Today, only few poems by the ancient Greek poetess Sappho have survived, but thanks to new findings, two new works have been recovered, giving experts hope to find even more.
These previously unknown poems by the great poetess of the 7th century B.C. came to light when the owner of an ancient papyrus consulted Oxford classicist world-renowned papyrologist Dr. Dirk Obbink about the Greek writings on the tattered scrap.
Despite Sappho’s fame in antiquity and huge literary output, only one complete poem survives until today, along with substantial portions of four others. One of those four was only recovered in 2004, also from a scrap of papyrus.
“The new Sappho is the best preserved Sappho papyrus in existence, with just a few letters that had to be restored in the first poem, and not a single word that is in doubt. Its content is equally exciting,” said a Harvard classics professor upon examining the papyrus.
One of the two recovered poems speaks of a Charaxos and a Larichos, the names assigned by ancient Greeks to two of Sappho’s brothers, though never before found in Sappho’s own writings. The poem is set to cause discussions about whether or not the two men are Sappho’s brothers. It depicts an exchange between two people concerned about the success of Charaxos’ latest sea voyage. The speaker may be Sappho herself, but the loss of the poem’s initial lines makes this unclear.
A horizontal line on the papyrus indicates the end of the first poem and the beginning of the next, an address to the goddess Aphrodite. Only scattered words from this second poem can be recovered from the papyrus, which grows more tattered and illegible to the end.
The two poems share a common meter, the so-called Sapphic stanza, a verse form perhaps devised by Sappho and today bearing her name. Both belonged, therefore, to the first of Sappho’s nine books of poetry and their recovery gives a clearer glimpse into the makeup and structure of that book. “All the poems of Sappho’s first book seem to have been about family, biography, and cult, together with poems about love/Aphrodite,” Dr. Obbink writes.
There is a Greek festival and they meet at the booth on Ancient Greece
They meet at a Renaissance faire type gig for ancient Greece. Achilles is in charge of games and staging ancient battles. Patroclus works at the nurses station giving demonstrations of anicient Greek medicine and bandaging small wounds.
Patroclus has somehow found himself on the track team, where he meets Achilles. He can’t run fast, and Achilles helps him with the hurdles. In the end he figures he’s better off on the sidelines, cheering them on.
Their school is putting on a play of *insert any ancient Greek tale*, and Achilles and Patroclus both find themselves auditioning.