At mamaw’s funeral this week, my daddy (her son-in-law), read selections of her notes she’d write in the margins of her Bible as she read it every year. This is a very old folk magic belief she had written in the opening flap: Ezekiel 16:5 stops bleeding. Many of the older generation believe if you pray over someone who’s bleeding and recite this verse the bleeding will stop.


Fuel the Fire by Sarah Jarosz.

My august playlist is finished and I would like to extend my sincerest apologies for writing 3000 words about it. It’s mostly for my own amusement so please feel free to scroll right past this. There’s a lot in here, from Grateful Dead covers to Sunn 0))) and everything in between so please enjoy.

The New Stone Age - Orchestral Manoeuvres In The Dark: This is the perfect album opener because almost every other song on this album is Orchestral Maneouvers In The Dark’s normal fare of great downbeat synthpop but this song is like a nightmare come to life and it really sets the rest of the album in a different light. The otherreason I love this song is that ‘oh my god what have I done this time’ is a constant thought so it’s nice to sing along to.
Buffalo Stance (12" Version) - Neneh Cherry: This song is an absolute masterpiece, the production is amazing, the synth riff is magic and this extended version is even better than the original because it has a lot more 80s scratching and also a bit in the middle where she says ‘WOT IS 'E LIKE??’
Wakin On A Pretty Day - Kurt Vile: This is a great example of why Kurt Vile is good because this song goes for 9 minutes and you don’t even notice. It just keeps cruising on and on and you don’t mind a bit
Turn Out The Stars - The Danish Radio Jazz Orchestra & Jim McNeely: This is another ABC Jazz find, its a very beautiful piece of music but what I like most is the ending where it stretches out a long long note into a big mysterious chord for no discernable reason.
Downtown - Destroyer: I have yet to look up a picture of what Destroyer looks like but I from his music I imagine him to be a sort of mineral deficient vampire type of man who has just been wandering around New York for a hundred years. I had a big moment with this album this month, it’s really just perfect start to finish. Wow I just looked up a picture of him and I’m not far off.
Song For America - Destroyer: I caught myself singing the part of this song where it goes 'winter spring summer and fall, animals crawl, towards death’s embrace’ while I was walking around town a couple of weeks ago which was good.
Hoping For - Bad//Dreems: Bad//Dreems are maybe the best Australian band around right now. This is the first song I ever heard from them a couple of years ago and I listened to it probably 20 times in a row while I rode my bike around the school I used to live next too one afternoon until a cleaning guy yelled at me.
Mirrors - Justin Timberlake: My girlfriend called me a '20/20 Experience apologist’ once and I’ve never gotten over it. It’s a good album! And Mirrors is the best song on it! It does the classic Timberlake/Timbaland thing of finishing up a perfectly servicable pop song after 4ish minutes and then starting up on some bullshit for another 4 and I love it the whole time.
Speaking In Tongues - Eagles Of Death Metal: The guitar sound in this sounds like someone in honking the horn of their car in the studio. Eagles Of Death Metal are a wildly patchy band but their first album is a classic front to back and this song especially is a standout.
Pain - The War On Drugs: I cannot get over how straight up beautiful this album is. I’ve listened to it more than anything else this month and I think every time I have a new favourite song. It turns out I love this one a lot though because as I was putting together this post I realised it was on here twice.
Simulation - Tkay Maidza: This album was kind of unfocused and I really hope Tkay figures it out for her next album because when she’s on she absolutely kills it and this song is a great example of that.
Countdown - Beyonce: I’m not a huge Beyonce fan (don’t @ me) but Countdown is easily her best song (don’t @ me). It’s just so dense and agile and busy in every aspect it’s absolutely hypercolour.
New Dorp, New York (feat. Ezra Koenig) - SBTRKT: This is still such a flooring song, it doesn’t sound like anything else and it’s so left-field while still being incredibly cool the while time. Also about a year after this song came out I found out that New Dorp is a real place in New York further confirming my theory that America is a cartoon.
Three Mantras Of Bon - Phurpa: Sorry, sorry, I’m trying to remove it. I accidentally had a big moment with a few different drone things this month and I fell asleep listening to Phurpa for about a week which I don’t recommend because it is literally just Russian men groaning at you fifteen minutes at a time and it feels like death has come to take your bones away. This song is good because they stop groaning halfway in and start making interminable vuvuzela noises instead.
Sprawl II (Mountains Beyond Mountains) - Arcade Fire: When @grumsal came to visit us this month he was quite drunk one night and explaining to me that Neon Bible is Arcade Fire’s most underrated album and Sprawl II is their best song, opinions that I’m quickly warming to.
Boys - Britney Spears: This song made me burst out laughing while I was alone because the bass in it sounds so funny. It’s like a straight up standard MIDI bass sound in this professional pop song and it sounds so, so dumb. This song alse features in the Beyonce film, Austin Powers: Goldmember so that’s how you know it’s good.
Notwo - Autechre: I wish Autechre has more straight up ambient songs like this because they’re very very good at it. This and Outh9X which comes after it make a good pair because Quaristice is almost exhausting by the time you get to the end of it so it’s nice to have 15 minutes of wind-down that you can still get into like this.
Hundred Syllable Mantra - Phurpa: Sorry, sorry, they are back and they have more groaning to do. I got deeply into this song this month and even now listening back to it I just want to lay on the floor and fucking die because of it. That’s how you know it’s a good song: it wants to kill you and you want to let it.
Melody 5 - Tera Melos: Tera Melos’ Untitled album is a masterpiece. It’s just pure creative energy, before they figured out you can sing on a song without itjust being yelling in the background. This song especially ecapsulates the spirit of the whole thing because it twists and turns forever without ever feeling forced or boring, it just goes on and on and on with new idea after new idea but still feels like a complete work as well. The sample at the end where she says “lucas[?] you are as beautiful as [?] and [?] [???]” makes me very emotional even though I have no idea what’s going on. Good song.
Guide Me O Thou Great Jehovah - House And Land: I found out about this duo because I’m a huge fan of the guitarist Sarah Louise but I didn’t even know she was a singer as well. This is great appalachian folk music without the watered down bullshit and WITH the sensibilities of modern composition. The calustophobically close vocal harmonies in this are just shocking.
The Day Is Past And Gone - House And Land: I saw someone on their bandcamp page saying they’d never fully appreciated the function of the drone in this sort of folk music before they heard this album and they’re absolutely right. Everything pivots around the guitar drone in this song for the first half, then when the guitar takes over the violin steps in and everything weaves around it.
Intro/Keep It Healthy - Warpaint: This is a great song but the intro especially made me think a lot about recording and the identity of albums and as inconsequential as it sounds I think the drummer fucking up and apologising at the very start benefits this album hugely because it immediately puts a very human face on music that could easily be quite aloof and distant to the point of alienation without it.
Vaseline Machine Gun (Live) - Leo Kottke: I love Leo Kottke so much and this is maybe the first song I ever heard of his and it absolutely blew my mind but this live version is very funny. This is solo acoustic guitar music, american primitivism from the bluegrass tradition, it’s not cool guy music by any stretch but Leo Kottke has somehow packed out an auditorium full of folks who are absolutely hanging on his every note and when the central slide melody of this song starts you can hear one guy in the crowd just absolutely losing his mind over it in a couple of long, distant “woooooooo"s and I like to imagine that that man is me.
Cavity - Hundred Waters: This song is so beautiful and so considered in every aspect. The frailty of her voice makes it feel like it could break at any second and the whole thing could collapse, the oscillating two note refrain that ties it together is so strong when it comes back and the percussion is so detailed in a way you wouldn’t expect from any other band but Hundred waters.
Metastaseis - Iannis Xenakis: Thankyou to @thoughtportrait for introducing me to the nightmare music of true oddball Iannis Xanakis, I was reading about him for a few hours while I listened through his music and Metasaseis is a good example of a piece of music that has a lot of context around it, and the concept of the composition being individually scored for every single player in the orchestra is interesting and innovative and everything like that but it’s not essential knowledge to understand this: you just listen to it and get overwhelmed.
For Organ And Brass - Ellen Arkbro: I am obsessed with this piece of music. It is absolutely transcedental but the first time I listened to it I heard a train horn honk in the distance outside our flat and thought it was part of the music, so it’s also that kind of music. It is twenty minutes of long, loud, organ and brass notes and I cannot get enough of it.
Bogan Pride - Bad//Dreems: “big muscles pumping in my sweatshirt/ big muscles pumping in my dreams”. Almost every Bad//Dreems song is about The Boys and either being one of the boys or how much you fucking hate the boys or how much you fucking hate that you are one of the boys and it’s so good.
Alice - Sunn 0))): The last part of my Drone Month was listening to this song a lot. This is my favourite from Monoliths And Dimensions because without any vocals or the choir of the others it feels very stripped back, the guitar moves in big waves and the brass follows. Also, I used this song to diagnose exactly which part of my car door was rattling when I played particularly bassy music this month, so it’s functional too.
Norwegian Wood (This Bird Has Flown) - Budddy Rich: I can’t believe I only found out this was a Beatles song this month when I was searching for this Buddy Rich version on Spotify. How embarrassing. I’ve listened to this album for years and this song is so melodically rich I wish it went for three times longer.
Obedear - Purity Ring: I watched Search Party this month and aside from being an absolutely amazing show that somehow balances incredible characters, violence and mystery while still being hilarious it reminded me how good of a song Obedear is. I wish it had a proper opening credits sequence because this song never goes for long enough in the show.
Out Of Line - Gesaffelstein: This song starts menacing and just gets more menacing the whole time. “a bitter sunken love in a bleach blonde submarine” is such a great line, and the voices barking on the offbeat near the end is so propulsive it makes me wish this song was longer.
Every Time The Sun Comes Up - Sharon Van Etten: This song gets stuck in my head whenever I wake up and have a news alert about whatever the newest calamity is, but it also makes me smile because having a line like 'I washed your dishes but I shitted in your bathroom’ in such a downbeat and serious song is so funny. “I shitted.”
Atomic Number - case/lang/veirs: This song feels like a folk song from another dimension where everyone worships the atom and the overlapping vocals in the verse are so nice. This whole album is just full of beautiful layered songs like this I really recommend it.
Black Gold Blues - Laura Veirs: the case/lang/veirs album reminded me how much I like Laura Veirs and how much of a moment this sort of Kaki King/Tegan And Sara genre was for a while. The karate noises in the background of this song really make it.
Golden Brown - The Stranglers: Will a song about heroin in alternating 6/8 and 7/8 featuring a harpsichord ever again be such a bop? Unlikely.
Aquarian - Grizzly Bear: I’m still working out how I feel about the new Grizzly Bear album. It’s so dense and it always takes me a while to work through their albums but I like it so far and this song has really stood out to me so far. The drums especially make it, in the second half the dragged snare becomes the centrepiece that the rest centres around.
Leak -Truth, yesnotesnotes- - Boris: If you’re still reading reply to this post and tell me whether you think of Heavy Rocks meaning Heavy as a concept Rocks like it’s good, or Heavy Rocks like big boulders. Because I’ve always thought of it as the former and I don’t know why.
Speak In Rounds - Grizzly Bear: Here’s an easier Grizzly Bear song. I had it stuck in my head intermittently all month and would just sing it to myself constantly, to the point where I looked up the lyrics and it’s literally about drawing a picture upside down to distract yourself from tinnitus.
The Obvious Child - Paul Simon: It’s crazy that Paul Simon put out the Rhythm Of The Saints right after Graceland because it’s like the expanded weirdo version of an already out-there album. Like a sequel from a different universe.
Acetate - Metz: I was listening to Death From Above 1979 and then I realised I should stop fucking around and just listen to Metz instead. I love the loping rhythm of the bass that drives everything in this song and how absolutely noisy every single part of it is, it’s pure frustrated energy.
Talkin’ World War III Blues - Bob Dylan: I’ve been reading a book about the Cuban Missile Crisis called One Minute To Midnight by Michael Dobbs and it reminded me how much of a bullshitter Bob Dylan is cause he said he wrote A Hard Rain’s Gonna Fall about the Cuban Missle Crisis but there’s recorded evidence of him playing it like a year beforehand. Anyway this is a far better song and the best kind of Dylan song where he just rambles on about a bunch of bullshit that happened in a dream for 6 minutes.
If I Had A Heart - Fever Ray: I’ve always sort of preferred Fever Ray over any of The Knife’s albums and as far as album openers go there really isn’t a better tone setter than this song and the huge throbbing synth that just sits there manacingly throughout while the organ builds walls over it.
Dust Bowl Children - Alison Krauss & Union Station: A few weeks ago we saw a double feature of Hail, Cesar and O Brother Where Art Thou at The Astor and I learned that Hail, Cesar is  masterpiece that I didn’t fully appreciate when I first saw it and I remembered how much I love Dan Tyminski’s voice. Incredibly good song from a huge voice about my personal passion: soil erosion and how we are all going to die because we haven’t learned from the sins of agriculture past.
Give The Mule What He Wants - Queens Of The Stone Age: I’ve listened to the new Queens Of The Stone age maybe 5 times through and it’s just not doing it for me, which is pretty disapointing. There is a bright side, however, and it’s that their first album has been re-added to spotify after disappearing for about a year. This is a song I regularly get obsessed with and have to listen to over and over and over but I can’t pin down what it is that I love about it. A huge part of it is definitely the propulsive groove of the verses and the way the drums and bass just roll forwards so heavily.
Thinking Of A Place - The War On Drugs: I’m so glad this song made it onto the album because when it was initially released I thought it was just going to be a Record Store Day exclusive single but it works so perfectly as a centrepiece to this album. It’s expansive and beautiful and it makes me so emotional!
Two Trucks - Lemon Demon: Two pickup trucks making love. American made, built Ford tough.
Atomic Bomb - William Onyeabor: This was another song that kept getting stuck in my head reading the Cuban Missile Crisis book, and also because of the news over the last month but probably mostly just because it’s a great song. There’s something about the vocal phrasing and the drum groove that makes this song feel really structurally strong for the jam that it is and I really can’t get enough of it.
The Scene Between - The Go! Team: The Go! Team are the most underrated band in the world and I’m dedicating my life to getting them the respect they deserve. For some reason their newest album has been removed from Spotify except for this single which I’m thankful for because it’s a great song.
The Werewolf - Paul Simon: Paul Simon is fucking 75 years old and he put out one of the best songs of his career last year! Who’s gonna stop him!
Tilt Shift - Mosca: “I never lost a fight [to camera: I have lost a few fights] but I will fucking shoot you bruv”
Tilt Shift (Julio Bashmore Remix) - Mosca: Tilt Shift is an incredible song and somehow I only found out that Julio Bashmore had done a remix of it last month. It’s a great remix because it sort of sounds like he’s just done a mashup of Tilt Shift and the Wii Shop Channel Theme, which is fine by me.
Spit You Out - Metz: The riff in this feels like Queens Of The Stone Age’s first album if they were incredibly upset. I love how long this song is, they really wring every last drop out of it.
The Deadly Rhythm - Refused: It’s been years and the drums in this song still kick my ass. It’s crazy that an album whose first lyrics are 'I’ve got a bone to pick with capitalism, and a few to break!’ can be so legitimately cool.
Over Everything - Kurt Vile & Courtney Barnett: I am so excited for this album. The two most relaxed songwriters alive finally collaborating to be incredible relaxed together. I wasn’t a hundred percent on this song when I first heard it because Kurt sounds like he almost can’t keep up with the song, but after listening to it a lot I’ve decided that makes it even better. Also a good 60% of this song is just them jamming out and I really hope the album follows the same formula.
The City - The Drones: There’s a great part in this song where the tape runs out during the recording and there’s a long break while they change it which as far as accidents go is an incredibly musically effective one.
Drive - Ainslie Wills: This song should have been a huge hit, I’ve been obsessed with it for two years now and it’s still incredible every time. Somebody sponsor Ainslie Wills and force her to make a new album already.
Me And My Uncle - The Lone Bellow: It’s truly crazy how much time I spent listening to a 5.5 hour Grateful Dead tribute album last year but it’s just that good. Please set aside half a day to listen to Day Of The Dead in full and have a massive Grateful Dead phase for six months after like I did.

listen here
Appalachian Cunning - Psychic Self Defense - The Seat of Your Power
Part of our ongoing series on "Not Conjure", also called Appalachian cunning or cunning work, this class focuses on a psychic self-defense technique of knowi...
Witches Salt

Witches Salt, or Black Salt, is a very cheap and powerful ingredient in protection spells. It has independent origins in Hoodoo, Western Alchemy, Appalachian Folk Magic and European folk magic, and is made of ingredients friendly to even the tightest budget. 

Combine coarse salt (purifying), black pepper (protection from bad people), cast iron scrapings (protection from bad spirits/Faeries), campfire/wood ashes (concealing and protecting) and ground-up charcoal (filters bad magic), in varying measures until you have a nice, black salt. 

Tip: Add a protective sigil to the container you keep it in. 

Try using it for things like:

-Draw lines across your windows and doorways to keep out bad magics/people 
-Mix it in water and pour it over your car tires to protect your car
-Put it in a sachet along with other protective herbs, and hang it somewhere to protect that area
-Pour a pile under your bed to protect you from nightmares/bad spirits

erynn-lafae  asked:

Can you talk a bit about Southern folk magic? What's that like? How'd you learn it? What makes it distinctly Southern?

@erynn-lafae​ First, I’m so sorry it’s taken me so long to get back to you! I was so excited for this ask, but life just got in the way. I’m also gonna tag @winebrightruby​ cause I know she asked me a long time ago and I never really got to discuss it. 

So, I’ll start with a little background on the term “Southern Folk Magic.” Obviously, hopefully anyway, the term is to denote regional variations of folk magic practiced in the US South. That said, I use it as an umbrella term for the practices that happen Down South because there are TONS. We tend to talk about the South as a whole, but what many folks from outside the region don’t seem to realize is just how much diversity there is down here. Like I mentioned here, there are tons of subregions in the South and just as our food, accents, and dialects are different, so can our magical practices be. My personal experiences have been in Memphis/Mississippi Delta/North Mississippi and Knoxville/East Tennessee/Southern Appalachia. I’ll be addin Atlanta and hopefully North Georgia to that list soon, but not quite yet. 

For those not from the Delta region, Memphis is often jokingly referred to as “the capitol of Mississippi.” This is largely cultural and demographic and I’ve long said “Memphis will always be more Mississippi than it’s ever been Tennessee.” And the older I get, the more true that seems to be. According to the 2010 census, Mississippi has a 37% Black population. It has also seen the largest increase in people reporting to be of “mixed race.” Memphis has a 61% Black population, with many of these folks bein the direct descendants of freed slaves who moved out of the rural South and into a city. And in West Tennessee, which runs from the Western border of the state to the western bifurcation of the Tennessee river and represented by the far left star on our state flag, even small towns often have 30%+ Black populations whereas Knoxville, the largest city in East Tennessee, only has a 13% Black population. So the folk magic I grew up around in Memphis is largely influenced by Black folks whereas East Tennessee Appalachian folk magic is much more influenced by Cherokee and Scots-Irish practices. 

So, when I moved to Knoxville for college, it was absolute culture shock. I wasn’t actively or knowingly practicing magic at that point, but the foundations had been laid. I got a blue doormat for the front door because that’s what you do. Now I realize this comes from a West African idea that harmful spirits can’t cross water and the blue doormat (or painting the underside of your porch roof) will hopefully confuse em. I’ve since learned this is common in Carolina Lowcountry from the Gullah-Geechee people, so I’m not sure the exact lineage of me learnin it, but it’s somethin I still do. Little things like this abound and I honestly only think about it when I find myself doin one of em.

Another tradition I grew up around is water-witchin water dowsing. The first time I heard the term as a kid, I was confused, but both of my grandparents on my daddy’s side could do it and it basically involves balancin a forked stick and when it drops, that’s where you dig your well. Other people use 2 sticks or metal rods and wait for em to cross. Either way, it seems to work.

I also wear a dime on a red string on my right ankle for good luck and to avert “the evil eye.” This is somethin a childhood friend’s grandmother made for me the first time sayin, “honey, you just need it.” And I think she was right. This is a practice that, from what I’ve read, also comes from African tradition, but specifically what or where has been all over West Africa. But the red string also carries over into Irish lore on good luck and as a Gaelic Polytheist, it makes a perfect blend of practices for me.

There’s also what I feel like is a broder American tradition that comes to us likely from the Irish of hangin a horseshoe above the door. Modern folklore says to hang it points up so that the “luck doesn’t run out,” but it also seems to do have to do with the idea that horseshoes are traditionally iron and the fae don’t like iron.

In East Tennessee, it’s not unheard of to see a tree with ribbons or scraps tied to it. The type of tree varies, but the idea is similar to Buddhist prayer flags (for a more recognized practice) and seems to come from the Gaels that settled in the area. But over heard people say it has Indigenous ties, too. How much of that is true and how much is “Cherokee Princess Syndrome” as I like to call it, I just don’t know. That’s one thing about bein down here; we’ve created a string cultural identity that, regardless of how it happened, mashed cultural practices together that there’s just no tellin where some of em exactly come from. And that’s honestly part of what makes it “Southern.” Our culture is an amalgamation of various African cultures, Irish and German immigrants, Acadians, French and Spanish historical colonization and influence, and countless indigenous cultures. If the stories of how that happened weren’t so absolutely mortifying, it could be beautiful, but we’ll always carry the wounds and scars of the past, imo.

As for how I learned, it’s been a wild ride. A lot of things I just learned culturally growin up. When you’re “born in the South, given to a town raised on hand to mouth,” a lot of things I’d now qualify as folk Magic are just a part of life. But as I’ve grown and begun intentionally practicing, I’ve read everything I can. Lots of times, this means pickin through charlatans and pseudo-intellectual horseshit. It means often bein VERY wary of other white folks claimin to know anything about anything. I’ve talked to older folks who practice and try to learn what they’re willin to teach. But it’s been a tough road. And that, along with other historical factors, are why I don’t use terms like hoodoo for my practice. I think hoodoo is a form of Southern Folk Magic, but it also has its own specific history and practices ties to the Christianization and slavery of African peoples. I’ve found a lot of similarities in my practices and Hoodoo™, but I also have a much more heavy and specific Irish influence because of bein a Gaelic Polytheist than a lot of other folks.

So, as with most topics, it’s incredibly nuanced and I’m sure I’ve left somethin out or even said somethin that wasn’t super clear, so if there are any questions, shoot! And if there are any other folks that practice Southern Folk Magic or Southern-influenced Magic, hit me up! I’d love to hear from y'all cause lord does it feel lonely sometimes. We can pm here, send me asks, hit me up on twitter, or shoot me an email at  

I want to learn about Appalachian Witchcraft and folk magic, but because of the resurgence of all this new age pseudo-wiccan shit, I’m finding it extremely difficult to locate a relatively pure source of information. Something that isn’t far removed from the actual cultural roots and origins of Appalachia, pertaining to tarot cards, metaphysical shop “voodoo,” and those damn “energy balancing crystals.”

And no I’m not going to get into validating each and every person who disagrees with my disdain for watering down an entire side to our culture.

You know what it is? It’s laziness. You didn’t take the time to try to figure out what was and wasn’t granny witch style magic, so you decided any sort of magic was good enough and then put the Appalachian tag on it. Now I get to sort through all of the drivel looking for real resources.

Another Holler Folk Magic Story: Markin’

My family loves that old time religion (serious Freewill Baptists on my dad’s side and holy-rollin’, tongues-speakin’ Pentecostals on mama’s) but that doesn’t mean they don’t indulge in good, creepy, magical stories and traditions well outside the realm of Christianity. Most of their cautionary tales revolve around pregnancy and reproduction for some reason, and my favorite by far is what they call markin’.

Pregnant women, according to both my mamaws, have special powers. They wouldn’t phrase it that way, it sounds too pagan, but that’s essentially what they mean. For example, if a pregnant woman becomes obsessed with something, if she loves it too much or reacts to it with any emotion too strong while she’s pregnant, she can mark her baby to have features or characteristics that reflect the impact that object, person, idea, etc. made on her.

Keep reading
Signs Following | Chapter 1/? |Vulgarweed | Sherlock (TV)| Archive of Our Own
An Archive of Our Own, a project of the Organization for Transformative Works
By Organization for Transformative Works

Pairing: Sherlock Holmes/John Watson

Rating: Explicit

Warnings: No Archive Warnings Apply

Tags: Appalachian AU, Historical - 1970s, Canon-Typical Violence, Period-Typical Homophobia, Established Relationship, Religion, Appalachian Folklore, Folklore, Folk Medicine, Snake-Handling, Faith Healing, Snakes, Snakebite, Adventure of the Speckled Band, Family Abuse

Series: The Bone Fiddle

1976. A couple years into their relationship, John and Sherlock are cozily setting up for spring with Mrs. Hudson’s expert guidance when a distraught young woman appeals to them for help and sends them on one of their strangest cases yet - in order to solve one murder and prevent another, they must tangle with a sinister preacher and enter the much-sensationalized, little-understood world of Pentecostal Holiness believers who strictly observe Mark 16: 17-18.

(And these signs shall follow them that believe; In my name shall they cast out devils; they shall speak with new tongues; they shall take up serpents; and if they drink any deadly thing, it shall not hurt them; they shall lay hands on the sick, and they shall recover.)

Written for @significanceofmoths, my second bidder in the @fandomtrumpshate auction. Thank you for your generous donation to Planned Parenthood!

Huge thanks to @iwantthatbelstaffanditsoccupant, beta reader supreme!

anonymous asked:

I'm feeling very disillusioned about how magic, witchcraft, and polytheism is viewed in society. Ik I shouldn't be but its hard. Sometimes I forget that outside of the Internet there is little respect and knowledge for what we do and no matter if it's "good" or "bad" it's all viewed as false and evil. It's such a great part of me,such a great love of mine something I constantly research and think about yet I can't speak a word of it to anyone. How do you come to terms with this? It's frustrating

1. No, it’s not all viewed as false and evil. There’s little I can say about witchcraft because, well, people know what they know. The roots are dark and stained. Magic, though, I can say is not viewed the same. Mexico has such strong regard for magic. Folk charms are still employed in the British Isles. In the Appalachian mountains, folk magic flourishes. So you see, it’s really only in large Western cities that people hate the supernatural. In rural areas, especially areas populated by minority cultures, the belief and practice of the supernatural still grows strong. 

2. You know, I often think about this, believe it or not. In my lowest moments, I feel sorry for myself because I don’t believe I can find a normal life with the way that I am and the life I’ve chosen. However, I often spring back up from this. I don’t like to feel sorry for myself. 
I don’t feel weak if someone doesn’t believe in magic. I don’t feel stupid. In fact, I chuckle to myself. There is an entire world beneath their feet and they have absolutely no idea. I walk through cities and smile knowing that underground magicians walk beside me thinking the same. Sometimes, you’ll catch eyes with one of them and know. 
I don’t care if the world doesn’t believe it. I didn’t believe it until it happened to me. I didn’t want it to be real, but this was chosen for me a long time ago. I came here and had my experiences validated even more. 
I still sometimes wonder if I can find lasting love or a normal life despite this. In dark moments, I tell myself that I can simply bewitch it to be. 
Witchcraft is mastery over the world. 
“If I command the moon, it will come down; and if I wish to withhold the day, night will linger over my head.” 
Our power is not controlled by the permission of men. As it is willed, so it will come to pass. Their belief might be important to priests and ministers, but it means nothing to us.

We live a secret. This is the way. 
When you pick up the name, the life comes with it. This was our decision and we must abide by it.


Here are just a few publishers that bring us many of the amazing books out there…and maybe some not so good ones. A wide spectrum of occult topics and genres from New Age, Eastern Spirituality, Traditional witchcraft, Luciferianism, Satanism, Shamanism, Wicca, neo-paganism, Druidism and the list goes on.

Top Left we begin with Xoanon, one of my favorites. THE publisher of the cultus sabbati, and Three Hands Press their American Branch. They deal in exquisite special edition prints that are beautifully bound and embossed.

Top Right: Inner Traditions, publishes a wide spectrum of literature from the scholarly works of Claude Lecouteaux and the well researched work by academic Thomas Hastis, who is an expert in the Entheogens of medieval witchcraft. They have everything from books on Reiki and alternative healing methods; and even some great books about lost civilizations and other conspiracies.

Second from top: Weiser Books, feature some great authors such as Orion Foxwood, who has a very unique perspective on Appalachian Folk Magic and Souther Conjure. He is an experienced root worker and is very down to earth.

Dark Moon Press: This is an occult publishing company that was actually started by a local from my hometown of Fort Wayne, Indiana, USA; ironically. The cohesive theme here is the darker side of the occult; vampirism, demonaltry, erotic fiction, and the darkest schools of magic. Definitely some very insightful works by up coming authors that remain in the shadows.

Three Hands Press, as previously mentioned is the daughter company of Xoanon, publishers of the Cultus Sabbati. Based in Hercules, California, USA.

Ixaxaar: Another darksome publishing company, many of the books here focus on Satanism, Luciferianism, Quimbanda, and the darkest of sorceries. They also are the publishers of Clavicula Nox, an awesome periodical of anthologies on various topics by witches such as Sarah Anne Lawless and Gemma Gary.

Troy Books is a publishing company affiliated with the previously mentioned Gemma Gary who has written some of my favorite books on Traditional Witchcraft specifically The Black Toad and other works West Country Witchcraft in Cornwall.

anonymous asked:

I'm new to witchcraft and was wondering if you had any resources that I could dig into? There's just so much available online, and I'm afraid of getting it wrong.

First off, everyone’s path is different, so getting it wrong isn’t something you need to worry about. If it resonates with you then awesome! That’s your path. I can understand finding something that does resonate with you can be overwhelming when there’s so much out there now, but starting is half the battle.*

To be perfectly honest, a lot of my path is based on folklore, traditions I’ve read up on and reference books on matters that aren’t directly witchy! An important part of witchcraft is realizing you will always be learning.

One book that’s big, but covers numerous topics is
The Element Encyclopedia of Witchcraft, by Judika Illes.
It covers pretty much every topic in witchcraft in one way or another and can give you enough information on even random topics to let you decide if you want to do additional research.

Plants of the Devil by Corrine Boyer
Another wonderful book that is has sources listed on every page and pretty neat artwork at the beginning of each chapter. It covers herbs and plants that are “dark” in nature either by being associated with witches, demons or creatures of the night. It, again, gives you enough information to see what you want to further research and look up. References plants and their stories of either invoking aforementioned creatures, or protecting against. It’s small and relatively cheap.

Grimoire for the Green Witch, by Ann Moura
Although it leaves a…distinctly Wiccan aftertaste, it is another great book. It lays out pagan holidays, symbols, tarot meanings, runes and orgham alphabets, rituals and spells that you can adapt, correspondences for common herbs, planetary symbols and signifiers, and plenty of other stuff. Take what you like, and leave the rest.

Aside from that, since my path is pretty specific, I have a ton of other books that aren’t witchy in purpose. I’ve got books on death and forms of burial in different cultures, mythology from different places, scientific books, chemistry, diy and craft books, gardening and woodworking etc etc.

Read reference guides on plant identification and field guides especially if you’re interested in wild crafting or harvesting stuff in nature.
Read up on the laws in your area to make sure if you decide to use vulture culture you aren’t collecting something illegal (for example, in the US, it’s illegal to collect anything from wild birds as part of the migratory bird act. It’s also illegal to own parts of any raptor birds unless you have a license as a scientific research center, or First Nation people as specifically related to on reservation traditions.)

Become familiar with the local flora and fauna and see if anything pops out to you, see if anything connects.

Look up local folklore and legends in your area for Information, and read up on your own culture. If you’re of Italian background, read up stregheria, Hispanic, curanderismo, theres Appalachian folk magic, hoodoo and voodoo, Jewish mysticism, Christian witches, German American Pow-wow, hundreds of cultures have something magical about them.
*just make sure you are being respectful when asking about the cultures and practicing them. If it is a closed culture or practice and you aren’t a part of that group, then respect it, learn about it if they allow you, and move on. With so many different cultures and backgrounds, there’s a tradition you can lean on whatever or wherever you’re from so don’t feel like your missing out because you can’t participate in one specific path.
You do a disservice to yourself if you box yourself in like that and assume that each branch of the magical tree doesn’t have merit.

🦇cheers, Barberwitch

SPECIAL NOTE: I understand books can get expensive, I want to credit the authors and give them my money for their work, but I’ll be honest, I do have a few PDF’s that I didn’t buy off the kindle website. I’m not condoning the stealing of PDFs or books…that’s why I can’t post links to online resources of the above books. If I download something, if I make it through the first 4 chapters, I buy the physical book. If I buy a physical book and it’s huge, and i don’t want to lug around 30 lbs of books, I see if there’s a pdf of the book I can read on the go….morally ambiguous witch here…
Please send me a DM Anonymous, if I know more about what sounds more you, I can direct you to good researched books, and online sources, or even witches of that background that are more qualified!


Georg Landers - The Scotland Man 
from The End of an Old Song (1972) by John Cohen

I heard Landers the first time on the High Atmosphere compilation and I was fascinated by the haunting quality of his banjo playing and singing.

“George Lander’s sense of time and phrasing can’t be imitated, it can only be wondered at and admired.”

“The End of an Old Song” by John Cohen, is a movie about Dillard Chandler an American Appalachian Folk singer and the mountain people in North Carolina. Cohen himself is know for being a founding member of the New Modal Rounders and maker of the documentary “The High Lonesome Sound”. I was surprised that I found the source of Lander’s “The Scotland Man” in this movie. Cohen’s recordings of Dillard Chandler were released by Folkway records and later reissued by Tompkins Square.

Watch “The End of an Old Song”

High Atmosphere on sportify.