Sono innamorato di te, e so che l'amore non è che un grido nel vuoto, e so che l'oblio è inevitabile, e che siamo tutti dannati e che verrà un giorno in cui tutti i nostri sforzi saranno ridotti in polvere, e so che il sole inghiottirá l'unica terra che avremo mai, e sono innamorato di te.
It was originally built at the end of the 1st century BC to record the renewed alliance between Emperor Augustus and Marcus Julius Cottius, a celto-ligurian ruler, made king and Roman prefect of the Cottian Alps.
The arch has a unique arcade, in which the archivolt is supported by pilasters. The entablature rests on four Corinthian columns placed at the extremities of each corner, such that a quarter of each drum is embedded in the monument. The lowest architrave is composed of three bands of which the lowest band is thicker than the middle band, and this in turn is thicker than the top band. Above the architrave, a frieze composed of a bass relief stretches around all four sides. Above that is the cornice which has twenty-two corbels on each face and twelve on each side of the arch. The corbels’ panels are decorated with roses. On tob of that rests the attic, which displays an inscription on both faces.
After decades of neglect, the Mausoleum of Augustus is to be brought alive with a spectacular multimedia experience projected onto its 2,000-year-old walls. An Italian telecommunications company has contributed six million euros for its restoration, with its director promising an elaborate multimedia show that will tell the story of Augustus and ancient Rome.
Mausoleum of Augustus was built in 28 BCE and housed the remains of Emperor Augustus and the rest of the Julio-Claudian family. The building once stood around 120ft high and had a diameter of nearly 300ft. It was topped by a 15ft-tall bronze statue of Augustus. It was converted into a fortress in the Middle Ages and then a bull-fighting ring in the 18th century. It was finally made into a concert hall in the early 20th century before Mussolini ordered all modern additions to be stripped away, in a bid to associate himself with the greatness of Rome’s first emperor, whom he hoped to emulate. Previous efforts to restore the massive tomb have foundered over the years on bureaucracy, inter-departmental squabbling and lack of funding.
it was the principle gate of Colonia Julia Fanestris, a colonia established in the town of Fanum Fortunae (temple of Fortuna) by the Roman architect Vitruvius at the command of the Emperor Augustus, in commemoration of the victory over the Carthaginian general Hasdrubal Barca in the Battle of Metauro during the Second Punic War.
Constructed at the point at which the via Flaminia met the decumanus maximus of the city, the monument is dated to 9 CE by means of an inscription located on the frieze, with large characters carved in the rock which were once gilded in bronze. The inscription reports:
IMP. CESAR DIVI F. AVGVSTVS PONTIFEX MAXIMVS COS. XIII TRIBVNICIA POTESTATE XXXII IMP. XXVI PATER PATRIAE MURVM DEDIT
Imperator Caesar Augustus son of a god, Pontifex Maximus, Consul 13 times, recipient of tribunician power 32 times, acclaimed imperator 26 times, father of his country donated this wall.
Faced with opus quadratum from blocks of Istrian stone, the monument consists of two minor lateral arches and a larger central arch: the keystone of the latter is decorated with an image of an animal which is no longer recognisable but which most probably depicted an elephant. The main body, still well preserved, supported a large attic which is now lost, with a Corinthian pseudo-portico, in which there were seven arched windows separated by eight pseudo-columns.