bad timeline

nina and daniela for @smoltinypumpkinchild

BONUS:: 

nina doesn’t give in and now has a nice new bob

2

hey hello here’s the car boys unifying theory, i made a fun corkboard with the thread everywhere just like them conspiracy theorists in the movies

spoilers for the finale of car boys & the stolen century arc of the adventure zone follow

the crutch of this theory rests on the the two endings being separate timelines: the boystos/separation timeline (the bad ending) [the ending shown before the credits, when griffin and nick are separated and set adrift in endless emptiness] and the candle in the wind timeline (the true ending) [the after-credits ending, griffin and nick stuck in the car together, perpetually fleeing from the blob through the time ring] {there is no good end}

the separation timeline / bad end

  • most of what happens in this timeline to the boys is based off this video by youtube user brockrin- which the boys have tweeted about so by my standards its canon plflfnfft
  • to sum it up- alone for an eternity in endless Nothingness, the boys become the bustos-  nick 1.0 and griffin 2.0- and attempt to go back and stop themselves in the past from fucking everything up, but fail
  • this timeline (im sorry for homestuck terminology but,) is a stable time loop, nothing ever changes- its them going around and around again trying and failing to stop themselves. its bad
  • but its important to note that griffin and nick were not the only ones in the time ring when they got separated- which brings me to Ball
  • Ball has qualities of both the ovo and the blob, as it has blob-like physics (even leading to the it hates water! revelation) and its roundness and fondness of rolling just like ovo
  • Ball becomes separated from itself. the white sections become the ovo, and the black sections the blob

the candle in the wind timeline / true end

  • now things get a little buckwild
  • the basic premise of this timeline is that nick and griffin stay in the waterproof pessima lx for , basically eternity, travelling through the time ring in an endless chase with the blob
  • the reason that they don’t break down like in the bad end is pretty much that being stuck in a perpetual expanse of time and space with a friend is infinitely better than being stuck there alone
  • this is where coolgames inc starts! essentially a way to pass time when youve quite literally got nothing but time. (and as nick said, there’s wifi in the void)
  • this is where the guest-o-matic in the cgi animations comes in! and, in addition, there is a “canon” connection with cb in the cook for cube cgi animation- perhaps the two timelines converging for just a second ? 
  • uncle buck from uncle buck
  • in the time ring we see countless galaxies pass by as they travel downwards- they travel through endless amounts of realities and planes as the blob pursues them
  • taking a moment here to explain something else integral to this- in car boys, nick has the power of creation, the ability to spawn and create objects in the game. griffin, conversely, has the power of manipulation, he’s much of the driving force behind important decisions and actions taken in the show. this becomes important
  • this is when touch the skyrim takes place- in a number of the universes they pass through down and down into the time ring, griffin takes advantage of these powers of manipulation to modify the word around them because like why not, its fun
  • what’s wrong with this dream, nick
  • as the boys + the blob pass through universe after universe in the time ring, the bob catalyzes the event in the original universe of Jon (taz) that originally creates the hunger- the blob merges with the inhabitants of that universe and the hunger is born 
    (note: this may be edited in the coming weeks as we learn more abt the hunger and its origin)
  • and the boys realize this- that the universes that theyre passing through are being consumed behind them- and they begin looking for a solution, which materializes in the form of the original taz universe, the homeworld of thb and ipre and all that. 
  • it’s also at this point that the light of creation really like, becomes the light of creation its- its nick? its nick. nick is the light of creation. this fact being proposed is what prompted me to make this theory in the first place
  • griffin shapes the world of taz and becomes the dm/narrator (note especially in recent episodes during the into to taz the narrator uses ‘we’ and ‘us’- as if he is part of this world and is involved in the story) and the two boys follow the ipre through the planes of existence in order to help them find a way to defeat the hunger/blob and save all of reality from the monster that they created
  • and i think its a canon thing that the light of creation is split into the relics? that happens. thats pretty sad i think
  • ..until we get to the present- the hunger descending upon what will likely be the multiverse’s final stand against the hunger in the main taz universe (the one with two moons and stuff). cant wait for the taz finale bros

other things & honorable mentions

  • thanks to everyone in the mcelstuck & car boys discord for help with this whole thing! 
  • @rikki-tikki-taako​‘s explanation of how the true timeline boys are saved from the bad timeline: “what i’m getting at is why didn’t true timeline nick and griffin get separated and warped
    the true saviors of true timeline nick and griffin
    emoji car and miku car
    embodiments of crucial aspects of nick and griffins beings, their integrity largely untampered with(i don’t believe either of them ever god trashed), and bow i think of it relatively unscathed compared to the horrors introduced to everything else because there were always more important matters to draw nick and griffin away, they came just when nick and griffin didn’t have time to make the same mistakes as all the other timelines
    so in the midst of god trashing, their pillars distorting, they combined with their respective aspects and regained their conceptual integrity, in a way like pause error respawning frequently merged objects in beamng, the pause indicated by their seeming lack of awareness of having to merge with them”
  • @cinnamon-marthmallows​ originally came up with “nick is the light of creation”, the fact that spawned this entire theory
  • @goodraandyy​‘s infograph on the split timelines and commentary on the ball/blob/hunger that you should check out & reblog here
    “ball turned into the blob which followed nick and griffin towards the taz universe - however, it is not john himself, it was simply drawn to his misery and suffering and mistook him for nick and griffin. john then harboured the power of the blob to create the hunger storm, which took over the universe“
  • @horticulturelesbian​ created the car boys discord thank u so much kar
  • @cheshiure​ compiled the cb unifying theory google doc
  • @coneboyofficial made this beautiful image
  • @magehand​ for this image: 
  • @babylonian @griffins-tumbo

tl;dr

  • the two endings of car boys are separate timelines
  • griffin and nick in the bad/pre-credits timeline became the bustos, Ball became the ovo & the blob
  • griffin and nick in the true/post-credits timeline continued travelling through the time ring, coming up with coolgames inc and touch the skyrim
  • the hunger is born from the blob interacting with jon’s whole deal
  • taz happens, griffin becomes the dm, nick becomes the light of creation, the boys follow the ipre gang through the universes to try and find a way to finally defeat it

thanks everybody 

Homestuck Meta Theory

Alright, so I know there’s a lot of people disappointed with the ending, again, I sound like a broken record by this point. And don’t get me wrong- While I love the ending, I would still love to see more of the characters and the story! I just feel it’s a good end as it is. I’ve made a lot of theories about what the End means and everything about Act 7, but all of the things I said, about the Jujus, about becoming freed from Paradox Space, it made me think about the rest of the story, and I believe it has made my entire idea of what Homestuck is change.

So the big question here is, what IS Homestuck? Most people, including me, when talking to someone who knows nothing about it, will speak about the story, the 4 Kids playing SBURB, and the subsequent destruction of Earth. And then mention its huge amount of references towards programming languages, popular culture, storytelling in itself, and it’s self-referential nature. But this Ending has got me thinking that maybe the reason why so many people have been disappointed in the End is because they got Hussie’s intentions wrong.

We tend to reference how the humor and the nature of Homestuck’s narrative is a little extra onto the story, and while it is true the story itself and the characters have drawn a big part of the Fandom, I thought… What if the important part of the Narrative isn’t the Story, but the Meta elements.

As soon as I made connection, everything about the ending began to fall into place. I have commented before that I feel Act 7 is like being shown the Good Ending of a video game without seeing its Neutral Route. 

The Kids have Earth, and Juju Vriska uses manages to flip the ending so that instead of being trapped by Paradox Space’s rules…

They manage to ‘End’ the game properly and get their Happy Ever After.

All while Caliborn is shown getting his power of Immortality, and while we’re left ambiguous about what happens to Vriska and Lord English and everyone in the Dream Bubbles…

Another thing people have complained about is the Character Arcs.

They say how ‘different’ the timeline is. What was the point of Rose’s alcoholism if then Vriska just swats the drink away and it never had any relevance anymore? Terezi’s relationship with Gamzee never happened. Dave and Karkat got together? The Game Over Timeline is bad, everyone agrees that people dying is never good, but they also claim that suddenly having all that Character Development changed made them unable to relate to some characters anymore.

And of course there’s always the mention of how Vriska, even though she’s an abusive 8itch, ended up being somewhat of a heroine, or at the very least not seemingly getting too punished…

That’s where the Narrative itself told us there was something off.

DAVE: rose we dont have fuckin “arcs” we are just human beings

Many have mentioned it, about how not having a closure to certain character arcs referenced this portion, the notion that the characters didn’t have an arc. The same way she then references Jade breaking Endgame ships and such. Rose’s power is Light, and her information source comes from the same place as SBURB and Skaia. It’s a game. Of course she’d have the notion that all of them have to fit certain predisposed stereotypes or their stories have to follow a certain pattern- Rose is looking at their lives since SBURB started as it has been. A Story.

But Dave is having none of it. Dave is beyond the thought that all they do has to follow a set pattern, and claims they don’t have character arcs. This might sound like a clever device by Hussie so he didn’t have to explore more of each of these character’s lives and he could close the comic leaving some loose ends but, there’s more.

Hussie? As an entity? Exists within the story. This would be all fun and dandy if it were a couple of stupid references and memes. And that’s what many people think! Most of his appearances in canon have been a joke, really. But…

Hussie joked about his influence on the comic, when his bot-self was about to mess up with the Kids in the Yellow Yard, but eventually didn’t do it. And yet? His fight with Vriska. His interactions with Caliborn. Everything pictured above? Hussie is a physical entity that follows the same rules as everyone else in Paradox Space and can influence the story. But he’s not a self-insert. He IS the Author. He is the one who wrote every of these characters and continued the story. He’s not another character, he’s himself, in the Homestuck Universe.

And then it began to dawn on me, that perhaps the Meta aspect of Homestuck was a bit more than Fourth-Wall Breaking fun and references to real life stuff. Of course, this train of thought led me to another main plot device that has never exactly been explained to its full extent. Jujus.

There’s the Sucker…

The Crowbar…

The House Juju…

A lollipop that could change character’s personalities, making them immediately make up for aaaall of their mistakes without a care in the world, start alchemizing new weapons, and end up exactly where they needed to be.

A crowbar that can break other of these mysterious devices, and more importantly, has been shown to be able to interact with the Website itself, which seems to be its own physical entity as well!

A house that gave John the ability to change the story, and that ended up being used against the Big Bad of the entire comic.

A puppet that trapped the Souls of various characters and became the gateway for the Big Bad of the comic to become who he is.

A mysterious pair of rings that oh so conveniently appear and disappear on characters, and leave you wondering what they really do, but clearly shown to at least be able to revive someone who, by no other means in the story, would have been able to get back to the world of the living.

Jujus are mysterious, when you look at them from the perspective of the characters. They have no beginning, no end, they just appear at some point and do a loop through time, ending up exactly where they appeared first. They are powerful artifacts able to change reality itself, with no explained origin… But we are no characters. We have seen what these things do on the comic through its entire lengths.

Jujus are plot devices meant to alter the Meta of the comic. They are not things that make sense in a true physical reality. They are artifacts that alter the rules of the plot. Because that’s what the plot is. A story. Because Homestuck is not real, and it acknowledges this.

Or at least… It was supposed to acknowledge this. Many have also claimed that the last updates were so disappointing, compared to Cascade, as Cascade managed to solve so many plot points, but this last one felt empty of everything. Plot. Character Development. That’s where Jujus and Hussie come in.

Hussie dies, in his own comic, a comic that acknowledges him as the actual AUTHOR of the events taking place. And later, we see…

Caliborn, the young version of Lord English, acknowledging Hussie’s death, as he takes the rest of Act 6 and makes it his. Through the use of the Command Prompt, through his own drawings, he begins to write his own story.

[S] Cascade had so many plot points resolved, and these last updates didn’t. Because that is the point. Ever since Act 5 ended and Act 6 started, Hussie has begun to lose control of the story. He was killed by Lord English, the big bad, who also took control of the narrative. Vriska acknowledges a narrator speaking, and forces the narrative to shift back to her opening the Juju chest out of frustration. The command prompts, John’s retcons- At this point, Hussie is no longer in control of his characters.

The Game Over timeline was bad, but it felt like it had more Character Development. That is because it was a not-retconned Timeline. The characters had struggles, the plot moved on forward, some people was possessed, it was all prime material for a conflict and a resolution afterwards! But Aranea’s intervention made it a Doomed Timeline. A Bad End. We all know how Doomed Timelines work, so everything that happens there would have been totally irrelevant. But John didn’t want to accept that. Roxy was still alive, and sad. And Terezi wanted him to fix things up. So instead of acknowledging he was in a Doomed Timeline, like Roxy did? Roxy, who saw her mother-daughter die in her arms, and claimed there might be nothing left for them. And meanwhile, John just managed to get his powers ready, zapped back in time and solved everything.

New problems arose in the new Timeline, sure, but not as many. And a lot of the character arcs were suddenly shoved back. Rose no longer struggles with alcoholism, Karkat doesn’t chase after Terezi, and becomes Matesprits with Dave after mellowing down. Gamzee, one of the biggest dangers, is shoved back by Vriska until he’s barely relevant anymore.

And all of this might just be me trying to find an explanation to the sudden loose ends not being tied. But I think, all of this, was meant to express more than Hussie rolling the story back or changing the story to fit other things. No.

We go back to Dave’s words. We’re real people, we don’t have arcs. We are real people. In a comic, where the author is a character, and that always acknowledges it’s a comic? Dave saying they’re real people is big. It was taken as a joke, because they are characters, come on! Right? … Right?

Well of course they are. But that’s the thing. Up until Act 6, all of the various characters were nothing more than that. And even during the Game Over Timeline, they were nothing more than that. But Hussie’s death, the ghosts, no longer relevant, trying to fight back against Lord English? Caliborn’s acknowledgement of a story and trying to take control of it? And finally, John’s powers.

The House Juju gave John something more important than being able to change the Timeline.

The ability to make Selfcest canon.

Wait no- That wasn’t it.

The ability to alter the plot to his own whims.

John’s zapping doesn’t follow the rules of Paradox Space. It allows him to change the timeline as he wishes and it still be the Alpha. Not only that, but he can also warp out of the story itself, sending people and things to the background of the website.

It’s when Vriska starts to try and find this Juju that everything about the narrative begins to shift gears. John now can change the plot. Which means he is not adhering to the rules that bound them all anymore. He can go back, bring people who were dead back to life, save his friends, and aid them get a better ending.

And in this new timeline he’s changed? Everyone seems a bit different. They have gone through different things, and are as confused as anyone else about what is going on. This is the moment where these characters stop being characters.

This isn’t a story about Four Kids playing a Game, getting involved in Shenanigans and trying to live a happy ever after as villains try to plot on destroying them and reality. Homestuck is the tale of the characters from a webcomic, becoming self-aware, and escaping the grasp of the author and the narrative.

I don’t know if this is what Hussie intended, and if it is, at what point he planned to start leading the story this way. I might just be crazy and be reading too much into this? But as I see it? It closes every single loophole in this story.

Doomed Timelines are meant to be nothing. They are meant to fade, and not be relevant anymore. But the ghosts are having none of this. They WANT to be relevant in this story again. They create an army, and head off to defeat the biggest threat in the entire comic.

Caliborn knows reality itself isn’t as it seems, and tries to make his own story within it. He strives to become almighty, and then begins to destroy and rend reality itself so he can make way for his own rule.

Vriska knows she’s in a story, having interacted with the very Author and the command prompt! But she is not trying to change the story- All the opposite. Vriska follows the rules of the story, closes loopholes from what she has seen, but tries to be the one who causes everything. She wants to be in the spotlight of this tale. She creates Bec Noir just because she had seen it in her screen. And knowing this is a story, she goes off of her way to find methods to defeat each of these villains, at any cost. Because in a story, once she defeats these big, powerful foes, she’ll be a heroine, and everyone will regard her so highly, she’ll be over everyone else. Just like she wants.

John? I don’t think he knows he’s in a story. But he has the power to alter it. And after he begins to mess with the timeline, the rules of Paradox Space begin to shatter around him and his friends. Time loops, Rules, Plot, why would they care about how a story goes, if it’s not a story, it’s their lives. They just want to be happy and get away from this cycle of destruction and death.

I’d even go as far as to say God Tier Calliope knows this. If her Land and her Earth were anything like Caliborn’s, she might also been in contact with the command prompt. Perhaps the fact her entire mission was a self-sacrifice to collapse the Green Sun represented how she, too, saw Paradox Space as what it was- A construct that kept these characters trapped as that. Characters. And the only way to escape its grasp was the erase its very existence, using Lord English’s destruction to tear a hole through the comic, and destroy it.

In this way, everything that happens towards the ending makes perfect sense. There are hundreds, thousands, who knows how many timelines, in which every plot hole will be closed. But we’re not following these. It would be easy to cause, say, the Condesce to wake up. Because of her immortality curse given by Lord English. Or the Draconian Dignitary get to the Frog Lily Pad. Something happens, interrupts the kids from entering to the new Session, and bam! Suddenly more plot! Their entrance to the Universe is blocked. Terezi worries about Vriska, so they begin to plot a way to help her defeat Lord English. The black hole in the Session that likely leads to Caliborn’s land becomes relevant, and they all have a trip to beat up Caliborn. Something happens to Calliope, her ring has ended up in Caliborn’s hands as well, he traps the kids, the Alphas beat him up, all loops are closed, we have a bittersweet, predictable ending. And this has happened. In many timelines before. Over, and over. Perhaps the one we’re following isn’t even the Alpha, for that very reason.

But it doesn’t matter. I talked about how the Jujus were a way to alter the plot, and let’s go back to this, and look at my theory about the Kids Souls being Trapped for all eternity in this Juju. The moment Caliborn uses this Juju, he kickstarts the entirety of the rules of Paradox Space. These kids we follow through the story, are trapped in a plot, with rules dictated by narrative that they HAVE to adhere too.

Then the ghosts decide that this is bullshit, and that they, even after death, want to still be relevant. Instigated by Vriska and Meenah, and aided by Aranea’s mind control, they manage to find a way they can alter the plot once again, a Juju. John touches this Juju, and suddenly he gains the power to alter this plot as well, and begins his and his friend’s journey to escape the clutches of Paradox Space and the comic itself.

John was trapped in the house all along. So of course, shoving his arm through it? He managed to grasp at the other side. He got a taste of what it was to be free. And he gained the power of changing the plot as a result.

Then, Vriska becomes alive again. She’s relevant, and bashes down on her ghost self. Ghost self that had at one point tried to make herself relevant, even though since she’s dead she shouldn’t be. This way, Vriska proves that, while she acknowledges the story as a story, and wants to be always present and in the middle, she never sees it as something she has to escape. She has no character development, because now, in this timeline that John has changed, she’s free to do whatever she wants, she’s her own person without a character arc, but doesn’t find the need to become said person. She doesn’t want to change, she wants to keep following the plot, and take down the big bad.

So Vriska takes the house Juju from her alternate self, goes against Lord English, beats up the Author of the comic itself as a last Fuck You, and then uses the Juju towards him. And this is when Alive Vriska makes her big mistake. By following this plot, this story, the Juju house crashes behind her…

She’s on Lord English’s side of the house. Because both of them know the comic is just that, a story. He knows about the narrative, and the author. So he kills the author, and becomes the big evil that must be defeated. Meanwhile, Vriska knows about the narrative, and the author, so she beats up the author and tries to become the heroine.

Caliborn and Vriska could very well strive to break free of Paradox Space in other ways, but instead they do what they do best- Be themselves, and fuck shit up in the process. And it’s this mentality that in the end, as the House Juju appears, tells us that both of them have been doomed. Doomed to be trapped in this Collapsing Paradox Space there’s no escape from.

Except there is an escape.

Because the door opens. It opens for the Kids and Trolls on the lily pad. And it opens for the Ghost Army and everyone else in the Bubbles. These are people that have been living aside from the story for a long time. The ones that are alive in the Session have had John change everything and the events happening after make them question Paradox Space itself. And the dead ones or the ones just stuck in the Furthest Ring? They fear being forgotten. They fear being erased by the collapsing Paradox Space, and had faced Lord English to try and become relevant once more.

Of course Condy’s curse didn’t wake her up. Of course DD didn’t appear. The moment the Juju appears, the story is done. There is no more plot. Because it’s not a story. The ones wanting to follow the plot are now seeing it crumble, seeing everything end. And the ones that wanted to become relevant against Paradox Space- Why would they need to even follow the rules? They are trying to escape them.

The Plot Holes are part of the plot in itself. John and everyone else didn’t need to fill it up. Because they are not part of the story anymore. We didn’t see their character arcs close. Because they are not characters anymore. They are not characters anymore. They don’t need to show us they have grown- Or maybe they haven’t even grown. They are always growing, learning. But now, they have escaped this evil Universe that trapped them and forced into cruel and crueler situations. They have escaped to a peaceful realm. They don’t need to keep following the story. They are happy and free to live their lives however they want.

They are finally happy.

killer sans comics

something new 

part 1

http://rahafwabas.tumblr.com/post/153829440940/something-new-i-redraw-my-old-comic-if-you-cant

part 2

http://rahafwabas.tumblr.com/post/138273716440/welcome-to-the-genocide-run-no-this-is

part 3

http://rahafwabas.tumblr.com/post/143681103640/something-new-part-3-part-1-and-2-bad

____

Alternate timeline *

AT* comic 1 : http://rahafwabas.tumblr.com/post/153462836880/something-new-chapter-1-time-line-part-1

AT* comic 2 : http://rahafwabas.tumblr.com/post/148197255630/doodle-comic-wowwwwwwtf-xd-people-asking-to

______

killer vs swap 

part 1 : http://rahafwabas.tumblr.com/post/144006560160/next

part 2 : http://rahafwabas.tumblr.com/post/144854246905/before-next-i-wonder-who-will-help-him

part 3 : http://rahafwabas.tumblr.com/post/144975428810/before-next-so-many-questions

part 4 : http://rahafwabas.tumblr.com/post/145976093250/before-next-english-is-not-my-first

part 5 : http://rahafwabas.tumblr.com/post/149219412105/before-next-english-is-not-my-first

part 6 : http://rahafwabas.tumblr.com/post/151192200720/before-next-english-is-not-my-first

part 7 : http://rahafwabas.tumblr.com/post/158164706790/killer-vs-swap-before-next-english-is-not

i think that all of them :\

“Rocknaldo” wishes that will never be

So, in my dark, dark thoughts, what I want this episode to look like is just a simple  filler episode, with Ronaldo getting to know the gems better. Steven shows them off, has them display powers and weapons, and Ronaldo is just star-struck, really stroking egos, very thankful to Steven. He’s learned a very important episode, and he and Steven go home for a good night’s rest! But huh. Why is there, like, 2 minutes left?

Ronaldo leaves his house in the middle of the night. Walks off to a beach-side cave. Goes inside, and puts his hand out. A gem ship uncloaks by his palm input, and he goes inside. He pulls up a display, and it opens up on a view of Yellow Diamond’s sanctum. Yellow Diamond greets him. “Did you get any intel?”

Ronaldo smiles. “Yes, my diamond. Plenty. Transmitting now.”

“Good. Make sure they don’t suspect you. And Zircon. Don’t ever call me up looking like that again.”

“Yes, my diamond,” Zircon says, and shifts. A gem sits at the comconsole, and she smiles. Just before the episode ends, the camera shifts, and we see Ronaldo tied up in the corner, desperately screaming for help.
… Also, Zircon is voiced by Ashley Burch.

…but yeah. It’s probably just going to be filler.

wingslovesfiction  asked:

Headcanon: Charles's degenerative brain disease is not from natural causes (I refuse to believe that his biology dooms him to this end in every universe where he lives this long). He did not have it in either DoFP timeline, and that was supposed to be around 2023. It's probably caused by an adverse reaction to those drugs in all the food that is stopping new mutants from being born. Or maybe Apocalypse caused some permanent damage, it was just slow to manifest (if this is even that timeline.)

This makes a lot of sense to me actually; I mean, it’s not really explained (or if it was, I was too distracted to get the details) but the drugs probably did something to the mutant gene yes? And so it makes sense it would have an adverse affect on any/all mutants and not just in preventing conception? And yet it’s such a sad, sad headcanon, because that would mean that most/all of the adult mutants were also sick or getting sick, and possibly some of Charles’ loved ones had already died prior to the ‘Westchester Incident’.

Everything is just too sad, sad, sad…

anonymous asked:

hi!! i just finished reading 19 days and i went through it extremely quickly and now i'm confused. is everything that's going on right now set in the past/before he (forgot his name whoops) went missing for 3 years? or is all of this after? thank u💕

i gotchu fam

so the first 54 chapters are set in the future, jian yi has returned from a three year disappearance. most of the illustrations are set in the future too, including the christmas one (where you see zhanyi laying on a table holding hands) and the tianshan bath one. mostly you can seperate the past and the future by jian yi’s clothes; in the future he wears a high school uniform.

most of the other chapters are set in the past, jian yi hasn’t disappeared yet. it’ll take a long time before we finally reach the moment of jian yi’s disappearance, since he only disappears on the 2nd day of high school. the boys are now in their last year of middle school, which means they first have to finish this school year and summer vacation. chapters 68&69 are also set in the future.
chapter 191 (the valentine special) is either set in the future OR an alternate universe lmao.

SO BASICALLY we’re just counting down till jian yi’s disappearance. god i’m going to die when it actually happens. we’re living in the past rn. and wow that had a lot of extra info i apologize if it’s unclear, i hope i helped at least a bit. welcome to the fandom! 💞

10
All of Lance's Children AU

Au where (through time shenanigans) a klance child and a Lancelot child show up in the castle. Cue immediate confusion and panic as everyone tries to figure out what to do with these half cuban ¼ galran kids/teens.

Possible situations include:

*lion piloting (can they?Which one?)
* accidental reveals of possible future relationships (where’s aunt Shay? Bonus points if they don’t match)
* finding shiro (if he’s lost)
* father children spa days!
* someone asking which one of them is from the “bad” timeline and immediately getting a boot/weapon to the face (Lance or/and klance child defending Lancelot child because wtf)
* lotor being surprised/ uncomfortable at first but secretly really happy that his kid is such a good/well rounded human(?) being (take that zarkon!)
* HANCE CHILD(REN) SHOWS UP IN ALL THEIR SWEET SUGARY BADASSERY
* Lance joking that if any more kids show up they can start a band
^ shance kids? Super awesome daughter with her fathers leadership qualities and her papas warmth
* the kids being wary of each other at first before realizan that they all love Lance and want him to be happy
* spa days with aunt allura
* tech sessions with pidge and hunk
* awkward dad hugs from Keith
* the biggest teary goodbyes when they all leave

Lance with all his future babies ok! That’s all I want (feel free to add on or write/draw this!)

6

a series of unlikely crossovers:

ororo: i’ve only known kurt a day and a half but if anything happened to him i’d kill everyone in this room and then myself

6

I’m down in Florida for Easter weekend so my drawing tribute for the Titanic anniversary will be a bit late. But in the mean time, I wanted to share some photos with you for a special get together I hosted last weekend.

I’ve always wanted to host a get together to remember the memory of this famous doomed liner, and this was the perfect time. I asked my friends to don on their finest Edwardian era clothing and meet me at the Titanic escape room in Alpharetta.  I was worried that everyone would look at me for how to escape the room, because I would of been like, ‘Hey I only know passengers names and timelines, I’m bad at mystery games!’ But we escaped the room with 40 seconds to spare! It was my first escaped room and it was super fun.

After that, we had a delicious tea luncheon down the street. Before we ate, I thanked everyone for being a part of my first Titanic gathering and to take a moment to remember the lives that were lost on that cold April night in 1912.

It was such a special day for me. Anyone who knows me knows that the Titanic is big part of my life, especially when it comes to my artwork. So I’m so thankful to my friends who made that day super special!

My shit daughter and cinnamon roll granddaughter by the amazingly talented @scredgirl (seriously, go commission her now, she’s fucking amazing). I just wanna print this, frame it and hang it on my wall.

Also, Mass Effect AU because Mass Effect is life.

The more I study the history of socialism in the 20th century and all its almost-successes, the more I’m convinces that we are living in the bad timeline