So, I was thinking about the importance of anatomy, even if you have a highly stylized art style. I thought I’d make this simple thing for demonstration.
To theleftis my recent redraw, and to the right is a picture from, I believe, 2011? So why did I take that picture? It’s missing hands, legs, feets and even partially her hip area. The reason I chose this is because it it’s a good example of trying to stylize something you don’t understand - in this case, the body. It shows, and it’s obvious the anatomy is twisted and incorrect. I even used the same proportions I warned about in an old tutorial of mine, to which someone told me that some might like drawing it that way. And as I said before, go ahead, but the errors will be more than obvious to an observer.
However, if you learn anatomy correctly, you can actually use this to your advantage so that you can draw the things you like — yes, even the ‘incorrect’ things — because you now know how to bend the rules instead of outright breaking them.
So you might think you yourself: all that really changed about Zemael’s style was the fact that the palette changed and her character design improved. While it’s true that those things did change indeed, a lot more happened than that. Not only has anatomy helped me learn about gesture drawing, making the pose much more natural (I mean, look at that stiff barbie pose on the old drawing) and fluent. It also helped me learn how to use the rules of anatomy and adjust them to my style without it looking impossible. They both got the same body, technically: slim body type, small waist, close set chest, straight shoulders and long neck. But then look at the bottom picture and really compare the two again. As you can see, there’s not only a completely different flow in the picture, but the drawing to the left makes more sense compared to the one to the right. Of course, it could do with some adjustments (I didn’t spend too much time on this thing) but it certainly appears more believable. And, again, it uses the same proportions! On the left, the chest appears stiff and misplaced, the ribcage is entirely deformed, the waist appears to have no movement and seems squished inwards, her legs appear to have no balance and her thighs are longer than they need to be, her shoulders are off balance with the hips, her neck seems to thin out at the top, and her arms have no joints. Meanwhile, the one to the right have a balanced pose, steady legs, her chest, hips and shoulders in line with each other, her waist small but not enough to look unnerving, it appears flexible, her arms in line with the shoulders, posed correctly, and her chest in line with her torso and in perspective. And this is all because I studied anatomy, and I understand it. You don’t have to be an expert at it, but it is important to understand it.
This is why anatomy is good to learn. No, you don’t have to draw realistically.But it will certainly help you IMPROVE the style you have or is aiming for.
Some MHA manga redraws, because I’ve been binge reading it and I really really love the style!! It’s really good. With obvious Todoroki bias coz I see those parallels my boy good job on the friend thing I’m so proud
Also Aizawa’s trolling smiles crack me up every time help