bands from new york

anonymous asked:

hello hello, i am in desperate need of kyouhaba fic recs and i'm pretty sure i've read all the ones in all the other recs as well as the ones in the first five pages on ao3 when you sort by kudos, so if you could help me out i would be very much obliged

Yo anon! Such a daunting task you’ve requested, lmao. I actually had to think about whether or not to indulge this since 1) I have no idea if you’re serious, tbh, 2) I’m not sure if I’ll be able to link you fics that haven’t already been recommended somewhere else, 3) I have no idea which stories you’ve already read, 4) Like I said, this seems very daunting because there are LOTS of brilliant Kyouhaba fics out there. If I get really serious with this, by the time I’m done the list will look pretty overwhelming, lol.

That said, the request wouldn’t leave my mind and since I have free time now, I guess I’ll do it. I’ll go all the way too and treat this as an extensive Kyouhaba rec list for others (HQ/Kyouhaba beginners especially) who might want it, so take note of that if you see stories you’ve already read.

Btw, I’ll just do a shortcut when it comes to authors with multiple Kyouhaba stories and take you to their main AO3 page instead of linking each of their stories. Believe me, these authors are brilliant and there’s no use sifting through their Kyouhaba stories to see what’s good and what’s not. They’re ALL amazing. 

Btw, I used AO3′s tag filter to take you to their Kyouhaba stories only since that’s what you asked for (and what this blog is for).

* Works by darkmagicalgirl 

* Works by knightswatch

* Works by kiyala

* Works by shions_heart

* Works by snoqualmie

* Works by surveycorpsjean

* Works by squidmemesinc

* Works by HoneyBeeez

* Works by ArcticLights

* Works by CheetahLeopard2

* Works by Dogsocks

* Works by InkCaviness

* Works by shukagari

* Works by crossbelladonna

* Works by fortyfiveangrycats

* Works by herekittie

* Works by Maiokoe

* Works by SecretMaker

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Lana Del Rey covers Paris Match’s May 2017 Issue.
Photographed by Sebastien Micke.

Lana Del Rey lounges on the divan.

She hasn’t left her false eyelashes, but she has gotten rid of her sadness. After two years of absence, the diva of ‘sad pop’ comes back with a ‘Rage de Vivre’ translation of ‘Lust for Life’ her fifth album which comes out July 21st and “Love” her single, which has already passed 50 million views on YouTube. Same hypnotic voice, same poetic universe for a woman who now has a certain taste for happiness. Since her debut in 2012, on the internet, with ‘Born to Die’ which made her one of the biggest stars in music, Lana tells us in mind-blowing songs and beautiful music videos of her fragile life as a young girl haunted by death and failure. Today, she says that she has overcome these demons and her toxic relationships. Single, maybe, but a little more light-hearted.

For her, it’s already history. At 17 years old, Elizabeth Woolridge Grant wrote her own songs and made her own music videos: ‘I took a lot of photos. Then I started to record myself, to use my image.’ After seven hellish years of singing in Brooklyn bars, her music video ‘Video Games,’ posted in 2011 and has since been viewed 155 million times, which thrusted in a few minutes, the young American into an unforeseen notoriety. She evolved into Lana Del Rey, Lolita 2.0, fan of the sixties who over the course of her songs tells a sometimes indecent and provocative story but always sensual. ‘I am connected to the future and the past at the same time… That’s why I have few friends…’ Today, she sings ‘I’m young and in love’. But confides that she has found happiness… since she is no longer dating. ‘I’ve never been lucky in choosing boyfriends’.

She always loved putting on a show: ‘As a child, I loved making my life a work of art. - My passion for beautiful films might explain my aesthetic’ says the woman who would have loved living in the Flower Power of the hippy years.

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The Diviners are BACK. 

Well, almost! We are so excited to share that the third installment of Libba Bray’s posi-tute-ly fabulous and spooky Diviners series is coming out this fall—on October 3rd to be exact. EW.com revealed the cover of Before the Devil Breaks You yesterday along with a little snippet (check it out here) and let’s just say we cannot wait to be transported back to 1920′s New York where mysticism and the occult are real…

Here’s the full synopsis:

The Diviners are back in this thrilling and eerie third installment by #1 New York Times bestselling author Libba Bray.

After battling a sleeping sickness, The Diviners are up against a group of new and malevolent foes–ghosts! Out in Ward’s Island sits a mental hospital full of lost souls from people long forgotten. Ghosts who have unusual and dangerous ties to the Man in the Stovepipe Hat also known as the King of Crows.

With terrible accounts of murder and possession flooding in from all over New York City, the Diviners must band together and brave the ghosts haunting the asylums to bring down the King of Crows.

Heart-pounding action and terrifying moments will leave you breathless in the third book of the four-book Diviners series by #1 New York Times bestselling author Libba Bray.

If this cover looks different from The Diviners and Lair of Dreams, you’re right! With this new spooky cover direction, we (of course) had to make sure the first two books got a makeover, as well. Check it out:

Spooky, spooky! We can’t wait to get all three editions together on a bookshelf. Is it October yet…?

+ Add Before the Devil Breaks You to your shelf on Goodreads

“marching band, you’ll march straight into hell,” the pride protester shouted into a megaphone, and then we formed a massed band of almost 200 musicians and color guard from new york, philadelphia and dc, turned our backs to them and played “no,” “can’t stop the feeling” and “respect” loud enough to drown them out and then some, and marched away smiling bigger and cheering louder than ever knowing that we have love and joy

Count Basie’s band from Kansas City reached New York in December of 1936. Musicians took to them immediately, but the general public took a bit longer. Basie’s big break came in July 1938, when the band started broadcasting from the 52nd Street club the Famous Door. Music from those broadcasts makes up half of a new sampler of live Basie from the period. Jazz critic Kevin Whitehead says it’s choice:

“Basie specialized in the brand of blues that laughs at trouble. The music’s exceptional buoyancy stemmed from a four-piece rhythm section, with Basie on piano. Folks often say rhythm guitarist Freddie Green was more felt than heard. But sometimes his chomping beat came through loud and clear.”

In the early hours of February 1, 1982, Tina Foglia (19) was at Hammerheads, a club in West Islip, New York. She went to see a local band from Queens she liked, before leaving at around 3 am. Her family reported her missing on February 3. 

That was also the day they found her dismembered body, put inside several plastic bags and left in an exit ramp in Sagtikos Parkway, in Suffolk County. The autopsy determined she had died of asphyxia by smothering, and that her limbs had been cleanly cut, possibly with a butcher’s knife.

Tina’s murder has never been solved and the case remains open, with police still asking for tips as recently as June 2017. Some have theorized that she might have been a victim of the still unidentified Long Island Serial Killer, since Suffolk County has been the area he’s left bodies and Sagtikos Parkway leads to Oak and Gilgo Beaches, his dumping ground of choice.

This is, of course, mere conjecture at this time. The LISK is listed as active since 1996, but as it often happens with serial killers, it’s almost impossible to determine the exact number of his victims or when did they really started their crimes. Tina’s sister says that shortly before she was murdered, Tina said she was dating a doctor she really liked, but never revealed his name. It’s also possible she was hitchhiking the night she left the club and her killer picked her up that way.

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On this day in music history: October 8, 1980 - “Remain In Light”, the fourth album by Talking Heads is released. Produced by Brian Eno, it is recorded at Compass Point Studios in The Bahamas and Sigma Sound Studios in New York City from July - August 1980. The bands third and final collaboration with producer Brian Eno, many of the albums songs are inspired by experiments with African polyrhythms and recording the basic tracks in pieces then looping and editing the final results. Talking Heads also bring in outside musicians such as King Crimson guitarist Adrian Belew and singer Nona Hendryx. The final product is a genre defying and innovative work that receives great praise from fans and critics alike. The albums distinctive cover artwork, features photos of the four band members with red computer rendered masks obscuring their faces (except for their eyes, noses, and mouths). The design is created by drummer Chris Frantz and bassist Tina Weymouth in cooperation with Walter Bender from MIT (Massachusetts Institute Of Technology). The process involved in creating the computer generated rendering, proves to be very arduous and time consuming, due to the limited amount of computer memory available. It spins off two singles including the classic “Once In A Lifetime” (#103 Pop). In 2006, the album is remastered and reissued with four unfinished outtakes from the original recording sessions in 2006. The same year, it is also reissued as a 180 gram vinyl LP by Rhino Records. “Remain In Light” peaks at number nineteen on the Billboard Top 200, and is certified Gold in the US by the RIAA.

Lana Del Rey lounges on the divan
Interview by Karelle Fitoussi for Paris Match Magazine.

She hasn’t left her false eyelashes, but she has gotten rid of her sadness. After two years of absence, the diva of “sad pop” comes back with “Lust for Life” her fifth album which comes out July 21st and “Love” her single, which has already passed 50 million views on YouTube. Same hypnotic voice, same poetic universe for a woman who now has a certain taste for happiness. Since her debut in 2012, on the internet, with Born to Die which made her one of the biggest stars in music, Lana tells us in mind-blowing songs and beautiful music videos of her fragile life as a young girl haunted by death and failure. Today, she says that she has overcome these demons and her toxic relationships. Single, maybe, but a little more light-hearted.

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On this day in music history: October 4, 1986 - “Word Up” by Cameo hits #1 on the Billboard R&B singles chart for 3 weeks, also topping the Club Play chart for 1 week on November 15, 1986, and peaking at #6 on the Hot 100 on November 22, 1986. Written by Larry Blackmon and Tomi Jenkins, it is the biggest hit for the R&B/Funk band from New York City. After enjoying nearly a decade of hits on the US R&B charts, Cameo begins to experience success internationally. Developing a loyal cult following in the UK since the beginning of the 80’s, they score their first hit there with “She’s Strange” in 1984. The following year, Cameo land their biggest hit to date with “Single Life”, peaking at #15. While touring there, they appear on “Top Of The Pops” to perform “Single Life”. Outside of the BBC studio where the show is taped, a fan yells out “word up!!” to Larry Blackmon. The phrase has multiple meanings but basically means to express enthusiasm, acknowledging someone or something, or to state that you agree. Once Cameo are back home, Blackmon and Tomi Jenkins write “Word Up” while recording their twelfth album. Working at Quad Studios in New York City, they create the songs snare drum from a Yamaha RX-5 drum machine. The heavily processed sound becomes known as the “Cameo snare”, which is used on the follow up singles “Candy” (#1 R&B, #21 Pop) and “Back And Forth” (#3 R&B, #50 Pop). Blackmon takes inspiration from Sly Stone. Exaggerating Sly’s distinctive drawl, the Cameo bandleader lays down one of his most funky and attitude laden vocals on the equally funky track. When the band play it for their label Polygram, they initially do not want to put it out. Their minds are changed when an exec from the UK, who calls his US counterparts telling them “This record is a smash. If you guys don’t release this song, you’re crazy.” Heeding his advice “Word Up” is released as a single in August of 1986, and explodes immediately. Its momentum is so great, that it quickly crosses over to top 40 pop radio and becomes Cameo’s biggest hit. The band’s progressive funky style also extends to their visual image as well. On the album cover and music video for the song, which features actor Levar Burton (Star Trek: The Next Generation, Reading Rainbow) as a police detective pursuing them, Cameo are decked out in clothing by French haute couture designer Jean-Paul Gaultier. In the clip, Blackmon sports a tight spandex and black leather outfit accented with a bright leather codpiece. The Cameo leader’s high top fade haircut also becomes an indelible image, and quickly becomes all the rage in the black community, later being sported by rappers Big Daddy Kane and Kid from Kid ‘N Play. The huge success of “Word Up” propels the accompanying album to Platinum status in the US, and earns the band a Grammy nomination for Best R&B Performance By A Duo Or Group With Vocal in 1987. The song is later covered by Gun, Mel B of The Spice Girls and Korn.

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Sonic Youth was an American rock band from New York City, formed in 1981.

Nirvana was an American rock band formed by singer and guitarist Kurt Cobain and bassist Krist Novoselic in Aberdeen, Washington, in 1987.

Guns N’ Roses, often abbreviated as GNR, is an American hard rock band from Los Angeles formed in 1985.

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Random Defenders Edits 1/∞ || Rock Band AU

“Lets show these fuckers what four losers from New York can do!” Danny exclaimed five seconds before the show.

“Worst pep talk ever.” Jessica snorted, but she couldn’t help but grin at his crooked smile.

They’d worked their asses off for years and finally they were opening for one of the biggest bands of the year, Daughter of the Dragon, not even Danny’s ridiculousness could spoil tonight.

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On this day in music history: November 4, 1978 - “Take Me To The River” by Talking Heads is released. Written by Al Green and Mabon “Teenie” Hodges, it is the first US top 40 single for the New York based band. Issued as the first single from their second album “More Songs About Buildings And Food”, the song was co-written and originally recorded by Al Green on his album “Al Green Explores Your Mind” in 1974. Green’s version was not released as a single at the time, and another version by his label mate Syl Johnson is released in 1975, hitting #7 on the R&B singles chart and #48 on the Hot 100. David Bryne hears Al Green’s original version, and be intrigued by the songs mixture of gospel flavored spirituality and implied sexuality, and suggests to his band mates that they record it. Talking Heads version produced by the band and Brian Eno, is recorded in mid 1978. Their version peaks at #26 on the Billboard Hot 100 on February 10, 1979, becoming their first major hit and a staple of their live performances.