she cursed my great-grandfather, actually, who had spat on the hands of the ocean and disrespected the beating heart of the earth - for what else are waves but a pulse - who was silly and violent and who tried to rip from the water what was hers by rights. we were wealthy, before that, a family of merchants. my mother says in her youth she recalls white horses, the gleam of candles, early mornings with bread baked fresh by a horde of servants.
he didn’t ask permission to cross her. that’s what my mother tells me while she spoons porridge with no flavor into the wood of my bowl. he had no faith in superstition, rode with boats that were more decoration than strength, the folly of a man who was cruel and vain and proud of his own gold teeth. the sky had been blue, so regardless of what the village witch said, he would sail that day. and when his boat sank; their lives turned blue like the sky that day.
my mother says she thinks the curse on the men of our family, even if they come in when they marry, is that they will forever be violent, too foolish to see the storm on the horizon. she whispers this to me on the eve of my seventh birthday, while father is his own storm, thundering around the house, looking for her. later, when i am cleaning the cut by her cheek, she tells me the curse is on the women to forever be unhappy, to wane until they are shadows, to walk into the deep like a sinking ship.
we don’t burn candles often, they are too expensive. she tells me this in the silk of a dark room. the moon kisses her hair.
in three days, my mother will walk into the ocean, and my father will be my own problem. the curse will pass onto me.
my father does not believe in superstition, no curse to conquer him. when he is gone, and i am heartbroken, i go to the village witch. i ask her to teach me about magic, and other things, and about how the ocean can be coaxed, and how to save my father’s soul.
and my hands rot too, keeping a house by myself with things i barely knew. i learn the art of a good scrubbing, keep my mind full of white horses while i endlessly clean, dream of candles in dark while i make the bread that he will not allow me to eat. he keeps me from the ocean, from visiting the place that took my mom, from following in her footsteps where the water makes women undone.
i am sixteen when i see her in the water of a bowl. she scares me so completely that i drop it, and my father comes in with his hands, and the curse, and i almost forget all about it. it isn’t until after that i realize she is beautiful, and young, which surprises me.
i think about it every evening. her face becomes distorted to me. i can no longer remember the exact shape of it, only the impression of beauty.
i turn seventeen and wait for the high moon. i pin safety to my vest in little witch herbs and runes. i put naked toes on the sand and slip closer, closer, to the avenue of my family’s doom. i find a little private beach, small and surrounded by rocks, hidden from my father in the event he ever thought to come looking. at high tide, it is barely the span of my body. at low, it feels empty.
the witch of the land has given me what i need to call in the witch of the sea, but i do not use it. it feels wrong, somehow, standing here in the wind and the quiet pulse of the world. i put down the incense and sage and i sit just close enough it feels wild, dangerous - but not close enough to get caught up in thrill.
when nothing happens, i go home and i make bread that i will not eat.
for months i do this. i climb down to my beach. i learn to do it when the moon is half, and then when the moon is empty. i learn to do it so well that sometimes i go to sleep in my own bed and wake up by the water. i take to sleeping with warding runes to keep me from being pulled in the rip out to the waiting hands of a hungry sea-witch.
i don’t know when i start talking. more often i sing, because singing in my house is not allowed, and something about the way the rocks echo my voice feels comforting. the older i get, the more i can pretend i hear my mother’s voice, answering me, harmonizing gently. i sing songs about sadness and lullabies about curses. when i have exhausted every song i know, i write new ones about fathers who have never learned how to be kind, about the house i work in but do not love, about mothers who left, and about a sea witch.
i see her sometimes. in a puddle, in the drop of rain, in the strangest places. i never expect it, although i always hope. i am never able to see her for more than the length of a wave, breaking, and each time, it does something new to my heart.
at eighteen i am too much of my father’s burden. he tries to unload me onto other men. the land witch helps me with this. i rub hemlock, burn wolfsbane. we arrange so these men have other women to marry. the news of my curse is bad enough to scare most away. my father is not happy.
after a particularly savage night, i wonder how bad it could be. i could marry some boy from the village who didn’t quite bother me. i suppose they’re not ugly. timothy had always been gentle to me. i think about a life, and how i am cursed to be unhappy. my father would finally be proud of me.
i walk to the beach and i tell the waves about him and how i could convince myself it was love if i just never wanted from him. how i could be okay, if not content, how i could be free, how i already had learned life down on knees.
but i go home and i write a rune of warding. and the years pass and i find reasons each suitor is wanting. and the sea witch i see, sometimes, peeking out at me, staying long each time in the water, looking, watching. i see her in mirrors when my father storms against me. it is bad because he mistakes the cause of my smiling. it is better when she is there the next morning.
and i go to the ocean. when i am too sad to speak, it seems like the ocean is whispering for me. i picture my mother’s voice and tell myself i am happy. i am seven again and we are sewing. i am seven again and the curse has not been given to me. i am seven and she came home after she walked to the sea.
i grow silly, brave, unthinking. i leave behind the herbs and i wade deep. i teach myself the art of swimming. i am bad at it, at first, but something about it feels good to me. like the ocean wants to buoy me. in the day i think of it, guilty. what if there was a rip tide, and the water took me? who would care for my father if i stepped off the beach into a long drop? wasn’t i clever enough to know that the ocean is uncaring?
it is not this that does it. i go out after a rain and i slip on the rocks and suddenly i am in water above my head but without the moon i cannot see the up of it. i kick and i thrash and the water surrounds me. the tide pulls on my body and in the cold i feel my body grow weary. water spills into me. it punches through my body, up my nose and into my lungs and some part of me knows this is what mother felt before she was gone.
i kick ground by accident, reorient, drag myself heaving and spitting into the air. i lie there for a long time, half in and half out of death, enjoying the sensation of breathing and of life.
when i look up, i think i see her, watching me, her brows knit with something like worry. but we make eye contact and my heart leaps and then she is gone and i am left alone with nothing but the dawn breaking.
my father is furious when there is no bread. he finds my hair wet, and the salt of the ocean still smelling on me. and that is it. that day he goes out and pays someone to agree to marry me.
this feels right to me, i think. i’m twenty-one, three times seven, a perfect number for a curse to fully come down on me. i will be wed in three weeks.
the land witch comes to visit me. she looks like she’s sorry for me. she gives me a spell and tells me to put it under my pillow; i’ll dream of love and it will soothe me. instead i dream of the seawitch, and how wonderful she is, and the sight of her, out on the water, worried.
even though it is risky, i go down to the beach. i do not bother with protective spells, i have already seen that the water can kill me. fear alone keeps me from wandering. i sit on the beach and in the sand i draw runes for understanding and i make the small magicks i’ve spent years learning and i close my eyes and i askthe ocean “why do you do this to me.”
i fall asleep. i dream that the sea witch talks to me. i dream she is my age, that she is the great-granddaughter of the first to curse my family. i dream she has spent years watching, learning, finding the truth of me. that she just needs to get the courage to come and speak, that she has fallen in love with my singing, that she knows no curse but the one in her heart that brings her back to a human, to a creature of air and not water, to a mistake in the making.
in the dawn i know it is a dream and no more. i make bread. i pour water out before it can make mirrors. i do not look. i do not like the ache that has filled me, as if i’ve been looking for an answer and the answer only leads to longing.
the man i meet - my husband-to-be - is delighted by the house i keep. he believes a woman should keep in her place, and her place should be clean. he hears from neighbors that sometimes i sneak out to the land witch’s house. laughter barks out of him. not going to allow that behavior, not me. he does not believe in curses. he will pack me up and move me from the ocean to somewhere in the mountains, where i know nobody. and i will, he promises, learn to keep my place, and that place clean.
i tell myself i could love him. he is not ugly. he says i’m pretty enough after whiskey. my father mentions i used to sing. i refuse to perform for these men so instead i make them cookies. they laugh and talk about me, even when i am in the room, as if they cannot even see. they shake hands and talk about how useless a woman is for much else than breeding. it’s very funny. the man meets my eyes and promises he’ll put a baby in me. i look down and pretend the thrill i feel is excitement, not fear brewing in me.
the land witch comes by a week before my wedding. she is smaller these days, aging. her apprentice and i get along wonderfully. the two women stand before me, holding something.
a small box, so tiny and lovely. “break the curse,” the witch whispers, “learn to be happy.”
i smuggle the box, take it everywhere with me. it is days before i have a moment to slip away, to open it by the sea. i take a candle with me, even though my father will notice and be angry.
by the light of fire i read the spell they have left me inside, and then i am so full of gratitude i cannot stop crying.
it must be a full moon, so i must wait. in the meantime, i walk home, and i bake.
i do not see the seawitch, even though i look for her. maybe i have wounded her, getting married. my father asks why i keep smiling. i tell him it is because i am finally with a man. he grunts and says to stop looking so silly.
the man kisses me. i let him. we are married on a night with a full moon, and i poison him and my father in the bread i did not eat. i think of how these men were cursed so they could not see a storm coming. i watch them as they lie there, dying, and then i put all of the things i own into a basket for the land witch. i leave it there with a song i wrote for her, a spell i know will make her happy, will stop the aging of her joints, will give her the kind of relief she gave me.
i go down to the water. i find myself running, even though i am in no hurry. i know the way so well it is like i wake up there, panting. i ask permission first. i lay out the contents of the box, i organize and practice and when the needle and pain comes, i am ready for it. i am used to pain at night. i breathe into it and walk naked into waters that swallowed my mother.
i chew bitter herbs. i swallow fire. i feel myself drown as i change from land witch to sea witch.
when it is done, i open my eyes in the deep of a moonlit ocean. and i see her.
this time she does not flicker. this time when i reach for her, she is there, and she is pushing my hair out of my eyes, and we are kissing with the ocean rejoicing around us, and i am laughing, and i hear her voice as clear as bell inside me.
and we live like this, a whole world between us where white horses are the size of pinky fingers and swim with their thin snouts, where i need no candles because i was raised lightless, where we have no servants but the water takes care of us. i show her the magic of land and she unfolds the magic of water. together we are unstoppable. when i come up to the air to sing little girls a promise that they can survive the madness, she sings with me, and we make a beautiful harmony.
Jumped off the original boat that kept rocking back and forth onto this small one that ended up taking me and another girl into the blue grotto.
Btw the blue grotto isn’t going to be around much longer due to sea levels, so if you’re in Italy then it’s definitely a must!
See history in the making on September 22! That’s the day OSIRIS-REx, the first U.S. mission to carry samples from an asteroid back to Earth, will make a close approach to Earth as it uses our planet’s gravity to slingshot itself toward the asteroid Bennu.
Over the course of several days, observatories and amateur astronomers will be able to spot the spacecraft. Below, 10 things to know about this incredible mission that will bring us the largest sample returned from space since the Apollo era.
1. Big Deal
OSIRIS-REx seeks answers to the questions that are central to the human experience: Where did we come from? What is our destiny? Asteroids, the leftover debris from the solar system formation process, can help us answer these questions and teach us about the history of the Sun and planets.
2. That’s a Long Acronym
Yup. OSIRIS-REx stands for the Origins, Spectral Interpretation, Resource Identification, Security-Regolith Explorer spacecraft. The gist: It will rendezvous with, study, and return a sample of the asteroid Bennu to Earth.
3. Lots of Instruments, Too
While all the acronyms for each instrument may be alphabet soup, each has a job/role to perform in order to complete the mission. Explore what each one will do in this interactive webpage.
4. Nice to Meet You, Bennu
Scientists chose Bennu as the mission target because of its composition, size, and proximity to Earth. Bennu is a rare B-type asteroid (primitive and carbon-rich), which is expected to have organic compounds and water-bearing minerals like clays.
5. Hard Knock Life
Bennu had a tough life in a rough neighborhood: the early solar system. It’s an asteroid the size of a small mountain born from the rubble of a violent collision, hurled through space for millions of years and dismembered by the gravity of planets—but that’s exactly what makes it a fascinating destination.
6. High Fives All Around
In 2018, OSIRIS-REx will approach Bennu and begin an intricate dance with the asteroid, mapping and studying Bennu in preparation for sample collection. In July 2020, the spacecraft will perform a daring maneuver in which its 11-foot arm will reach out for a five-second “high-five” to stir up surface material, collecting at least 2 ounces (60 grams) of small rocks and dust into a sample return capsule.
7. Home Sweet Home
OSIRIS-REx launched on September 8, 2016 from Cape Canaveral, Florida on an Atlas V rocket. In March 2021, the window for departure from the asteroid will open and OSIRIS-REx will begin its return journey to Earth, arriving two-and-a-half years later in September 2023.
8. Precious Cargo
The sample will head to Earth inside of a return capsule with a heat shield and parachutes that will separate from the spacecraft once it enters the Earth’s atmosphere. The capsule containing the sample will be collected at the Utah Test and Training Range. Once it arrives, it will be transported to NASA’s Johnson Space Center in Houston for examination. For two years after the sample return (from late 2023-2025) the science team will catalog the sample and conduct the analysis needed to meet the mission science goals. NASA will preserve at least 75% of the sample at NASA’s Johnson Space Flight Center in Houston for further research by scientists worldwide, including future generations of scientists.
9. Knowledge Is Power
Analyzing the sample will help scientists understand the early solar system, as well as the hazards and resources of near-Earth space. Asteroids are remnants of the building blocks that formed the planets and enabled life. Those like Bennu contain natural resources such as water, organics and metals. Future space exploration and economic development may rely on asteroids for these materials.
So a couple weeks ago I dumped out my beardie’s lay box sand in the rock garden near my front door. It was undisturbed for the most part until I set up a little plastic skeleton decoration. The next morning I saw a small impression in the sand but didn’t think anything of it.
2 nights later there was another, and the night after that there was a hole!
I figured we must have gophers and was going to fill the hole in when I got home later that evening. But surprise!
I found the culprit!
This little toad must have decided the sand made a nice burrow. And I suppose Mr. Skellington makes for a nice, quiet room mate!
The little toad showed up every night for an entire week. Guarding the rock garden and eating buggos. Recently it hasn’t been around at night and I was feeling a little down. I went outside this afternoon to take a picture of the burrow to show some friends and found it filled in. I wasn’t sure if it was one of the maintenance workers who filled the hole in, but as I was looking at the picture on my phone, I noticed something at the top.
My little toad friend! It’s been getting hot again, in the upper 90s to 100s during the day and 80s at night. Looks like it abandoned the dry sand and found a cool, damp spot under the wall. I got a little cup from my kitchen, filled it up with water, some small rocks and a little dirt and buried it in the sand nearby so hopefully that helps a little.
My neighbors probably think I’m nuts because they all spray chemicals to keep bugs and lizards away and here I am with hoards of geckos crowding around my porch lights at night and little toads keeping my Halloween decorations company.