artist breakdown

The only bad habit I’ve successfully given up on is myself
—  The Art of Giving Up // A.S
Swedish books/movies/tv shows you should read/watch

Originally posted by introverts-hideaway

Here is a list of swedish books/movies/tv shows that you should read/watch if you want to !

(this is not a ranking)

1. BOOKS

April Witch 

(Aprilhäxan) by  Majgull Axelsson. 

Desirée wants to know who stole her life. Institutionalised since early childhood due to severe disabilities, she lies in her hospital bed making plans. She can neither walk nor talk, but she has special abilities. Desirée is an ‘April witch’, which means that she’s able to see through other creatures’ eyes and can make them take her wherever she wants to. In her quest to find out which of her three foster sisters has stolen her life, Desirée becomes an invisible presence in their lives, following them, biding her time.

Simon and the Oaks

(Simon och ekarna) by Marianne Fredriksson.

Simon Larsson grows up in a working-class family in Gothenburg in the 1940s. World War II is raging. Simon’s father is a man of principles and strong views; his mother runs the home with love and warmth. But they are not his biological parents. Simon finds out that he was adopted and that his real father is Jewish. At school, Simon meets Isak Lentov, the son of a rich Jewish bookkeeper. The Lentovs, who fled from Nazi Germany before the war, becomes closely linked to Simon’s own family as the two boys make the transition from childhood to adulthood.

The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared

(Hundraåringen som klev ut genom fönstret och försvann) by Jonas Jonasson.

On his 100th birthday, Allan Karlsson breaks out of an old people’s home, through the window. He is determined to fill his remaining days with adventure and embarks on a long journey through Sweden, being chased by thieves and police, making friends along the way. Mixed with his old-age adventure, his life’s story is told: he dines with president-to-be Harry S. Truman, hitchhikes with Winston Churchill, travels on a river boat with Mao Zedong’s wife and treks through the Himalayas.

Gösta Berling’s Saga

by Selma Lagerlöf.

A priest defrocked for misbehaving and drinking, Gösta Berling wants to die. The Mistress of Ekeby saves him from freezing to death and takes him in. As one of 12 party-loving homeless men in the manor at Ekeby, Gösta Berling becomes a leading spirit. But the evil Sintram lures the men into making a deal with the devil, which leads to the Mistress of Ekeby leaving home. Wild adventures, power struggle and redemption follow.

Let the Right One In

(Låt den rätta komma in) by John Ajvide Lindqvist.

It’s the winter of 1981 in the grey Stockholm suburb of Blackeberg. Twelve-year-old Oskar is being bullied. But he has a friend who lives next door, Eli. The two develop a close relationship, and Eli helps Oskar fight back against his tormentors. But this story is more than just a snapshot of average suburban life. Eli is a vampire, which Oskar has yet to find out. As mysterious murders spread fear and confusion in the community, Oskar starts to understand – but doesn’t abandon Eli.

The Road

(Vägen till Klockrike) by Harry Martinson.

In 1898, cigar maker Bolle faces big changes. Hand-rolled cigars have to give way to modern, machine-made, mass-produced cigars. Industrialisation is here and Bolle doesn’t like it. He hits the road. On wood-lined gravel roads we follow his vagabond journey through a Sweden about to change. Bolle learns how to beg without provoking people, faces the fear of inhabitants and meets riding policemen as well as vagabond friends. The vagabonds share a longing for freedom and a feeling of scepticism of the brave new world.

Popular Music from Vittula

(Populärmusik från Vittula) by Mikael Niemi.

Matti and his silent friend Niila grow up in Pajala in the very north of Sweden, in an area called Vittula. This is the 1960s/70s, when roads are covered with asphalt, small farms are closed and rock music hits the radio. The older generation doesn’t like the novelties, shaped as they are by memories of poorer times and by Laestadianism, a conservative Lutheran movement that started in Swedish Lapland. Mikael and his friends dream of another life, a life that awaits beyond the horizon.

Let Me Sing You Gentle Songs

(Nu vill jag sjunga dig milda sånger) by Linda Olsson.

One dark evening in March, Veronika arrives at a remote cottage in a small Swedish village, having come all the way from New Zealand. She is a young author longing for peace and quiet to be able to finish her novel and get on with her life after mourning a great loss. Veronika’s closest neighbour is Astrid, a loner. Behind her walls, dark family secrets and a personal tragedy are hidden. As the cold winter turns to spring, the two women slowly form a bond. Their friendship will change both of their lives forever.

The People of Hemsö

(Hemsöborna) by August Strindberg.

Carlsson is on his way to the island of Hemsö in the Stockholm archipelago to work at widow Flod’s farm. With Flod’s husband dead and her son Gusten not caring about farming, the farm is in a state of disorder. When Carlsson starts taking care of everything, Flod is happy, but her son finds Carlsson very snobbish. Eventually Carlsson marries Flod – but let’s just say she’s not the only woman on the island.

The Serious Game

(Den allvarsamma leken) by Hjalmar Söderberg.

Arvid Stjärnblom and Lydia Stille accidentally meet again, ten years after their young romance ended. Now, they are both married, but can’t help falling for each other again and start an affair. Lydia is an independent woman who gets a divorce and is prepared to follow her emotions, which turns out to have far-reaching consequences. Arvid, on the other hand, stays married to his wife with whom he has two children. It soon becomes clear that love is a serious game.

Keep reading

With the terrible realization that I’m probably not going to stop doodling ME stuff anytime soon, figured I’d redesign ‘simpler(?)’ versions of the characters to reference from because… you know. Space armor is the leading cause of artist breakdowns. 

Took a lot of inspiration from the old TV series Buzz Lightyear of Star Command because I loved it, some of my college profs apparently worked on it (!!), and it’s probably what got me into badass space family adventures in the first place. 

It’s no secret

that the voices

whispering

“things shall get better”

always escape from mouths

not suffering

like we are.

those truly suffering

know better

than to tape the cracks

of something broken

with false hope

—  I don’t believe you when you tell me “it gets better.” // A.S

Marker pen study of Breakdown’s hands. (Sloppily referenced from very low-res screenshots, please forgive.)

Hats off to Augusto Barranco and the other TFP artists who gave Breakdown such an amazing design. Just the attention to detail here. Dig those dead sexy knuckle guards with their diamond-shaped studs; our boy wears the robot equivalent of brass knuckles 24/7. I was also surprised by how long his fingers are. I had to blunt them to fit the page, but in reality they’re much longer than, say, Bulkhead’s stubby cocktail wieners, and likely more dexterous, too. BD could probably perform fine manual tasks as well as heavy lifting, which is part of what made him such a perfect physician’s assistant.

Just, yeah, great design. Love it.

You tell me to lift my spirits as if gravity isn’t dragging my bones to the floor.

As if nature itself is not trying to break me.

—  The world awaits my downfall // A.S

“And by the light of day, I’ll mess you up!”

Some OC work from today, particularly a redraw of my OC Benjamin from a story I’ve been working on for years now called THERA
The story itself has zero magic/fantasy elements at all since it’s supposed to be dystopia sci-fi but a boi can dream

Grantaire only has breakdowns when he’s alone and when no one can see him
He feels like his friends shouldn’t have to deal with him when he feels like breaking and pushes them away so he can finally not disturb anyone and just cry when no one can hear him

The echo of my feet crushes the reflection in the floor. Suddenly my steps feel like destruction before I’ve even dared to speak.
—  I’m desperate to feel something // A.S

In defense of “Clean Up”-

When I worked at Disney Feature Animation, I worked in the animation clean-up department. I started as a Breakdown Artist on “Hunchback”. By the time I left animation, I was Key Assistant animator. Often times people would say, ”Oh, so you trace other people’s drawings ?”. Well, we did put really pretty final images on the screen. But no, we did not trace. I went to school at CalArts. I studied character animation. I knew what I was doing. I liked putting characters “on model”, and completing what was needed in a scene I received from the animator. It’s true sometimes artists would not understand what the animators intention was and would end up changing the animation in the process. Not good. But, a good “clean-up” artist could keep the animators vision, understand the animation and keep it all looking consistent.  The best scenes happened when an animator and clean up artist had a mutual respect for the role each other played in getting a film finished.  Attached you can see a rough drawing along with my cleaned up version. Did I trace? Not exactly. But hopefully I put in the detail I needed, while keeping what the animator had imagined. It takes a LOT of people to make magic happen. Being part of a team working to make a character look like they were all drawn by one hand is an amazing experience. One that unfortunately seems to be gone. #2D