arts nyc

Franz Xaver Winterhalter (1805-1873)
“Countess Alexander Nikolaevitch Lamsdorff” (1859)
Oil on canvas
Located in the Metropolitan Museum of Art, New York City, New York, United States

The twenty-four-year-old countess depicted here was the wife of Alexander Nikolaevitch Lamsdorff, a Russian aristocrat and Francophile. The book of English poetry in her lap is thought to be a reference to her father, Ivan Alexandrovitch Beck, a poet and translator. Her choice of a fashionable day dress may have been suggested by Winterhalter, who is known to have advised his sitters on their wardrobe and posed them to their best advantage in his studio.

I channeled some of my rage and despair into this piece today, it helped a little. To all my sisters marching tomorrow, stay safe, be aware of your surroundings but most importantly, show them that we will not be stopped, we will not conform. This battle rages on. Stay Angry, my friends.



EDIT: by popular demand, I made this illustration available as a print and other merchandise, if you’re interested please visit my soc6 page right over >>>> here <<<< thank you for all the love and support. And to all of you that are marching today with me, say it loud sisters, stay strong and stay safe!! <3

“Iconic” by @kiefer_d. Muse @fortifiedlive 1. #kieferdphotography #photographer #kieferdixon #iconic #floral #portrait #studio #flowers #melanin #blackgirlmagic #blackgirlsrock #canon #editorial #fashion #style #vsco #vscocam #art #beauty #afro #hair #crown #queen #nyc #newyorkcity #dope

3

Graffiti artist Lady Pink photographed by Lisa Kahane wearing a Jenny Holzer T-shirt,1983.

“The ‘Truisms’ (1977- 79) were perhaps an overly ambitious attempt to make an outline of everything that I wanted to do. I’m not sure I knew that at the time I wrote them, but that’s what I’ve come to recognize. I wanted to have almost every subject represented, almost every possible point of view, and then I had to sort out what those sentences should appear on.” - Jenny Holzer

Looking back

“If I could tell a 15‑year‑old self something, it’d be to try not to care about your appearance. Besides that, I think to always hold on to that sense of childhood wonder, that excitement. I always try to make sure I remember to put that back into my work, to remember that from doing it because I love it, and it’s not just a job, and doing it for play. As an artist, I think it’s incredibly important to hold on to the fearlessness that you have as a child. It helps you take risks in your art.”

In honor of International Women’s Day this week, we are posting quotes from our latest Creative New York interview with Petra Collins, highlighting important issues relating to body image, openness and collaboration, and health care access as an artist. Read the entire interview at nyc.moma.org.

Join us on 3/18 for PopRally’s Petra Collins: In Search of Us, an evening of performance, music, and digital art conceived and developed by Collins and artist Madelyne Beckles. Tickets and more info at mo.ma/poprallyxpetra

[Portrait of Petra Collins by Nguan]

8

but if I told you a flower can bloom in a dark room, would you trust it?

at first, no.