Author: @dumbass-stilinski Rating: NSFW 18+ Pairing: Dylan O’Brien/Reader Words: 1,952 AN: Okay so this was spurred on by the teaser for the teaser trailer for AmAs, I had so many feelings and I just wanted to die and also fuck Dylan so here you go? Sorry not sorry. Also I didn’t edit this well so I apologize for any mistakes.
Dylan arrived home to an empty house, his eyes drooping due to jet lag. It was a long flight, but he was glad to be home. He was early, wanting to surprise you, but it seemed like you weren’t there. His suspicions were confirmed when he saw your makeup littering the bathroom counter. He wasn’t mad, of course, glad you were going out and having fun when he wasn’t around. He hated to think you’d be cooped up in the house alone without him.
tracklist : 1.the joker - steve miller band // 2.low rider - war // 3.sweet child o’ mine - guns n roses // 4.stairway to heaven - led zepplin // 5.carry on wayward son - kansas // 6. more than a feeling - boston // 7.should i stay or should i go - the clash // 8.baba o’riley - the who // 9.bohemian rhapsody - queen // 10.go your own way - fleetwood mac // 11.brown eyed girl - van morrison // 12.my generation - the who // 13. american woman - the guess who // 14. sweet home alabama - lynyrd skynyrd // 15.have you ever seen the rain - creedence clearwater revival // 16. born to be wild - steppenwolf // 17.knockin’ on heaven’s door (acoustic) - bob dylan // 18.all along the watchtower - jimi hendrix // 19. love her madly - the doors // 20.crazy train - ozzy osbourne // 21.walk on the wild side - lou reed // 22.american pie - don mclean // 23.walk this way - aerosmith // 24.paint it black - the rolling stones // 25. paradise city - guns n roses // 26.bad moon rising - creedence clearwater revival // 27.pour some sugar on me - def leppard // 28.another one bites the dust - queen // 29.house of the rising sun - the animals // 30.ramblin’ man - allman brothers band // 31.we’re not gonna take it - twisted sister // 32. back in black - ac/dc // 33.money - pink floyd // 34.the chain - fleetwood mac // 35.dream on - aerosmith // 36.listen to the music - the doobie brothers // 37. like a rolling stone - bob dylan // 38. black dog - led zepplin // 39.any way you want it - journey // 40. simple man - lynyrd skynyrd // 41. i won’t back down - tom petty // 42. rock you like a hurricane - the scorpions // 43.rock and roll all nite - kiss // 44. you give love a bad name - bon jovi // 45.la grange - zz top // 46. jump - van halen // 47.highway to hell - ac/dc // 48.you really got me - the kinks // 49.(i can’t get no) satisfaction - the rolling stones // 50. living on a prayer - bon jovi
10 Reasons that explain Keyakizaka46 breakthrough in 2016
Rookie no more. The 48group has witnessed the birth of SKE, NMB and HKT and now was the turn for Nogizaka to get their own. But to expand in such ludicrous speed over a stagnating fanbase, the chance to make fans weary and bored increased tenfold. It is hard to not become “another sister group of…” and appeal to a japanese audience, now hard to convince. And yet Keyakizaka46 took the idol world by storm, and even ended 2016 by appearing in Kouhaku in less than one year. What were those key moments that made the difference? Through this small write up i will attempt to highlight what made Keyakizaka a force to be reckoned with.
1) Bringing Music back to the foreground
Music is a matter of taste. But there will be a difference in production, like how much resources you invest in an A-side compared to a B-side. To release a powerful song as first single was a smart move: the goal was to make people react and break the orthodox type. The use of hispanic percussions, accoustic guitar which oppose the pop auto-tune of regular idol release helped Keyakizaka quickly build an unique flavor. Not only Silent Majority, but Sekai ni wa Ai Shikanai is a bold release using poetry and heavily feature piano to stand out.
Idol industry, especially 48group, has suffered from lack of consideration musically wise, as they weren’t taken seriously or even not considered as artists. However, AKB48 proved it wrong releasing great songs like Oogoe Diamond, Iwake Maybe, Everyday Kachuusa and River in a row ( it was called the kamikyoukutachi era). It was possible to praise idol music, and Keyakizaka managed to bring it back to the foreground. In a recent Foreign survey (600 answers), Silent Majority was chosen “Song of the year” by fans.
2) Meaningful lyrics that strikes people hearts
Lyrics of their songs, most of the time dark and rebellious, helped to shape Keyakizaka trait. It’s still Akimoto Yasushi who’s in charge of lyrics, but this time, thanks to Keyakizaka easy-to-perceive personality, he succeeded in making lyrics consistent with music videos. We can quote the excellent B-side Yamanotesen, Hirate Yurina solo, that pictures well the melancholy of a girl lost in thought, or Bob Dylan wo Kaesanai, another B-side but this time from Yuichanzu, makes a smart allegory between the struggle to forget someone and the reluctance of giving back a Bob Dylan CD.
Idol songs are most of the time fluffy and light hearted. Keyakizaka A-sides developed other theme like pain, hardship, and willpower. More frequently, and with more intensity. Because those themes are unusual, they garnered more attention, becoming the “rebellious” group. Lyrics help the listener match his own feelings with the song; and thus getting more involved in the group.
3) A group-oriented choregraphy designed by talented dance teacher
Probably TAKAHIRO-sensei is the most respected staff by Keyakizaka fans, as he hugely helped Keyakizaka build their identity as a group. In a regular group formation (16 members line up), there’s the center on the front, and the choregraphy revolves around the center. However, TAKAHIRO sensei tought it would’ve been more impactful to design Silent majority into highly paced / synchronized sequence involving everyone, reminding the military pattern. Through this dance, Keyakizaka gained a lot of amplitude that others sister group didn’t have. In Kataru Nara Mirai wo, choregraphy reached another level thanks to signature moves like the cross-formation. ( 4x4 teams switching places with the same timing).
TAKAHIRO-sensei himself is a very reliable person that members can look up to, especially because they are inexperienced and need someone to guide them. With great professionalism, he encouraged the girls to have faith in themselves and to not shy out from excellence. Something Keyaki fans will be eternally grateful for. Takahiro biggest strength is probably to efficiently forward the meaning of the song to the choregraphy itself.
4) A powerful Ace, like Maeda Atsuko at her time
It’s debatable if having an eternal center does make a difference, but no one will deny that AKB48 golden age was when Acchan was Ace. Hirate Yurina draws attention thanks to her gaze, intense energy and maturity even though she was only 14 centering Silent Majority. The reason why a group need an Ace is to draw attention to neophytes, non-idol song listeners. General audience are different from idol fans, and react to songs and members differently. They won’t remember a member very well if you rotate the girls in front all the time. They won’t remember if the girl in front doesn’t give them a “raw” first impression. An Ace is someone able to trigger an emotion on someone in a very short of time. The first impression is probably the most important too.
Hirate “Techi” Yurina also has this particularity to “embody” Keyakizaka songs to perfection. She performs the song like she’s possessed, making her dance unique. Her kind of Ace aura is also different from others, as she is more known for her serious stare than her cute smile like top members Acchan or Watanabe Mayu. To hold a mysterious, intense Aura hooks people and make them curious. Not even mentioning the high level of performance that makes fans stay.
5) A wide range of members with strong personalities
Aside from having an Ace able to release the full potential of a song, it’s definitively all the members of the group that create the core fanbase. In AKB48 there was Acchan, but also the Kami7, which fans could easily refer to as their personalities were recognizable. An interesting group is basically interesting members, who have skills and qualities that make them stand out.
Hirate Yurina is the wondergirl, Nagahama Neru is the cute/girls next door, Sugai sama is the princess type, Moriya Akane is the majime type, Shida manaka and Watanabe Risa are the kakkoi (cool type), Uemura rina/harada are the loli type, Imaizumi and Kobayashi Yuis are singer, Oda nana and Ozeki are moodmakers, Suzumoto Miyu and Saito Fuyuka is the best dancer, koike minami and Yonetani are the cute type… In fact, the range of personalities in Keyakizaka ensure that fans can find the type he has the most affinity with. We all know that an idol fan relationship is a lot about feelings, and to see the girls growing their character is the reason why fans are liking the members even more.
6) Reaching brand new fanbase : female and youth
Something that could also apply to their sisters of Nogizaka (by being cool and elegant): to have build a rebellious, cool and strong character hugely helped in reaching a new fanbase. While AKB48 is targeting middle age man through gravure and cute song, Keyakizaka (or more like Sakamichi series) was able to increase their range where female fans yearn for members like Watanabe Risa and Shida manaka (who are good at danso/modeling) and young fans who are more into cool songs like Silent Majority.
This is a trend i’ve observed on Social networks like Twitter. Most of Keyaki fan accounts are the same age as the girls themselves, around 97′ and 00′. To have been able to appeal to this fanbase allow Keyakizaka to avoid this harmful stagnation that is suffering AKB48 (not in sales, but in handshake slots sold). You could also say that, by not splitting handshake events like 48group sister group, Keyakizaka has higher chance to sell their slots, but in the long term, to add multiple fanbase is the reason why they sales are high.
7) Promote music skills and ensure song diversity
Keyakizaka46 has found their identity and signature through the word “rebellion” with songs that follows a pattern (Silent Majority, Otona wa shinjite kurenai, Fukyouwaon) but lyricist and songwriter also vouch for diversity, like Futari saison being a meaningful ballad.It’s even more significant with B-side venture “Shibuyagawa” and “Tuning” from the duo Yuichanzu. Thanks to those retro-pop-folk refreshing songs from the showa Era, Imaizumi & Kobayashi Yuis succeeded in balancing with the rough and dark set of Keyaki songs.
Something that strikes me is how one sided resources to make music are in the idol industry. Most of the time, it’s a huge use of synth and machines. It doesn’t do justice to the idol genre who emancipated through genre like Metal and Rock too. In the case of Yuichanzu, A-capella performances and acoustic guitars is hugely praised by fans who root for a comeback to basics. Imaizumi has yet to be center, but display great vocals that would be a waste to not capitalize on. Same with yuipon. Not also mentioning Keyakizaka obvious ability to make standard idol songs like “Aozora ga chigau” or “Matta atte kudasai” (Nagahama neru solo)
8) Proper promotion and financial back up from management
This must be an obvious statement, but it isn’t always applied (Hello SKE). Keyakizaka had the chance to have 1 regular TV show (Keyakitte Kakenai), 2 season of national TV show (Keyabingo), One drama (Who killed Tokuyama) numerous appearance in music show including Kouhaku Utagassen (because Silent Majority buzzed), recently Variety show (Nagahama Neru participating in Quizz show), radio broadcast ( Yurakuchou radio program, All night nippon radio program), exclusive modeling contract ( Watanabe Risa with Non-no magazine), countless photoshoot from top members ( Moriya Akane, Sugai yuuka, Shida manaka, hirate Yurina)
A group success is the meeting point between huge amount of tools and resources with girls holding huge potential. It’s also a lot about timing : Since management want to keep Keyakizaka active and in the forefront so people don’t lose sight of them, they release their single in a very solid pace. NGT debuted at the same time as Keyakizaka, but one group released only 1 single while Keyakizaka is on it’s fourth release.
9) A style and identity they can call their own
Nogizaka are cool and elegant. HKT are young and cute. SKE are energetic and positive. NMB are fun and native. Keyakizaka, in result of the music, the lyrics and dance, has found their own characterstic : Raw and untamed. Not only their high level of performance give them the aura of “professional performer” but also is coherent of the message they want to forward : “We give our all because we want to break of our chains” (freeedoooooom)
People recognize you when there’s something to recall. This is probably why underground idol struggle to go beyond their local market because they don’t have a style that make them different. I won’t say Keyakizaka is doing something original (because cool idol songs exist with Beginner, Uza, etc…) but that’s the adequacy between everything (dance, music, lyrics) that bring what’s unique in Keyakizaka and that other group can’t replicate.
It was a turning point to have their identity quickly defined because Keyakizaka had started during Nogizaka’s great momemtum. To acknowledge kinship with Nogizaka and claiming their own at the same style was Keyakizaka key to success.
10) A potential that keeps fans enthusiastic
Keyakizaka benefit from the “rookie” factor : they are fresh and bring new blood to the idol scene. The momemtum is still high and Keyakizaka has still goals to reach, like bigger concert venue, increasing individuals outdoor work like their sempai Shiraishi mai or Nishino nanase or even starting other drama. The truth is, 48g has seen their endorsement contract fading one by one ( in Acchan era, AKB members endorsed 10+ product, now they barely make 2-3), which translate a loss of interest of idols from general audience. The challenge ahead of Keyakizaka, or even all idol group, is bigger than ever.
Keyakizaka has the potential to reach this level of visibility in japanese entertainment scene once again. But they need to keep their excellent level of performance and develop a network between production companies ( Ogi pro, Ohta pro, Watanabe pro…) to make each individuals viable in various field. In order to become national idols, you need to go beyond idols : become models, talento, actress and singer.
In conclusion, Keyakizaka has found success in fields AKB management failed to invest once again. But it’s up to the girls to turn their work opportunities into concrete realities. And as any project, it needs time to get return on investment. What’s interesting to point out, is that even though Keyakizaka is a rookie group, most of the girls are past 17 and are likely to seriously continue their path as idols ( in AKB group the girls are young without career opportunities, so they graduate after high school). This is a relief for all fans who want Keyakizaka to surpass the other sister groups.
On this day in music history: March 22, 1965 - “Bringing It All Back Home”, the fifth album by Bob Dylan is released. Produced by Tom Wilson, it is recorded at Columbia Recording Studios in New York City from January 13-15, 1965. Recorded just four months after the release of his previous album “Another Side Of Bob Dylan”, the prolific musician shifts musical direction yet again. Moving away from the acoustic based protest songs that have established him as a leader of the folk music movement, Dylan cuts half of the new album with a band using electric guitars and bass for the first time. The very act of a folk musician using electric instruments is considered a highly controversial act, with many of his peers having a bias against rock & roll. Dylan’s lyrics also begin to change dramatically, becoming more personal and adopting an abstract “stream of consciousness” prose in many of them. This is most evident on the albums classic single “Subterranean Homesick Blues” (#39 Pop), drawing inspiration from disparate sources including beat poet Jack Kerouac, folk musicians Woody Guthrie and Pete Seeger, and rock & roll pioneer Chuck Berry. The song becomes Bob Dylan’s first chart single in the US, and one of his best known compositions. The album contains a number of other classics including “Maggie’s Farm”, which Dylan performs to a hostile crowd at the Newport Folk Festival, jeering him for feeling that he has betrayed his core folk music audience by going electric. “Gates Of Eden”, “It’s All Over Now, Baby Blue” and “It’s Alright Ma (I’m Only Bleeding)” also become among Dylan’s best known, widely covered songs. Also on the second side of the album is his recording of “Mr. Tambourine Man”, originally cut during the “Another Side” sessions, but the first version is left unreleased. Bob re-records it again on the final day of recording for “Bringing It All Back Home on January 15, 1965. Only five days later, The Byrds record their electric version of "Mr. Tambourine Man” in Los Angeles with producer Terry Melcher. Their version hits number one on the pop singles chart late June of 1965. Once released, “Bringing It All Back Home” becomes Bob Dylan’s most successful release to date, topping the UK album chart and his first top ten album in the US. First released on CD in the late 80’s, it is remastered and reissued in 2003, as a hybrid SACD, featuring the original stereo mix, and a newly remixed 5.1 surround mix. Reissue label Sundazed Records reissues the original mono mix as a 180 gram vinyl LP in 2001, making it available for the first time since going out of print in the late 60’s. Mobile Fidelity Sound Lab also reissues the title as a double vinyl set, mastered at 45 RPM in 2012, followed by a hybrid SACD featuring only the stereo mix in 2013. “Bringing It All Back Home” peaks at number six on the Billboard Top 200, and is certified Platinum in the US by the RIAA.
A story about dyls crush blurting out how she's in love with him one night while they were hanging out drinking together while watching the stars and when he dosent say anything back beacuse hes shocked and nervous his cruch just kisses him and then lots of fluff 💖💖💖💖💖💖💖 i love your blog
i really hate this omg. it’s too short and really poorly paced and uuuugh. I didn’t read back through it bc i knew i wouldn’t post it if i did but alkdjfljorijgosiajdfoji
Another song perfect to slowly fall asleep, as every song in the acoustic side of Bringing It All Back Home.
This is the live version of the 1966 Royal Albert Hall concert, with a warmer and deeper voice that the studio one. Just perfect.
Favourite lines: “The highway is for gamblers, better use your sense. Take what you have gathered from coincidence. The empty-handed painter from your streets, is drawing crazy patterns on your sheets. This sky, too, is folding under you. And it’s all over now, Baby Blue”
French singer and actress Françoise Hardy became famous in the 1960s as the leading girl of the yé-yé music scene. Besides her lovely voice, her good looks and fashion style made her famous all over the world. She was pursued by the likes of Bob Dylan and Mick Jagger. At the time, she was in a relationship with photographer Jean-Marie Périer. In 1967, she started dating fellow French singer Jacques Dutronc. They had a son, Thomas Dutronc (born 1973), before getting married in 1981. Although the couple is still legally married, they live in separated houses. They have worked together, and Dutronc sang a duet with her, Puisque vous partez en voyage, for her album Clair-obscur (2000). Hardy is mentioned in a poem by Bob Dylan, Some other kinds of songs, which he wrote on the cover of his album Another Side of Bob Dylan (1964).
Her regular visits to London came at the height of the swinging 60s and she rubbed shoulders with some of its biggest stars, including the Beatles, the Animals and the Rolling Stones. “From the moment I went to England, I had more confidence. In France, the image I had was of a shy girl – a poor lonely girl and not too good-looking. When I went to England I had another image. I felt the journalists were much more interested in my looks than in my songs.” [x]
“I was like a shy fan, you know. I met him on the street and he smiled at me and I thought I would never recover. He was like an angel – a dark angel. He doesn’t know this, but he was the first one who gave me a little more confidence in myself because in an interview for a French magazine for young girls he said that I was his ideal woman.” -about meeting Jagger
“Then suddenly, someone came to me and said that Dylan would not return to the stage unless I went to his dressing room to say hello. So I did. It was awkward. I didn’t speak English very well and he couldn’t speak much French. I was shocked by how he looked. He looked very sick. I have a tendency to see things in black, so I said to myself, ‘He’s not going to live very long!’” -about meeting Dylan
“She was the ultimate pin-up of most hip, Chelsea, beat bedroom walls, and I know for a fact, many of the groups who were notorious and slowly becoming successful, such as the Rolling Stones, Brian Jones and Mick Jagger, the Beatles, John Lennon, Paul McCartney, and many other groups all were desperately interested in having Françoise Hardy become their girlfriend in some way.” -Malcolm McLaren
“I was for a very long time passionately in love with her, as I’m sure she’s guessed. Every male in the world, and a number of females also were, and we all still are.” -David Bowie