and this was the result


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Hey but forreal I wanna talk about Nora Valkyrie for a second and why she’s my favorite character in the show.

Originally posted by dingo-sniper

We have to take into account each hunter/huntress’s backgrounds for this to work, and once we do, you’ll notice a pattern. Naturally, paying for the training and a basic custom weapon + ammunition it takes to become a hunter/huntress in training takes no small amount of money, which would most likely be coming from their parents.

Pyrrha comes from a background of fame and fortune and presumably a normal family, so it is no surprise as to how she is able to afford Beacon and her custom weaponry and ammunition.
Jaune comes from a long line of warriors; his family name no doubt has a lot of prestige and power behind it.
Blake’s parents seemed to be the only family with a mansion in all of Menagerie, and are deferred to by the White Fang. Not to mention, Blake joined the White Fang at an early age and got extra training and experience beyond her peers.
Weiss comes from the Schnee family, owner of the Schnee Dust Company, one of the richest families in all of Remnant.
Ruby and Yang, though not super rich, are descended from three of the most infamous hunters and huntresses in the world, and would naturally get certain privileges other children would not, such as training and elementary combat schooling.
Even Ren, who was an orphan for most of his life, was still raised by a seemingly upper-middle class family with a warrior father. Even after his parents’ deaths, their savings would transfer to him anyways.
All of Nora’s classmates have come from backgrounds that gave them some monetary (or otherwise) advantage. Becoming a hunter/huntress can be safely assumed to be a vocation reserved for the upper-middle/upper classes of society.

But Nora, from birth, has had next to nothing to her name. No family, no money, no food; just her and the streets. As a child, she likely slept in the forest and under houses, and had to beg and steal just to make it to the next day. She’s dealt with bullies and law enforcement, starvation and sickness, without anyone’s help. Of all of her classmates, she has had to fight the hardest to get where she is today, and somehow remains positive about it regardless. This is exemplified in her fighting style: swinging around a giant hammer at lightning speed. She hits fast, hits first, and hits hard. This isn’t finesse or style, like Pyrrha or Weiss. She learned that from fighting to survive from day one.

Originally posted by jaunearcinadress

Without the funds necessary to acquire a custom weapon such as Magnhild with ammunition that would be more expensive than most such as grenades, she most likely had to become one of the top students in her class with very little experience, and probably without even adequate clothing or previous education. Other classmates could have bought their way up with better gear and better training, but Nora Valkyrie earned it all through sheer hard work.

But she hasn’t let her past define her or even touch her in any way. She remains positive and infectiously bright through the worst of times, and loves and cares for her friends with a vengeance because she hasn’t had any before and isn’t willing to let go any time soon. And as a result, she has one of the hardiest auras of the show. This, combined with her extreme and extensive training, has granted her intricate knowledge of the inertia of her body and Magnhild during combat, a technical skill generally unnecessary unless you’re Ruby Rose or Blake Belladonna, that likely requires a lot of quick mental calculations. She has a strong, inherent, and deadly understanding of physics that allows her to navigate the battlefield and apply tactical pressure as adeptly as any of her classmates with smaller and more agile weapons.

Originally posted by yangsmash

So I really hate when fanfiction and fanart portrays Nora as exclusively this airheaded comic relief character who’s an adorable badass-but-for-no-reason. Obviously she does have a reason, and though she does often serve as a comic relief character, it’s still in tune with her nature and runs deeper than just a plot device: she doesn’t want her friends to feel down because she’s lived within true sorrow and loneliness, and wouldn’t wish it on anyone. Yes she can be silly and distracted at times, but in no way does it detract from her brilliance. And I especially hate when they portray Nora as ‘Ren’s girl’, and define her entirely through her relationship with him. Of course she has a natural inclination to be with him, but not once is she ever considered lesser to or dependent on Ren. She’s a much rounder character than people allow her to be, and is entirely her own person.

so yeah tldr nora’s fuckin dope come fight me bitch

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[TRANS] BTS - Sea (lyrics)

(T/N: This is one of the hidden tracks of ‘LOVE YOURSELF 承: Her’, therefore there’s no official lyrics. I listened to the track and translated what I heard, there might be mistakes.)

Somehow I walked and came to this sea
From this sea I look at the beach
Countless grains of sand and the fierce wind
I’m still looking at the desert
I want to have the sea, I gulped you all down
But I get even thirstier than before
Is everything I know truly the sea
Or is it a blue desert

I don’t know I don’t know
If I’m feeling the waves in this moment or not, yeah
I don’t know I don’t know
If I’m still chased by the sandstorm or not, yeah
I don’t know, I don’t know
Is it a sea, is it a desert, is it hope, is it despair
Is it real, is it fake, shit

I know I know
That I will
I know I know
Overcome my trials
I know I know
It’s myself
That I rely on
Think positively, swallow*
Even if I’m anxious, even if a desert
It’s the beautiful Namib Desert

Where there is hope, there are trials
Where there is hope, there are trials
Where there is hope, there are trials
Where there is hope, there are trials

Where there is hope
You know you know you know yeah
Where there is hope
You know you know you know yeah

I thought the sea was here but it turned out to be a desert
Small company’s idols with nothing special was my second name
Countless of times edited out from broadcasts
Someone’s fill-in, our dream
Some people said our company was small so we wouldn’t be famous
I know I know, I know it too
Even back when the seven of us struggled to sleep in one room
The trust before sleep that tomorrow would be different
The mirage of the desert, I can see its shape but I couldn’t grab it
I pray that I will survive in this endless desert
I pray that it is not the reality

At last I grabbed the mirage and it became reality
The desert I was once afraid of became that sea by our blood, sweat and tears
But what are these fears among all the happiness
We all know too well this place was originally a desert

I don’t want to cry
I don’t want to rest
(No, how about resting just for a little bit?
No, no, no)
I don’t want to lose
It was originally a desert
(Then let them know everything
We have to achieve more)

Where there is hope, there are trials
Where there is hope, there are trials
Where there is hope, there are trials
Where there is hope, there are trials

Where there is hope
You know you know you know yeah
Where there is hope
You know you know you know yeah

Ocean, desert, the world
Everything is the same thing
Different name
I see ocean
I see desert
I see the world
Everything is the same thing but with different name
It’s life again

Where there is hope
You know you know you know yeah
Where there is hope
You know you know you know yeah

Where there is hope, there is despair
Where there is hope, there is despair
Where there is hope, there is despair
Where there is hope, there is despair

We have to despair, for all of those trials
We have to despair, for all of those trials

*swallowing saliva when being nervous

Two sweaty men, two cheap suits, and one murder.

When the “Symbol of Peace” is a Warrior

Remember that time Gandhi punched a man into the stratosphere? Or when Nelson Mandela dropped the atom bomb? While such events might make for a good game of Civilization VI, the societal and cultural implications would be rather bleak.

That’s the world of Boku no Hero Academia. A world where peace is assured, not by treaties and accords, but by the threat of overwhelming force. The threat of All Might bearing down upon you with all his might.

The surface level problem with this arrangement is not so much an issue for the majority of law-abiding citizens. At least, it wouldn’t be if not for the way this society pushes people toward villainy (which I wrote about here).

The deeper issue here, is the idolization of violence.

Pictured above are 4 of the top 10 ranked heroes in Japan. There are 2 others, but they don’t support my claim, and the remaining 4 are unknown.

All Might - OFA: punches so hard the sheer pressure changes the weather
Endeavour - Hell Flame: kills it with fire
Ryukyu - Dragon Form: claws, fangs, probably eats livestock whole
Edgeshot - Foldabody: makes body thin as a razor, punches at speed of sound

Ignore the Shigarakis and All For Ones of the world, they are few and far between. Consider the more innocuous criminal, like a shoplifter. What strategies would any of these heroes employ in that case? Step 1, offer chance to surrender. Step 2, murder? These heroes do not have a non-lethal option.

And that’s a real problem. Not just for these heroes, but for the society that elevated them to the top 10, rankings which account for popularity more than anything else. 

Every child dreams of being All Might. Everyone looks up to this incredible powerhouse. The term “Hero” was meant to mean “one who saves others,” but has twisted to mean only “one who fights villains.” This perverse understanding of what makes a hero pervades society at an institutional level.

Take it from Aizawa, the UA entrance exam is illogical and harmful, stemming from society’s fascination with brute strength. To get in to the UA Hero course, you need a combat-capable quirk. This system precludes people like Shinso or Aizawa from gaining admission, people who posses some of the greatest and most useful quirks any hero could ask for.

But the exam never asks, “What’s your true potential?” It begs but two simple questions, “How many villains can you beat up? How many people can you save (from villains)?” And the results end up looking like this:

That’s right, Lord Explosion Murder is the star of this year’s class. Bakugou’s quirk and personality are only useful for trying to kill things. Maybe he just needs a better role model. Who does he look up to? Oh, right, it’s All Might.

All Might is a defacto demi-god of this world. Outside of villainous circles, you won’t find anyone who doesn’t idolize him. But what good is that idolization? If someone like Bakugou genuinely believes himself to be following in All Might’s footsteps. 

Well, maybe this is an isolated problem. All Might is UA’s celebrity alumni, of course they’ll try to keep up that image. But the other hero schools can’t all be like that, and the hero licensing program is bound to be–

Oh, nope. It’s all violence, all the time. Neat.

Granted, the provisional license exam does have a rescue phase, but almost everyone passed that. The part intended to cull 95% of the applicants is combat-based. Are there even enough villains in the world to justify being this focused on combat?

As tragic as it is, the elevation of violent heroes is only half the problem,

Because this is a zero-sum scenario: if brutality rises to the top, then utility is pushed to the bottom. 

Non-violent heroes simply do not have a clear path to success. I’m using Shinso as an example again, because there are so few like him that manage to rise to the point of being mentioned in the story. The realm of heroism is all but institutionally sealed off for them. 

Society wants heroes who fight villains. That is what their purpose has become. And anyone who can’t conform to that mold gets pushed out. Maybe Stain was on to something; heroes have deviated from their original purpose, they now exist only for the spectacle of the fight.

All Might’s position as the Symbol of Peace does not extol heroism, but rather violence in heroism’s name.

  • <p> <b>shiro:</b> hey keith can you lead voltron<p/><b>keith:</b> no i cannot<p/><b>keith:</b> waddup my name's keith i'm 18 and i never fucking learned how to lead<p/></p>