anderson sweater



1) the golden patchwork fur overcoat in the first image is obscuring

2) the UTTER MAJESTY of this MESH AND ANGORA (?!) panelled turtleneck sweater-dress in the second image; and finally

3) In a sea of sameness, our girl stands the fuck out in the front row.

Inspiration abounds.

Also, I’m so happy I finally saw the rest of this look.

via stargates​ and mexicantylerperry

Memories Are Being Recycled Using The AGRA Acronym

There is nothing new under the sun.”

A.G.R.A is an Acronym for:

A: A Study in Pink / A Scandal in Belgravia

G: Great Game

R: Reichenback Fall

A: A Scandal in Belgravia / A Study in Pink

TST gave us a new acronym order on screen during Mary’s flashback in Georgia: GARA.

Oh good. I love acronyms. All the best secret societies have them.”

G.A.R.A is an Acronym for:

G: Great Game

A: A Study in Pink

R: Reichenback Fall

A: A Scandal in Belgravia

How it Works: Callbacks/memories from these four episodes repeat continuously in a pattern starting with MHR and ending with TFP. It’s like a stream of consciousness on the screen.  

Is this merely a stream of consciousness abuse?”


A: Anderson wearing a similar sweater to John in ASIP

G: The pink phone from TGG

R: Sherlock faking his death

A: Sherlock winking

G: Sherlock’s return in Series 3 is a cliffhanger


R: Flashback to TRF, Richard Brook, Sherlock’s Grave

A: Mycroft saves Sherlock from being killed by a lead pipe vs Sherlock saving Irene from being killed with a sword

G: Trains Trains Trains. John on a train vs John on train tracks

A: Flashback to ASIP “You invaded Afghanistan!”

R: Reference to Moriarty and his network

A: “I am not gay” to Mrs. Hudson vs “I’m not actually gay” to Irene Adler

G: Sherlock disguised as a waiter vs. Sherlock disguised as a security guard

R: Moriarty’s fake kiss. Sherlock begins to explain the fall to John

A: 13 possibilities vs 13 rows in Bond Air plane. “I’m not lonely.” “How would you know…” vs (“Sex doesn’t alarm me.” “How would you know…”). Sherlock’s shadow on door when Mrs. Hudson sees him again for the first time also happens in ASIB

G: Bomb in train car vs bomb strapped to John in TGG

A: Anderson’s sweater similar to John’s in ASIP

R: Sherlock’s explanation of the fall to Anderson. We see Moriarty again.

A: 1:29 on the bomb

G: Bomb doesn’t go off just like the bomb in TGG doesn’t go off

R: John asks Sherlock if he will tell him how he survived the fall. “I asked you for one more miracle”

A: Sherlock putting on the deerstalker and walking out to meet the press

G: TEH has a cliffhanger (Cam watching the video at the end).


A: Mrs. Hudson’s husband. “I’m a high functioning sociopath.” Harry’s alcoholism. Mike Stanford. “So hard not smoking.” Eyeball in cup of tea vs eyeballs in the microwave

R: “Tragic Loss. Sorry about that one.” Reference to Sherlock faking his death.

A: “I know Ash.” vs “I know human ash.” And his partner, John Hamish Watson.” Sherlock using sliding magnifying glass when cluing for looks (this is a callback to TGG as well)

G: The stag night is similar to Joe Harrison and Westie’s stag night at a bar. Alka-Seltzer fuzz is similar to the fuzz when Sherlock is testing blood from Janus Cars in lab. Also used in the show’s opening titles.

R: Courtroom for MP scene vs courtroom for Moriarty’s trial

A: “John Hamish Watson” “The Woman she knew.” Irene Adler. Vatican Cameos

G: “I have to delete something,” on the steps to Sholtos’ room vs “I’ve must have deleted it” in the beginning of TGG where Sherlock explains he only remembers information he finds relevant


R: CAM’s pressure points vs Moriarty saying “Everyone has their pressure points.” Same red writing is used on the hotel video for the jurors as on screen during CAM’s pressure point scenes

A: John dreaming (flashbacks) of the first time he met Sherlock in ASIP while in bed with Mary

G: John has started riding his bike, and goes to a crack house. Joe Harrison rides his bike and sells drugs.

A: “The Game is on!” Anderson looking for drugs in Baker Street

R: Sherlock is a celebrity in the newspapers

A: Janine in Sherlock’s bedroom vs. Irene in Sherlock’s bedroom. Sherlock trying to obtain Lady’s Smallwood’s letters about an affair from CAM’s safe vs Sherlock trying to get pictures of an affair from Irene’s safe. Fireplace parallels as well.

G: Sherlock telling John he’s put on weight since getting married vs Sherlock telling Molly she put on weight since dating Jim from IT.

R: Sherlock explaining to John about the keycard to get in CAM’s Tower vs. Sherlock explaining to John about Moriarty’s keycode to break into the Tower of London.

A: Sherlock falling backwards after being shot by Mary is similar to him falling backwards after being drugged by Irene

G: Louis Moffat playing young Sherlock Holmes. He was the voice of the kidnapped kid in TGG

A: Stairs from ASIP and the hallway where John shot the cabby and saved Sherlock’s life

R: Moriarty. “Off you pop”

A: “The Woman will cry.”

G: John hugs Mary vs John “hugging” Moriarty at the end of TGG

R: Tabloids. Janine in tabloids wearing the hat vs tabloid newspapers in TRF “Why is it always the hat, John.” Beehives vs The Bee Gees (Stayin’ Alive)

A: Red rose from Irene Adler in Sherlock’s hospital room. Lestrade saying he will take video of Sherlock in the hospital.

G: Sherlock vanishes through window vs Joe Harrison going through a window

A: The lie (Mary) hidden in plain sight

R: Mary faked her death vs Sherlock faking his death.

A: Christmas with the parents vs Christmas at Baker Street

G: “The Watsons are about to have a domestic” vs “Did you two have a little domestic?”

A: Irene’s theme is played so dramatically, it’s hard to ignore. Flashback to Christmas with the parents.

G: The AGRA memory stick vs the memory stick at the end of TGG. Mary’s past is similar to Westies (top secret spy)

A: Mary saying to John, “You don’t even know my name” vs John saying to Sherlock in ASIP “I don’t even know your name”

R: “Sodded lawn.” vs “Sod this”

A: “Low tar.” “Your loss would break my heart” vs “Caring is not an advantage. All hearts are broken in the end.”

G: “I’m not a hero.”

A: “Do your research, I’m a high-functioning sociopath.”

G: Red laser lights from snipers on Sherlock. Louis Moffat playing young Sherlock Holmes.

A: The plane on the tarmac vs Bond Air plane on the tarmac. “If you’re looking for baby names.”

R: Moriarty’s return. His face on TV screens vs his face on the TV in the cab


Opening Montage of TAB

A: Unzipping the body bag

G: Dressed up as a security guard

A: Riding crop, John meets Mycroft, “The Game is on!”

G: “Don’t make people into heroes, John.” Bomb strapped to John. “I’ll burn the heart out of you.”

A: Naked Irene Adler. “Are you wearing any pants?” “This is how I want you to remember me.”

R: Moriarty killing himself on the roof

A: Sherlock and John running through streets of London after the cab

R: John and Sherlock handcuffed. “We are going to need to coordinate.” Sherlock’s grave. “I asked you for one more miracle. Don’t be dead.” “I heard you.”

TAB Begins:

A: Recreation of John and Sherlock meeting for the first time in ASIP

G: Sherlock looking out the window, “The curtain rises…”

R: Emelia Ricoletti shooting herself in the mouth vs Moriarty shooting herself. Peter Ricoletti. “How could he survive…”

A: “Come when convenient…”

G: Sherlock doesn’t know how the solar system works

R: Diogenes Club

A: “I thought I looked rather enormous” vs “Putting on weight again?”

G: “You see but you don’t observe.” “Legwork”

R: Orange pips sent to Eustace in envelop vs Breadcrumbs sent to John in envelop. “Means death”

A: “A dead woman walking the earth” vs “you’re a dead man walking” (Jeff Hope)

G: “The Orange pips were a reminder.”

A:  Picture of Irene Adler. “You’re human.” vs “People want to know your human.”

R: Breaking glass vs. Moriarty breaking the glass at the Tower of London

A: Lestrade saying the body (Eustace) had a note vs. Jennifer Wilson having left behind a note. Sherlock rushing down a staircase.

G: “Putting on weight?” vs “How’s the diet going?”

R: Moriarty scene at Baker Street. Emelia Ricoletti vs Peter Ricoletti

A: “Dead is the new sexy” vs “Brainy is the new sexy”

G: “Putting on weight?

R: Ricoletti and Moriarty.

A: The deerstalker is introduced. “You’re Sherlock Holmes. Wear the damn hat!”

G: Spies

R: Ricoletti shooing herself. A substitute corpse. “You can’t kill an idea once it’s exist” vs “you can’t kill an idea, can you?” “Molly Hooper found a body for me when I…” The waterfall with Moriarty.

A: Sherlock looks out the window, exterior shot vs the same exterior shot at the end of ASIB


G: Moriarty. Classified top secret with Mycroft.

A: “High functioning sociopath”

R: “I’m glad to be alive” vs “staying alive.” Moriarty’s revenge after dying on roof

A: Sherlock stabbing the mantel vs stabbing the mantel the first time him and John visit Baker Street

G: John blogging

R: “The spider makes his move” vs “Moriarty is a spider with a web, etc.”

A: “Come back, it’s the wrong thumb” vs Mrs. Hudson saying “Ugh, thumbs!”

G: “You see, Watson, but you don’t observe.” (Baby Rosie throwing the toy in Sherlock’s face)

A: The Six Thatchers case from John’s blog. Using magnifying glass. Dead body in car.

R: Moriarty flashes on screen. Black pearl vs Moriarty’s diamond in the Tower of London

A: “Then he becomes a pirate for some reason.” vs “But initially he wanted to be a pirate.”

G: Sherlock looking into his white microscope, testing blood vs testing blood in Carl Power’s case. Pets are so loyal. “A noose to hang my neck in” vs “Hanged, yes.” “Like hiding a tree in a forest.”

R: Mentions of Moriarty. Glass breaking.

A: “Tell her she’s a dead woman walking” vs “You’re a dead man walking” (Jeff Hope)

G: The memory stick

A: Ajay falls backwards as he is drinking and lands in his room, passed out vs Sherlock falling backwards and landing in his bed after being drugged

R: “Ammunition” vs John tells Mycroft he gave Moriarty ammunition

A: Mary drugs Sherlock vs Irene drugging Sherlock

G: Memory stick

R: A note to John

A: Plane vs Bond Air plane. “You’re at my mercy” vs “Beg for mercy”

G: The curtain rises (text to Mary)

R: Mary’s DVD’s vs “I’m a storyteller. It’s on DVD.” John’s note to Sherlock vs Sherlock’s note to John

A: 13 on the post-it note on the refrigerator vs. 13th row on Bond Air plane

G: Cliffhanger with John’s note and Mary saying “Go to hell, Sherlock.”


(The opening shot of a gun firing could fit in here as John’s gun from ASIP)

R: John’s therapy session with Eurus looks similar to his sessions with Ella in TRF

A: Faith with walking cane vs John with walking cane

G: Sherlock looking out of window onto the street vs Sherlock looking out the window watching John crossing the street

A: Flashback to John with his cane. The whole scene with Faith Smith. Walking around London, eating, Mycroft spying on them. “Amazing” Gun in handbag vs gun in drawer. Throwing the gun in the Thames. Serial killer. 

R: Talk of suicide. Sherlock on the ledge of a bridge vs Sherlock on the ledge of Bart’s Hospital

G: Sherlock shooting the wall

A: Sherlock in the boot of the car vs the dead guy in the boot of the car in ASIB

R: Mrs. Hudson’s having a slow-motion “earthquake” with the tea spilling vs the man at the Bank of London in TRF in slow-motion with his tea rumbling and spilling. Handcuffs vs Sherlock and John handcuffed. Therapy.

A: “I’m not your housekeeper!”

R: “You pretended to be dead for two years!”

A: “The game is on,” said Mrs. Hudson

R: “Thought this was some sort of trick…”

A: Hiding in plain sight. Texting Faith vs Texting Hope

R: Nurse Cornish is a big fan vs Kitty Riley being “a fan.” Both take place in and near the restroom

A: Wear the hat. The queen, her majesty.

R: Bliss vs Domestic bliss

A: The game is on.

R: Return to Bart’s Hospital

A: Morgue with dead woman vs Morgue with “Speckled Blonde” or Morgue scene with Irene’s fake dead body.

R: Culverton’s keys vs Moriarty’s keycode. They can both go anywhere they like.

A: Faith with walking cane. John leaves behind his walking cane as he did in ASIP. Mycroft sends car to pick up John. Mycroft looking for drugs vs Lestrade looking for drugs at Baker Street. John deduces there is a secret brother vs Sherlock deducing John’s sister

R: Mary’s DVD vs Moriarty’s DVD

A: John rushes to save Sherlock from killing himself

R: “Off you pop.” John uses a fire extinguisher to break down the door vs Moriarty using a fire extinguisher to break the glass at the Tower of London. “There must be something comforting about three” vs “Your three friends in the whole world will die.” Molly is the fourth.

A: Irene’s text message. Sherlock wearing the hat

R: The “Miss Me” in black light vs “Help Us” in black light. John in therapy. Eurus with gun on John =  Moriarty’s snipers on John


A: Eye opens vs. John’s eye opening in ASIP

G: TLD left us with a cliffhanger, and John in danger

A: Bond Air plane with sleeping/dead people and the same child actress.

R: Moriarty’s voice “Welcome to The Final Problem.”

A: “John might like to call his daughter vs Why would Jennifer Wilson still care about her daughter

G: The bomb at Baker Street

A: “The pirate.” vs “But initially he wanted to be a pirate.”

R: The guards and the security cameras. Sherrinford Prison = Pentonville Prison. Sherlock walks into Eurus’ cell while she plays the violin, her back is turned vs Moriarty walking into Baker Street as Sherlock plays the violin, his back is turned. Moriarty says Bach would be appalled vs Eurus saying “Not Bach, play you.”

A: Sherlock plays Irene’s theme. Vatican Cameos.

R: Moriarty with head phones and dancing vs the entire sequence of him at the Tower of London with the Crown Jewels. The guards escorting him. The security cameras are similar.

A: Christmas. Moriarty.

R: Five minutes between Sherlock and Moriarty. Moriarty in front of the glass cell vs Moriarty in front of the glass with the Crown Jewels. Sherlock and Moriarty shown next to each other in a cell in TRF.

A: Little girl on plane

R: Moriarty’s Final Problem

A: Little girl on the plane

G: Moriarty going “Choo Choo…” trains and more trains

A: The walls of the second room are red and gray, and similar to the walls where Jennifer Wilson was found dead.

R: Moriarty

A: Bond Air plane and little girl. John says Irene Adler loves Sherlock

G: Molly’s “I love you,” scene is set up like the scene in TGG with the painting and the Super Nova.

R: Moriarty. “Took her only five minutes to do this to us.”

A: Little Eurus in John’s sweater from ASIP

G: Little girl on the plane says, “You mean where the driver is?” vs John talking to the train guy in TGG: “What about the drivers?” “They’ve gotta live with it, haven’t they?”

R: Moriarty’s revenge

A: The plane!

R: Time to solve the final problem

A: Young Eurus wearing John’s sweater from ASIP

G: Shot of pool from the TGG

A: Young Eurus in John’s sweater from ASIP

R: Gravestones. Cemetery vs the cemetery at the end of TRF. Arresting Eurus vs arresting Moriarty.

A: John in shock blanket. Lestrade saying his line “He’s a good one.” Shot of Sherlock opening the body bag and John in bed from ASIP. “You know where to find me…” text.

G: Sherlock shooting the wall

A: Sherlock stabbing the mantel

The Lost Special: The pattern ends with Sherlock shooting the wall and stabbing the mantel. Mrs. Hudson told us what these two actions mean. The case is still unsolved and there are still unanswered questions.

The writer of this blog would be forever grateful if someone could please tell her what this fabric is called.

Obviously there was only enough of it to make one long-sleeved dusty rose low-pile velvet sweater crop top, which is a complete and utter travesty because it is perfect.

Series Two is EMP: Mycroft Meeting with Moriarty and John

If EMP starts on the roof or after Sherlock jumps: How does Sherlock know Mycroft met with Moriarty in THoB?

Sherlock wasn’t present for the meeting between Mycroft and Moriarty at the end of THoB.

While Sherlock is giving his explanation of the fall to Anderson in TEH, we get these two parallels below:

The one on the left is a flashback during Mycroft’s conversation with John in TRF. And the one on the right is a flashback during Sherlock’s explanation to Anderson in TEH.

If EMP began on the roof or after, how does Sherlock know Mycroft met with Moriarty in a cell? How does he have the same flashback? No one ever told Sherlock. John never told him.

Sherlock wasn’t present for the conversation between Mycroft and John in TRF.

In TRF, John told Mycroft that he gave Moriarty the perfect ammunition to destroy Sherlock. In TST, the word ammunition is used again by Mary. Mary also wasn’t present for the conversation in TRF. We learn that ammunition is really amo or love. And later we are told Norbury used the code word love.

Norbury is love. So love replaces ammunition in the scene from TRF. Norbury is John and Mycroft. But is Norbury also Sherlock?  

Yes. Wasn’t it actually Sherlock who gave Moriarty the ammunition? Didn’t Sherlock give Moriarty love to use against him?

Yes. “I’ll burn the heart out of you.”

Sherlock’s code name is love. amo, amas, amat. “I love, you love, he loves.” Mycroft, Sherlock, John.

Mary’s death scene is a recreation of TRF. Sherlock is a witness to his own destruction.

Norbury, or love, is sent to prison. Sherlock keeps his emotions inside his own prison, Sherrinford.

“Emotional context destroys you every time.” - Eurus/Sherlock

Mycroft is suppose to be a mirror for Sherlock’s cold mask. But because the mask is just a facade, Sherlock subconsciously uses his brother to remind himself of his love for John.

Mycroft is a stand-in for Sherlock during the meeting with Moriarty in THoB, and during the conversation with John in TRF.

How else do we know this?

Mycroft’s Meeting with Moriarty in THoB is Recreated in TFP

Mycroft meeting with Moriarty in THoB & shown in flashbacks in TRF = Mycroft meeting with Moriarty at Sherrinford shown in a flashback.

Eurus meets with Moriarty. She takes the place of Mycroft meeting Moriarty in a cell in THoB.

“Mycroft fed Moriarty information about me” = Eurus’ five minute “Redbeard” conversation with Moriarty.  

And if Eurus is Sherlock…

Then it’s actually Sherlock who takes Mycroft’s place in THoB. And it’s Sherlock who takes over Mycroft’s place in the conversation with John in TRF.

Sherlock is actually saying in TEH: “I fed Moriarty information about me.”

And he did. However, Sherlock didn’t feed Moriarty information about his reputation, he fed him information about his heart.

“New information. She’s out.” John in TFP. Eurus out of her cell is love. Sherlock in love. Moriarty let out of his cell in THoB is love unleashed. Sherlock believing love is dangerous, a weakness, ammunition is what leads him to the rooftop of Bart’s Hospital.

The five minute conversation between Eurus and Moriarty is the meeting at the pool in TGG. Is this where EMP begins? Sherlock, not Mycroft, gave Moriarty ammunition. Sherlock gave him amo. He gave Moriarty love to use against him. He gave him Redbeard. He gave him John.

Eurus puts Mycroft in her old cell = Sherlock puts himself/his love for John in his old cell. Eurus only had one cell in TFP. The old cell they are referring to is the other metaphorical one from ThoB/TRF where Sherlock fed his heart to Moriarty.

“Do you have cannibals here?”

“How many?”


Who are the other three cannibals Sherlock fed his heart to? Irene, CAM, and Janine? “Yes, you are.” “Look how you care about John Watson,” “I know what kind of man you are.”

Side note: In HLV, Sherlock tells Mary that he won the empty houses of Leinster Gardens from the “Clarence House Cannibal” in a card game. Mary is a mirror for Sherlock’s cold facade, the sociopath he tries so hard to be. The empty houses are his soul/emotions. The Cannibal is Moriarty. Sherlock didn’t win in the game against Moriarty, he lost. “Nearly cost me my kidneys” = Cost Sherlock his heart. The lie hidden in plain sight.

“Mycroft has been lying to you.” No. Sherlock has been lying to himself.

“You were upset, so you told yourself a better story.”

Why is Anderson wearing John’s sweater from ASIP in TEH?

Sherlock’s explanation to Anderson in TEH is a recreation of Mycroft and John’s conversation in TRF. Anderson is suppose to be John. And Sherlock is suppose to be Mycroft. This is suppose to be a love confession caught on camera. “In the act!”

The sweater is amo…love. Both Anderson and little Eurus wear the sweater because Sherlock keeps trying to forget love. Love is manipulative (Eurus) and can rule your head, make you crazy (Anderson).  

“But he can’t stop confessing.”

This is also why Anderson’s scene interrupts the confession in the train car carrying the bomb/heart. The bomb is a callback to John wearing the bomb in TGG.  It’s all about love, but because Sherlock believes love is abhorrent and dangerous, he interrupts his own narrative to deflect his emotions. Ironically, he envisions Anderson in John’s sweater because he can’t escape the truth (love) no matter how hard he tries.

“Once you’ve opened your heart, you can’t close it again.”

@gosherlocked @sarahthecoat @ebaeschnbliah @not-a-bit-good @sagestreet @monikakrasnorada @tjlcisthenewsexy @kateis-cakeis @raggedyblue @221bloodnun

best @prog aesthetic fashion sense - no order
- gregs white tuxedo
- steve hackett fairy white clothes
- neil moustache era
- ged robes/japanese kimonos
- mike rutherford 1976 beard
- jon anderson blonde hair
- jeff lynne without sunglasses
- richard wright star sweater
- ian anderson hats
- robert fripps scarves
- rick wakeman have a shit day t shirt
- eddie jobson make up
- john wetton sideburns

You guys! VELVET LACE MESH SWEATER HALTER TOP officially has thousands (plural!) of followers.

I’m so proud.

Like Gillian here, I feel like I’ve won an award.
Quick, someone find me an asymmetrical twisted cutout neckline stretch fancy lycra ball gown and a hip brooch.