and the suspense begins

Using flashbacks to your benefit.

Suspenseful flashbacks, anyone? 

As a general rule, I dislike flashbacks, because many of them stall the plot instead of moving it forward and are just plain boring. But that doesn’t have to be the case. 

Tips to help you create more interesting flashbacks…

1. Leave the reader intrigued. Flashbacks work in your favor when you use them to create suspense. Instead of flat out explaining something happening in the present, make the present more interesting by giving hints about things that are currently effecting the main story, while leaving some things to be revealed later. 

2. Don’t just backtrack to backtrack. Anything worthy of a flashback should develop into something bigger and more interesting during the course of the main story. If you can remove the flashback from the story, and the story itself still makes sense and is just as suspenseful, your flashback shouldn’t be in the story to begin with.

3. Emotions are your best friend. If the flashback doesn’t create an emotional response in the reader, then you’re just using a lot of extra words to describe something that could have been better revealed through an intimate conversation between two emotionally vulnerable characters. 

4. Keep it short. The reader should be intrigued by the flashbacks, but they should still be thirsty to return to the present time. Don’t linger for so long that they become detached from what’s going on in the actual story.

5. Think outside the box. Characters experiencing their past through dreams or memories is a typical way to introduce flashbacks, but there are many other, more versatile methods. Break up the flashback into single pages or a few lines at the begin of chapters or book parts? Tell the memory from a side character’s POV? Compare it with the memories of an ancient historical figure who experienced the same thing? Consider the effect a variety of unique methods might have on the reader’s interpretation of the flashback before committing to the more common ways.

Please keep in mind that this is my singular opinion on what makes me personally enjoy a flashback. My opinion is not the opinion of every reader or writer in the known universe; for that matter it might only be the minority opinion. 

The most important rule is to flashback the way you enjoy flashbacking, if you feel the need to flashback in the first place. Don’t let my opinion persuade you otherwise.

"why don't you like frozen?"
  • what i mean: It's a film that, essentially suffers from an existential crisis throughout the entire two hours it runs. There's no world building whatsoever, leaving too many unanswered questions the audience in regards to the magic and lore of the land. It's inferred the trolls know everything there is to know about magic, but it does not explain how Elsa recieved her powers in the first place, leaving a pretty big unanswered question. Also, the decision to take a fantasy race usually isolated from magicks as the main sage magicians was an ...interesting choice, and would have worked out a bit better if the world was built up more. The plot is all over the place, with there being no clear antagonist until the final arc of the movie. Is the Duke of Weaselton supposed to be the antagonist? No, and he honestly doesn't even belong in the movie: in what way does this character move forward the plot? He doesn't, so why is he given such emphasis? Is Elsa supposed to be the antagonist? Through the film the audience is constantly being given conflicting views as to whether or not we are supposed to sympathsize with her or hate her, and we're never given our answer until the final arc of the movie, which is, ironically, when the real antagonist show his face: Hans. Since he is introduced as he antagonist in the final arc, it makes Hans' development as a villain feel rushed and unnatural. Such a sudden heel-face turn from charming benevolent prince to cold-blooded killer feels wrong, and considering there was no foreshadowing or dramatic irony leading up the reveal, it comes as a shock to even the most watchful moviegoers. Beyond the shock response, there is no reason for the audience to hate Hans, making him an ineffective villain all in all. The audience only hates him because he betrayed the trust that was willingly given in the first half of the film. Yes, he wants to usurp the throne and kill everyone off, but wouldn't that incentive be more effective if it were presented as such from the beginning of the movie? Give the viewers hints and clues that he is not what he seems, making the reveal of his plan much more suspenseful. Additionally, if it were addressed from the beginning, a large amount of the aimless plotless wandering that plagued most of the first three-quarters of the movie would be practically non-existant. In addition, the shock factor response wears off eventually; the impact of his betrayal means less and less to the audience each time they watch it. Part of the reason of the weakness and confusion in the beginning also stems from the fact that the movie is trying to juggle too many characters. Many named characters are completely unneeded and did not need to steal screentime (and by extension, valuble character development) from the main characters (Anna, Elsa, Kristoff, and I guess Hans). And the lack of character development is bad. Really bad. Anna doesn't feel like a real person, even by Disney standards. Elsa is a bit more believable, but her "development" is rushed and inferred instead of shown to the audience as it should be. Why was there such an emphasis on the parents in the beginning if they were only going to be killed off for plot fuel? And as an audience member, I did not feel any sadness for their death or for how Anna and Elsa were grieving. Having Elsa locked in her room for upmost of ten years was just...weird. There was absolutely nothing that justified it, making the isolation feel like a cheap way out for the writers to transition from childhood to adulthood. And beyond that, Arendelle is shown to be a peaceful kingdom, so it makes no sense that Anna would not be allowed to leave the castle and walk amongst the city. If magic exists in this world, why was Elsa locked away? Why was it a secret? All of these questions stem from weak worldbuilding that justifies very little of the events of the movie. There are so many unanswered questions that rise up from what happens inbetween childhood and adulthood. Is there a puppet monarch? Was magic seen as something negative or unknown? Why the trolls. Why the trolls. I'm sorry I just do not understand the trolls. The romantic subplot again ties into making the trolls feel even more forced and unneeded and the Hans reveal stale, I don't need to go into this. From a technically standpoint, the animation is subpar compared to its contempararies. Rise of the Guardians, a movie made a year before Frozen, had better ice effects. The particle effects and textures were nothing to write home about and the numerous clipping issues are clear evidence that the final product was rushed. The character design is the biggest complaint everyone has heard the most, but, Jesus Christ, oh my god it's bad. There's virtually no variation in character design. The facial structure of all the women are practically identical. Elsa, Anna, their mother, even Rapunzel all look 100% identical. Perhaps that wouldn't be such a problem if their body types were the same as well. There's no power of silouette in the film, something that is absolutely crucial to animated film, making Anna and Elsa blend together not only in the film, but in the industry itself. They do not stand out. They are blank and bland. The music is the only good thing, and that's only considering some songs. "Let it Go" and "First Time in Forever" are strong, powerhouse showtunes that actually move the plot forward, as songs in a musical should, but "Fixer-Upper" and "Love is an Open Door," while good, solid songs, do relatively nothing for the plot can could be omitted without sacrificing anything. "In Summer" is a total joke song that literally fades into nothing--I could not recall the tune if I tried, and "Do You Wanna Build a Snowman?" has a lot of potential but is, esentially, the same chorus repeated with little to no transition three times. It doesn't help that the song is also the most awkward contrived timeskip in the history of awkward contrived timeskips, again because it is never explained why Elsa is locked in her room at all. And the trolls and the--oh god. Please, all artists and writers, do NOT overlook the importance of worldbuilding. Even the dialogue is mediocre and does nothing to immerse the characters into the world around them. The resulting product is nothing but two hours of mediocrity masquerading as the best film of the decade in commercialization and ticket sales, but ultimately does nothing but leave a bad taste in the audience's mouth and will encourage Disney to continue making mediocre movies because they know they will sell and sell well.
  • what i say: because it's a bad movie

anonymous asked:

List of fav fanfics in bnha and hxh?

Oh my gosh, I have an excuse to point out the faves. So excited. 


I’ll be forming a link for each fic I post and of course, tag the authors and link them to their page on AO3 as well. It’s muy importante. 

I’m leaving it to my top five picks because… it’s really hard to pick from the massive pool of talent-driven works I’ve read… honestly there are sooo many that I hold so close to my heart, but I can’t list them all here because I need to trust my ultimate favorites and, yeah.  

Also I’m only posting one favorite per author, because there are always multiple favorites with each writer but it helps narrow it all down if I do it this way. 

Oh, and these works that I have finished reading. So, if I haven’t finished the fic or haven’t read all of the chapters posted up to that point, then it’s not fair for me to call it a “complete favorite.” So stay tuned until the very end to see those other wonderful recommendations! (And I swear that I will finish them!)



Report x Card by @olivemeister 

  • Okay. So. I think this is… probably my favorite oneshot work from the Hunter x Hunter fanfiction archive. This is just, absolutely phenomenal and heartbreaking and filled with angst and threads of hope and Killua and Gon are so interesting to observe through the eyes of multiple characters as tension and difficulties come into light. Oh, speaking of that, the level of suspense and buildup is just… ah. This is great, from beginning to end and I’ve read it dozens of times. 

Words That Water Flowers by @decembercamiecherries

  • I’ve definitely sung praises for this fic before, but it’s seriously, without a doubt, one of the most tightly written, creative Alternate Universe Killua/Gon stories. Killua and Gon’s relationship feels so raw and real, and the Hanahaki Disease is difficult to capture well in most settings, but I’m so glad that the concept behind this was taken in such an intriguing direction, and it allowed us into a very canon-like appreciation of Gon and Killua’s friendship/relationship. 

Lawfully Unwedded by @xyliane

  • I love this work mostly because of how believable it feels each time I read it. It’s mostly very sweet, but there’s a certain… candor, to it, that feels so refreshing when regarding the question on whether or not Killua and Gon would actually get married if they had the chance. I love the pacing, how the topic is handled, and I’m afraid if I say anything else it’ll spoil it. Please read it and leave lovely words behind for this talented writer.

Motor Scooters and Gelato by @fireolin

  • I never get tired of reading this story. I was honestly very torn between either posting this as my favorite from this author or Fireworks on Whale Island, which also displays this writer’s very sensible talents. The writing style is emotive, sensitive, and allows plenty of room to breathe, if that makes sense. You really feel every moment with Killua and Gon in this sweet, beautifully constructed piece. Honestly, reading this will make you just shine from the inside.

pro tempore by perennials

  • So. Um. There are many, and I mean many, works by this writer that are just jaw-dropping in the Hunter x Hunter fandom. I can’t even express how lovely everything they write is. But, I can only pick one per author… so, this one it is. Honestly, this story resonates with growing up, the angst and pain that radiates through Killua and Gon’s friendship, and so many more aspects of their relationship that come into light as they reunite as adults. The writing is marvelous and poetic and beautiful. I can’t recommend this enough. 


DNA by @killushawn

  • AH. I’M A HORRIBLE PERSON FOR NOT FINISHING THIS. I’ve listened to this heart-racing and solemn and wonderfully voice-acted piece almost to the very end, and that’s not a testament to Shawn’s talent because he’s brilliant. Now, this is the first audio fic I’ve ever listened to and if you haven’t listened to that many (or any) and are skeptical like I was, please give it a chance. The characterization of Killua in this is intriguing and different, and very refreshing. There’s so much passion and love put into this and you can feel it through each chapter/audio. 

one hundred by wartransmission

  • Okay, I love how this is written. I honestly do. I’ve read up to… chapter nine, or so, dozens of different times and kept trying to push through to the finish and just fell off for no other reason aside from my forgetfulness. This fic, though, I think, is honestly one of the best in the Hunter x Hunter archive. The characterization is interesting, especially with Gon, and I love how smooth the pacing and writing is and the take on each prompt is creative and fresh.

First Times by @murderxbaby

  • THIS. FIC. Is so… heavy. The pacing and the tension and the buildup are all brilliantly woven together, and I do realize that this story was actually recently completed. I’m planning on going through from the very beginning and reading it to the very end because it’s enthralling and wonderful, and I believe I stopped around the eighth chapter. Please, read this. It’s incredible.


WOO. Alright. Now it’s time for Boku no Hero Academia. Damn. 

Alright. Here we go.



Like the Moon by @osakakitty

  • Okay, so, um, it was really difficult to choose between this story and the equally masterful and wonderful character-driven piece, Make Every Moment Last. Both works are wonderful, but there’s something very raw and open about how she portrays the relationship between Katsuki and Izuku in her works, and… ah. Osakakitty has a fantastic, insightful view on these beloved characters and I adore how she writes Katsuki Bakugou especially. I can’t honestly praise this fic enough. Please read.

Falling by @soulestring

  • I think… nearly every person who likes BakuDeku/KatsuDeku knows about this story. This is, in my opinion, the BakuDeku fics of all BakuDeku fics, especially for first-time readers curious about the ship. It’s set in the canon universe and closely (with creative liberties taken of course) follows the main storyline of the manga/anime with a very intriguing look into the dynamic and “unrequited love” aspect of the Katsuki/Izuku relationship.

Incandescent Snow by Chicory

  • Okay, so, where do I even start with this? I love, and I mean, love, the concept behind this. This AU is so refreshing and unique and I love how in-character and tragic and angsty this story is, with outstanding imagery and themes that definitely border on the line of ambiguity and social construct. I love the questions raised in this story about relationships, family, and brotherhood. I personally consider it to be phenomenal and criminally underrated. Please read this.

For Want of Izuku’s Toe Joint by Talavin

  • This story is… for one, the amount of effort taken into capturing the elements of the original story and broadening the horizons within them in each chapter is worth mentioning on its own. I love the relationship between Izuku and Katsuki and their dynamic with the rest of their class, on top of how well the canon events are handled with a few twists thrown in there. Also, Izuku’s characterized very, very well in this, and I love that he stands equally with Katsuki. That’s honestly quite a rarity to find in fanfiction, and it’s something to behold.

How to Mend a Broken Soul by youwishyouwerethiscool

  • This is my favorite interpretation of the Soulmate AU that I’ve seen in the BNHA archive so far, especially with BakuDeku. I’m sure there are many exceptional ones under other ships, but… this is my list. Heh. Anyway, this is a wonderful fic with a great eye for characterization and detail, and it’s mostly from Katsuki’s perspective, which is great. I always love seeing different interpretations of his character and how he would handle being Izuku’s soulmate. This fic is wonderful.


On The Run by Justaperson1718

  • I LOVE THIS STORY AND I WANT TO CATCH UP. It’s not even completed yet but I really love the dynamic between Katsuki and Izuku in this. This author has also written many other oneshots that I love and wanted to recommend but they would be out of my top five. Still, read Fascinating and Manage Me, and then go read THIS because it’s wonderful and action-packed and angsty and dramatic. All the good things. 




An Extensive Eruri Fic Rec

Because this is goodbye. 

Due to some personal reasons, this blog will be going on semi-permanent hiatus. But I’ve loved, still love, Eruri, and this fandom, for so long, and so much, that I needed some closure. And the best way I’ve thought to do that is just to compile the Eruri Fics that I am eternally grateful for having read, and which have all given me so much, and sharing the list with you all. Most of these are classics, I just needed to take the time to thank the authors. Please enjoy, and thank you a thousand times, to all the godly writers this fandom has been blessed with. 

Slow Build/Burn | Good Angst

Dresden by @hedera-helixwriteseruri  

First Eruri fic I ever read, it is the reason I read hundreds more. WWII AU, featuring the perfect blend of amazing plot, realistic characters, and relationships that stay with the reader weeks after finishing. The characterizations in this are unforgettable, and you can never let go. I know I never will.

Listing by @35grams 

Canonverse. Could compete with any literature classic throughout the ages. Hands down one of the best things ever written. Kudos to you if you can finish this without crying. Being numb from grief so the tears won’t flow is cheating and doesn’t count. So poetic. Truly unforgettable. 

Irascible by @bigasstreeslevi

Southern Gothic Modern AU. Engaging, suspenseful, satisfying, from beginning to end. Detective Erwin and Levi is just beautiful. A very thought-provoking and perfectly written read.

The Companion by @everythingshiny

Future AU. I cannot express how much I truly love Nicole’s writing. The plot is so original and the characters are written so beautifully I would do anything to erase my memory so I can reread this again like the first time. This is just as applicable to all of her other fics which I’ve all read, and you should too. 

The Rat Catcher by @birbwin

Modern AU. Anything birbwin writes is a guaranteed masterpiece, Eruri Ficlets & Mc’Drabbles being proof of this (yes, including chapter 47). The Rat Catcher was so eye-opening and stimulating that it’s really a must-read for anyone and everyone. No-one’s the same after reading it.

Cardamom by @lostcauses-noregrets

Modern AU. Again, can never go wrong with lost’s writing. Beautiful, beautiful writing, and you hold such a strong investment to the characters. Really, just go have a look at everything they’ve written. So, so beautiful. Have I mentioned beautiful. Also the go to blog for any asks you may have to do with any canon stuff.

With My Hands Out by @stereobone

Canonverse. Had to put it somewhere, nevermind the header of slow burn. Of course, anything stereobone writes is a deserving classic, and this newest fic is no exception. Original plot, mysterious and perfectly written, it really encapsulates the essence of the characters, and leaves you wondering. A must-read.  

Hilarious Comedy | Generally Fluff(?)

Hazard in the Hallway by @momtaku  

Canonverse. Featuring a very oblivious Commander, and extremely relatable Corps members. A second chapter was! just! added! and I have never felt more blessed.

Alcohol, Eyebrows, and Shattered Noses by @sexycanofsoup

Canonverse. I have never laughed so hard reading any multi-chaptered fic. Actually that’s a lie, Dirty Kisses (must read) got pretty close. I love them, and belied by engaging plot, they’re a must-read. The writing is exquisite and it only ever leaves you wanting more.

Commander, Commander! by @cherryamber

Canon…verse….? Featuring two very different (but also very much the same) worlds. Just read it, I don’t know what else to say. Guaranteed to make you tear up from laughing too much. I’d also highly recommend from Cherry, (everything they’ve written) but in particular Aversion (eye-opening angst); Celebrity Ballroom (mild angst but mainly not(?)) Remember Me and of course, Again. Have I mentioned how much i love Cherry’s writing? (I love it.)


I’d definitely definitely definitely recommend seeing @zedsdead1001 ‘s writing and art; @gouguruheddo ‘s writing and art;  @valisi-clark ‘s writing , @erwinsalive ‘s art, @aileine ‘s art and animations, @seitsensarvi ‘s writing and art, gunpowderlatte’s writing and so so so many others like @blue-sonnet , @emmysmith , @hloneheart@absolute-eruri-trash , who all made me and my tumblr dashboard always filled with such pure eruri happiness. 

Once again, thank you all for making the past couple of years of my life so unexplainably enjoyable. And if you’re new to the fandom, lucky you, you get to discover all these amazing people for the first time.

anonymous asked:

Hey if you're still doing rec lists do you have any where stony meet cos Steve has to protect Tony or even after they've met Tony is in danger and Steve protects him maybe even some rescue fics? Either/or tbh, thankyou

Who doesn’t love Knight in Shining Armor Steve???  There are a lot of great fics that could fit your requests, but here are a few that I think you will enjoy.


And I hope you have all you’ve dreamed of by Kairin16:  The world Steve wakes up to from ice has no need for Captain America anymore. Looking for his place in the new world, Steve gets hired as a bodyguard to the heir to Stark Industries, seventeen years old Tony Stark. Turns out it was both the worst and the best thing that could happen to him.

Measure of Protection by ohmyloki:  Steve has been Tony’s bodyguard for five weeks now. It’s a record amount of time since Happy, most of his new bodyguards averaging around four days before finally quitting.

If You Want to Live (The Historical Present Remix) by @sineala:  The Civil War is over. The SHRA is gone. Steve has been brought back to life. He’s settling into his new duties as America’s top cop. His longtime friendship with Carol Danvers – Avenger, former director of SHIELD, and former leader of the pro-Registration forces – is now a tenuous one. But something is very wrong in the world. This isn’t how it was supposed to be. Someone is missing.Tony Stark was killed at the age of seventeen, and it’s up to Steve to travel into the past to save a man he doesn’t remember from a man he knows all too well: a mysterious assassin from another time and place, a man with a metal arm. And the truth is more complicated than anyone could ever have guessed.

I Don’t Want My Heart to Show by @laudatenium:  On a gut impulse, Tony Stark hires Steve Rogers to be his bodyguard after Steve rescues him from an automotive crash. But despite his resolution not to share his secret with Steve, the man is far different than anyone else Tony’s ever known.And thus it begins.——AU of Tales of Suspense 45, where Steve was melted before the Avengers existed. And the fallout.

Four (or Five) Reasons for Kidnapping Tony Stark by @scifigrl47: There are four reasons for kidnapping Tony Stark. Tony’s sick of all of them. Well, there’s potentially a fifth, but it’s highly unlikely that Captain America will suddenly fulfill THAT fantasy. Tony’s deeply disappointed about that.Steve Rogers, as always, is oblivious. At least, that is, until someone who isn’t him kidnaps Tony. Then he’s just pissed.

The Knight and the Tower by valtyr:  The brave knight Sir Steven attempts to rescue a damsel in distress. Nothing goes according to plan.

How to Save a Life by @itsallavengers:  Steve and Tony fight, which is honestly not that unusual.Then Tony gets kidnapped. And suddenly Steve has a lot more to worry about than their stupid argument.

Hubris by romanoff: Tony would call it bad luck but, lets be honest, it was probably a long time coming.Or: Steve tries to find Tony and realises some things along the way.

Not Anyone’s Shade by @kaesaria:   Tony had fought, at first. Now he just waits.

Not a Special Snowflake by Annehiggins:  Tony Stark is no one’s special snowflake, so why do the bad guys keep trying to use him as bait? Set in a ‘gay Tony’ world so he was never romantically involved with Pepper.

Take Your Time by Avidreader6:  Tony just wanted a fun night out with Rhodey and Pepper, unfortunately Justin Hammer has other plans.
Steve to the rescue!

His Blue Heaven by Notevenwinded:  In a world where the Avengers never existed, Tony Stark, the successful heir of Stark Industries, discovers Captain America’s body frozen in the ice. With the Captain reluctant on taking back his hero title and Tony’s rivals wanting to use the super soldier serum for their own plans, the billionaire tries to find a way to help Steve adjust to this new world and keep his company running. A series of unfortunate events and with Tony in grave danger, Steve chooses to take the mantle of Captain America yet again and save him, marking his return to the spotlight.

Irreplaceable by orphan_account: There are obvious downsides to being the only member of the Avengers who is not a super soldier, a god, or a super assassin, and does not Hulk out when aggravated.
The most obvious one is that when villains want bait, they’ve got a go-to guy.Tony already knew Mondays sucked. He did not need his opinion reinforced this way.

You Don’t Only Get One Shot by janonny: In which Tony voluntarily carries a tracker around, and learns how to talk to Steve all over again in-between and during kidnapping attempts.“Leave you alone for two months, and you have an operation all set up to track wayward Hydra cells and rescue innocent billionaires,” Tony said, his tone skating the line of annoyance and admiration.

Let’s See What You Did Wrong by Resacon1990:  In which Tony is kidnapped by a rival mob

Toy Soldiers by copperbadge:  When Steve Rogers, five foot four and a hundred and ten pounds, met Tony Stark in a bar, he didn’t expect it to lead to a relationship. Or that Tony would find out he’s not an art student during a SHIELD rescue mission in Afghanistan.

Promise by Woad:     After Siberia, Ross makes good on his threat to put Tony in one of the Raft’s cells. Written for TRB Breakout.

You Never Call Me (By My Name) by @tisfan: In 1872, in the western town of Timely, the Town Drunk and scape-grace, Tony Stark, goes missing. Kidnapped by bandits and tortured for his cooperation, Ten Rings want him to repair his terrible weapons.Sheriff Rogers goes to rescue Tony.Problem: Who’s going to rescue Steve?

A Busy Man by @captainneverever:   Tony has been too busy for anything but work and he can’t seem to find time for dinner with Steve. But Steve goes missing and Tony might have missed his chance.

Past Imperfect by @captainneverever:  Present day Tony tells Steve that Steve wouldn’t like the college version of Tony.An alternative Steve, living in a dystopian future, is sent back to the past to stop the death of a young Tony Stark at MIT. He doesn’t know what he’s going to find but he’s going to try his best to save Tony.

The Ransom of Tony Stark by antigrav_vector:  As tends to be the case with anything involving the Avengers, the day starts out routine, and rapidly goes sideways. This day is no different; What was supposed to be a routine recon mission suddenly turns into a rescue…

Across the Universe by antigrav_vector:  During a mission, Iron Man vanishes. Captain America isn’t about leave a man down – or missing – on the field. Going after his missing teammate reveals a bit more than he really intended, though. Now, he has to decide what – if anything – he wants to do about the feelings he’s finally had to acknowledge.

Getting Home Again (The Kidnappers Never Prosper Remix) by antigrav_vector:  He was asleep when Tony was taken, and it’s left Steve a wreck. Now he’s got to keep it together long enough to get Tony back…

Kidnapped!(Again) by Muccamukk:  These are the worst kidnappers Tony has ever had.


Alrighty! So, first of all I want to apologize for taking  so long to answer this! I’m gonna be honest, working and drawing has been keeping me busy lately (Although I guess the later one is much of an excuse).

Anyways, thanks for sending in this ask! I honestly was super excited to get it! 

These fics are by no means the only ones that I favor, they were just some of the first ones that came to mind! With that being said, I hope you all enjoy!


Words That Water Flowers By @decembercamiecherries

- Honestly, this fic is so bitter sweet and I can guarantee you that if you love Killugon, you will love this fic. It is a literal masterpiece!

Bloodstained by @decembercamiecherries

- A wonderful and suspenseful vamp!Gon AU! It is just absolutely amazing and I loved reading every second of it! 

Kicking Against the Goad by @f-da-program

- Literally just Gon and Killua being lil flirty shits and playing soccer. Can’t get much better than that. (Bonus Leopika! Because yes)

DNA by @killushawn

- I actually did a cry while reading (and listening to this). All you need to know is that it’s super gay and involves video games.(Video gaymes??)

Be My First By @nicicia

- (Warning: this does contain NSFW content!) A reunion fic that actually had me crying. Like, a lot? Because it’s entirely bitter sweet and I just need these boys to be happy jfc.

Do You Hate Me? by @hunterxblog

- I’ll be honest guys, get ready to cry. That’s all I gotta say. Ouch.

Scars by @hunterxblog

-Once again fellas, we got a tear jerker. Hunterxblog loves to drink your tears, my dudes.


Come See Me (2 A.M. Again) by @softkillua

- (Warning: This does contain NSFW content!) Okay so let me tell you guys right now, this is already an emotional roller coaster ride and there is some heavy content in this fic but I swear to you it is my absolute favorite right now and I am honestly dying for more updates. 

The Afterschool Library Chronicles By DriftingGlass (Not sure if they have a Tumblr)

- This fic honestly… Gosh where do I begin. It’s honestly just really suspenseful and The build up is fantastic! High School AU! 

The Little Detours By @unnoticed-and-necessary

- Here we have Trans Female Gon and AFAB Killua! (Who later identifies as gender fluid) I am not 100% up to date on this yet but so far I’m in love with it! It especially hits home with gender fluid Killua, but i also adore trans girl Gon! They’re both super adorable and I can’t wait to read more!

Star X Light X Star X Bright by @extratmanakinskywalker234

- A Star Wars AU!!! This one is honestly super cool! It’s really different and unique and I honestly can’t wait for more! (The best part is Killua being a mischievous lil shit)

And that’s all I have for right now! If I think of any more, I’ll definitely add them on here! Thanks again~!

Fics That Deserve A Motherfucking Shout out

Small considerations by @allyinthekeyofx: This series covers all 10 seasons and both movies, it not only fixes everything you want to fix throughout the show, it actually develops Mulder and Scully’s characters.  Allowing them to have realistic emotional reactions.  Superbly written, and will rip your heart out every chapter. Perfection as always.

Touch by @baronessblixen : Set during Arcadia then continued into Milagro it is a gorgeous angsty look at how Scully views her and Mulder’s relationship, examining just how much they mean to one another.  Spot on characterization and beautifully written as always.

The Bodyguard by @contrivedcoincidences6 and @alittlemissfit: An AU based on the movie The Bodyguard where Scully is the protector and Mulder is the protected.  It features an ass kicking Scully, lots of sexual tension, and sexy times.

Believe by @frangipanidownunder: An AU set during Requiem where Scully is abducted and Mulder has to find her.  This series is angsty, suspenseful, beautiful, and unbelievably addicting.

Descension by @muldertxf: Set during the beginning of season 2 Mulder and Scully investigate a series of disappearances, but Scully isn’t feeling quite herself as she is plagued by inconsistencies in her memory.  Suspenseful and beautifully written.

Beloved by @scully-loves-ruthie: Post revival Scully desperately searches for a way to make Mulder immortal so she won’t have to spend eternity without him, but the lovely Lady Death has other plans for them as the true nature of Scully’s immortality is revealed. (yes your damn right I put my own fic on here)

If The Dead can Hear The Living by @how-i-met-your-mulder: An AU set during Gethsemane a beautiful angst fest where Mulder and Scully both believe the other is dead, complete with graveside visits and emotional breakdowns.

Life series 2 by @tatooedlaura-blog: A continuation of her original Life series, this has everything you’ve ever wanted for Mulder and Scully, domestic bliss, family time, kids, sex in a car.  This series takes your heart and wraps it in a giant ball of fluffy kittens and you will love every minute.

Fox Mulder’s Guide to Falling (and staying) in Love With Your Partner by @nnyyssssaa: This series takes place where else but in the car.  It is a beautifully written, angsty emotional journey of our two favorite agents.

How to do a High Octane Action Sequence™ by Dana Scully MD and Special Agent Fox Mulder

1. Wait for the suspense bongos to begin, signalling ACTION

2. Toss coats on sensitive space equipment because ACTION time is upon you and aint nobody got time for the cloakroom.


4. Swing on that banister like you mean it. Don’t stop running until you reach where the baddie is probably hiding. This will usually also be indicated by a low and threatening synth sound.

5. Hold Guns convincingly. Walk sideways like a secret squirrel because you are a professional.

6. You can also walk backwards, like Michael Jackson. This will confuse people and make them less likely to shoot you.

7. When you locate someone, dramatically arrive at the point of confrntation and all point guns at them, even if it’s not the baddie. This way you have successfully completed the action sequence and can advance to GO, collecting $200 and continue with your case.

Join us next week for Dana Scully MD’s guide to wrangling evil cats.

Debunking undercover Jon ?

“ I’m going to preface this essay by quickly stating that I’m going to try to remain unbiased. This is neither pro-Jonerys or anti-Jonsa. I’m going to try to talk about this just using storytelling and film analysis. This theory that is floating around doesn’t work when contrasted to the usual methods of storytelling and plot twists that GRRM and D&D have employed throughout this series. Jon undercover doesn’t work and is a failed plot device.

So what is the basic idea of Undercover Jon? For those that don’t know, it’s that during the entirety of Season 7, Jon Snow was infiltrating Daenerys’ base camp and swaying her to his side, seeking to gain her aid, her armies and her dragons in the fight to come. He used any means necessary, one of them being the long con. He’s playing the game essentially, acting as a double agent. His loyalty is to the North and he is manipulating Dany, telling her what she wants to hear and influencing her emotions so she feels compelled to help him.

What it boils down to is that Jon is deceiving her and it will be revealed in some great plot twist in Season 8.

Okay, so now that we’ve established the idea, why doesn’t it work?

Let’s begin with the basic idea of suspense as outlined by Alfred Hitchcock, the master himself:

“There is a distinct difference between “suspense” and “surprise,” and yet many pictures continually confuse the two. I’ll explain what I mean.

We are now having a very innocent little chat. Let’s suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, “Boom!” There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: “You shouldn’t be talking about such trivial matters. There is a bomb beneath you and it is about to explode!”

In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”

So why is this detailed quote important? Because this is something that is often employed by storytellers, specifically those in film based media. You can get away with shocking twists, but you need to let the audience in on the secret in someway. The most common means is foreshadowing, whether direct foreshadowing or indirect. We have two different examples of this in the show specifically.

Let’s start with direct foreshadowing for one of the more shocking moments to happen in the first seasons, Ned Stark being betrayed by Littlefinger. Since then, we’ve learned not to trust or believe Baelish in most everything he does, but there was a time when we were still uncertain about him, naive and innocent. However, we were given a direct warning from the start, around the time that Ned was investigating Jon Arryn’s death. Littlefinger told the audience what we needed to know:

Littlefinger: “Distrusting me was the smartest thing you’ve done since coming off of your horse.”

We were informed that Baelish was someone we shouln’t believe and there was something about him that was dangerous and untrustworthy. A number of people didn’t (much like Ned) because we were lulled into thinking that Ned was the hero of the story rather than a false protagonist. So when Littlefinger held a knife to Ned’s throat, saying: “I did warn you not to trust me.”

It was genuinely surprising.

Direct foreshadowing is letting the audience in on the secret, setting up a big reveal that will happen. It might be subtle, but it is there, something we can point to later. It’s a conversation that we were privy to, which is extremely important for any type of long con of this nature.

Let’s compare with indirect foreshadowing, which is symbolism and tiny clues that we, as detectives are to go over.

One of the biggest reveals in the show overall was R+L=J. Jon is the hidden prince, the son of Rhaegar and Lyanna and this bombshell was saved for the climax of the show, Season 7′s (technically Season 6′s) finale. It came out of nowhere and was such a shocking twist!

…Or was it?

There was no conversation with the audience in the same way we had with Littlefinger, but the evidence was there from the beginning: Ned never speaking of Jon’s mother, Ned’s defense of the Targaryens and the murder of children. My personal favorite evidence of indirect foreshadowing was the little easter egg of Jon standing next to a pillar with the letters “RL” on it.

Literally: RLJ (R+L=J).

We have had the evidence sprinkled from the start, it was clearly there, but it was a matter of recognizing it or piecing the clues together. It wasn’t so well hidden that no one saw it coming. In fact, GRRM said once in an interview:

“At least one or two readers had put together the extremely subtle and obscure clues that I’d planted in the books and came to the right solution… So what do I do then? Do I change it?! I wrestled with that issue and I came to the conclusion that changing it would be a disaster, because the clues were there. You can’t do that, so I’m just going to go ahead.”

Again, this was something that was supposed to be subtle, but we had the clues available to us. GRRM does not spring anything on the audience and neither do D&D, the character motives are pretty well spilled out from the beginning. If a major character makes plans to go through with some form of deception, then we are made privy to those plans, allowed in on the conversation.

There has been no direct foreshadowing for Jon to go undercover and manipulate Dany. We have not been given a conversation that discusses the idea. The last time Jon infiltrated a group to receive information, there was something to alert the audience that this was the direction he was going.

First, we have Halfhand’s advice to Jon shortly after they were captured:

Jon: “They died because of me.”

Halfhand: “See that it wasn’t for nothing.”

Then we are shown the setup for the plan:

Halfhand: Mance is gonna march on the Wall. When he does, one brother inside his army will be worth 1000 fighting against it.

Jon: They’ll never trust me.

Halfhand: They might, if you do what needs to be done.

We are directly told that Jon will begin infiltrating the Wildlings, which is followed closely by Halfhand building up Jon to be a traitor. It culminates in a fight where Halfhand sacrifices himself and instigates Jon to kill him. Only that way is the deception complete and Jon is given access to the Wildlings.

Even in the books, the set up for this is directly told to the reader with Halfhand giving this quote:

“Then hear me. If we are taken, you will go over to them, as the wildling girl you captured once urged you. They may demand that you cut your cloak to ribbons, that you swear them an oath on your father’s grave, that you curse your brothers and your Lord Commander. You must not balk, whatever is asked of you. Do as they bid you … but in your heart, remember who and what you are. Ride with them, eat with them, fight with them, for as long as it takes. And watch.“ - A Clash of Kings, Chapter 68, Jon VIII.

Let’s compare this to another situation and another big reveal, Roose Bolton’s betrayal of Robb in the Red Wedding. This didn’t come as a complete surprise because the audience was shown that Roose was beginning to turn, specifically during his scenes with Jaime. Rather than capture Jaime and return him to Robb, as he would be expected to, he releases Jaime and sends him back to the Lannisters. They are cordial (enough) with each other and we are given a glimpse into Roose’s desire to find the best deal for himself.

When he stabs Robb, we already knew that he was colluding with the Lannisters, even if we didn’t know the exact means he would betray Robb or what he would receive from them.

So now let’s look at Season 7 Jon. In the episodes before and after his arrival on Dragonstone, we were not told directly that he is infiltrating Daenerys’ camps or attempting to repeat his previous deception with the Wildlings. There is no conversation similar to what he shared with Halfhand and no moments that the audience were left to feel suspense for him in being discovered.

Remember, when Jon is with the Wildlings, there are several moments where they doubt his loyalty and the stakes are upped for him. In the books, Mance orders Jon to sleep with Ygritte to prove his loyalty. In the show, he’s questioned by almost every Wildling he comes across. Even Ygritte displays an awareness that Jon is playing her and we have another instance of direct foreshadowing.

Ygritte: “Don’t ever betray me.”

Nothing like this exists in Season 7. We have Sansa urging Jon to be smarter than Robb and Ned, to listen to advice, but that was culminated in Jon placing Sansa in charge of Winterfell, showing his trust in her abilities and advice. This is when Jon and Sansa begin separate journeys in Season 7. Sansa’s journey is her ability to enter the game and come up against a more seasoned manipulator, Littlefinger.

Jon’s arc this season has been preparing for the coming war, something that Daenerys is clearly meant to be part of as Melisandre said herself:

Melisandre: “I believe you have a role to play, as does another.

We are even shown in the first episode the different threats that Jon and Sansa will be dealing with separately. Jon believes the greatest threat is the Night King, while Sansa believes it is the people who play the Game of Thrones. Throughout the series and novels, these two have been on these two separate arcs. Jon has nothing to do with King’s Landing, as his story has always tied in to the Others. Sansa’s has always had to do with the Lannisters and Baelish.

For Jon to suddenly become involved in the Game of Thrones, we would need some sort of foreshadowing, either indirect or direct that this is a method he would use.

So what evidence do we have about Jon’s character in Season 7?

Let’s start with the first episode. Jon is sitting in judgement on Alys Karstark and Ned Umber, deciding if he should punish them for their father’s treachery. With all of his men and sister telling him to take their lands away and give them to someone else, what does Jon do?

Jon: “I will not punish a son for his father’s sins.”

This is a use of direct foreshadowing because this is repeated in Ep. 3:

Dany: “I ask you not to judge a daughter by the sins of her father.”

We the audience have been shown that Jon will not judge someone for the actions and cruelties of their parents, it doesn’t come as a surprise then that he is willing to extend a bit of faith and trust in Daenerys, as he did with Alys Karstark and Ned Umber. He will focus instead on the coming war rather than rewarding or punishing as leadership sometimes dictates.

The entire focus of his council is to begin preparations and training for the army he will need.

What about Jon asking the advice of others or taking council, something he is criticized for in the first episode?

Well, he has a moment of asking Sansa’s opinion about Tyrion and his character, a parallel to the moment in Season 6 when she pointed out that she was not asked about what sort of man Ramsay is. He learned his lesson in that and asked Sansa’s opinion.

However, we are shown that it doesn’t always relate to what he is going to do. Jon makes his own decisions and acts as he thinks is best. He makes the decision to go south and parlay with Daenerys, all without consulting his men before hand or even alerting Sansa to his decision. Even when they protest, it is clear he has made up his mind.

What can we take from this scene? Is he going south to manipulate Daenerys?

The evidence says no. There has been no buildup for it, no evident payoff and no clues left for the audience to glean that this is his intention. Jon is capable of deception, but deception without clues and foreshadowing? That’s not likely.

Let’s return to the idea of suspense. We are given no stakes to invest in. The only concrete plan we have is: Daenerys has an army and dragons, Jon needs to convince Daenerys to use army and dragons in the coming war. That’s it. Nothing else has been established or said beyond that. Instead, we have the characters directly telling us how that alliance will be achieved. Tyrion says it himself in Ep. 3:

Tyrion: Give him something by giving him nothing. Take a step toward a more productive relationship with a possible ally.

Compromise is the key for them to forge an alliance. The terms of that compromise are even clearer in Ep. 6. Convince Cersei to join the coming war rather than to continue fighting Daenerys at present, thus creating a truce and allowing everyone to face the greater threat. Daenerys temporarily gives up her claims on the throne, Jon bends the knee. Very simply spelled out and it even comes with a side of suspense, as our focus is now on whether or not they can convince Cersei.

The questions about Jon/Dany’s alliance or even winning her help are concluded in Ep. 6. We are told by Daenerys: “we will do it together, you have my word.” The filmmakers and show runners do not add anything in to clue us, the audience, that we have reason to doubt her in this or there is any reason Jon would need to keep convincing her. There is no look shared between Tyrion and Daenerys, no conversation with Jon worrying about if Dany can be trusted. These clues are important to storytelling because, as I stated a few times before, suspense is key.

The only twists that we have coming our way are Cersei’s treachery, Jon’s parentage and the revelation about Jon and Dany’s relationship. All you need to do is look at how each of these moments were set up, showing us that these would be important conflicts in the next season.

Jon’s Parentage:

Bran and Sam talk about Rhaegar and Lyanna’s marriage, while we are shown the flashbacks, allowing us to see that this is true. Just like Bran, we are part of the visions. Afterwards, it is directly stated: “He needs to know the truth.” There is no surprise in this, no twist that we can’t see coming. Jon will eventually be told the truth.

Jon/Dany’s Relationship:

As Jon enters Dany’s cabin, Tyrion comes from out of the shadows, revealing he has witnessed and guessed what is about to happen. As Jon and Dany make love, there is a closeup on Tyrion’s face, clear displeasure there as he returns to his rooms. Again, we are shown that there is conflict brewing. Tyrion doesn’t approve of what is happening and we are aware that it will likely come up in some way.

Cersei’s Betrayal:

This one is key, especially in contrasting Jon’s possible deception. We have Cersei come to the Dragonpit and declare that she agrees to the terms of the truce and that she is summoning her men to come and aid in the fight. Our heroes feel relief and leave, they are convinced that she will keep her word.

The next scene with Cersei has her coming in while Jaime plans on the army’s route to Winterfell. The following conversation allows us to see that Cersei has no intention of keeping her word. She ridicules Jaime for meaning to fight with them, she lays out her plan and spells it out for us. What’s more, none of this is a surprise when we compare it to her other moments this season, specifically when it comes to the insurmountable odds that she is up against.

When told she can’t beat Dany’s dragons and armies, Cersei doesn’t back down, saying that she will continue to fight. Underhanded methods have been shown to be Cersei’s M.O, as we saw in Season 6. Again, visual clues that she might act in a dishonorable, sneaky way.

She hears that she can’t beat Dany’s dragons and army? What does she do? She goes back on her word to let the army be dwindled down or wiped out by a separate threat. We had foreshadowing and clues that this would happen, it doesn’t come out of nowhere to surprise us. There is even a conversation that this is the plan and this is what she is doing.

So what can we take from all of this? What I hope you gather is that twists don’t come out of nowhere, that they are built upon and clues are left to alert us that something like this is a probability, whether direct or indirect. We, in some form, need to be told that this is something that is happening and conflict will come from that.

There is no evidence supporting Jon being undercover, not in filmmaking and not in storytelling. Whether you believe it or not is up to you, but the evidence is always right there in front of us and it isn’t present here.”

Made by asojad on r/freefolk

Let’s Blow These 8 Movies

Have you ever watched a movie and then you wondered what the hell actually happened there? You needed some times to think and concluded the story. Well, this shit hits me few times. I don’t know whether my brain which needs an extra time to dissolve it or it is the movie which actually stupid. Thus, I’ve found some movies that are not stupid and It is actually my brain which needs an extra time to dissolve them, I even sometimes google them… Here, I listed 8 movies that kept me wondering while I was watching them. Well, actually there are more, but these are my favorites. You can try them if you haven’t :D 

1. Silence of The Lambs (1991)

A treasure for crime genre lovers and also a treasure for any movie-genre lovers. Silence of The Lambs is absolutely stunning. I do really love the suspense created from the beginning to the end of the story. The story is about a young FBI cadet who is given duty to interview a cannibal serial killer in order to gain information about a now-wanted serial killer who skins his victims.

2. Se7en (1995)

Another treasure for crime genre lovers or maybe it can turn people into crime genre lovers. Se7en is an interesting movie which gives ‘fresh idea’ for the crime motive. It is about two detectives who are hunting for a serial killer. The serial killer commits murder based on The Deadly Seven Sins. That what makes this movies is interesting. 

3. The Butterfly Effect (2004)

This time is not about crime. It plays with psychological and supernatural thing. It mixes science and something that can not be easily accepted by our brain. The Butterfly Effect tells us a story about a man who is suffering from his trauma. But somehow, he can travel to his past several times and change his life. Different action that he takes at the beginning causes different life that he lives.

4. Shutter Island (2010)

THIS is the one that made me keep guessing and guessing about the ending. There were so many questions that I’d like to ask while watching it. Shutter Island tells about a U.S Marshal officer who goes to a hospital for criminal insane in a remote island called Shutter Island. He tries to uncover the ‘strange’ things happen there. Shockingly, he uncovers something worst about the hospital that turns back his mind.

5. Gone Girl (2014)

A FAB surprising plot. I was feeling like being turned upside down by it. Another awesome thinking poured into a story. Gone Girl is about a man who is trying to find his missing wife. He is being confused by things that indicate him murder his wife while his wife is actually still alive.

6. Nocturnal Animals (2016)

Nocturnal Animals is a brilliant movie. It is different. I love how the story develops through its hidden messages. It feels like trying to understand a literature work. I was so mesmerized with the concept of the story. Nocturnal Animals tells a story about a rich gallery owner who receives a thrilling novel written by her ex husband, Through the novel, there is actually a revenge that her ex husband tries to reveal.

7. The Girl on The Train (2016)

A well-done plot twist. The Girl on The Train is definitely a good movie to watch. It will make you always questioning about what the hell is actually wrong with the protagonist. The Girl on The Train tells about a woman who has problem with her drinking (alcohol) and her previous marriage life. Those two really affect her life in the present days. She is often being played by her mind until one day, she witnesses something that change her life forever.

8. Get Out (2017)

2017 also has its own mind-thrilling movie. This movie is pretty unique because it involves race issue, crime, and science into one. The twist will entrance you; how humans can create such a thinking. What thinking? If I tell you it’s gonna be a spoiler, you had better go watch it to find out. Get Out is about a black man, Chris,  who is invited by his white girlfriend’s family. They seem so nice and friendly and also strange at the same time. It is not too late for Chris to realize what actually is going on, what secret is actually hidden there.

Sometimes Rain Falls

A BTS Fanfiction

Type: AU/Alternative Universe

Summary: Sometimes a normal life is a good one to lead; its nice…its easy…
But sometimes, normal isn’t the way that things were meant to be. And when you’re chosen as a possible candidate for one of the kingdom’s 7 princes, life isn’t as nice and easy as you always presumed it to be…especially when you catch the eye of more than one of them…

A/N: I will warn you all now, that this fic is going to be VERY different to my usual stuff, but you can expect a hell of a lot more twists, turns, secrets, and debauchery than ever before… ;)

Disclaimer: I will put warnings on any chapters that challenge social acceptance, however, as an overall warning, this story will contain themes of sex, fear, control (of one person over another), and elements of a gothic nature! 


Part 1


It was so…dark.

All the stories that you’d ever heard about the castle had been about how music sang from the walls, how long clouds of silk curtains billowed gently in the breeze that wafted through the grand windows, how the place was decorated with ornaments, paintings, crystal vases galore…

But the first thing you noticed as you walked through the tall, oak doorway…

…was the darkness.

‘I don’t think we’re allowed to be down here.’ You murmur to the man pulling you along by the hand, your eyes wide as you watch the water dripping down the dank walls of the corridor you’d come to find yourself in after climbing down numerous stairs to what you thought would be the library, but what was starting to look more like a dungeon.

‘Don’t worry. I know where we’re going.’ He murmurs amused, the humor-filled lilt of his voice not working to reassure you at all as you begin to drag your feet, struggling to hold the bottom of your dress off of the floor so that it wouldn’t get wet as you watch him stare excitedly in front of himself.

‘I really think we should head back- what if someone sees-‘

You’re cut off when he suddenly stops, spinning back to pin you against the wall, his eyes dancing excitedly over your face for a moment before he pushes his lips against yours, ducking his head down and softly pressing his mouth to yours, practically being able to feel the adrenaline running through him in the kiss.

‘I have to show you.’ Is all he says as he pulls away, staring at you almost piercingly as he grins, and you swear you see his eyes flash a different colour momentarily, your heart racing in your chest with the sight of the abnormality, before you’re being kissed roughly, yet briefly, again, and once more he begins to drag you along the corridor, his grip on your wrist having tightened somewhat compared to before.

You remain silent as you follow after him, the only sound being your slightly ragged breathing, trying not to trip over your feet as he out-paces you, getting lost in your thoughts as the image of his eyes flashing repeats over and over in your mind. But just as you go to stop him once again, you look up to see that you’d arrived at the end of the dark corridor, a large solid oak door standing in your path.

‘This is it.’ He whispers to himself, turning to look at you with his lip caught between his teeth as he grins, the expression telling you that you were meant to be as excited as him, but all you could focus on was the way your heart was racing in your chest at the prospect of the unknown, your nervousness making you stare at the gold buttons decorating his chest rather than being able to look him in the eye.

‘Princess?’ he murmurs, the unexpectedness of the word forcing your gaze to his, and the minute you look into his eyes you wish you didn’t; seeing the same flashing of colour greeting you as he grins down at you devilishly.

‘Are you ready?’

Keep reading

hello guys!!! this is part 3 of my english language masterposts all about narrative + descriptive essays to help you out, enjoy :]

  • consists of a series of events, either imaginary or based on your own experience, in a vivid descriptive style
  • may be written in the first person [I/we] or in the third person [he/she, etc] + often includes the thoughts, reactions etc of the main character[s], describing the action as if seen through their eyes.

a good narrative should consist of:

  • an introduction which sets the scene to create an interesting mood/atmosphere to make the reader want to continue reading, and/or begins dramatically to capture the reader’s attention [mystery/suspense]
  • a main body which develops the series of events clearly, gives vivid descriptions of the people/places involved etc..
  • a conclusion which completes the story perhaps in an unexpected way. may describe people’s feelings/reactions, the consequences of what happened etc…

points to consider:

  • before starting to write, consider a suitable story outline, then a detailed plot [use what, who, when, why, + how]
  • writing techniques include the use of vivid description of people, places, objects etc
  • narratives usually occur in the past therefore you should use a variety of past tenses [eg: past continuous sets the scene, past simple is used for main events, past perfect is used to describe an event before the main event[s]
  • consider the sequence of events + use time words such as: before, after, then, in the beginning, later, in the end, until, while etc…

1. describing people

should consist of:

  • an introduction giving brief information about who the person is, where/how you met them, how you heard about them etc…
  • a main body which may include descriptions of physical appearance, personality/behaviour, manner/mannerisms, and/or details of the person’s life/lifestyle [hobbies, interests, everyday activities etc…]
  • a conclusion in which you comment on why the person is of interest, express your feelings/opinions concerning the person, etc…
  • you may also be asked to explain why this person is successful/admirable/unusual
  • start each paragraph with a topic sentence which summarises the paragraph

points to consider:

  • to describe physical appearance, give details of a person’s height/build, age, facial features, hair, clothing etc…moving from general to specific
  • to describe personality + behaviour, support your description with examples of manner and mannerisms
  • to describe life, lifestyle + beliefs, you should talk about the person’s habits, interests, profession, daily routine, opinions, etc…
  • if the title of the essay asks you to describe a person related to the present [eg: a person who is unusual] describe the person in present tenses + vice versa with titles that mention the past
  • the use of descriptive vocabulary and a variety of linking words + structures make your writing more interesting so use them!!
  • make sure you interpret the task well, do not describe every aspect of a person + make sure to not ignore the key words

2. describing places/buildings

should consist of:

  • an introduction giving brief information about the name + location of the place/building stating the reason why you chose to write about it
  • a main body giving both general and specific details about the place [moving from general features to specific ones]. refer to landscape, buildings, landmarks etc.. to give the overall impression of the place then give a detailed description of surroundings
  • a conclusion in which your express your feelings/opinions concerning the subject + give a recommendation
  • you may also be asked to explain why a particular place is important for you

points to consider:

  • descriptions of places/buildings may include factual information such as age, size, colour, materials etc…, details relating to the senses to suggest mood/atmosphere + opinions/impressions of the place
  • each aspect should be presented in a separate paragraph with a clear topic sentence
  • present tenses are normally used when writing for a tourist brochure/magazine article. past tenses are used when describing a visit to a place/building. first + second conditionals [will/would] can be used when you describe your ideal city/house etc… + use the present when giving factual information about a place

3. describing objects

  • give accurate information concerning the size + weight, shape, pattern + decoration, colour, origin and material. you can give necessary information in separate sentences

4. describing festivals/events/ceremonies

should consist of:

  • an introduction in which you mention the name/type, time/date, place + reason for celebration
  • a main body where you describe preparations for the event + the event itself
  • a conclusion where you describe people’s feelings or comments on the event

points to consider:

  • when you describe annual events, present tense is used + style is formal
  • however, when giving an account of an event you witnessed or took part in, past tenses are used + style can be less formal. the passive is frequently used to describe preparations/activities which take place
  • use descriptive vocabulary to set the scene + describe the atmosphere

+ my masterposts:

hope this helps some more of you with your essays, my dears <3 let me know if i can help with anything else 

-helena xx

Sad that Stars Above marked the end of The Lunar Chronicles? How about some fanfiction to cheer you up? I’ve got a variety to help you with your feels, both in one-shots and long fic. *May contain spoilers*

Need more post-canon?

Thorne and Cress argue during a routine letumosis cure drop (First Name Basis)

Thorne and Cress skydive for their two-year anniversary (Crush The Size of Jupiter, Part 1)

Thorne and Cress get married (The Blindfold)

Kai and Cinder get married (This Day Is What We Make It)

Kai plans a surprise for Cinder for their anniversary (Dreams)

The entire Rampion crew at a twenty year peace celebration (TLC Babies)

Thorne and Cress have marriage problems and you really like angst (This Is What I Think of Love)

Just want more fic taking place in the canon universe?

Thorne‘s POV while Cress was in the suspension tank (Suspension)

A (novel-length) alternate beginning to Winter (Of Rampions and Revolutions)

Carswell’s Guide to Deciding Whether to Date Cress (here)

The Rampion crew plays Seven Minutes In Heaven (7 MInutes In Heaven)

Slight twists on canon can make all the difference:

Cress uses her D-COMM chip to blackmail Thorne into getting her out of the satellite (Blackmail)

Everything is the same except Thorne is the Shell and Cress is the Captain (Damsel Thorne & Captain Cress)

Everything is the same except Cress and Thorne crash in a snowy region (The Cabin In The Woods)

Random drabbles based off tumblr prompts (written after Cress) (Let Me Count The Ways)

How about some AU’s?

Coffee Shop (The Lunar Cafe)

Modern AU told in the POV’s of Kai and Thorne (Unexpected)

Fake dating (1-800-CAPTAIN)

Best friends or more? (Once Upon the Internet)

The guys as Men In Black spies (MiB - TLC)

Actress and her bodyguard (A Girl of Lights and Lies)

Beach volleyball gone wrong (Sweat and Sand)

Disability & chronic pain rehab clinic (Rehab Romance)

Kidnapped / detectives (on hiatus) (Taken)

Not-your-typical haunted house (Crush the Size of Jupiter, Part 2)

Full summaries provided in the links. Most of these are available on A03 as well, though some are still in need of being transferred.

The Bitten (Baekhyun Werewolf!au Fic) Chapter 8 - A Brother’s Sacrifice

Warnings: None

Ch. 1, Ch. 2, Ch. 3, Ch. 4, Ch. 5, Ch. 6, Ch. 7, Ch. 8, Ch. 9, Ch. 10, Ch. 11(M), Ch. 12

“My, my…it’s a shame she’s a bitten…she’s a pretty as you went on about, Jihun,” Lord Yeongjoon said as I sat kneeling on the floor in front of him in want I could only call a thrown room. Yeongjoon was only had the title of ‘Lord’ but the way he acted, the way he sat upon a thrown and threw his weight around he certainly thought of himself as a king. “She’s obviously not as smart as I heard though…”

“Her brother gave her too much credit,” Jihun said with a scowl.

Lord Yeongjoon smirked as he sat with his elbow on the arm of his chair, chin resting on his hand. “Tell me Jihun…if you had a choice, what would be her fate as of now? Immediate death…or slow and painful torture?”

Keep reading

Please - Michael Clifford

Warning: A little smutty

A/N: I haven’t written in so long, so its a little rough.

Requested: Yes - Picture above

Requests are Open



The air is thick with suspense. The words on Luke’s lips begin to pour out. “I dare you… to show Y/N, your dick,” Luke lets out a girly giggle. And this is why you never played truth or dare with the boys. Although fun at times, it always became risqué. And usually, being the only girl in the circle, it had something to do with you.

When Micheal had invited you over you thought, ‘Hey, why not?’. You and the other boys (Calum, Ashton, and Luke) had been friends, mostly because you were best friends with Micheal. You and Micheal had been close since a couple years ago when he spilt coffee on you. It had been like a bad fanfic, but you only ended up being very close friends. Although you wouldn’t mind….

“No Ashton,” Micheal says, placing a hand on Ashton’s hand that was gripping his waistband, ready to pull. You squeal, coming back to reality and realizing what was just about to happen. You quickly cover your eyes and begin to yell on repeat, “Ashton, No. NO. no. No. NO.”  

Luke and Calum lets out a hearty laugh and Ashton looks at everybody in confusion. “What’s the matter?” He slurs, having consumed the most alcohol in the group. You uncover your eyes to glance at Micheal who is glaring at Luke and Ashton, his eyes flirting between the two of them repeatedly.

“Okay, Micheal, your turn,” Luke announces with a devilish smile on his lips. Michael perks up at the mention of his turn. “I dare you to grab Y/N by the pussy” Luke says, probably not realizing he’s quoting Trump.

You might have demanded Michael not to if you weren’t so drunk, if you didn’t actually like him. Plus, Micheal has accidentally touched you before, just a slip of the hand. Michael agrees, staggering to a stand, and motions sloppily for you to stand also. You get up.

Michael plunges a hand, down your pants and into your underwear. He is still standing about six inches away from you. His thick padded fingers worked gently over your folds, and then two slipped into you. You barely register what is going on. Nobody has touched you like this in ages. He makes a ‘come hither’ motion with his fingers while still inside of you, causing a low moan to leave your lips. You stumble forward, your head pressing onto his chest. You can hear his heart beat racing, then he lifts your head up with his other hand. He fits your lips onto his, his fingers pumping into you. You gently buck your hips onto his fingers, desperate for more friction.

“Whoa” Calum moans, causing you to quickly pull away from Micheal. Calum’s dick is slightly propped up into a semi. Micheal slips his hand out of your pants. “Sorry,” He mutters.

“Don’t be” You whisper back. You both sit down and the game sadly continues.

Its about three weeks later and you and Micheal are hanging out in your bed. Michaels hand is resting on your upper thigh. You are concentrating on the movie that is playing between you on your laptop when Micheal’s hand slips a little. His hand is now resting on your inner thigh. You glance over at him, but he looks like he is concentrating on the movie. You don’t question what he is doing. Your eyes run back over to the movie when you feel a pressure on your lower region. You look down to see Micheal’s hand and then back to Micheal.

“I know you remember,” he whispers. Your about to deny knowing what he is talking about when he presses down. It’s just a little friction, but you have the urge to moan. “That night when we played truth or dare. And I touched you. and you loved it.” Your about to deny it again, but he starts rubbing circles. “And I know that you like me,” He says, and once again you are about to deny it, but he presses harder into the circles he’s rubbing and you let out a small whine.

“Just say the word,” Micheal whispers into your ear.

“Please” You beg.

Joker Game Tarot

The same lovely user who submitted this has also submitted this. This was submitted a while ago and I apologise for the delay, but this was an interesting read and feel free to add your own thoughts.

While some are quite clear to understand from the name, I’ve added a few words associated with the card’s meaning to all just in case they might seem confusing.

Card No.0: The Fool - Kaminaga

Beginnings, innocence, spontaneity, a free spirit, unlimited potential.

Card No.1: The Magician -  Lieutenant Colonel Yuuki

Power, skill, concentration, action, resourcefulness.

Card No.2:  The High Priestess - Jitsui

Intuition, Higher powers, mystery, subconscious mind.

Card No.3: The Empress - Nogami Yuriko

Femininity, beauty, nature, abundance,  harmony, luxury, beauty and grace. 

Card No.4: The Emperor - Lieutenant ColonelWolff

Authority, father-figure, structure, solid foundation.

Card No.5: The Hierophant - Gamou Jirou

Group identification, conformity, tradition, beliefs.

Card No.6: The Lovers - Aaron & Ellen Price

Love, union, relationships, values alignment, choices.

Card No.7: The Chariot - Hatano

Control, will power, victory, assertion, determination.

Card No.8: Strength - Synthia Grane

Strength, courage, patience, control, compassion.

Card No.9: The Hermit - Fukumoto

Soul-searching, introspection, being alone, inner guidance.

Card No.10: Wheel of Fortune - Amari

Good luck, karma, life cycles, destiny, a turning point.

Card No.11: Justice - Honma Eiji

Justice, fairness, truth, cause and effect, law.

Card No.12: The Hanged Man - Sakuma

Suspension, restriction, letting go, sacrifice.

Card No.13: Death - Miyoshi

Endings, beginnings, change, transformation, transition.

Card No.14: Temperance - Tazaki

Balance, moderation, patience, purpose, meaning.

Card No.15: The Devil - Oikawa

Addiction, sexuality, materialism, detachment, breaking free, power reclaimed.

Card No.16: The Tower - Lieutenant Colonel Kazato

Disaster, upheaval, sudden change, revelation. 

Card No.17: The Star - Alan Lernier

Hope, spirituality, renewal, inspiration, serenity.

Card No.18: The Moon - Odagiri

Illusion, fear, anxiety, insecurity, subconscious, confusion.

Card No.19: The Sun - Emma Grane

Fun, warmth, success, positivity, vitality.

Card No.20: Judgement - “Coffin”

Judgement, rebirth, inner calling, absolution.

Card No.21: The World - D-Agency

Completion, integration, accomplishment, travel.

( Ah… How nice would it be if someone draws Joker Game tarot cards…) I would very much love to see that as well

The Haunting of Braidwood Manor Soundtrack

Note: Some tracks are included @hollyashton’s descriptions.

1. A Chorus of Men’s Altos (x)

WARNING: Don’t play this at night unless you want to feel the real horror.

When The Haunting of Braidwood Manor was released, @hollyashton posted something about the music from the story (x). I wanted to give credits to her for posting a brief description of the music.

As the title frame loads, you’re hearing a chorus of altos (men?) which immediately sets the spooky mood. The same alto chorus plays when you enter the manor and look around. - @hollyashton‘s description.

2. Sinister Sounds (x)

WARNING: Don’t play this at night unless you want to feel the real horror.

This plays in a very terrifying situation or a suspenseful situation that gives you the chills. Alternatively:

When fire begins to appear in your room, and as you look around the haunted house, a quieter sound comes on accentuated by what sound like hushed whispers. I bet that’s just my mind playing tricks on me but it sounded like the wind or whispers. Creepy. - @hollyashton‘s description.

3. It Was Only A Bad Dream (x)

WARNING: Don’t play this at night unless you want to feel the real horror.

You woke up from your nightmares of Jonathan haunting you, your heart racing. It was only a bad dream.

4. The Music Box (x)

As you approach the house, the music becomes less daunting. It sounded like a music box to me, suggesting simpler, happier times. This same music plays when you encounter the tin soldiers. Does this suggest the innocence of the souls at Braidwood? They are mostly children after all. - @hollyashton‘s description.

5. Piano Melody of Braidwood Manor (x)

I love this soundtrack so much. It’s beautifully composed by the Pixelberry Team for this horror story and it’s quite relaxing too. By the way, this and “The Music Box” are considered as the “Normal Tone Music” in this story. They play when you’re with the children and Eleanor Waverley. Nothing spooky happens.

6. Hannah and Thomas’s Piano Duet (Snippet) (x)

This plays in Chapter 4 of The Haunting of Braidwood Manor, where you (canon name is Hannah) meets Thomas Waverley in the parlor. Thomas was seen playing a lovely melody on the piano. He hit a wrong note and you decided to join him, much to his dismay. Later, you two played the melody as a duet. Finally, you and Thomas bonded after playing the melody.

Total length: 0:04:25 (4 minutes 25 seconds)

BTS reaction to when their S/O's gets scared watching a scary movie with them

Request said: Bts reaction to their s/o and them watching a horror movie. All cute n stuff ?? Thanks :)


Jin: Since, you guys haven’t really spend time together, Jin decided to make a movie night. He went to closest convenience store and bought popcorn and your favorite candies/chocolates. You decided to make the popcorn, while Jin choose the movie. As you came back with snacks, the movie was already chosen and set. You sat down on the couch and Jin sat next to you. “Jin, what’s this movie about?” you asked very curious. “Sh… You’ll see” exclaimed Jin. Since he put a finger on your lips signalling that you should not say another word, you keep quiet. The movie started and you knew by the suspense at the beginning that it was going to be one of the scary ones. The drama of the movie was good until one part you screamed your head off and quickly hid your face into Jin’s chest. He would pet your hair and make you face him to kiss your cheek. 

Originally posted by jeonsshi

Suga: As you got out of the shower, already dressed into pj’s you didn’t see your boyfriend in bed no more. Until he came into the room “Let’s watch this movie” he said while he pointed the movie case, since you didn’t exactly see the cover of the movie case you went along with it. You got downstairs and the movie was already playing. You and Suga decided to cuddle while watching the movie. Until one part of the movie, scared the heck out of you and it resulted on you quickly falling into your face on the floor; which made Suga laugh and you getting angry at him. He eventually got to you and kissed your lips to make you feel alright. 

Originally posted by jeonbase

J-Hope: “Jagiya come downstairs” said Hoseok. “Ok” you screamed back. You got down the stairs, and there he was waiting for you. He was smiling at you and then he said “Come follow me” you followed him into the living room. To find the table already settled with popcorn, candies of every kind and your favorite chocolates. You smiled at him and kissed his cheek in order for him to feel that you appreciated what he planned for you two for that night. He motioned you to sit down at the sofa and he grabbed the remote control and quickly played the movie. As the movie started you asked “So, whats this movie about?” “I don’t know…one of the guys told me to watch it with you” he responded. “Oh..” was all you said, After some minutes of the movie, out of nowhere a demon came into the screen looking very scary and scared the heck out of you two.  Resulting on both of you screaming and jumping into each others arms for the rest of the movie.

Originally posted by orchid-bud

Rap Monster: Since Namjoon just returned from his tour, all  he wanted to do was to spend some time with you. He decided to have a movie date at the movie theater and watch one of the scariest movies featuring , but you didn’t knew about it because he kind of knew that you hated these types of movies but he did it in order  to be closer with you and recover all of the time that he had missed. You guys got seated and waited for a few minutes and the movie started to play. But as soon as it started you got scared, in which resulted the popcorn being thrown away into the floor and your head into Namjoon’s chest and him hugging you and saying “I am here, don’t worry. I’ll protect you”  and then he started to pet your hair and stealing some pecks on your lips. 

Originally posted by namjoon-be-my-friend

Jimin: “Hey, Y/N” said your boyfriend. “Yes, Jimin” you said while facing him. “Let’s go somewhere?” asked Jimin. “Yeah, sure why not?” you said. “Then let’s go…” he said while grabbing your hand. “Where are we going, Jimin” you said struggling to get out of his grip. “To the movies” he said. “Oh..” you said while finally giving in. You guys quickly arrived. Since he wanted to keep the movie as a surprise, he went and order everything for you. All you had to do was to carry your snacks that he bought for you into the movie room. You guys sat down and the trailers quickly played in the screen. After a few of those, the movie finally started. You started to get happy but suddenly as the movie built the story, you could not help but feel impatient and asked yourself why you were feeling like this,  Until, suddenly a very scary scene played and you got so scared that you started to scream and shut your eyes, but you keep screaming. Since you could not hear what Jimin was trying to say , he grabbed your wrist and quickly headed you out of the movie room. Right there he hugged and kissed your lips in order to make you feel better. 

Originally posted by kookielife

Taehyung (V): *ring* *ring* your phone rang. You saw the ID caller and it was your cute loving boyfriend. “Hello V!” you said sounding happy“Hi, Jagiya!he said. “Listen, the guys and I were wondering if you like to come to our place to watch a movie” he added“Yeah sure, I would love too!. At what time?” you asked. “Come at 7pm” he responded. “Ok, see you” you said while made a kissing sound and he did the same thing too and he hung up. 7 a’ clock came by and you were already pushing the door bell. “Hello, who is this?” said a voice, which you recognized as Suga. “You know who its!” you said. “Are you Y/N??, because you are not allowed in here” said Suga teasing you.  “YES!! It is me…Just let me in” you pleaded. “No can do!” Suga said. “Suga!!” you screamed and then you saw the door open and it was Suga and you playfully hit his arm and he screamed in pain “Its not so good to see you” said Suga while still touching his arm. You just rolled your eyes and then Namjoon saw you and he screamed “V, Y/N is here!!” and then your loving boyfriend came running to you like a loving puppy does to his owner. “I missed you” he said while hugging you. “I missed you too” you replied. “AHG….Guys get a room” said Suga. “Shut up” said V. “Guys the movie is starring!” screamed Jin. You guys ran to the living room sitting on the floor because there was no more space on the couch.  After a couple of minutes passed and you were so lost in your thoughts that you had no idea what happen until something unexpected happen in the movie which scared you to death and you started to scream. V being confused about your sudden reaction, but then he understood that you got scared and  he asked if you were ok and then he would just hold your hand to make sure you were actually ok. 

Originally posted by jiyoongis

JungKook: “Y/N how about we watch this movie” he said while pointing to the TV in which it showed a movie trailer. The trailer looked like an ordinary movie so you went along with it. JungKook took you to the nearest Movie Theater. You offer to pay for the tickets but he insisted that he had every thing under control. He took you to the snack stand and told to order anything that you wanted. You did and both of you happily walked into the movie room. You guys sat down and he quickly puts his arm over you and he made you face him. “If you get scared, just look at me and hold my hand” he said. “What do you mean if I get scared?” you asked confused. “Um.. This is a scary movie, Jagiya” he responded. “Really…” you said. “But the movie trailer looked like a normal movie” you added, sounding a bit disappointing. “If you want we could go and ask for a ticket change” he started to get up. “No, it’s fine. How bad could it be” you said convincing him that it was fine. He just nodded and as soon as that happen the movie started to play. At the beginning you thought that JungKook was just teasing you until one part of the movie that completely scared you and you did what JungKook told you to do if you got scared, and for doing so, he quickly kissed your cheek. 

Originally posted by apgujeon