art-fabrication

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I appreciate Lupita so much. Representation matters y'all ! It really does. Idc what anyone thinks, but, Lupita changed a lot of lives of little dark skin girls. She’s so beautiful ! I can tell you right now that thousands of girls are waking up more confident than they were before, because of this lady. From the skin, to the short natural hair ✨ she’s ICONIC

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🌸🌼🌸SPRING THEMED OUIJA BOARD🌸🌼🌸

Well, spring is practically over and I only just finished this ¯\_(ツ)_/¯  

Who says seances have to a nighttime affair? This is for laying on your stomach in your back-garden, in the sunshine with two glasses of lemonade (one for you and one for the ghost).

I used the same base pattern as last time, but all of the spring-themed changes and the planchette are my own 💖

~my last cross stitch ouija board~

~for people wondering about the pattern~   

✨don’t delete my caption!✨

vimeo

This is part of the Trolls opening sequence. Concept art and fabrication by Me, AFX animation by Erik Tillmans and storyboards by Joel Crawford. Each asset was hand built with felt, paper and embroidery.

 My process started with presenting an animated gif to directors, Mike Mitchell and Walt Dorhn. Painting and working with the animation tool in Photoshop allowed me to design fluidly. I evaluated the story boards to plan out camera movement and work out character action. I knew the camera needed to push in through the dead Troll atop the cage, so I designed the town path to compliment this movement. Next, I focused on the buildings and set dressing. Bubbly poo shapes felt appropriate for Bergentown, while my colors needed variation within the muted palette. The real challenge of this piece was to find the exact materials that reflected the tonal range in grays and browns. I reserved my blacks for the cage and full saturation for the Troll Tree as it represents happiness. The result was three separate backgrounds, six hero buildings that could be flipped and duplicated in interesting ways, three Troll Trees, cages, and various set dressing assets. Each asset was photographed separately, edited and composited. For each scrapbook peice, I would deliver a psd packet to Erik to animate.

The full hand built set of the Bergentown transition.

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