and this is the dawn scene!!

Yup, Horizon: Zero Dawn is absolutely in my art category - it’s consistently on-point with its themes, it s characterisation, its setting and the intrigue within it as you uncover the secrets of the past.

On top of that, no romance - I daresay that Aloy is canonically aro/ace from the way in which certain scenes that lean towards romance from other characters are presented.

There’s a strong emphasis on positive, platonic relationships - this is particularly well handled with the male characters as well, there’s like… a seriously refreshing lack of toxic masculinity, sexism, and racism (and there’s a lot of POC in this game) in this setting where it would have been easy to pull that under the shitty pretence of faux-realism (as Game of Thrones does). The core of the story and one of its central themes revolves around motherhood as well, which you just don’t see a whole lot of.

I really hope Horizon: Zero Dawn does well and Aloy becomes the revered Nathan Drake equivalent of this console generation - the game damn well earns this through its writing alone.

youaremorecampaign  asked:

When I read that the Dawn Squad had to retrieve an arrow Hanin shot up in a tree, I pictured the arrow retrieving scene from Mulan except with Hanin and the Dawn Squad instead with "I'll Make a Man Out of You" playing in the background. xD


“Let’s get down to business…”


btvs rewatch ✞ 5x12 Checkpoint

BvS rewatch

Olsen isn’t dead, it’s just a CIA agent using his name; one of the men at the base of operations called him “Talon”, meaning that Olsen was a false name. All those people crying that they killed Jimmy Olsen don’t have to worry now.

When Lex is tapping his fingers and saying that the red capes are coming, he says “one if by land, two if by air”

There’s a part of the beginning of the Waynes’ tomb scene where the sound of the Wolrd Engine can be heard

The bat monster coming out of Martha Wayne’s tomb seems to imply that she is what influenced Bruce to be Batman, not his father

The KGBeast was standing behind the senator and his wife at lex’s party

Lex saying that he and Bruce should partner up on something is nice foreshadowing

There’s the sound of Superman’s sonic boom right after he pulls on his tie to go save the little girl

Seeing all the real life people during the interviews and tv segments makes me realize that this world, with all its fictional cities, is more grounded than the mcu and its fake news commentators. Weird, the mcu has Manhattan and other real cities, but the dceu has the real life people

Diana puts down the drink she was offered at the museum by the curator

In fact, every time a dream sequence is about to start, the sound of the World Engine is used to signify that

There was a batarang thrown during the knightmare scene

The cowl is separate from the cape, which was a problem in the animated show and other live action movies

Could the possible lack of oxygen have lead to Clark seeing his dad at the top of the mountain? Maybe.

A full day passed between the bombing and the big fight. The night of the bombing was when Bruce stole the kryptonite and made it a weapon. The next evening/night is when they fight.

Lex tells Clark where he’ll be for him to bring “the head of the Bat”, he even calls it “his [Clark’s] ship

The baseline theme from WW’s theme plays without hitting those iconic WW theme notes when we see the meta videos

The humidity in the air from the rain kept the kryptonite gas from dispersing as quickly as it would

Bruce elbowed Clark in the throat on the roof. Rude, Bruce

There’s a moment where the movie focuses on Clark breathing the kryptonite free air once Bruce jumps him to a lower level; there’s another small moment like that immediately after Clark throws Bruce through a wall; foreshadowing and using the visual medium fully. Anyone that says this movie tells and doesn’t show can stay quiet

Clark got his invulnerability back but not all his strength, as evident by his struggle to throw Bruce across the room

Oh. Bruce’s mask gets damaged because Clark punches it before the gas takes him out a second time

When Bruce fired at those cars outside where Ma Kent was being held, he only took out one truck; that truck took out the rest

When Lex said Clark’s sin is existing, he meant the fact that Clark exists on earth. I always took this line to be about Doomsday for some reason

They took out the "what have you done” line from the TC out during the Doomsday reveal

When the military came for Lex, there’s some chit chat you can hear coming from where lex was. Something was taking to him

There’s a “Kennedy Dead” newspaper shot as the camera pans over the interior of the Daily Planet. Meta.

The General with Major Ferris took the flag they folded for Superman

And that’s it! It’s still a great movie and re-watching it in its entirety has got my mind going for more posts about it.

I’m a little tired of discussing the Martha scene, but somebody always says something that refreshes my feelings on the matter and makes me analyse scene anew.

Bruce was so lost in his rage, and the only thing that slowed him was hearing his mother’s name. If I need to explain why that name was said and why it affected him one more fucking time, I will scream. So I’m not going to.

What I will reiterate is this - He was absolutely still going to kill Clark. Even when Lois was holding Clark, he still drew back that spear for the killing blow. But as he does that, watch his eyes. They drift to Lois, they’re barely focused, but then they do focus and the fog of rage just blows away, leaving only confusion and shame. It’s the most subtle, nuanced and incredible part of Ben’s performance and it was met with ridicule. That’s fucking sickening. Honestly, how did anybody watch that and not see how each and every line and scene direction built up and dovetailed to the next? I know I’ve waxed lyrical in my rage over people not paying attention, I’ve been doing it since the backlash of Man of Steel, but come on, people, how did you not see what was right there in front of you?

There are subtleties and subtextual themes throughout Batman V Superman, the movie is rich with them, but it’s fair to say that none of those subtle details and hidden messages were integral to following the plot, they just made the plot more sumptuous. And certain details were as clear as day, right there on screen. So where were people looking?

I will defend this movie forever, especially the Martha scene. Because it worked. It didn’t need explaining if you were actually paying attention.

I read an article the other day about this movie fast becoming a cult icon, that’s already gaining more and more fans and more love, and I looked into the comments and saw the haters dwindling, just chanting the same old tired arguments. And then I saw people admitting that the film had grown on them, or admitting that they hadn’t really noticed a lot of elements the first time around, and it filled me with joy.

Maybe there is hope for people, after all.