DCTVU Meet Animorphs

@orangegirl22 and I have been casting characters from the DCTVU (initially just the Flash but we expanded) as Animorphs characters. So far we have:

Jake - Barry

Iris - Cassie

Marco - Cisco

Rachel - Sarah

Tobias - Wally or possibly Snart?

Ax - Kara (she’s an alien who loves food ok?)

Any other thoughts?

Social Insects in Science Fiction

Hello, my name is Poetry, and I love social insects. Whether they’re ants, bees, termites, wasps, aphids, thrips, or ambrosia beetles, I find them fascinating to learn about. But if the sci-fi books I read as a kid had had their way, I should have run screaming from every ant colony I saw.

From the buggers in Ender’s Game to the Borg in Star Trek to the Vord in Codex Alera to ants and termites themselves from a morph’s-eye view in Animorphs, social insects, and the aliens or artificial intelligences that closely resemble them, are portrayed as “hive minds” with an emotional tone of existential terror. And I’m here to tell you that these portrayals are totally unfair.

What they get right

Here are some features that most portrayals of social insects and their analogues in sci-fi get right. Yes, social insect colonies have queens that are primarily responsible for reproduction. Yes, social insects have very different sensory modalities from ours. We primarily use sight and sound to communicate and navigate the world, while social insects use taste and smell and vibration. Yes, social insects have specialized division of labor to particular tasks, and yes, they are willing to sacrifice themselves in droves to protect the colony. And sometimes, they will enslave social insects from other colonies or even species to serve their own ends (x).

Thus ends what sci-fi portrayals get right. 

What they get wrong: Queens

Almost universally in sci-fi, when you kill the queen, the hive disintegrates into chaos. You’ve cut off the head! The central intelligence of the hive is gone! They’re just mindless borg-units with no idea what to do!

Indeed, in some social insects, such as leafcutter ants, if you kill the queen, the whole colony will die – but probably not for the reasons you think. However, it’s more common for social insects to be able to carry on just fine regardless. In most ants and bees, there are “backup” queens that are reared up by the workers in case the current queen should die. And in many social insects, a worker can step up and become a queen in her place. (Hilariously, a worker ant that steps up to reproduce in place of a queen ant is called a gamergate.)

But here is the most important problem with the sci-fi trope of killing the queen to kill the hive. The queen is not the brain of the hive. She is the ovary.

If you think of a social insect colony as a superorganism, which it’s useful to do in many cases, different groups of insects within the colony act like organs. One caste protects the colony from invaders, which is like an immune system. One caste scouts for new places to forage, which is like a sensory system. Generally, science fiction has a good grip on this idea. Where sci-fi authors fail is that they think the queen is the brain of this superorganism. She is not. She is the reproductive system. The queen does not control what happens in the hive any more than your reproductive system controls what happens in your body. (Which is to say, she has some influence, but she is not the brains of the operation.)

The reason why leafcutter ant colonies die when the queen dies is because the colony has been castrated, not beheaded. Most animals die when they are no longer able to reproduce, even if their brains are still perfectly functional. For castrated colonies with no backup queen or gamergate and no hope of getting one, there is no point in carrying on. Their evolutionary line has ended.

What they get wrong: Swarm intelligence

Here is how social insect hive minds work in science fiction: the queen does the thinking, and the rest of the hive goes along with whatever she thinks.

Now, I’ve already told you that the queen is not the brain of the hive. So where is the brain? Well, that is exactly the point of swarm intelligence. The brain does not reside in one particular animal. It’s an emergent property of many animals working together. A colony is not like your body, where your brain sends an impulse to your mouth telling it to move, and it moves. It’s more like when two big groups of people are walking toward each other, and they spontaneously organize themselves into lanes so no one has a collision (x). There’s no leader telling them to do that, but they do it anyway.

Much of the efficiency of social insect colonies comes from very simple behavioral rules (x). Hymenopterans, the group of insects that includes ants, bees, and wasps, have a behavioral rule: work on a task until it is completed, and when it is done, switch to a different task. If you force solitary bees (yes, most bee species are solitary) to live together, they will automatically arrange themselves into castes, because when one bee sees another bee doing a task like building the nest, its behavioral rule tells it that the task is completed and it needs to switch to a different task, like looking for food.

Individually, a social insect isn’t all that smart, whether it’s a queen, worker, soldier, or drone. But collectively, social insects can do incredibly smart things, like find the most efficient route from the colony to some food (x), or choose the perfect spot to build their hive (x).

What they get wrong: Individuality

The existential terror of the hive mind in science fiction comes from the loss of the self. The idea is that in a social insect colony, there is no individual, but one whole, united to one purpose. No dissent, disagreement, or conflicting interests occur, just total lockstep. I totally get why that’s scary.

The thing is, it’s just not true of real social insects. There is conflict within colonies all the time, up to and including civil war.

A common source of conflict within colonies is worker reproduction. Yes, in most social insects, workers can in fact reproduce, though usually they can only produce males. So why don’t they? Because it’s not in the interest of their fellow workers. Workers are more closely related to their siblings and half-siblings produced by the queen than they are to their nephews, so they pass on more of their genes if they spend resources on raising the queen’s eggs. So, if a worker catches its fellow laying an egg, it will eat the egg. Not exactly “all for one and one for all,” is it?

Worker insects may also fight in wars of succession. If there is more than one queen in a species where queens do not tolerate each other (yes, there are species where multiple queens get along together just fine), such as monogynous fire ants, the workers will ally themselves with one queen or another and engage in very deadly civil war.

Finally, in some species, the queen needs to bully the workers into doing their jobs, and the dominant workers need to bully subordinate workers into doing their jobs (x). Yes, sometimes workers try to laze around and mooch.

Surprisingly human

Here’s what I find weird about depictions of social insects in science fiction. They are portrayed as utterly alien, Other, and horrifying. Yet humans and social insects are very, very similar. The famous sociobiologists E.O. Wilson and Bernard Crespi have both described humans as chimpanzees that took on the lifestyle of ants. 

I think what fascinates people, including me, about ants, bees, and their ilk is that you watch, say, a hundred ants working together to tear up a leaf into tiny bits and carry it back to their colony, or a hundred bees all appearing out of seemingly nowhere to sacrifice themselves en masse to stop a bear from eating their hive, and it looks like magic. It really does look like some kind of overmind is controlling their collective actions. 

But imagine you’re an alien who comes to Earth, and you know nothing about humans or the way we communicate. Wouldn’t we look exactly the same to them as ants and bees look to us? Wouldn’t they look at us sacrificing our lives by the thousands in wars, or working together to build cities from nothing, and think, Wow, how do they coordinate themselves in such huge numbers, why do they give up their lives to defend their borderlines, I guess there must be some kind of mega-brain they all share that tells them what to do, and they just march in lockstep and do it.

If there’s anything I’ve learned from the study of both social insects and humans, it’s that any system that looks monolithic and simple from a distance is in fact fractured, messy, and complicated when you look at it up close.

Social insects aren’t scary mindless robot-aliens. They’re a lot like you and me. As much as I was terrified as a kid by the Animorphs book where an ant morphs into Cassie and screams in pure existential horror at its sudden individuality, I actually think an ant would adjust very easily to being a human, and that a human would adjust very easily to being an ant – much more easily, in fact, than humans adjusted to morphing, say, sharks, in the very same book series.

well…it was last-of-last-minute prints time, I saw how many people had come out of the woodwork over my last ax drawing, and thought “oh to hell with it……..Animorphs it is”

this (and all of my recently posted prints) will be available this weekend at Anime Boston table R19 with @mykenbomb and @greiison!  I’ll have a post up with a table map/more info ASAP!


A little homage to the Animorphs. I wanted to get these images done before ramping back up on getting work done on the comic again!

First we have an Andalite concept, probably Ax. Pretty much a buffed out version of Ax, maybe he’s really gotten into crossfit.

Next a Hork-bajir, looking hopefully at the sunrise. Maybe coming up to the crest of the valley before heading back down in the daylight.

Finally, a Yeerk Wanted Poster of the Animorphs featuring Rachel, Cassie, Tobias, Jake, Ax and Marco. I wouldn’t want to make this bunch mad in a dark alley!

Hope you guys are as pumped as I am about this series- for the record, I’d LOVE to do movie concepts for an Animorphs film. HINT HINT.



If you want to see more art like this, check out my Patreon:

Can we take a moment to appreciate the fact that K.A. Applegate might be the only sci-fi writer EVER who both (a) condemns the mass killing of aliens even if they are attacking the earth AND (b) shows why it’s sort of necessary in the situation?

It seems like too many other sci-fi stories go the route of Avengers or Doctor Who (S1) or Independence Day where a protagonist wiping out thousands of aliens is portrayed as uncomplicated heroism and we all celebrate at the end. Either that or they go the route of Avatar the Last Airbender (S3) or Buffy the Vampire Slayer (S5) where the characters that don’t want to engage in violence don’t have to get their hands dirty because a deus ex machina comes along and prevents that from having to happen.  In both cases doing the right thing is also a matter of doing the easy thing.

Applegate, by contrast, doesn’t let her characters get away with an uncomplicated happy ending.  She doesn’t say “they were aliens so it’s okay to kill them,” and she doesn’t offer them a third way out of their impossible choice.  She gets into the hell that is war and doesn’t use the sci-fi genre to let her gloss over the dirty details.

Animorphs is of course famous for its moral greyness. The Yeerks are colonizers unquestionably in the wrong, but the Animorphs are not given a pass to just wipe them out: not only are there Yeerks who have tried to change the Empire from within, and even some who have created a symbiotic relationship with their host, but they are also a group separated from their home world with no where else to go, since any attempt to return will mean being killed by the Andalites. 

The Andalites, despite being the Animorphs’ allies, are self-righteous xenophobes operating under a propaganda military government that hides from its citizens its war crimes, including the attempted genocide of the Hork-Bajir. They only care about killing the Yeerks because they see the Yeerks as their fuck-up: Seerow gave the Yeerks technology on the misguided belief that they would cooperate and go on to better things as allies, so now the Andalites want to wipe out their mistake. They don’t care what other species fall as a result, and they certainly aren’t in a hurry to prioritize Earth.

Even the Animorphs’ other allies, the Chee, aren’t given a pass in their pacifism. Everyone knows the Chee could end this war in like a day if they would alter their programming. But the Chee have proven they don’t really care about humans; they side with the humans against the Yeerks so they can save humanity’s closest companions, dogs. And we also learn that they protest too much when it comes to their pacifism: when confronted with the species - the Howlers - that killed his creators - the Pemalites - Erek learned that the Howlers were in actuality nothing more than literal children, being sent to other worlds by the Crayak to wipe out civilizations but only thinking it a game; and Erek intentionally withholds this information, hoping the Animorophs would wipe out the Howlers regardless, despite knowing they were technically innocent, so he wouldn’t have to dirty his hands.

And even the Animorphs themselves have blood on their hands. They learned early on - were in fact told straight up front by Elfangor - that the Hork-Bajir are an innocent, enslaved species. They later meet freed Hork-Bajir, and the species is heartbreakingly humanized again and again. But even as the reader empathizes with these characters we come to know, the Animorphs continue to treat their species as collateral damage. They will try to go out of their way to avoid killing human controllers, but Hork-Bajir are still justifiable kills to them, because they are so dangerous by design. But this doesn’t excuse them. Toby and the free Hork-Bajir are never allowed to be completely forgotten, so we the reader are never allowed to see the Animorphs’ slaying of the Hork-Bajir controllers as anything glamorous.

So many children’s series fall into the romanticization of war when writing about kids going up against The System (whether it’s an invading alien species, the government, The Man, etc) but the Animorphs has consistently held onto its anti-war messages well, deconstructing the genre of “kids save the world.” The Animorphs are never given an easy answer.