Majestic Landscapes are Captured Reflected on South Korean Lakes by Jaewoon U

South Korean photographer Jaewoon U captures the magical and rich colors of the South Korean countryside. Reflected on the lakes of rural landscape, the photographer manages to capture the beauty of his artistry and the imagery of the scenery in his photography.

He intelligently exposes the artistic and organic tool of symmetry found in nature. He showcases the harmony of its rivers and injects a large dose of wanderlust into our bloodstream.


Gold-Fused Sculptures Made From Remnants of Shattered Porcelain

According to Korean tradition, artisans have a habit of destroying and discarding imperfect pieces. Since 2001 Korean artist Yeesookyung has taken these porcelain fragments, creating beautiful, imperfect sculptures by fusing them with gold leaf in the Japanese tradition of kintsugi. #Love it!

*HERE IT IS.* A POC space for folks to share their stories–fiction, non fiction, poetry, prose, art, comics, photos–on the unique experience of growing up brown with a white father. This is a compilation where those of us have experienced erasure in so many spaces can speak on what is like to be a person of color, while your father stands on the other side of privilege and patriarchy in a colorist society. Open to all POC with white dads (mixed race, adopted or otherwise). Check out the page for more info and feel free to reach out with questions.



A few pieces from prehistoric Japan.

Japan is “a world apart – a cultural Galápagos where a unique civilisation blossomed”, to quote the Lonely Planet. The early history of this unique country is significant for so many reasons. It has a particularly rich, and long, historical record, and the value of its cultural achievements continues to endure. 

It is clear that modern humans have inhabited this archipelago for 30,000 years (in the very least), during what is termed the ‘Late Palaeolithic’. The subsequent ‘Jōmon period’ constitutes Japan’s Neolithic period (about 10,000 BC - 400 BCE). The period is named after the characteristic patterns made with twisted cords on the period’s pottery (Jōmon meaning ‘cord pattern’, refer to photo 2). Given the huge temporal expanse and regional variability of this period, generalisations are obviously difficult. Despite this, the Jōmon culture is perhaps best conceived of as “a large loosely integrated cultural complex” (as noted by Richard Pearson). The onset of this period was gradual. People seem to have hunted wild animals, eaten seafood, and had a developing awareness of agriculture. By around 5,000 BCE, people appeared to have generally settled in stable communities, living mostly in pit dwellings with roofs of thatch or earth and wood. 

Shown in this post are a few examples of archaeological objects from this famous period of Japan’s history. The heads of clay figures shown in photos 1 and 4 date to the Late Jōmon period (ca. 1500–1000 BCE). The vessel shown in the 2nd image is the oldest artefact here, dating to the Middle Jōmon period (ca. 3500–2500 BCE), while the 3rd image, showing a Dogū figurine, is the youngest (Final Jōmon period, ca. 1000–300 BCE).

Shown artefacts are courtesy of The Metropolitan Museum of Art, New York. Via their online collections1975.268.1891975.268.1831975.268.1911975.268.190.