The theatre at Hierapolis was built in the second century AD under the Roman Emperor Hadrian during a period of extensive rebuilding following a devastating earthquake in 60 AD. It was later renovated under Septimus Severus (193-211 AD). At this time, the scaenae frons was modified and decorated with elaborate limestone and marble carvings. Although the exterior is relatively unassuming as viewed from the front, the interior contains one of Anatolia’s most complete and best-preserved collection of Greco-Roman theatre decorations. In 343 AD the scaenae was renovated and the orchestra was altered so that it could hold aquatic displays. In the later years of the Roman Empire the orchestra was converted into a cellar. Renovation work since 1977 has restored many of the arches and a portion of the stage floor. Prior to this date, the stage as well as its arched support system lay in ruins. Recent archaeological evidence shows that the theatre was in use through the 5th and into the 6th century AD. In 532 AD the scaenae, which had been weakened by seismic activity, was repaired.
The necropolis is one of the best preserved and extensive of its kind in the world. This city of the dead contains tumuli, sarcophagi and house shaped tombs lying stretched along both sides of the road extending 2km to the north. Most of about the 1200 tombs were constructed with local varieties of limestone. The extent of this necropolis attests again to the importance Hierapolis had in the Antiquity. It is worth taking one’s time to wander amongst the tombs, that date from antiquity to early Christian times, and marvel at the ostentation that these residents of Heirapolis afforded to their tombs. It has a fairyland quality.