bbc series

anonymous asked:

Hi there :) I'd love to watch more BBC mini series or just more episodic period stuff in general but there's so many I never know what's good and what's not. Could you help? Thank you!

These are the miniseries I’ve seen (well at least the one i can remember):

War and Peace (2016)
Emma (2009)
Great Expectations (2011)
North and South (2004)
Sense and Sensibility (2008)
Death Comes to Pemberley (2013)
Pride and Prejudice (1995)
Persuasion (1971)

I know they are not miniseries but Poldark (2015) and Victoria (2016) are both wonderful tv shows. If anoyne has other recs, feel free to mention it. I’m sure we all would be grateful. :D

According to The Hitchhiker’s Guide to the Galaxy, there are rules that determine the reaction of most lifeforms to emerging technologies. One: Anything that is in your world when you are born is normal and ordinary and is just a natural part of the way things work. Two: anything that’s invented in the first third of your lifespan is new and exciting and revolutionary and you can probably get a career in it. Three: anything invented once you are middle-aged is against the natural order of things.

The Hitchhiker’s Guide to the Galaxy by Douglas Adams: Quintessential Phase

Want to instill doubt in someone? “Change minor details in their surroundings.”

Yes, this post is about Sherlock. Specifically, about the reason for all of those pesky set design flaws that grew larger and larger as series 4 progressed.

For example, the skull picture we normally see…

…turns into this.

Or when Ella’s office looked like this…

…but turned into this.

There are hundreds of examples but how about simply one more.

John’s flat looked like this…

…but turned into this.

If you watch Many Happy Returns, which takes place before Series 3, you’ll see John’s front door doesn’t actually exist under the staircase – that was an unnecessary change in Series 4.

So what do all of these changes have to do with making an impression on the audience?  Well.  Everything.

When you want to get a group of people to doubt their own memory – or to plant new ones – you have to change things about what they already know, but don’t let on that you’ve changed anything.

And who does this for a living?

Derren Brown, the illusionist who had a cameo in The Empty Hearse. He’s also a very good friend of Mark Gatiss’. He has a fascinating video you can watch about this exact technique I’m explaining. By changing details visually, one can change how people doubt their own abilities to perceive reality, and also question their own memories.

Do you know all the outrageous things series 4 fed us?

– Mary is just an ordinary housewife with a good heart
– John would never save Sherlock from a serial killer
– John would beat Sherlock senseless
– Sherlock simply needs love from family to complete him
– John has a bunch of friends that love to look after his baby
– John would blame Sherlock for any harm befalling Mary
– John would easily forgive Mary for shooting his best friend in cold blood
– Mary knows Sherlock and John better than anyone ever could

These things blatantly contradict everything we’ve ever known about these characters. Still don’t believe Mary is a manipulative psychopath? Go read the HLV script; it just made its rounds on the internet today.

You’ve been wondering why series 4 is so screwed up, narratively and visually? It has a purpose. It is to make the audience doubt – to make the audience doubt their own ability to comprehend reality.

Is it working?

This is the part they didn’t show you in The Final Problem.

That rope was for Sherlock to climb down into the well to John. John had been struggling to keep his head clear of the water for a good while, and he was getting exhausted; hypothermia starting to set in. It was going to be another 10 minutes or so before the police arrived to unchain John and get all of them out of there, but that could seem an endless and fatal time for a fatigued man barely able to get a gasp of air. 

Sherlock was quite a bit taller than John, so he took it upon himself to clamber down into the well and take on John’s weight so his friend could rest. How overwhelmed with relief he must be to be able to finally save his best friend from that cursed well. At this moment, it’s just the two of them, nothing else and no one else mattered.

(Discontinuity Error: I forgot to add the skull and some bones; I might add them later but who knows)