off, it’s still important to be nice to yourself. you’re human after all. unless you’re an alien, in which case, welcome to earth.
5. did you know that it takes 10,000 hours to master a skill? if you study and apply yourself for about 3.91389432 hours every day, within a year’s time– you’re going to be profound and breathtakingly amazing as fuck.
6. smile. always smile. fake it all the way through. cry. crying is good for you. laugh. loudly laugh at cheesy things because it’s the little details that count.
7. keep a journal and realize that these days– our consciousness being so closely tied to technology… we’re missing something. life’s too short and it’s not stopping for anyone. take a deep breath. inhale. exhale. write it down. you don’t have to be a writer to record your current emotions.
8. if you can’t seem to accomplish any of the above, just know this one thing. i love you. rinse and repeat. it’s a new day. it’s another night. you fall asleep. you wake up. how many days will you live in routine? take the scenic route home from work. running late? laugh about it. the art of letting go is hard to master, but once you’ve achieved even a split second of severing ties with misery. darling, you’ve made it.
9. i’m proud of you. i’m proud of you. i’m proud of you. i typed it three times so that you’d see it three times. if you’re a visual learner, 🌹, that emoji is you. it’s time to bloom. 🌊, this emoji is your soul. it’s time to crash. it’s time to be gentle to yourself. 🔥, this is that one time your friends got too drunk and forgot to put the fire out. embrace the burning sensation of your memories, even if it rattles your bones and intends to fuck up your day. you are loved in the most beautiful way. repeat after me: i am proud of myself for waking up everyday. you can do this. i know you can.
10. you’ve made it this far, why stop now?
11. you always knew that the rain is wet and fire is hot, so you must also know that if your heart is beating and you’re still as lost as ever that it won’t always be like this. you’ve come a long way, regardless if you see it or not. you’ve been through so much for yourself, with yourself, and by yourself. who’s going to love you if you don’t?