anti smash

You always hear the anti-antifa imbeciles say that we as Antifa are hypocrites because we believe in tolerance yet we do not tolerate their freedom of speech and expression.

Tolerance does not mean tolerating intolerance.

Get that through your thick skull or you’ll end up with our help.

Miscegenation: The Morality of Death

by Dr. William Pierce, National Vanguard Magazine - Number 117 (March-April 1997)


History has taught us that the most fundamental necessities for the existence of a healthy and progressive White society are the racial quality of its members and a moral code or value system which complements and enhances that quality. Ultimately, of course, the former is much more fundamental than the latter. Only a sound race can give birth to sound racial ethics. Without the living biological entity, there is and can be nothing. But as long as the race survives–as long as the potential for effective racial sovereignty exists–alien and spiritually damaging values alone will not prove fatal.

The enemies of our race have obviously long understood this truth. That is why, a half-century ago, they waged the most vicious war the world has ever seen in order to destroy an idea based upon that racial truth. That is why they subsequently organized the systematic swamping of White civilization by millions of alien immigrants. And that is why they have used their control of the news and entertainment media, of the government, and of schools and universities to implement a massive propaganda campaign to encourage miscegenation between Whites and non-Whites.

Of course, miscegenation is not a natural occurrence. Evolution would have been impossible if every evolutionary experiment had been short-circuited by cross-breeding. Nature’s urge toward higher and more complex life forms has demanded that subspecies remain genetically isolated until all possibility of genetic admixture has been removed. Even though such isolation of the various human subspecies from one another has not been of sufficient length to ensure the impossibility of genetic admixture, it has ensured the existence of deep-seated psychological barriers which, under natural conditions, prevent miscegenation.

When these natural conditions are disrupted and distorted, however, unnatural sexual activities such as homosexuality and miscegenation have been known to result. Just as bulls have been known to mount mares, and St. Bernard dogs have tried to mate with Chihuahuas when forced into close confinement and deprived of their natural environment, so Whites have copulated with Negroes in similar circumstances. It is the disruption of the White man’s natural environment and the dehumanization of his society and culture, therefore, which the Jews and their collaborators in the news and entertainment media have consistently worked for in order to encourage racial mixing.

This campaign began at least as early as 1967, when 16 U.S. states still had laws against miscegenation. In that year Jewish director/producer Stanley Kramer brought out the film Guess Who’s Coming to Dinner, starring Katherine Hepburn and Spencer Tracy as a couple whose daughter begins an affair with a Negro. The aim of the film was clear and since has been admitted. It was designed as an “educational film” for White Americans: after seeing their on-screen heroes, Tracy and Hepburn, surrendering their White daughter to a Black male, they would feel less compunction in doing the same [1].

Since that time Whites have not just been encouraged to mate with Blacks, Hispanics, and Asians, they have been subject to every conceivable Pavlovian method to blackmail and bully them emotionally into doing so. With ever increasing intensity the message has been that miscegenation is not just an option, but the option that society expects. Particularly, the primary aim of the Political Correctness movement, in all of its manifestations, has been to confuse heterosexual Whites and make them feel sinful and guilty for being White; to encourage them to “repent” by helping put their race out of existence.

The Hollywood film Last of the Mohicans, which came out in 1992 with the Jewish actor Daniel Day-Lewis in the leading role, is a typical example of how the Jewish news and entertainment media have spearheaded this campaign. In the film White males are portrayed as weak, cowardly, disloyal, and barbaric–and as justly deserving of their slaughter at the hands of the noble, dignified, courageous, and sexy Red Indians. Yes, just to ensure that White women don’t miss the implication that White men are worthless, the leading White female character dumps her despicable British-officer fiancé and runs off into the sunset with the Mohican hero. The underlying message of the film is clear: race-mixing is not only natural and understandable, it is also the morally right thing to do.

Zoologists and anthropologists have identified two types of feral constraint which ensure that under natural conditions animal groups–including human groups–which may be able to interbreed with each other refrain from doing so. On one hand, there are inborn biological impulses based upon physical “sign stimuli,” such as smell, color, and visual differentiation. Then there is the behavioral imprinting and habituation which takes place in the early weeks and months of infancy based upon the intimate relationship between the mother and the infant. This helps to ensure that when sexual mating is eventually attempted, it will take place only with those forms that resemble the parent or siblings [2].

Not surprisingly, the Jews have gone all out to corrupt and cripple the latter tendency in Whites, particularly under the guise of “children’s entertainment.” In 1994, for example, the Walt Disney Company brought out a re-adaptation of its 1967 film The Jungle Book. This was Disney’s first children’s offering since being taken over by the Jewish clique headed by Michael Eisner, and, predictably, it was a complete distortion, both of the original Kipling story and the 1967 Disney animated version. With a story line remarkably similar to Last of the Mohicans, the White heroine rejects her British-officer fiancé for an Indian jungle boy played by a Chinese actor.

Significantly, the White girl’s decision is portrayed as being based upon moral considerations of right and wrong, upon her realization that White society and White men in particular are irredeemably bad. Eisner pursued this line in the two subsequent Disney animated children’s films, Pocahontas and The Hunchback of Notre Dame, which are similar both in their pernicious race-mixing propaganda and in their blatant disregard for the original stories. Such systematic consistency in shape and content suggests design rather than coincidence.

In any case, the actual motivation of Michael Eisner in churning out such material is not the most important question. The thing that really matters is the actual effect of his efforts: young children are being influenced, at an age where they are most open to behavioral imprinting, with a message that miscegenation is good and morally correct, and that Whiteness is evil and morally wrong.

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