“Breaking Bad is one of the great shows of television’s Golden Age. Simply put, there’s no more unpredictable series and its delicate handling of combustible ingredients will be admired and studied by writers for years to come.
It’s a radical type of television and also a very strange kind of must-watch: a show that you dread and crave at the same time.”
*sees antiheroe's wife, the woman virtually everybody is so quick to hate, who constantly gets cheated on, who turns out to be the love of the guy's life, whose life is a Shakesperean tragedy, who's stronger and more corageous than every other character put together*
Gunn’s performance was not that of an action heroine or a television genius, and it was not meant to be. Skyler carries the weight of Walt’s actions. Plenty of people hated her for it, Walt sometimes included. But Gunn’s performance pushed both Walt and the people who wanted to see him as a hero to increasingly contrived and ludicrous justifications for treating Skyler like she was a worse person than Walt.
Gunn’s drawn face in the last two seasons of “Breaking Bad” might not have brought about the end of the anti-hero era in television. But Gunn’s performance marked the end of a time when the creators of such shows could get away with writing anti-heroes’ wives as flat, cartoonish characters, or when audiences could get away with worshiping difficult men without encountering strong opposition.
Skyler, you are the love of my life, I hope you know that. Walter junior, you’re my big man. There are… there are going to be some things, things that you’ll come to learn about me in the next few days. I just want you to know that, no matter how it may look, I only had you in my heart. Goodbye.
American Honey Directed by: Andrea Arnold What it’s about: A wild teenager (played by newcomer Sasha Lane) who joins in with a group of similarly crazy kids who travel around the U.S. working for a multi level marketing scheme. This is also known for being the movie that Shia Labeouf cut his hand on. If the description isn’t enough to convince you then you should be convinced to watch it by Arnold’s talent alone. She’s an Oscar winning director who’s best known for Fish Tank and two of her previous films have played at Cannes. Crossing my fingers this one makes it there too. Release date: Undetermined as of yet but A24 says they’re dropping this in the fall (so maybe they have an Oscar push in mind?)
The Fits Directed by: Anna Rose Holmer What it’s about: An 11 year old tomboy named Toni who falls in with a dance troupe while she’s supposed to be boxing at the gym. But things start to go awry when the girls in the dance troupe succumb to violent fainting fits. The film already got rave review at Venice last year and is getting positive review at Sundance. Release date: Undetermined so far but indie distributor Oscillope bought it before its festival premiere so the good news is this will be hitting theatres in limited release in 2016. Follow @TheFitsFilm for updates.
The Invitation Directed by: Karyn Kusama What it’s about: A man attends a dinner party thrown by his ex-wife and her new husband and slowly suspects that they have sinister intentions towards him. The low-key thriller stars Tom Hardy look-alike Logan Marshall-Green along with Michiel Huisman and Emayatzy Corinealdi. It has a mostly white cast but Kusama remains one of the few Asian-American women to have a strong and continuous career as a film director. Release date: March 25, 2016
Equity Directed by: Meera Menon What it’s about: A female wall street trader played by Anna Gunn who is mired in a world of corruption, greed and scandal. Billed as the first wall street movie centered about a woman this has a predominantly (possibly entirely?) white cast however director Meera Menon is Indian-American. Release date: No official date yet but this was picked up by Sony Picture Classics before its official Sundance premiere.
Loving Directed by: Jeff Nichols What it’s about: Real life couple Mildred and Richard Loving who married when interracial marriage was still illegal in their state and became plaintiffs in Loving vs. Virgina, the court case that made interracial marriage legal within the whole of the U.S. Ruth Negga plays Mildred with Joel Edgerton as Richard. Release date: None yet, but this will probably head to festivals sometimes this year looking for a distributor.
Miles Ahead Directed by: Don Cheadle What it’s about: A passion project for Cheadle the movie examines the life of Miles Davis as he is interviewed by a Rolling Stone reporter, played by Ewan McGregor, in the 1970s. This one got mixed reviews when it played at festivals but by all acounts Cheadle’s performance is awards worthy. Release date: April 1, 2016
Moana Directed by: John Musker and Ron Clements What it’s about: Ayoung woman who sets off on an adventure helped by a famed demi-God. The nice thing about this one is that not only is it about polynesians but the main vocal cast (which includes Dwayne Johnson) also are of polynesian ancestry. Release date: November 23, 2016
The Queen of Katwe Directed by: Mira Nair What it’s about: A biopic based on Ugandan prodigy Phiona Mutesi who grew up in a slum and then turned her life around after her teacher taught her how to play chess. It’s also going to be Lupita Nyong'o’s first live-action role post-Oscar and also stars David Oyelowo. Release date: Undetermined but this is owned by Disney so it will likely get a wide release sometime this year.
Race Directed by: Stephen Hopkins What it’s about: A biopic on Olympian athlete Jesse Owens during his time at the 1936 Olympics in Hitler’s Germany. Owens is played by relative newcomer Stephan James, and the rest of the cast includes William Hurt, Jeremy “I’m a sexist creep” Irons, and Carice van Houten. Release date: February 19, 2016
Songs My Brothers Taught Me Directed by: Chloe Zhao What it’s about: Set in the Pine Ridge Indian Reservation the film, about a young girl who goes looking for a father figure after her father drinks himself to death and her older brother starts making plans to leave for a better life, played at Sundance in 2015. This got great reviews but it struggled to find distribution until director Zhao announced she would self-distribute in 2016. The even better news? Indie distributor Kino Lober stepped up to give it a proper release! Release date: March 2, 2016. Follow @songsthemovie for more info.
“As an actress, I realize that viewers are entitled to have whatever feelings they want about the characters they watch. But as a human being, I’m concerned that so many people react to Skyler with such venom. Could it be that they can’t stand a woman who won’t suffer silently or “stand by her man”? That they despise her because she won’t back down or give up? Or because she is, in fact, Walter’s equal? But I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable ideal of the archetypical female, she had become a kind of Rorschach test for society, a measure of our attitudes toward gender.” -Anna Gunn